'LUCAS KING OF THE ROAD' VEHICLE OIL LAMPmarked to a plaque No 742, with a fixed handle above a lens aperture with a small red lens to the rear, with vehicle fixing mounts, 34.5cm high; a similar 'Lucas King Of The Road' vehicle oil lamp, marked to a plaque No 722, with a fixed handle above a circular glass lens, now lacking it's rear red lens, with removable reservoir and wick and a vehicle fixing mount, 31.5cm high; and a copper inspection lamp with a perforated body, marked Lamp Inspection Mark II Commercial Pattern, with electrical lead and suspension hook, 20cm long excluding lead (3)
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LARGE BRASS TABLE LAMPraised on an octagonal base with an Aladdin lamp style body and coral shaped shade, 78.5cm high; two brass table lamps of classical design, one with an apple green shade, 57cm high, the other with a shaped cream shade, 54.5cm high; and a Valsam antiqued lamp with a pleated raspberry shade and another similar shade, 42.5cm high
Daum, Nancy, a good cameo glass table lamp, circa 1910, with wrought iron fittings, the shade signed in cameo Daum Nancy with the Cross of Lorraine, the base signed in cameo DN with the Cross of Lorraine 50cm (20in) Other Notes: Auguste and Antonin Daum took over their father's factory in 1890s and began to produce art glass, introducing their cameo glass wares at the Chicago World Fair in 1893. Cameo glass is made with multiple layers of glass carved to achieve a design in low relief and sometimes combined other techniques such as enamelling and intaglio carving. The Daum brothers were greatly influenced by their neighbour Emile Gallé. The Daum glass became increasingly popular after Gallé's death in 1904. After the First World War, the Daum shifted production away from Art Nouveau to Art Deco designs and began to mass produce pieces using the different technique of Pâte-de-verre.

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