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Louis Moreau (1883-1958) - Primax, patinated spelter figural lamp, the classical semi-nude male figure in standing pose holding a torch and an oak branch aloft, with flaming glass shade, raised on naturalistic base to further integral titled socle, signed Louis Moreau Salon Beaux A to the cast, overall h.94.5cm
Alice Maud Fanner (1865-1930) - The Thames at night, oil on canvas (re-lined), signed lower left, 35 x 30cmCanvas is relined.On original stretchers.Paint good and stable.Lightly varnished at some point.Would benefit from a gentle clean.UV lamp shows a tiny area of overpaint in lower left corner where it has rubbed against the mount, otherwise apparently original.
In the manner of Charles d'Agar (1669-1723) - Two young gentleman archers in a landscape with estates beyond, one in classical dress, oil on canvas (re-lined), 99 x 125cm We are certain that this is 18th century.Relined.Paint good and stable, no craquelure or breaking out.UV lamp shows numerous small areas of overpaint and touching-in.Scarf to smaller archer may be later added.Would benefit from a clean.Frame is tired and has some moulding losses.
A Chinese Porcelain Guglet, Qianlong, painted in the Imari style with peonies and chrysanthemum 24cm high A Chinese Porcelain lamp base, 20th century, of gourd shape, painted in underglaze blue in Ming style with dragons between lappet and stiff leaf borders, character marks 33.5cm high A Chinese Cinnabar Lacquer Cylindrical Jar and Cover, Qing dynasty, decorated with figures in a landscape under pine trees 8cm high (4) Guglet - chipping and losses to rim and footrim, some staining, heavy loss to the gildingBase - large U-shaped section re glued to the rim, an object stick insideCinnabar - some minor cracks, chips and losses to the lacquer, overall in fair condition
Tuduc Prayer RugRomania, circa 1900The indigo field with three angular niches, each with hanging lamp, flanked by six columns and a pale mustard panel of stylised tulips enclosed by floral cartouche borders flanked by guard stripes224cm by 138cmUpper and lower Kilims both holed and with damage. Selvedges missing binding cords in several areas. Pile fair/slightly low. Carpet measured to include killims, slight variance because of fraying. Width measurments correct.
A Six-Piece Victorian Silver Tea and Coffee-Service, by Robert Garrard, London, 1838 each lobed tapering cylindrical and on spreading foot, chased with foliage, flowers and rocaille on a matted ground, engraved with a coat-of-arms or crest, comprising a coffee-pot, stand and lamp, the coffee-pot with ivory handle; a teapot and stand, the teapot with-ivory insulated handle; a cream-jug and a sugar-bowl Together With a waste-bowl made to match, by Robert Garrard, London, 1843 the coffee-pot and stand 29cm high, total gross weight 127oz 19dwt, 3,980gr (7) Provenance: Arthur Saltmarshe and his wife Caroline, probably by descent Possibly The Contents of Saltmarshe Hall, Jackson-Stops and Staff, June 1971. The arms are those of Saltmarshe with a crescent for difference impaling those of Oswald for Arthur Saltmarshe of Howden, East Riding of Yorkshire and his wife Caroline, daughter of Alexander Oswald Esq.With non-transferable standard ivory exemption declaration number PW3ZJZAX. Each piece fully marked underneath. Most pieces further stamped with maker's name. Further part marked under lamp and on lamp cover, on finials, inside covers and on teapot handle. There is some wear to the marks, particularly under the coffee-pot, though in general the marks are still clear. There is some overall surface scratching and wear, consistent with age and use. The wear is worse on some pieces than on other, particular the teapot and cream where the engraving and decoration is noticeable softened. Some piece with bruises. There is some cracking and discolouration to the ivory handle and insulators, though each is clearly from the 19th century.
Nikon F Hand Fundus Camera, 1964Nippon Kogaku, Japan. Nr. 670853, schwarz lackiert, für runde Bilder von 21,5 mm auf 35mm-Film, original mit einer Verschlußzeit für Blitzaufnahmen ausgerüstet. Wechselbarer Sucher, fest anmontierte ophthalmologische Optik zur Retina-Photographie, bei der der Patient sich mit beiden Händen an den Knäufen festhalten kann. Die Kopfstütze ist höhenverstellbar, ebenso das Stativ für die Kamera, das um die untere Achse herum trägheitsstabilisiert ist. Die Kamera ist für Handaufnahmen abnehmbar. Mit anklemmbarer Positionierlampe zur Orientierung. Eine sehr seltene Version der Nikon F in gutem Zustand, die durch das Weglassen jeglichen Zubehörs für Kameradesign-Sammler als die wohl puristischste aller Nikon F gelten kann. Start Price: EUR 600 Zustand: (3/3)Nikon F Hand Fundus Camera, 1964Nippon Kogaku, Japan. No. 670853, black-painted, for 21.5 mm circular images on 35mm film, originally equipped with a shutter speed for flash photography, interchangeable viewfinder, permanently attached ophthalmic lens for retina photography, grips for the patient to hold and attachable positioning lamp for orientation, good condition. - Note: The head mount is height- adjustable, as is the tripod for the camera, which is stabilized at the lower axis but remains detachable for handheld shooting. - A very rare, pared down version of the Nikon F without the accessories popular with camera design collectors. Start Price: EUR 600 Condition: (3/3)

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