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Lot 650

A Royal Worcester ivory porcelain oil lamp, model no. 1576, with Hinks's duplex no. 2 burner, with clear fluted glass font, frosted shade and glass chimney, overall height 71cmOil lamp is in good overall condition. The frilled edge of the shade has a few small surface chips. glass font has some surface scratches but the 2 winding keys are stuck and need freeing up. The Worcester ceramic base has a pre drilled hole in the bottom of the vase section. The platform base has been restored on 2 corners which is clearly visible. One of the feet has also been restored.

Lot 651

An Art Deco style table lamp with coloured lead blue glass, height 79cm

Lot 753

A group of wooden plaques with various Regimental/Nautical badges and crests, a maritime lamp in the shape of a ship's wheel, depicting a coral scene, largest 43cm x 36cm

Lot 314

Historism Wall Light, Petroleum lamp for one light with glass container, burner and adjustment wheel, glass missing, open work branchand mantle with rich decorations in metall, bronzed patina, Austrian second half 19. Century, 33x32cm

Lot 375

Csillárok és Világítás Rt. Budapest. Debrecen Lamp factory, table lamp, woman, chromed metal with carved wood, electrification not tested, around 1930, 43 cm high

Lot 356

Adolf Loos (1870-1933), lamp in cubic shape with cutted glass and bronze connections, four finial bowls, mounted for one lamp, later bronzed chain, around 1915, total length 55 cm

Lot 251

A quantity of lamps, lighting and lamp bases etc, all as found

Lot 256

Pair of of Chinoiserie tin lamp bases, decorated oriental figures, and a pair of good OKA pleated lampshades; lamps 45cm H approx

Lot 259

Modern chrome style desk lamp OKA pleated shade

Lot 260

Modern faux marble lamps, on stepped base, with OKA lamp shade

Lot 262

A quantity of OKA and other lamp shades, including a large pink Pooky shade, see photos

Lot 263

A good Chinese style Famille verte pattern lamp with cream pleated shade, lamp 46cmH.  NB - Inspection under UV light reveals an area of restoration below the top rim.  See photo

Lot 264

Brass column standard lamp 40cmH

Lot 265

Large Chinese style red and white coloured lamp, 38cmH and silk pleated lamp shadeThere is a small area of restoration only clearly visible under UV light on the bulbus area below the base of the neck

Lot 266

Chinese style red colour lamp base, 40cmH, and silk pleated shade

Lot 267

3 branch brass desk lamp and two other lamp bases

Lot 400

A pair of tall lamps with blue and white shades and a glass lamp with OKA pleated shade

Lot 132

OIL LAMP WITH SILVER PLATED CORINTHIAN COLUMN, HEAVILY CUT BOWL AND BLUE SHADE

Lot 194

MAHOGANY FLUTED STANDARD LAMP

Lot 520

FROMME LYNETTE: (1948-     ) American Criminal, a member of the infamous Manson Family who was imprisoned for her attempted assassination of American President Gerald R. Ford in 1975. A.L.S., Red (being her name within the Manson Family), four pages, 4to, n.p. (Metropolitan Correction Centre, San Diego, California), n.d., to [Charles Manson]. Fromme writes, in part, 'I got the riff ticket and sent in for a riff. I also got another letter from you & one from Blue. Both I haven't red yet. It's lamp time and the quiet has jabbering voices in it of experiences escaping Mexican prisons. I'm yawning. I read Time & Newsweeks all day yesterday & dreamt last night of Jimmy Carter & tried to chase his face out of my dream……And Jimmy Carter even has fat arms like me & the same kind of legs. Some way it's an inherited thing & I always thought it was just me who was a freak…..I understand where you are and probly (sic) most of what faces you are seeing…it's a mighty long walk in the park huh? Hard as anyone tries, there's just no back steppin'. I'm not as complicated as you think. Is there anything you could use there that you don't have? You didn't get my letter I sent or you'd have my address….It's really f-ked that they would let yer letters out & rip off mine - unless to just isolate you…..take it ez and shine on them bitches when you can….' Fromme continues her letter with a lengthy postscript, in part, 'On the fast - I don't want to lie again & keep the whole world for my own. Once you said a guy who did that got his mom's death wish. But I already thought of a long fast last week - not that long but no buts all my weakness screams and all my strength laughs at it. In my reason a voice says that if I don't fight for my life I don't get it. That's those other people's thought who tried to get me to fight. And part of me says that's right. What's the other part say? Says maybe what's it I'm not sure back & forth wonder where I put the reals real of the knowing it now and god I better wake up. What's so funny about me caring. No I don't know what Pat G is doing off into gold & left that for you to say. Only because I can't handle what I don't see & I spose (sic) I'm lazy…..No a sign post isn't my god and not Jimmy Carter with fat arms or any of that other BS'. Accompanied by the original envelope hand addressed by Fromme to Manson at Vacaville, California, and signed ('Lynette Fromme') by her in the return address. Together with an A.L.S., Sister Margaret (twice), by an unidentified lady, four pages (separate leaves), 8vo, n.p., n.d., to Charles [Manson]. Sister Margaret writes an Evangelical letter, in part, 'God made everything in the world, and he made me, and he made you. And He made everything in his image. That is, He made everything good, and He is Good, and He wants us to live for Him, and that is the greatest good. Sometimes, like Adam and Eve in the garden of Eden, we get "separated from the presence of God" (in our lives) and we have to get back together with Him, and that is LOVE and that is what He wants, and this was Christ's mission…..', further explaining that she has been away at a retreat and is sending Manson a badge given to her by one of the nuns, as well as a cross and some books, and suggesting that Manson's cell is his monastery, also writing that she is about to leave on a missionary journey, but before she leaves she 'will try take a cross to Lynette Fromme', and asking that Manson prays for the sisters, concluding 'I believe in miracles - God will help us - we just have to follow Him'. Some very light, minor age wear, VG, 2

