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Lot 126
A Jersey Pottery table lamp base of globular form with glazed and unglazed patchwork finish, with tapering green shade together with a further Studio Pottery lamp base with incised abstract style motifs on a jade green ground, a Studio Pottery jug with impressed seal mark to reverse, a collection of Wade black and gilt coffee wares, Bristol type blue glass ware comprising a bowl, a vase and a striped jug, a ice pail and cover marked to base Thermos Model No 923, etc
Lot 478
A selection of vintage lighting effects to include an oil lamp with fluted brass column base and cut clear glass fount, an oil lamp with white ground ceramic base and fount with printed floral decoration, an suspension lamp set within an ironwork tri support with shaped iron detail, two wall hanging oil lamps, etc (5)
Lot 479
An oil lamp with embossed brass base upon an ebonised weighted foot (converted to electricity), accommodating a good quality cranberry glass tinted shade with shaped rim and etched foliate decoration (AF) together with a further cranberry tinted and frosted glass shade with foliate decoration
Lot 554
A single good quality heavy brass table lamp, the squared stem with simple blocked capital upon a heavy squared base accommodating an ashtray, originating from the Pullman carriage of the Brighton Belle (presented to the present vendor by a manager at the oldland Common Southern Railway Depot), 35 cm tall approx (excluding shade)
Lot 651
An oil painting on board of an early 20th century style busy street scene at dusk with tram, omnibus, lamp lighter, numerous figures, etc, signed bottom right Alfred Jones, 29 x 39 cm approx in cream coloured frame together with an oil painting on canvas after Vermeer showing a lace maker, signed bottom left M J Purslow and dated 1972, 50 x 40 cm approx in gilt frame with blue fabric slip
Lot 164
Alice Hughes, British exh 1890-1903- Study of a field worker; oil on canvas, signed, 34.9x27.9cm CONDITION REPORT: in a glazed gilt frame with inscribed label 'Alice Hughes/Widcombe/Nr Newport/Isle of Wight' attached to the stretcher canvas has not been relined canvas is slightly ruckled overall paint surface has cracked in places examined under uv lamp, evidence of some minor restorations and areas of overpainting otherwise general good condition
Lot 188
Northern Italian School, 17th century- Portrait of a gentleman in armour, full-length kneeling in prayer; oil on canvas, 84.5x57.5cm, (unframed) (VAT charged on hammer price) CONDITION REPORT: irregular weave to canvas cut down and or possibly a fragment of a much larger work, particularly evident on top and right hand edges canvas has been re-lined, 21st century stretcher has been replaced, 21st century examined under uv lamp, there is evidence of some areas of overpainting, predominantly along the top and right edge of the canvas and on his shoulder subject to infilling across top edge, particularly in top left corner pigment separation evident in the hand no old varnish visible paint surface appears to have been cleaned and revarnished overall a stabilising product has possibly been applied as there is no evidence of flaking and canvas surface is uneven
Lot 365
A pair of chrome and domed plastic standard lamps, designed by Tchaik Chassay, 126cm high, together with a wrought iron lamp base with floral decoration and a pottery lamp base with flowers(4)(It is the buyer's responsibility to ensure that electrical items are professionally rewired for use)
Lot 96
Northern European School, mid 19th century- Portrait of a gentleman, quarter length, seated; oil on glass, in a gilded frame with oval aperture, oval, 20.5x15.5cm: Northern European Provinicial School, mid-late 19th century- Portrait of a gentleman seated three quarter length, traditionally held to be Christopher Nickels; oil on albumen print laid down on card, in a gilded moulding frame, 17.8x15.2cm: After Thomas Gainsborough, British 1727-1788- Eliza Ann Linley; hand coloured reproduction print, oval, 34.3x28cm: After Francesco Bartolozzi RA, Italian 1727-1815- "Autumn", after R Westal; reproduction print in colours, 16x13cm, (4) CONDITION REPORT: lead - loss to paint in background, on left side of picture, approx 15mm diam some areas of craquelure, predominantly on his forehead marks and scratches otherwise general good condition in a gilt moulding frame reverse of frame is written 'EGBERT VAN HEEMSKIRK/DUTCH 17th C' minor losses areas of craquelure examined under uv lamp, evidence of some areas of overpainting in general good condition after gainsboough - in a glazed oval gilt frame, circa early 20th century may or may not be stuck down, unexamined out of frame autumn- in a glazed gilt frame, circa early 20th century may or may not be stuck down as unexamined out of frame sheet is yellowed time faded
Lot 97
British School, mid-late 19th century- Shipping off the coast; oil on canvas, 14x21.5cm CONDITION REPORT: in a gilt composition frame, appears to be original frame with some losses and re-gilding craquelure is visible across the majority of the surface examined under uv lamp, evidence of some minor restorations - darkening of shadows appears to have been subjected to a clean in good general condition
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307192 item(s)/page