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Lot 531
A large Edwardian Corinthian column lamp, on a stepped square base with stamped festoon decoration, fitted with a cut glass oil reservoir, a plated wick holder, a pink glass shade and a clear glass chimney, the base by Hawksworth Eyre and Co. Sheffield 1902. 13in (33cm) high to top of column.
Lot 10
A collection of Czech style glasscomprising: a twin handled bowl, lavendar with pink trellis design, 28cm wide; a globular shaped table lamp, green and pink with two amber trails, 18cm high; an ovoid table lamp, lavendar, brown and silver flecked, 15cm high; a white metal mounted biscuit barrell and cover, blue with aventurine, 13cm high (4)
Lot 17
A late 19th century cut glass and brass oil lampby Youngsthe cut glass well above hexagonal column and square graduated base, 54cm high; a cut glass lamp with ovoid column and plain foot, 35cm high, a globular shaped cut glass lamp shade, 14cm high; and a shaped circular clear and amber glass shade with etched swans, 14cm high (4)
Lot 34
A 19th century cut glass decanterof flared tapering form with silver cover, the thumb piece as a lady golfer, 30cm high; a silver and black marble pen rest decorated with a golf bag, 23cm wide; a silvered lamp on marble base with figure of a golfer, 27cm high; and a cased set of butter knives with mother of pearl golf club shaped handles (4)
Lot 179
Picerli, Silverio. Specchio secondo di musica, nel quale ... Canto figurato, e fermo. Naples: Matteo Nucci 1631. First edition, 4to. pp. (viii) 196 (viii), frontispiece engraving of Apollo (?) added, printeres dragon woodcut device within red-printed Cardinales hat on titlepage, musical scores throughout, contemporary limp vellum gilt, stamped in gilt on coves with eight hedgehogs within ornate oval frame, gilt border with one hedgehog at each corner, lower outer margin of D2-E4 slightly chipped, tears to two leaves [no loss], light lamp-oil stain to one gathering, occasional early manuscript annotations, a few leaves unopened Note: Second song manual written by Fr. Picerli and dedicated to Cardinal Boncompagno, Archbishop of Naples. The year before, Fr. Picerli had presented Cardinal Boncompagno with the first ÔSpecchio di musicae. A third one was expected to be published soon, as the Apostolic censor noted in his imprimatur on verso of titlepage, but no copy has been located. Fr. Silverio Picerli was a C16 Italian music theorist, a theologian and a Franciscan friar. He was successively Superior of the monastries of S. Maria Maddalena and of S. Chiara, in Naples. The depiction of hedgehogs (Ôriccie in Italian), on the binding, implies that the first owner belonged to an Italian family with this surname, perhaps the ÔRiccie family of musicians from Naples. BM STC It. C17 II p. 683. ÔLibrary of Congress. Catalogue of Early Books on Musice p. 209.
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307207 item(s)/page