Lot 115

Muller Frères and RichardArt Deco table lamp, circa 1925Iron base, the stem modelled as a horse-chestnut branch, with mottled glass shade.32.2cm highShade signed Muller Fres Luneville, the base stamped Richard.For further information on this lot please visit Bonhams.com

Lot 132

Pierre Le FaguaysArt Deco figural lamp, circa 1925Polished and cold painted bronze, alabaster shade, marble base. 68.8cm highSigned to base 'Le Faguays' and bronze stamped '24' on her foot.For further information on this lot please visit Bonhams.com

Lot 274

Cristalleria GlassworksRare table lamp, circa 1930Incamiciato glass. 19.2cm highProduced by Cristalleria Glassworks, Murano, Italy. For further information on this lot please visit Bonhams.com

Lot 70

Moritz HackerArt Nouveau table lamp, circa 1900Plated metal, a large polished 'Turbo' shell forming the shade.35.5cm highStamped maker's mark on underside of base.For further information on this lot please visit Bonhams.com

Lot 210

'Asprey' oil lamp table lighter with four stacking ashtray bowls, hallmarked Birmingham 1927, Asprey & Co Ltd, the lighter is 7.5cm high, 6.5cm diameter, 8.5cm long overall, ashtrays are 7cm diameter, g/w 192gms (a/f)

Lot 1346

Vintage stepladder, 190cm, and a modern small brass standard lamp with shade, 144cm high approx. (2) 

Lot 1363

Pair of brass coloured brushed metal table lamps, pair of white ceramic table lamps, a single brushed metal table lamp and a table lamp modelled as a cottage (1 box)

Lot 145

Chinese carved hardwood figural lamp base, 20th century, formed as a man holding on staff, on pierced rockwork, with scroll and rocky stem, electrified, 41.5cm high (excl. fittings) 

Lot 178

Large lightwood turned cylindrical table lamp, the base 38cm high, another smaller shaped elongated rectangular, 21cm high and three smaller turned wood table lamps 

Lot 93

20th century glass table lamp, possibly Murano Lumica, of spherical form, the blue and clear glass colourway with mica inclusions and rigaree to the sides, 26cm high 

Lot 1169

Turned wooden standard lamp with cream shade with blue painted flowers 

Lot 1230

20th century mahogany kneehole desk with brown leather insert, on cabriole supports and claw and ball feet 76 h. x 91 x 52 cm and a lamp

Lot 1236

White painted cast iron standard lamp with cream shade, 181cm high including shade 

Lot 1256

Early 20th century turned oak standard lamp with central tier on tripod base

Lot 1276

Early 20th century brass standard lamp, with reeded lower section, stepped base raised on square feet with embossed heart decoration

Lot 1286

Brass standard lamp on stylised base and pink shade 

Lot 266B

A Tiffany style stained glass table lamp with wide circular dragonfly pattern shade, on bronzed resin figural base, 20” wide x 28” high over-all.      

Lot 268

A reproduction gold-painted table lamp of classical urn form with cherubs & dolphin supports, on circular marble base, & with shade, 8” dia. x 37½” high overall.

