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German 1930s metal dolls’ house chattels, a standard lamp with hanging celluloid lampshade —4 1/2in. (11.5cm.) high, three trays with glass surfaces, one with six and another with four metal hock glasses, the third with six metal tumblers, a floor gong, an ink stand, a cutlery tray and mantel clock
Dolls’ house chattels 1930s to recent, a celluloid lamp shade on ceiling light fitting, two deckchairs, similar to Pit-a-Pat, a dressing table mirror, two cutlery boxes, one empty, a wooden rocking horse, an Erzgebirge miniature perambulator, three table lamps and other items including a modern golf bag and stick stand
Pit-a-Pat and other makers dolls’ house items, Pit-a-Pat - a printed picture of a cottage garden with red square label —2 3/4in. (7cm.) high, a turned wooden table lamp with red shade and folding screen, both with ink stamps and ironing board; a Tri-ang wooden cake stand, unknown tin peddle bin, table lamp and carpet sweeper
An unusual Spanish façon de Venise latticinio vase and cover, probably Catalan, late 17th or 18th centuryOf pale brown tint, decorated in vetro a retorti formed from two layers of glass, with a rete bands alternating with wavering spiral bands all in opaque white, the shouldered form and spreading foot formed from one gather, a central basal 'plug' inside the base, the high domed cover mirroring the form of the vase, with an integrated hollow knopped finial, 23.1cm high (2)Footnotes:ProvenancePaul Gresswell-Wilkins CollectionWhilst no other comparable vessel would appear to be recorded in the literature, the tint of the metal and style of the latticinio decoration is paralleled by several Catalan cantirs and porrons also blown from one gather, see O Mikhailova, Spanish Glass in the Hermitage (1974), nos.11-12 and 18, col. pls.12 and 16. The form of the hollow finial is paralleled by a Catalan latticinio lamp illustrated by Anna-Elisabeth Theurkauff-Liederwald, Venezianisches Glas der Veste Coburg (1994), p.494, no.619.For further information on this lot please visit Bonhams.com
An interesting sketchbook on glass by Mrs A Watson, dated 1873 The cover titled 'SKETCHES ACCOMPANING[sic] MS NOTES ON THE HISTORY OF GLASSMAKING. Mrs. A Watson 1873 London.' in ink, containing thirty-three watercolours and two pencil sketches of ancient and early modern glass in the British Museum, predominantly from the Felix Slade Collection, arranged chronologically and variously titled 'EGYPTIAN', 'PHOENICIAN', 'EARLY CHRISTIAN', 'ROMAN', 'ANGLO SAXON' (loose watercolour), 'PERSIAN', 'VENETIAN', 'ARABIAN', 'ASSYRIAN', 'GERMAN' AND 'CHINESE', together with an English jug titles 'Quen Marey' [sic] (loose watercolour), including core-formed vessels, blown vessels, façon de Venise glasses, an Islamic mosque lamp, a 'Reichsadler' enamelled tankard and others, 21cm x 13.5cm Footnotes: Some of the watercolours in this sketchbook would appear to be directly copied from the Catalogue of the Collection of Glass formed by Felix Slade Esq, F S A, with Notes on the History of Glass Making by Alexander Nesbitt, Esq, F S A (1871). This lot is subject to the following lot symbols: • • Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium. For further information on this lot please visit Bonhams.com
A brass reproduction of an underwater oil lamp after Louis Denayrouse:, based upon the 1873 design, the swing handle over duck valve and cylindrical shade enclosing oil burner, on a tripod base with central air flow regulator, 69cm high.* See page 99, vol 2, 'Diving Helmets and Equipment Through The Ages'.*Provenance- Lot 259 The Anthony and Yvonne Pardoe Collection of Diving Helmets and Equipment, Bearnes Hampton & Littlewood, 15th June, 2016.
Arts and Crafts brass standard lamp, Benson style, on shaped tripod legs, height to fitment 142cm.Condition report:The column may have originally had a rise and fall mechanism, now defective. Shape is good, stands upright, and the scrolled supports are firmly attached. Some spotting to the patina but generally good.
A pair of Japanese cloisonné enamel baluster vases, 32cm high, and a Japanese Imari porcelain baluster lamp (3). Provenance: From Munstead Wood. The contents of the property are being sold by the former owners of the important country house which has now been purchased by the national trust. Munstead Wood is a Grade I listed house and gardens in Godalming Surrey. The garden was created by garden designer Gertrude Jekyll and became very well-known through her designs, and her books and articles in magazines such as Country Life. The Arts and Crafts style house was built for Jekyll and she lived there until 1932, Munstead Wood was designed by the architect Edwin Lutyens to compliment the garden with Jekylls influence on the original design. Munstead Wood was the first, and perhaps therefore the most important, collaboration between Jekyll and Lutyens in garden and house design. These collaborations number around 120, with other well-known examples including Deanery Garden in Berkshire and Hestercombe House in Somerset. Jekyll transformed the site over the years, first meeting Lutyens at Munstead Wood in 1889 when the collaboration began, and she lived there until her death in 1932. Prior to the sale to the National Trust, Munstead Wood was the vendors family home for more than 50 years, the owners over this time were Sir Robert Clark and Lady Clark who were responsible for the house and gardens regeneration to return it to its original concept.

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