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A Blanc-de-Chine Figure Group converted to a lamp. Modelled in the form of two Buddhistic figures; one stood on a lotus flower, the other squat down alongside opening the lid of a basket to reveal a bat within. The swirling wave form base on a gilt metal foot plate with lamp stem to the back and an oval 'pagoda' shape edged in fringing. 14 ins (36 cms) in height.
A Late 19th Century Cantonese Converted Lamp Vase on a gilt bronze foot. The baluster body decorated in polychrome enamels with figural panels amidst flowers, foliage, fans and butterflies, and having gilded kylin heads bearing rings on their mouths relief moulded either side, 14½ ins (37 cms) in height.
A 19th Century Chinese Ceramic Figure of an Immortal mounted as a lamp. The hollow moulded figure depicted with a bald head and smiling open mouth, holding a branch of peaches in one hand and a ruyi scepter in the other. His light green glazed robe decorated with pink enamelled flowers. The gilt brass base with fine trellis work band and a curved stem leading up the back bearing twin light fittings beneath an oval pagoda shaped shade with fringed edge, 18 ins (46 cms) in height.
A Pair of Victorian Black Patinated Bronze Garniture Urns on stepped slate plinths 11 ins (28 cms) in height. And a collection of small bronze figural ornaments; a lamp stand in the form of a stork standing on the back of a tortoise. A similar subject. A winged figure with lamp mounted on head, and a small bell with stork handle.
An Ornate Louis XVI Style Gilt Bronze Three Branch Hanging Lamp. The lamp suspended from three open link chains hung from a foliated crown surrounding the central stem cast in the form of a quiver of arrows. The scrolling branches bearing flambeau light fittings with moulded flame glass shades, 30 ins (76 cms) in length.
A Collection of Miscellaneous Metal-wares etc: A Flintlock Blunderbuss for the Turkish market. A decoratively cast reproduction gorget. A round shot flask. A brass repoussé jardiniere on lion paw feet. A copper starboard ship's lamp. A small hanging gilt metal 'Lantern' cast with decorative foliate scrolls. Pewter inkwell and bleeding dish. An oval burr-wood lidded box. A carved wooden bowl and cover, etc.
British School, mid-late 19th century- Cattle watering in a highland loch and figures in a boat with a castle in a highland river scene; oils on canvas, a pair, 20x40.5cm., ea., (2) (unframed) CONDITION REPORT: Both items: retain original wooden stretchers canvas not re-lined some staining on the revers eof the canvas with raised craquelure and bar marks subject to flaking around the edges paint brittle generally have been re-varnished at some point in time under inspection with uv lamp there is evidence of cleaning pin hole in canvas with castle overall fair condition
French Provincial School, early 19th century- Portrait of a gentleman, quarter-length in a black coat and white stock; oil on canvas, in a gilt composition moulding frame, 61x50.8cm CONDITION REPORT: frame with rubbing to the edges and mitres opening stretcher does not fit the frame frame is not the original canvas may have been re-lined but not in recent years much staining to the reverse of the canvas retains the original wooden stretcher there is flaking to the paint surface lower right and upper left there are numerous defects and patches of repaired blistering to the paint surface there is old craquelure on the paint surface under inspection with uv lamp there are numerous spots of restoration and retouching throughout overall in fair condition
Edwin Henry Boddington, British c.1836-1905 fl 1853-1869- River landscapes; oils on canvas, a pair, both signed, in matching gilt composition frames, 25x45.5cm., ea., (2) CONDITION REPORT: gilt composition frames circa mid 20th century both frames in good condition with original gilding both canvases have been re-lined both with replacement wooden stretchers both paintings have been cleaned under inspection with uv lamp both have areas of re-touching and over-painting in the sky and around the edges overall in very good restored condition
Manner of Nikolai Mikhailovich Romadin- River scene with woodland and cottages; oil on board, bears signature and date, in a hand-gilded empire style composition frame, 34x47.5cm CONDITION REPORT: frame in good condition with card slipcase with backing panel and green papering some old flattened creasing to the cardboard support most noticeable along the bottom right some markings and creasing to the corners of the board support under inspection with uv lamp the signature and date appear to have been added later further area of restoration and retouching visible along lower edge and edges generally otherwise good condition
Jack Pohl, South African 1878-1944- "Road to Lydenburg, Transvaal"; oil on canvas, signed and dated 1938, bears inscription on the stretcher, 35.5x51cm: George Paul Canitz, South African 1874-1959- View of a farmstead and mountains; oil on canvas, signed, 48x75cm: South African School, late 20th century- View of Table Mountain; oil on board, signed, 50x62.7cm., (3) (part unframed) CONDITION REPORT: Pohl: in a gilt composition swept frame frame later overpainted in gold coloured paint may not be the original frame canvas is loose in the frame canvas has not been re-lined retains the original wooden stretcher paint surface has been re-varnished in recent years some of this varnish has bled through to the reverse of the canvas canvas is subject to bar marks under inspection with uv lamp there is evidence of extensive overpainting and retouching throughout the paint surface including much of the sky and the foreground Canitz: unframed canvas is not re-lined subject to bar marks canvas a little ruckled otherwise good condition South African School: in a gilt moulding frame, circa late 20th century board is subject to recently applied taping on the reverse board support slightly bowed convex high gloss varnish applied to the paint surface otherwise good condition

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307192 item(s)/page