Ercole BarovierRare standard lamp, from the 'a Mugnoni' series, 1938-1940Glass, coloured glass, brass.174 cm high, 42 cm diameterThis lot is subject to the following lot symbols: Ω TPΩ VAT on imported items at the prevailing rate on Hammer Price and Buyer's Premium.TP Lot will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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Paolo VeniniTable lamp, model no. 850.6, circa 1968Coloured, inciso and sommerso glass, brass.46.8 cm high Produced by Venini & C., Murano, Italy. Underside acid-etched venini/murano/ITALIA and with manufacturer's paper label embossed VENINI S.A. MURANO.Footnotes:LiteratureAnna Venini Diaz de Santillana, Venini Catalogue Raisonné 1921-1986, Milan, 2000, p. 301, The Green Catalogue (appendix) pl. 48Franco Deboni, Venini Glass: Its History, Artists and Techniques, Catalogue 1921-2007, Volume 1, Turin, 2007, The Green Catalogue (appendix), pl. 28For further information on this lot please visit Bonhams.com
Gerald Abramovitz'Cantilever' desk lamp, model no. 41555 mark 2, circa 1964Aluminium, anodised aluminium, painted steel.51 x 71 x 9.2 cm Manufactured by Best and Lloyd Ltd., Birmingham, United Kingdom. Footnotes:Literature'Duke of Edinburgh's Prize for Elegant Design and the Design Centre Awards 1966', Design Journal, no. 209, May 1966, p. 41Kathryn B. Hiesinger and George Marcus, Design Since 1945, exh. cat., Philadelphia Museum of Art, 1983, p. 143The present model won the Design Centre Award in 1966 and is held in the collections of the Victoria and Albert Museum, London and the Museum of Modern Art, New York.For further information on this lot please visit Bonhams.com
MASSIMO & LELLA VIGNELLI (Milan, 1931-2014).Floor lamp Model Wagneriana.Black marble.Published by Casigliani, Pisa, Italy, 1986.Dimensions: 178 x 49,5 x 49,5 cm.Floor lamp designed by the couple Lella and Massimo Vignelli in the 1980s. The formal refinement and geometric reduction of volumes was a constant quest of Vignelli's, which in the Wagnerian Model reached high levels of aestheticism. The synthesis of classicism and modernity gives the piece a timeless and eternal patina, accentuated by the use of black marble, combined with the patina of the metal. This Wagnerian floor lamp was on display in Massimo Vignelli's office. A similar model was exhibited at Creativa Produzione. La Toscana e il design italiano 1959-1990, in 2015 at the Fondazione Centro Studi Ragghianti in Lucca, Italy.Massimo Vignelli was an important and renowned Italian graphic and industrial designer. He attended a school in Brera, before earning his degree in architecture at the University of Milan. During 1953 and 1957, he also attended the School of Architecture at the University of Venice. In his early professional career, his area of specialisation was graphic design for the creation of products and corporate identities. In the late 1950s, he won a scholarship to study in the United States, specifically at Towle Silversmiths in Massachusetts and at the Chicago Institute of Design. He set up his own firm, Vignelli Associates, with his wife. He based his work on modernism and simplicity, manifested through his taste for geometric design.
Pair of late 19th century Bouillotte lamps.Gilt bronze. Pleated fabric shade. Opaline crystal lights.Measurements: 78 x 40 cm.A Bouillotte lamp is a table lamp that generally consists of two to four supports for candles (on this occasion three), which emerge from a moulded knot or macalla. These supports extend from the core of the lamp to form, in essence, a candelabra. Originally this typology was created to accompany the card game of the same name, invented in France in the 18th century. The lampshades of this pair of lamps are made of blue pleated fabric. On other occasions the lampshades were metallic, accommodating the heat of the candles inside.
Glynn Boyd Harte (British, 1948-2003), two limited-edition lithographs in colours: domestic scene with lamp suspended over dining table, signed and numbered 188/195 in pencil to margin; 61 x 45.5cm; dinner scene with cutlery and decanters, signed and numbered 113/195 in pencil to margin, 60 x 45cm. (2)
PAIR OF LEAD CRYSTAL TABLE LAMPS,each of baluster form with diamond to flute moulded body, silvered base with beaded border, 80cm high including shadeThe bases are a simple thin base white metal which was gilded, this has worn off hence a silver/gold appearance under different lights, these bases are heavily worn, pitted and discoloured; the tops of the bases within the glass are gold coloured where they have been maintained in original condition; the mounts are chrome plated and have a silver colour but are heavily worn and pitted; one lamp has suffered particular damage at joint of column and foot, the other with nibbles all around this joint, both have possibly even been off the feet and reattached, otherwise general small flea bites, surface wear and accumulated dirt, additional images available
VICTORIAN PAINTED OPAQUE GLASS OIL LAMP,with etched glass shade, decorated with ribbons and foliage, with brass mounts, on a marble base, 62cm highCondition report: Shade with nibbles to upper rim interior, also fritting, lower rim which sits on base with typical small chips and abrasions, upper section quite loose in its location to base, base itself loosely fitted to the stone plinth, movement overall, column has been cracked with the damaged section loosely still in place, rubbing to painted decoration and scuffs, tarnish and nicks to metal mounts, nibbles to corners and scratches to stone base, additional images available
SHIP'S COPPER MAST HEAD LAMP,by Anderson & Gyde Ltd. of Birmingham, anchor patt., with swing handle, ribbed clear glass shade and oil burner, 55cm highGlass very dirty and dusty internal and external, does display internal 'fissures' to glass which appear more likely part of manufacture than damage but cannot say this with absolute certainty; no other visible issues
ATTRACTIVE LATE VICTORIAN PLATED CANDLESTICK OIL LAMP,the octagonal tapering column supporting a hobnail cut clear glass reservoir, with etched globular shade and plain chimney, 85cm high overallCondition generally good. Some minor shavings appear towards base of chimney. Light wear throughout as per use and age, this includes light wear to frosting on globe, areas of minor polishing revealing metal beneath plating. No hairlines, no drill holes, both clips present at collar.

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