Lot 108

3rd-4th century A.D. A ceramic oil lamp with broad body and short nozzle, lug handle to the rear; decorated with low-relief foliage and a rampant beast; underside with maker's inscription 'QVN/ IVSPI/ ORETC[M]/NS[.]'. See Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, p.396, no.279, for the type. 160 grams, 11.9 cm wide (4 3/4 in.). Ex London gallery 1980s. From the collection of a deceased Lancashire gentleman. This group (Bussière D X 10 lamps of Loeschcke type VIII) shows various unusual shoulder decorations: vine tendrils, connected spirals, garlands, rows of dots, mouldings, angular lines forming a row of plain triangles, small heart-shaped motifs, and rows of ornate triangles. The bottom shows possibly one of the three known workshop marks, which the scholars interpret as: 'Q V I N T V S I V S [ T V S ] P I C T O R E T C E M E N S' (Quintus Ivstvs, designer and lamp maker).

Lot 109

1st century B.C.-1st century A.D. A large ceramic oil lamp with large pierced lug handle, broad body and volute scroll flanking the nozzle; discus with a bearded facing male bust flanked by wings (possibly Zeus), annulets and feathers on the shoulder. Cf. M?ynarczyk, J., ‘Terracotta oil lamps from qumram: The Typology’ in Revue Biblique, January 2013, T.120-1, pp.99-133, fig.5, lett. AF8. 280 grams, 16 cm (6 1/4 in.). Acquired 1990s. Private collection of a Cambridgeshire, UK, gentleman. In terms of the shape, this lamp is clearly a mould-made counterpart/development of the wheel-made 'Herodian' lamps. The shoulders of this category are usually adorned by a floral wreath (but here geometric patterns are predominant), and they have volutes or fins projecting at the joint, also repeated on the underside of the nozzle. P. Lapp describes the type as the decorated “Herodian” lamp and dates it to 50-31 BC. Smith, while discussing this type of lamp from Qumran, not only states that it was found in a pre-31 B.C. context, but also points to a number of Hellenistic features, including the decoration of laurel leaves and berries reminiscent of some Ephesian-type lamps. Contrary to that, Rosenthal and Sivan date the beginning of the type much later, to A.D. 70-75.

Lot 110

3rd-4th century A.D. A squat terracotta oil lamp with thick nozzle and lug handle, band of leaves and bunches of grapes to the discus, surrounding a bust of Serapis with modius and radiate crown; maker's initials to the underside 'S. S. L.'. See Bussière, J., Lindros Wohl, B., Ancient Lamps in the J. Paul Getty Museum, Malibu, 2017, p.349, for the type, close to the Atlante VI. 145 grams, 12.2 cm wide (4 3/4 in.). Ex London gallery 1980s. From the collection of a deceased Lancashire gentleman. Serapis was a Graeco-Egyptian god, whose cult was popularised during the 3rd century B.C. on the orders of Ptolemy I of Egypt, to facilitate the religious syncretism of his kingdom. During the Roman Empire his image was widely diffused in the east, and the image of Zeus-Serapis was often fitted with the radiate crown, linking it with the cult of Sol Invictus; the position as the main divinity of the Roman Pantheon strengthened by Lucius Domitius Aurelian (270-275 A.D.).

Lot 198

11th-13th century A.D. A pair of zoomorphic bronze door handles, each composed of a domed openwork plate and cylindrical shaft balustered towards the finial, which is formed as the forequarters of a leaping feline; embellished with light blue inlays to the animals' eyes, openwork knotwork to their chests and openwork foliate motifs to parts of the shaft; engraved geometric and floral decoration across the body. Cf. Fehervari, G., Islamic Metalwork of the Eighth to the Fifteenth Century in the Keir Collection, London, 1976, pl.38, no.114, for a similar protome; Allan, J.W., The Metalwork Industry in Iran in the Early Islamic Period, Oxford, 1976, pl.88; Allan, J.W., Nishapur: Metalwork from the Early Islamic Period, New York, 1982, figs.173, 175, 176, 178, 182. 6.39 kg total, 62-64 cm (24 3/8 - 25 1/8 in.). Acquired in the 1980s-1990s. Previously with Mansour Gallery, London W1. Property of a North West London gentleman. Accompanied by an academic report by Dr Raffaele D’Amato. This lot has been checked against the Interpol Database of stolen works of art and is accompanied by search certificate no.11512-193701. The function of these objects seems to have been to act as a pair of handles for a big bronze door. A near identical specimen (with similar inlays of blue stones for the eyes) published by Fehervari, who considers the animal to be a lion or a hare, was thought to be a leg of a large vessel, or part of a baluster shaft of a lamp stand. The history of Khorasan in the second half of the twelfth century was extremely turbulent, during which a great amount of metalwork was presumably lost or melted down. Therefore, it is quite remarkable that such an important pair has survived. [2] [A video of this lot is available to view on Timeline Auctions Website.]

