A Royal Worcester ivory porcelain oil lamp, model no. 1576, with Hinks's duplex no. 2 burner, with clear fluted glass font, frosted shade and glass chimney, overall height 71cmOil lamp is in good overall condition. The frilled edge of the shade has a few small surface chips. glass font has some surface scratches but the 2 winding keys are stuck and need freeing up. The Worcester ceramic base has a pre drilled hole in the bottom of the vase section. The platform base has been restored on 2 corners which is clearly visible. One of the feet has also been restored.
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FROMME LYNETTE: (1948- ) American Criminal, a member of the infamous Manson Family who was imprisoned for her attempted assassination of American President Gerald R. Ford in 1975. A.L.S., Red (being her name within the Manson Family), four pages, 4to, n.p. (Metropolitan Correction Centre, San Diego, California), n.d., to [Charles Manson]. Fromme writes, in part, 'I got the riff ticket and sent in for a riff. I also got another letter from you & one from Blue. Both I haven't red yet. It's lamp time and the quiet has jabbering voices in it of experiences escaping Mexican prisons. I'm yawning. I read Time & Newsweeks all day yesterday & dreamt last night of Jimmy Carter & tried to chase his face out of my dream……And Jimmy Carter even has fat arms like me & the same kind of legs. Some way it's an inherited thing & I always thought it was just me who was a freak…..I understand where you are and probly (sic) most of what faces you are seeing…it's a mighty long walk in the park huh? Hard as anyone tries, there's just no back steppin'. I'm not as complicated as you think. Is there anything you could use there that you don't have? You didn't get my letter I sent or you'd have my address….It's really f-ked that they would let yer letters out & rip off mine - unless to just isolate you…..take it ez and shine on them bitches when you can….' Fromme continues her letter with a lengthy postscript, in part, 'On the fast - I don't want to lie again & keep the whole world for my own. Once you said a guy who did that got his mom's death wish. But I already thought of a long fast last week - not that long but no buts all my weakness screams and all my strength laughs at it. In my reason a voice says that if I don't fight for my life I don't get it. That's those other people's thought who tried to get me to fight. And part of me says that's right. What's the other part say? Says maybe what's it I'm not sure back & forth wonder where I put the reals real of the knowing it now and god I better wake up. What's so funny about me caring. No I don't know what Pat G is doing off into gold & left that for you to say. Only because I can't handle what I don't see & I spose (sic) I'm lazy…..No a sign post isn't my god and not Jimmy Carter with fat arms or any of that other BS'. Accompanied by the original envelope hand addressed by Fromme to Manson at Vacaville, California, and signed ('Lynette Fromme') by her in the return address. Together with an A.L.S., Sister Margaret (twice), by an unidentified lady, four pages (separate leaves), 8vo, n.p., n.d., to Charles [Manson]. Sister Margaret writes an Evangelical letter, in part, 'God made everything in the world, and he made me, and he made you. And He made everything in his image. That is, He made everything good, and He is Good, and He wants us to live for Him, and that is the greatest good. Sometimes, like Adam and Eve in the garden of Eden, we get "separated from the presence of God" (in our lives) and we have to get back together with Him, and that is LOVE and that is what He wants, and this was Christ's mission…..', further explaining that she has been away at a retreat and is sending Manson a badge given to her by one of the nuns, as well as a cross and some books, and suggesting that Manson's cell is his monastery, also writing that she is about to leave on a missionary journey, but before she leaves she 'will try take a cross to Lynette Fromme', and asking that Manson prays for the sisters, concluding 'I believe in miracles - God will help us - we just have to follow Him'. Some very light, minor age wear, VG, 2
3rd-4th century A.D. A ceramic oil lamp with broad body and short nozzle, lug handle to the rear; decorated with low-relief foliage and a rampant beast; underside with maker's inscription 'QVN/ IVSPI/ ORETC[M]/NS[.]'. See Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, p.396, no.279, for the type. 160 grams, 11.9 cm wide (4 3/4 in.). Ex London gallery 1980s. From the collection of a deceased Lancashire gentleman. This group (Bussière D X 10 lamps of Loeschcke type VIII) shows various unusual shoulder decorations: vine tendrils, connected spirals, garlands, rows of dots, mouldings, angular lines forming a row of plain triangles, small heart-shaped motifs, and rows of ornate triangles. The bottom shows possibly one of the three known workshop marks, which the scholars interpret as: 'Q V I N T V S I V S [ T V S ] P I C T O R E T C E M E N S' (Quintus Ivstvs, designer and lamp maker).
