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Click here to subscribeMilitary interest: WW1 death penny and certificate for Pte Clifton Spencer, 3 Bn S. African regiment. Penny in cardboard case and certificate in tube; a quantity of assorted brass badges, cloth badges and a sergeant's armband; 1963 letter and two photos related to Cadet training, WW2 era RAF emergency box 'Gibson Girl' kite; and an antique Lucas & Sons 'Silver King of the Road' bicycle lamp.
Shirley Hayes for Moorcroft, a table lamp in the Pheasants Eye pattern, with shade, overall H: 55 cm, no cracks or chips. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P
Manner of Paul Kiss Art Deco floor lamp, circa 1930 Wrought iron, glass 173cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamp with general surface wear throughout to include scratches, marks and signs of oxidisation throughout. Lamp is without light fittings but electrical wire is present.
After Angelo Lelii Two easel floor lamps, second half 20th century Brass, lacquered metal 206cm and 202cm high respectively (2) (VAT charged on the hammer) It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamps are untested, one lamp with loose shade (requires tightening). Both shades with small dents and surface wear to include light scratches and small losses to enamelled finish. One shade with visible re-sprayed area. The stands both with scratches and tarnish marks throughout. The easel mechanisms all work fine.
Peter Nelson (1928-2009) for Architectural Lighting Ltd Model 'FA2' floor lamp, circa 1967 Aluminium 138cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: Lamp is currently not in working condition, one cord with small split and wires visible within (would recommend re-wiring). Metal surfaces with light even patination throughout, some light scratches and some minor areas with light tarnishing to surfaces.
Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Totem floor lamp (not wired), 1965 Glazed stoneware Unsigned, together with signed Rooke Gallery certificate 93cm high (ARR) Provenance Bernard Rooke Gallery Private collection, UK Footnote Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few. Condition Report: Light general surface wear, in generally in good condition, there is one minor visible crack emanating from the wire hole to base which has been filled
John and Sylvia Reid for Rotaflex Lighting Ltd Scarce 'Metallux' floor lamp, circa 1956 Enamelled steel 152cm high Literature 'Austerity to Affluence: British Art & Design 1945-1962', The Fine Art Society, London, 1997, PD38, page 101 It is the buyer's responsibility to ensure that electrical items are professionally rewired for use
Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Totem floor lamp (not wired), 1968 Glazed stoneware Unsigned, together with signed Rooke Gallery certificate 105.5cm high (ARR) Provenance Bernard Rooke Gallery Private collection, UK Footnote Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.
Lumen Desk lamp, circa 1955 Enamelled aluminium, brass, bakelite, marble 38cm high It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: circular domed shade is very slightly bent in places, not overly noticeable, there are some small scratches and scuffs to enamel work to interior of shade. All brass parts with even patination/tarnishing throughout. Bakelite and marble in generally good clean condition. The light switch to shade is possibly a later adaptation. The bulb holder has been replaced and would require tightening as it currently sits fairly loose within the uplighter shade.
Samuel Lipchytz (Lipszyc), (1880 -1943) Art Deco sculpture of a water carrier, circa 1920 Silvered bronze, ivory, onyx 56.5cm high Ivory Submission reference VHK642XJ Footnote Samuel Lipchytsz (1880 Pabianitz - 1943 Auschwitz) was a Polish-French sculptor who worked in Paris in the early 20th Century. Similar to his contemporary Demétre Chiparus, he specialized in female figures and dancers. He exhibited at the Paris Salon between 1918 to 1935.Condition Report: Overall general surface wear to include scratches and scuffs. Item was originally a lamp, with remnants of old wiring. Silvering is badly tarnished. Ivory has yellowed. Figure is is missing both hands and has only one alabaster water barrel which is damaged. The base with general surface degradation, with small chips and losses and one larger chip to corner of bottom tier.
Gino Sarfatti (1912-1985) for Arteluce Model '600P' lamp, circa 1966 Lacquered metal, leather Manufacturer's label 21cm high Literature Clémence & Didier Krzentowski, 'The Complete Designers’ lights II', JRP Ringier, 2012, p. 251 It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: There is very fine craquelure throughout to lacquered finish on metal, the lamp with general even discolouration through out and surface wear to include light scratches and scuff. The lamp has a European plug.
Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Totem floor lamp, 1978 Glazed stoneware Unsigned, together with signed Rooke Gallery certificate 100cm high (ARR) Provenance Bernard Rooke Gallery Private collection, UK Footnote Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.
Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Totem floor lamp (not wired), 1966 Glazed stoneware Unsigned, together with signed Rooke Gallery certificate 100cm high (ARR) Provenance Bernard Rooke Gallery Private collection, UK Footnote Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.
Murano Pair of table lamps retailed by Svenkst Tenn, circa 1960/70 Blown glass, brass Each with Svenkst tenn label 64cm high (2) It is the buyer's responsibility to ensure that electrical items are professionally rewired for use Condition Report: One lamp with damaged and re-glued glass mid-way down the stem, otherwise general light surface wear commensurate with use to include faint scratches
Bernard Rooke (b.1938), From a Private Collection of Gallery & Exhibition Pieces Table lamp, 1969 Earthenware Marked 'B Rooke' 57cm high (ARR) Provenance Bernard Rooke Gallery Private collection, UK Footnote Bernard Rooke studied painting and lithography at Ipswich School of Art during the mid fifties before going on to study printmaking and ceramics at Goldsmiths College, London in 1959. In 1960, he established a workshop in Forest Hill, London, with Alan Wallwork, whilst lecturing at Goldsmiths College and St. Mary's College, London University. In 1967 Rooke moved to Ipswich, where he opened the Bernard Rooke Gallery. Rooke's works have been exhibited in the UK and abroad, and are held in collections such as the Victoria & Albert Museum, Leicester Museum, and Trondheim Museum, Norway, to name but a few.
A 20th century French Louis XVI revival six arm chandelier alongside a gesso side table lamp. The chandelier having six fluted arms, extruding from a circular body, with rounded finial from bottom. The lamp having a barley twist manner central column, with gilt body. Measures approx. 120cm x 88cm x 88cm.
A large 20th Century circa 1920s / 1930s Chinese converted lidded china vase / urn into table lamp light. The vase having pale yellow ground with hand painted blue flowers and twin handles with brass light fittings to top, raised upon a square bracket gold base. Together with a large shade. Measuring approximately 87cm x 43cm with shade.
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