We found 307207 price guide item(s) matching your search
There are 307207 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
307207 item(s)/page
Lot 45
Pair of French old Paris Sevres style porcelain lamps with gilt bronze mounts. The neck in the form of three putti holding the stem of the lamp aloft. Each porcelain base painted with two reserves of flowers and birds surrounded by a gilt frame against a turquoise blue (bleu celeste) ground.Each (without shade); Height: 31 3/4 in x width: 6 1/2 in x depth: 6 1/2 in
Lot 59
Quezal, American. A decorative Arts and Crafts lamp with a glass feather shade painted emerald green with swirling lines that resemble leaves. The glass shade is signed with the mark "Quezal" along the neck.Quezal was founded by two former employees of Louis Comfort Tiffany's glassworks, Martin Bach and Thomas Johnson. They named the company after the brightly feathered Central American quetzal bird and used similar manufacturing techniques employed by the Tiffany factory.Height: 12 in x width: 9 1/2 in x depth: 5 1/2 in.
Lot 61
Gerda Iro Gottstein "Gerdago" (Austrian, 1906-2004) for J.B. Hirsch Company, United States. Art Deco lamp featuring a dancing harlequin or pixie figure with a crystal bubble glass orb supported by a small plinth. The lightbulb is hidden within the white metal plinth.Height: 8 1/2 in x width: 9 in x depth: 4 1/2 in.
Lot 71
19th century very rare and collectible puzzle. The puzzle consists of 24 wooden cubes with the different sides forming 6 images. The cubes are placed in a wooden box of 8 by 19 cm. The pictures are form the Orientalist story of the magic lamp and Aladdin.These kinds of puzzles were often played by children from prominent, rich families.
Lot 101
Lamp-anchor-holders, early 20th century.In polychrome pine wood.It has minor damage due to use and the passage of time. There are traces of woodworm that are not active today. Electrified. In working order.Measurements: 144 x 40 x 25 cm.Lamp-holders of two figures in wood polychromed in black in the area of the skin and in gold in the area of the details such as the clothes and the torch that they hold in their hands. The torch acts as a lamp-holder which is electrified.
Lot 118
Ceiling lamp, 1970s.Enamelled metal and chromed metal.Measurements: 195 cm. maximum extension; 42 cm. diameter.Ceiling lamp with clean and sober shapes, adjustable height, with black enamelled lampshade, bevelled shape, which exemplifies the design taste of the seventies, which sought to subordinate function to an elegant economy of form.
Lot 106
Dónal Ó'Conaill - 20th Century Irish School "The Lamp Lighter," gouache / pastel on paper, signed lower right, depicting Street Scene at Night, with Figures and Pram to the foreground and Gentleman lighting the Lamp, approx. 21cms x 25cms (8" x 10"), m/ss label on reverse (faded), oak frame. (1) Provenance: Important Private Collection, West of Ireland
Lot 172
George Edwards Hering, British 1805-1879- Mediterranean coastal landscape; oil on panel, tondo, diameter 24.2 cm. Provenance: with Oscar and Peter Johnson, London, May 1974.; The Collection of Sir Nicholas Goodison. Exhibited: London, Oscar and Peter Johnson, ‘Continental Views by English Artists’, 1974. Note: The present work is characteristic of the oil paintings by Hering, an artist whose output frequently consisted of striking views of the Mediterranean coast, informed by his extensive travels through Italy and along the Adriatic into Greece. His paintings are defined by their vast, expansive horizons, punctuated by mountains, ruins, or, as in the present work, towering trees. Here, the pink hues of the skies suggest the coming of evening and impart the work with a romantic sense of serenity.Held in an English gilded composition frame, circa mid-19th century with plain spandrels and tondo aperture and centres and corners in high relief. Applied tablet lower centre rail reading 'G.E.Hering'. Some rubbing to the gilded surface on the high points of the mouldings and spandrels and cracking to the mouldings here and there. Short cracks to the spandrels to the centre points at the sight edge. Outside measurements of the frame are: 45 x 45 x 5 cm. The brown paper taping on the reverse is of recent application.The panel sits well in the frame. The paint surface is stable on the support. It is subject to some slightly raised curvilinear crazing and has been cleaned and re-varnished.Under inspection with UV lamp there is a small amount of retouching in the lower sky between the foliage of the two lower trees centre right; above the buildings, centre; and in small spots in the sky centre and far left.Overall in very good condition.
