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Click here to subscribeA late 19th century oil lamp having a clear glass chimney, opaline glass shade, to Hinks No. 2 Duplex bayonet fit burner on blue opaline glass reservoir, the body with handpainted floral swags and butterflies to circular brass base terminating in scrolled feet, height including shade 66cm, together with two other blue opaline glass oil lamps (3)Floral painted example cracked to reservoir
A Chinese celadon glazed table lamp of twin handled shouldered octagonal form, mounted to turned hardwood plinth, height excluding fittings 42cm, together with a celadon glazed vase of compressed circular form, a celadon glazed jar and cover on hardwood base, and blanc de chine stick stand relief decorated with Chinese characters (4)
A mid-19th century Barnall & Sons Ltd large lidded tea tin later converted into a lamp. The tin painted and gilt with a Chinese scene of figures on a harbour terrace. Applied stamp reading 'Parnall & Sons Ltd. Manufacturers & complete shop outfitters for all trades, Narrow Wine St. Bristol'. Height of tin 50cm.
A Royal Brierley cranberry iridescent glass vase, marked to base, 17cm high, a carnival glass pedestal bowl, an iridescent moulded glass bowl, three Victorian wine glasses with cranberry glass bowls, a cut glass ice bucket with silver plated ring and swing handle, four opaque glass lamp shades and a leather cased pair of silver plate mounted glass bottlesCONDITION REPORTS & PAYMENT DETAILSIMPORTANT * Descriptions do not include condition reports. Please contact us to if you require further information or images. * Please consider shipping costs before bidding as this may affect your decision to bid * Please familiarise yourself with our payment methods. Our preferred method of payment is by bank transfer. We do not take cash or card payments.
A Pair of Chinese Cloisonne Tripod Censers, in 17th century style, of compressed globular form with ropetwist handles, decorated with lotus flowers and scrolling branches on a turquoise ground15cm diameterA Similar Vase, in Archaic style, of pear shape with angular handles, decorated with formal foliage on a blue ground, converted to an electric table lamp16cm high (3)Censers - handles slight mishappen. Usual pitting / pinholes to the enamel. One with a large bruise to one side with lacking enamel.Lamp - later converted and drilled to the underside. Small bruise to one side. Usual pitting as above.
A Gilt Metal Mounted Breche Violette Marble Lamp Base, in Louis XVI style, of urn shape with entwined serpent handles hang with ribbon-tied foliate swags, on a circular socle and square base, fitted for electricity71cm highTarnishing throughout the metalwork, particularly around the base. Some very small nibbles around the rim of the top section, the body has some natural fissures, the opposing side has a small fingernail sized chip and scuff (as photographed).
A George III Silver Coffee-Pot, Stand and Lamp, by Thomas Ellerton and Richard Sibley, London, 1804 the coffee-pot tapering and with fluted lower body, the hinged cover with baluster finial and with wood handle, the conforming stand with gadrooned border and fluted paw feet, with central lamp, each piece engraved with a crest30.5cm high, gross weight 42oz 5dwt, 1,314grFully marked under kettle. Further part marked inside cover, on stand, on lamp and on lamp cover. The marks are in general clear. There is some overall surface scratching and wear, consistent with age and use. The handle is possibly replaced.
A Seven-Piece Victorian Silver Tea-Service, by William Gibson and John Lawrence Langman, London, 1894-1897, Retailed by Goldsmiths and Silversmiths Co. Ltd., London each piece tapering oval, the sides chased with foliage and flowers below a pierced and foliage, flower and rocaille cast border, comprising a kettle, stand and lamp; a teapot; a hot-water jug, each with ebonised handle and finial a tea-caddy; two cream-jugs of differing size and a sugar-bowlthe kettle, stand and lamp 35cm high, total gross weight 117oz 19dwt, 3,668gr (7)Each piece marked as expected. Some piece stamped with retailers name. There is some overall surface scratching and wear, consistent with age and use. There are some bruises to the cartouches, they have possibly been erased. There are some cracks to the wood finials. The finial on the hot-water jug is differing and possibly replaced. The finial on the kettle is lacking the spacer. The handle on the kettle is bruised and leans slightly. The kettle, stand and lamp 1897The teapot 1894The hot-water jug 1896The tea-caddy 1895The cream-jug 1894The sugar-bowl 1894
An Edward VII Silver and Cut-Glass Oil-Lamp, by Hawksworth, Eyre and Co. Ltd., Sheffield, 1903 on square stepped case with gadrooned border and further stamped with vases connected by drapery swags, the fluted stem terminating in a Corinthian capital, the cut-glass font with silver plate mounts, stamped 'No. 1 Hinks Safety', supporting the tapering clear glass and globular frosted glass globular shades, filled74.5cm high including shadeFully marked on base. The marks are generally clear. There is some overall surface scratching and wear consistent with age and use. The font is in generally good condition with only some minor chips. The mounts with some discolouration and seeming to function correctly.
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