1st century B.C.-1st century A.D. A large ceramic oil lamp with large pierced lug handle, broad body and volute scroll flanking the nozzle; discus with a bearded facing male bust flanked by wings (possibly Zeus), annulets and feathers on the shoulder. Cf. M?ynarczyk, J., ‘Terracotta oil lamps from qumram: The Typology’ in Revue Biblique, January 2013, T.120-1, pp.99-133, fig.5, lett. AF8. 280 grams, 16 cm (6 1/4 in.). Acquired 1990s. Private collection of a Cambridgeshire, UK, gentleman. In terms of the shape, this lamp is clearly a mould-made counterpart/development of the wheel-made 'Herodian' lamps. The shoulders of this category are usually adorned by a floral wreath (but here geometric patterns are predominant), and they have volutes or fins projecting at the joint, also repeated on the underside of the nozzle. P. Lapp describes the type as the decorated “Herodian” lamp and dates it to 50-31 BC. Smith, while discussing this type of lamp from Qumran, not only states that it was found in a pre-31 B.C. context, but also points to a number of Hellenistic features, including the decoration of laurel leaves and berries reminiscent of some Ephesian-type lamps. Contrary to that, Rosenthal and Sivan date the beginning of the type much later, to A.D. 70-75.
3rd-4th century A.D. A squat terracotta oil lamp with thick nozzle and lug handle, band of leaves and bunches of grapes to the discus, surrounding a bust of Serapis with modius and radiate crown; maker's initials to the underside 'S. S. L.'. See Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, p.349, for the type, close to the Atlante VI. 145 grams, 12.2 cm wide (4 3/4 in.). Ex London gallery 1980s. From the collection of a deceased Lancashire gentleman. Serapis was a Graeco-Egyptian god, whose cult was popularised during the 3rd century B.C. on the orders of Ptolemy I of Egypt, to facilitate the religious syncretism of his kingdom. During the Roman Empire his image was widely diffused in the east, and the image of Zeus-Serapis was often fitted with the radiate crown, linking it with the cult of Sol Invictus; the position as the main divinity of the Roman Pantheon strengthened by Lucius Domitius Aurelian (270-275 A.D.).
11th-13th century A.D. A pair of zoomorphic bronze door handles, each composed of a domed openwork plate and cylindrical shaft balustered towards the finial, which is formed as the forequarters of a leaping feline; embellished with light blue inlays to the animals' eyes, openwork knotwork to their chests and openwork foliate motifs to parts of the shaft; engraved geometric and floral decoration across the body. Cf. Fehervari, G., Islamic Metalwork of the Eighth to the Fifteenth Century in the Keir Collection, London, 1976, pl.38, no.114, for a similar protome; Allan, J.W., The Metalwork Industry in Iran in the Early Islamic Period, Oxford, 1976, pl.88; Allan, J.W., Nishapur: Metalwork from the Early Islamic Period, New York, 1982, figs.173, 175, 176, 178, 182. 6.39 kg total, 62-64 cm (24 3/8 - 25 1/8 in.). Acquired in the 1980s-1990s. Previously with Mansour Gallery, London W1. Property of a North West London gentleman. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11512-193701. The function of these objects seems to have been to act as a pair of handles for a big bronze door. A near identical specimen (with similar inlays of blue stones for the eyes) published by Fehervari, who considers the animal to be a lion or a hare, was thought to be a leg of a large vessel, or part of a baluster shaft of a lamp stand. The history of Khorasan in the second half of the twelfth century was extremely turbulent, during which a great amount of metalwork was presumably lost or melted down. Therefore, it is quite remarkable that such an important pair has survived. [2] [A video of this lot is available to view on Timeline Auctions Website.]
10th-11th century A.D. A ceramic oil lamp fragment comprising a shallow bowl with facetted outer face and a supporting spigot beneath; dark grey fabric with micaceous inclusions. 41 grams, 46 mm wide (1 3/4 in.). Found on the Thames foreshore, London, UK. Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK. [No Reserve]
3rd-4th century A.D. A substantial bronze mount or base fitting for the insertion of the lamp's stand or shaft, discoid with raised hub and hole, stepped profile; median flat band with enigmatic pointillé Greek inscription '????C????????C????????'. Cf. Arce, J., Ensoli, S. & La Rocca, E., Hispania Romana. Da Terra Di Conquista a Provincia dell'Impero, Venezia, 1997, p.363, fig.109. 424 grams, 11.4 cm wide (4 3/8 in.). Acquired in London in 1982. Property of a central London gentleman. This morphology, well attested in Rome, derives from refined Hellenistic models. The inscribed decoration is arranged around the central area; the first word is probably referring to ??????' (sun, sunlight), possibly in connection with the function of the lamp. However, the expression '????? ??????? ?? ?? ??????' could also refer to a Christian martyrdom, considering 'B??=B???' =heavy, in sense of bearing the weight of the nails (?????) and therefore ‘bearing the weight of the nails themselves’ (?? ?????? as contraction of ?? ?????). [No Reserve]
EXCELLENT 9CT GOLD CHARM BRACELET - with padlock clasp holding 20 various charms to include a 1914 United States 2 1/2 dollar gold coin, Edward VII half sovereign dated 1908, in a 9ct mount, Masonic pendant, Rotary, St Christopher modelled as a steering wheel, Fleury Cross, Miner's Lamp and other interesting charms, 13 charms, bracelet links and padlock clasp stamped '9ct', 4 charms stamped '14ct', along with a chase decorated locket, no visible mark but believed 9ct, 52.2grms gross

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307192 item(s)/page