Lot 50
Attributed to Anthonie Palamedesz, Dutch 1601-1673- Portrait of a lady, small-half-length, in a green and white dress with white collar, in a feigned oval; oil on panel, 21.5 x 16.2 cm. Provenance: Anon. sale, Christie’s, London, 12 December 1996, lot 310.; The estate of the late designer Anthony Powell. Note: The present work is a remarkably powerful portrait, with its small scale creating a heightened sense of intimacy between the sitter and the viewer. The painting has been executed with incredibly fine brushstrokes, thereby creating a sensitive and life-like depiction, and allowing the artist to evoke a strong sense of the sitter’s presence. The style and subject-matter situate the painting firmly in the context of the 17th-century Netherlands, particularly evident in the elaborate clothing of the sitter, with her sumptuous lace collar recalling those depicted in the portraits of contemporary artists such as Frans Hals (1582-1666). The formal, restrained pose of the sitter imbues her with a sense of gravitas which, along with her rich garments and gleaming pearls, emphasise her status and wealth. Born in Leith, Scotland, Palamedesz’s father was an artist in the service of the Scottish King James VI. His family moved to Delft in the Dutch Republic when Palamedes was still young, and it was there that he received his training under leading portrait painter Michiel Jansz. van Mierevelt (1566-1641) and history and genre painter Hans Jordaens (1555-1630). The panel is secure in the frame and sits well.The paint surface is stable on the support. Some losses to the paint surface, particularly at the left and lower edges and where the feigned oval meets the dark background to the right. Some further areas where the paint appears thin. Some minor scratches, abrasions, marks and surface dirt. The painted details, especially to the sitter's face, hair and dress are very well preserved. Under UV lamp, old retouching to the feigned oval line in the round, to the left corners, to a small area to the right of the sitter's head (her left, either side of the oval line), and some tiny and localised spots to (presumably) soften some of the natural circular irregularities in the panel around the sitter's head. Very little to no retouching to the sitter herself. Overall in very good near original condition.
Lot 437
An Edwardian silver sucrier, of lobed circular form with hinged cover, and with lobed ebonised finial by Atkin Bros, Sheffield 1904, 11.5cm high, a Chinese silver twin handled trophy bowl, by Zee Sung, 10cm wide, a pair of Chinese silver spill vases on hardwood bases, a silver oil lamp by Mappin & Webb, Birmingham 1912, 20.5oz overall weighable, and a set of three late Victorian silver plated serving spoons, cased. (6)
Lot 24
A charm bracelet, the 9ct gold curb-link bracelet with padlock clasp, suspending a collection of assorted 9ct gold, yellow metal and white metal mounted pendants and charms, to include a Victoria sovereign, dated 1899, loose mounted in pendant frame, an Edward VII half sovereign, dated 1902, loose mounted in pendant frame, an enamel fish, stamped 'SILVER', and a 9ct gold Aladdin's lamp, bracelet length approximately 17cmApproximate gross weight only 74.5gm.
Lot 84
AFTER THE ANTIQUE- A BRONZE FIGURE OF ATLAS NOW FITTED AS A LAMP PROBABLY ITALIAN, EARLY 19TH CENTURY AND LATERWith later gilt metal sliding candle holder, red and yellow decorated Tôle Peinte shade figure and marble base 25.5cm high, 68.5cm high overallCondition Report: This is not (and has never been) wired for electricity, the one socket that can be seen is for a candle - there is wax and deposits where this has been used for this intended purpose. There are no fitments for bulbs.The shade and supporting arm appear to be later as per the description, the figure was probably a sculpture in its own right before the fittings were added, there is a plugged hole to the top of the neck where the globe would have sat previously.The figure is solidly and securely on the marble baseThe gilt metal with signs of wear, discolouration to gilding, the tinware shade with knocks, scratches, losses, wearPlease refer to additional images for visual reference to conditionCondition Report Disclaimer
Lot 326
A quantity of glassware to include an orange carnival glass bowl and crystal models of mice, A/F, mixed silver and silver plate to include a teaset and napkin rings and apostle spoons, together with Nestle gold tone teaspoons and a brass twin arm table lamp, together with a French Majolica 19th century jug in the form of a frog, together with an Amphora style vase and a Caithness glass bowl and other itemLocation: 8:3/4:1
Lot 302
Various decorative effects, giltwood cherub lamp with glass droppers and brass mount, 46cm high, highly decorative cherub mirror, various others, light fittings, etc. (a quantity) WARNING! This lot contains untested or unsafe electrical items. It is supplied for scrap or re-conditioning only. TRADE ONLY
Loading...-
307207 item(s)/page