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An Austrian Art Deco gilt-pewter table lamp,c.1930, by Josef Lorenzl, modelled as a dancer holding aloft a spherical shade, raised on a stepped onyx plinth, signed to the inside of the foot, 45cm highCondition ReportThe base with frits and chips. The gilding with rubbing throughout. Rewired.
A chrome table lamp, by Marc Erol, 1930s, with a cylindrical frosted-glass column and a conical shade, 15cm diameter27cm highProvenance: Crosta Smith Gallery, London.Condition ReportNibbles to the edge of the glass shade. With some minor marks and scratches to the chromed mounts. PAT passed 6.3.23. Additional images uploaded.
A Danish 'Bridge' floor lamp,1950s, designed by Severin Hansen, with a swept beech column, raised on a tripod stand, 167cm highCondition ReportTip appears to have been reset and glued - one screw missing here. With a splitntonthr tip. One screw missing to the underside - which holds the plate for the switch. The foot with scuffs, knocks and marks. The stem with some scratches.Shade - mounting taped.Additional images uploaded.
A Danish 'Model THV 376' floor lamp, designed by Thomas Valentiner for Poul Dinesen, a nickel-plated stand with an adjustable mount, with a cream shade, the base cast 'THV 376', 150cm highCondition ReportThe base plinth has some knocks to the top, where the lamps adjusts areas of wear.Working condition.
An Italian Murano glass floor lamp,c.1969, designed by Toni Zuccheri for VeArt, the chromed stem with six textured cubical glass shades, terminating on to a round foot, 30cm diameter110cm highCondition ReportWith some scratches and marks to the chromed stem. The chrome with spotting throughout. The shades appear in good order. Additional images uploaded.
â–´ Claude Varlan (French, 1940-2021),1970s, a pair of glazed stoneware vases, each with a buff-coloured ground and turquoise and ochre glazes, converted to lamp bases, unsigned,40cm high (2)Provenance: Acquired by the vendor from the artist's studio, hence by descent.Condition ReportConverted to lamps, and loaded.Wires cut. Crackled glaze, rough rims.Additional images uploaded.
A 'Pallone Model LTE 10' floor lamp, designed by Luigi Caccia Dominioni in 1959 for Azucena, Italy, with a brass column, mounted with an adjustable glass shade, raised on a chamfered marble plinth, 221cm high Condition ReportSmall chip and nibbles to the top of the globe - not viewed when the cap is present. Chip to the base of the plinth. With some scuffs and marks to the stem. The shade with some minor scratches commensurate with age and use.Additional images uploaded.
A Doulton Lambeth stoneware oil lamp,by Mark V Marshall, the incised and cut, low relief panels cradled in a metal stand, the base fitted with a circular petal, the mount with a Messenger Duplex Patent burner, with a clear flute and etched glass shade, incised to the reservoir with artist's monogram, impressed marks and numbered '2859', 65.5cm overallCondition ReportThe bottom finial appears reset (see images under black light). The cradle and stand are tarnished and dull. Flute and the shade possible replacements. The bottom finial possibly reset (see image under black light). No damage to the reservoir
A 'Vima' cast bronze floor lamp,designed by Alexandre Logé, of textured tapering form, with four struts for the shade and fitted with four lights, stand 192cm highCondition ReportThe shade with damage. Appears to have been glued previously. The stem in good order. Additional images uploaded.
A Doulton Lambeth stoneware oil lamp,1882, incised and cut in low relief with panels of garden rascals, cradled in a metal stand, the base fitted with a circular petal, the mount with a Hinks Patent burner, with a clear flute and etched glass shade, incised to the reservoir with artist's monogram, impressed marks and dated '1882', 63cm overallCondition ReportGlass shade chipped and drilled three times to the base collar, chip to the top of the shade. Drilling is to the glass. Cradle tarnished. Some brass tarnish and verdigris in the recesses of the stoneware. See additional images.
A Doulton Lambeth stoneware oil lamp, possibly by Edith Lupton, of tall tapering form, incised and decorated with palmettes and scrolls on a tubelined ground, with a Hicks Patent reservoir, mounted on a cradle and stepped circular plinth, lacking shade, 69.5cm high overallCondition ReportMetalwork tarnished, spotted and dull. No makers marks viewed. Good overall.
A Doulton Lambeth stoneware standard lamp, the stoneware reservoir cradled on an extending brass column and mounted on a triform stand, the oil lamp mounted with a Hicks & Son Patent burner, 140 to 176cm highCondition ReportLacking the shade and flute. With a chip to the base of the reservoir. The brass with some spotting and wear commensurate with age and use. For bespoke shipping quotes please contact our shipping partner Bradley's Antique Packing directly at https://www.antiquepacking.co.uk/
VINTAGE & LATER FURNITURE PARCEL (6) - to include a chequer board onyx top and brass table, 47cms H, 55cms diameter, faux onyx circular top table with gilt wood/gilt metal base, 48cms H, 36cms diameter, two wrought iron stands, 81cms H, 42cms W, reproduction standard lamp (no shade), 140cms H and a modern music cassette stand, 91cms H

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307192 item(s)/page