Lot 312

10th-11th century A.D. A ceramic oil lamp fragment comprising a shallow bowl with facetted outer face and a supporting spigot beneath; dark grey fabric with micaceous inclusions. 41 grams, 46 mm wide (1 3/4 in.). Found on the Thames foreshore, London, UK. Acquired on the UK antiques market between 1974-1985. Albert Ward collection, Essex, UK. [No Reserve]

Lot 78

3rd-4th century A.D. A substantial bronze mount or base fitting for the insertion of the lamp's stand or shaft, discoid with raised hub and hole, stepped profile; median flat band with enigmatic pointillé Greek inscription '????C????????C????????'. Cf. Arce, J., Ensoli, S. & La Rocca, E., Hispania Romana. Da Terra Di Conquista a Provincia dell'Impero, Venezia, 1997, p.363, fig.109. 424 grams, 11.4 cm wide (4 3/8 in.). Acquired in London in 1982. Property of a central London gentleman. This morphology, well attested in Rome, derives from refined Hellenistic models. The inscribed decoration is arranged around the central area; the first word is probably referring to ??????' (sun, sunlight), possibly in connection with the function of the lamp. However, the expression '????? ??????? ?? ?? ??????' could also refer to a Christian martyrdom, considering 'B??=B???' =heavy, in sense of bearing the weight of the nails (?????) and therefore ‘bearing the weight of the nails themselves’ (?? ?????? as contraction of ?? ?????). [No Reserve]

Lot 3

EXCELLENT 9CT GOLD CHARM BRACELET - with padlock clasp holding 20 various charms to include a 1914 United States 2 1/2 dollar gold coin, Edward VII half sovereign dated 1908, in a 9ct mount, Masonic pendant, Rotary, St Christopher modelled as a steering wheel, Fleury Cross, Miner's Lamp and other interesting charms, 13 charms, bracelet links and padlock clasp stamped '9ct', 4 charms stamped '14ct', along with a chase decorated locket, no visible mark but believed 9ct, 52.2grms gross

Lot 323

VICTORIAN BRASS CANDLESTICKS, 3 PAIRS, the tallest 22.5cms H, a brass anniversary clock under glass dome, 29cms H, a plated tea kettle on stand with burner, metal paraffin lamp, ETC

Lot 372

AN ALABASTER CORINTHIAN FORM TABLE LAMP - 41.5cms H excluding fitting, a Lloytron Retro stereo electronic radio clock, a vintage boxed icing set, ETC

Lot 451

GLASSWARE - a mixed collection to include a Stuart Crystal cut glass lamp with chrome mounts, 37cms H, smaller Stuart Crystal table lamp, 27cms H, a Viennese blown glass bowl on tall air twist stem, 25cms H, three mallet shaped cut glass decanters and stoppers, ETC

Lot 458

MIXED CHINA to include a set of three Jackfield ware graduated jugs from 17cms, a Woods Seaforth pink and cream dinner service of approximately fifty four pieces, a David Frith Studio Pottery table lamp, 32cms H excluding fitting and other Studio Pottery ETC

Lot 484

'EVER-HOT' CREAM CERAMIC & CHROME ART DECO 3 PIECE TEA SERVICE, an Art Deco table lamp with chrome column and green opaque glass shade, 48cms H, and an embossed copper powder flask, 20cms

Lot 119

A Modern White Painted Table Lamp and Shade, 82cm high Overall

Lot 158

A Modern Scrolled Metal and Polished Stone Table Lamp and Shade, Overall Height 70cm

Lot 237

A Modern Standard Lamp

Lot 239

A Vintage Cylindrical Standard Lamp and a Floor Lamp

Lot 306

A Collection of Various Studio Pottery to Include Lamp Base, Sleeve Vase, Dish and Cover, Bottle Vase, Barrel Mug with Scrolled Handle etc Together with a West German Vase

Lot 418

Five Boxes of Various Sundries to Comprise Commemorative China, Oil Lamp, Cruet, Ornaments, Vintage a Later Toys and Games etc

Lot 432

Two Boxes of Various Sundries to Comprise Souvenir Ornaments, Lamp Base, Mirror etc

Lot 51

A Modern Gilt Decorated Table Lamp and Shade, Overall Height 80cms

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