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Click here to subscribe*A Solid-Tyred Safety Bicycle. A black-painted bicycle with good quality, old-style nickel-plating and retaining its rear and front mudguards, front plunger brake, 30 x 3/4-inch wheels with good rubber tyring, inch-pitch chain driven by 6-inch cranks and chain wheel covered by a chain-guard. Other features include a lamp bracket, refurbished leather saddle, period-style pedals and 26-inch handlebars with turned wooden grips A very presentable machine. (1)
*A 1950 Raleigh 'Superbe' Roadster. Retaining its original dark green enamel, with correct labelling and all fittings, this is a rare post-WWII model with Bowden cable brakes, stainless steel rims and spokes, and owing to war shortages, a three-speed Sturmey Archer rear Dyno hub dated 1950, fitted is the correct Lucas head and rear lamp, together with the down tube battery holder, its steering lock retains its key together with a Brooks B56 leather saddle, calliper brakes, saddle bag, prop-stand, chain case, green pump and mudguards. The enamel and chromium-plating are in marvellous order given that this is 65-year old survivor (1)
*A circa 1931 Raleigh Record. A forerunner of the Record Ace, a lower frame model with a number of 16761, having a black enamel finish and decals, the 22-inch frame includes a chain wheel dated 'S' (1931), driving a double fixed hub, Endrick rims with wingnuts back and front, a Bowden cable operated contracting brake to the front wheel, North Road handlebars mounted on a single tube extension, Raleigh pneumatic pump, rat-trap pedals with toe clips and a Lucas 'Calcia Cadet' acetylene gas lamp fitted to the nearside fork with a bell and a B17 saddle (1)
*Four oil-powered lamps. A Premier Lamp and Engineering Co. miner's safety lamp, having a threaded oil reservoir, hand controls and etched glass shade, a Duntaffell cart lamp with its correct oil illuminant, a square pattern oil side lamp and a British Rail, clear, red and green guards hand lamp with a near perfect black enamel finish, all in good, sound condition (4)
*A 1916 Badger Brass Mfg. Co., 'Solar' acetylene gas-powered lamp, in what appears to be in unused condition, and features its correct mounting bracket, burner, side glasses and water control valve, offered with the lamp are instructions for use and its original delivery box, the box is complete, but the top of the box has come away from its sides (3)
*A circa 1885 Singer & Co. 56-inch Ordinary, having an oval backbone swaged at the rear to incorporate forks holding an 18-inch trailing wheel, the hollow fluted front forks hold adjustable main bearings and a bronze hub with 6-inch slotted cranks and 'Matchless' type pedals, a 20th-Century made hub lamp is fitted, the 3/4-inch crescent rims possess butted spokes and black rubber tyring, 26-inch hooped handlebars with 'T' handles are fitted and an 'International' type saddle with a later leather cover, also offered is a Victoria No 24 Ruggle bell, two early spanners, one example marked 'Singer', and a patented bicycle lock with a key (5)
*A circa 1869 Vélocipède. Finished in a pleasant shade of red with cream lining to the wheels and both fork stays, the front wheel measuring 33 1/2-inches and the rear is 29 inches, they appear to possess their original iron tyring, other features include a working brake mechanism, leather-covered saddle pan, leather panniers, 22 1/2-inch handlebars and turned oak grips, the wooden triangular pedals are fitted to 7 inch cranks and the main bearings are good but appear to need adjustment via the tapered pins, this machine comes with an (out of period) Rose Mfg. Co., oil lamp fitted to a purpose-made bracket, and a Ruggle Bell, with a little adjustment, a useable bicycle (1)
*Cabin Bulkhead Lamp. Manufactured by the 1868-founded company, Bulpitt & Sons of Birmingham (1916), a three-glass windproof oil-powered lamp with a key wind-burner, via sliding door, air control arbour, sliding fluted chimney to allow for cleaning the hinging top and glass replacement, together with a wooden grip carrying bail and stout rear mounting bracket, of quality brass construction, 50cm high including handle (1)
*W. H. Tilley Floodlight. An impressive and large free-standing paraffin-powered lamp from the renowned Tilley Company, this lamp appears complete with a wooden handle pressure pump, mantle (still available) carrying handle, stand and patented crack-free front glass, retaining its original black enamel finish, it stands 66cm high, possesses instructions for use and appears to be in working order The name Tilley became a generic word for a kerosene lamp during the Great War. (1)
A 20th century hardwood figure of Liu Hai with familiar toad standing below the sun, once holding a string of cash, his toad on the ebonised base by his foot, 61cm (24 in) high The cash has been broken from the string that Liu Hai holds. A lamp fitting has been screwed to the back of the group
Style of Thomas Hudson (English 1701-1779) 'Portrait of a Seated Lady Holding a Garland of Flowers' Oil on canvas, approx 1204x102cm, framed. (illustrated) CONDITION REPORT: Picture looks to have been cleaned / restored. Canvas has some age to it. Under UV lamp signs of re-touching to chest, hands, background etc. Canvas tight, all keys to frame present. Nails to the canvas frame. Canvas frame secured with modern brackets. Frame damaged. Looks to be 18th century.
A Victorian silver plated and cut glass table lamp With a cit glass reservoir of shallow form overall cut with interlaced lozenges star shaped motifs and facets supported on a vase shape rams mask mounted column embossed with c scrolls, leaves, fruit and lozenges raised upon triform scrolling feet with leaf supports, 69cm high with a later fitting.
Attributed to Alfred de Breanski RBA (British 1852-1928) 'Near Arrochar NB' Oil on canvas, signed, approx 50x73cm, inset in elaborate gilt frame. CONDITION REPORT: Canvas has beenrelined. Under UV lamp the sky has been retouched. Cupping to paint, cracks to paint. No date to signature. Have been cautious to attribution due to copies of this artist being about.Damage to frame.
DIPA-LAKSHMI Tamil Nadu, South India, 19th century cast brass, the female deity standing with her hands held out, wearing large earrings and copious jewellery, hair hair in a long plaited ponytail, later wood base 28cm (excluding base) Provenance Lilavati and Bengt Hager Collection, Sweden Condition: General wear, lamp tray missing, casting faults behind feet at the back
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