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Lot 875
A Victorian Corinthian column brass and yellow glass oil lamp, double wick with flared floral etched shade. 69 cm high to include glass chimney (see illustration). CONDITION REPORT: There is no visible damage to the font or drill holes in the base. We have also looked for hairline cracks but can see none. The width of the shade where it sits on the burner is 11 cm. There is one small chip to the base of the shade.
Lot 866
A Victorian porcelain and brass double wick oil lamp, with floral painted column on a circular base, with clear and cranberry glass coloured flared glass shade. 56 cm high including chimney. CONDITION REPORT: This oil lamp has losses of decoration, gilding and some small chips to the rim of the base. Overall the ceramic body shows signs of wear with the decorative pattern rubbed and worn in places. The reservoir is detachable and on inspection is intact. Above that is the double wick mechanism which appears in reasonable working order but with plenty of signs of wear and tear. The shade itself has numerous obvious and easy to see chips to the rim of the base inline with use. The glass chimney is also intact but again with low level chipping to the bottom rim.
Lot 884
A 19th century cut glass oil lamp base, with brass Corinthian capital and square base. Height 45 cm. CONDITION REPORT: There are areas of loss to the glass column, these are apparent where it meets the brass divide on top of the dome. The column is also not securely fastened to its base. Much of the brass is discoloured and pitted. One corner to the top of the Corinthian column has received a blow and is bent. The glass top itself is misshapen and has serious losses. There is a drill hole to the side of the rectangular brass base for electrical wires.
Lot 871
A Victorian brass and blue opaline glass oil lamp, double wick with cranberry glass flared shade. 60 cm high including glass chimney. CONDITION REPORT: There is no visible damage to the body of the oil lamp nor the reservoir but the shade has significant damage and cracking to its lower edge.
Lot 869
A Victorian brass oil lamp, with blue and floral decorated opaline glass column, double wick with globular etched shade. 69 cm high including glass chimney. CONDITION REPORT: Both the shade and chimney are in good order with no significant issues. There are no cracks and only the usual very minor nibbles around the rims. The burner mechanism appears to be complete but we cannot tell whether it is operating correctly as there are no wicks in situ. The reservoir is in good condition with no chips or cracks. The same comments apply to the blue base. The black ceramic integral plinth has one very small under edge chip.
Lot 32
A Chinese porcelain figure Guan Yin, as table lamp. Height figure only 38 cm. CONDITION REPORT: The figure is in reasonably good condition but does have some minor issues. There are very minor nibbles to the tops of the petals on the lily and lotus flower. The right hand is missing the thumb end and the left hand one finger tip. Around the base there is one bud or petal missing and other extremely minor nibbles to the leaf edges. There is no restoration and there do not appear to be any hairline cracks.
Lot 874
A Victorian brass fluted column oil lamp, with flared etched shade. 80 cm high to include glass chimney. CONDITION REPORT: The width of the shade where it sits on the burner is 11.5 cm. There are a number of small chips to the base of the shade. None of these are highly visible but they are there.
Lot 865
A Victorian brass and ceramic oil lamp, with double wick, decorated with floral and fruit designs with chimney and etched glass shade. 61 cm high including glass chimney. CONDITION REPORT: The chimney has cracks and a loss. The shade is in very good condition with no cracks or significant chips. There are the usual small nibbles around the top and bottom edges. Only one of these in the top could really be called a small chip. The upper section of the reservoir above the brown edge line has been overpainted in places. We think that this is covering discolouration but cannot be sure what lies beneath the paint. The glass section beneath is in good order. The wick mechanism operates as it should. The ceramic base is in good order. The stepped glass section to the bottom has surface scuffs and is a little dirty. The gilding is rubbed. There are no chips.
Lot 853
A Doulton attributed oil lamp, with lift out brass reservoir complete with chimney. CONDITION REPORT: The Doulton style ceramic body has signs of wear, these are particularly evident in the ceramic glaze behind the handles. Also occasional small losses around the top of the ceramic body. The glass reservoir lifts out and is intact. Some losses to the fastening beneath the brass cap that sits on top of it. This is a double wick oil lamp. It appears in reasonable working order but with wear and tear. The globular glass shade has occasional small chips to the lower rim, the glass chimney has a noticeable 1 cm chip to the top and again small chips to its circular base.
Lot 864
A Victorian ceramic oil lamp, double wick, the column with white ground and floral decoration above an embossed brass base with paw feet, with chimney and glass globular shade. 66 cm high including chimney (see illustration). CONDITION REPORT: No visible cracks to the ceramic body or signs of damage. Some chips and wear to the neck of the ceramic base. The glass chimney is in good condition, the shade has a number of very small chips to the base of the shade. The reservoir looks intact with torchlight.
Lot 870
A Victorian brass oil lamp, with bird and flower decoration on blue opaline glass column, with globular etched shade. 60 cm high including glass chimney. CONDITION REPORT: The chimney is in good order with no issues. The shade is free from any cracks but does have three small chips and other minor nibbles to the chamfered edge at the top. The wider aperture at the base is also rough to touch with small chips and nibbles which is fairly typical. The burner mechanism appears to be complete. The wicks are present and it appears to operate as it should. The reservoir has a hairline crack or scratch running from the shoulder diagonally across the jewelled edge and around the underside of the top lip. This is +/- 7 cm long. There are two further hairline cracks to the main body of the reservoir. Both run for +/- 2.5 cm. The base of the lamp is in generally good condition with some rubbing to the gilding. The lower black ceramic base has a chip and hairline cracks emanating from the centre screw and washer.
Lot 872
A Victorian brass Corinthian column oil lamp, with etched green and clear glass shade. 89 cm high including glass chimney. CONDITION REPORT: The chimney is in good order with no issues. The shade is free from any chips or cracks. There are some very minor nibbles around the foot rim which is typical. The wick adjuster operates. The snuffer mechanism also operates. The brasswork is in generally good order although tarnished and dirty.
Lot 311
An Italian carved and silvered wood tripod pricket candlestick, 18th/19th century, with scrolled and leaf enriched base, leaf and cabochon stem, converted to a lamp 62cm high to sconce; together with a Continental plain knopped candlestick, 19th century 43cm highProvenance:Collection of Mike Handford, 'Hillsleigh', Burford, Oxfordshiretallest:some general loss of silvering and small chips. Sconce rim chipped. a.fplainer: significant gesso/silvering losses.later candle nozzle.
Lot 286
An Italian carved giltwood and gesso altar candlestick, 18th century, with acanthus enriched knopped stem, on tripod feet, converted to a lamp 59cm high together with another 72.5cm highProvenance:Collection of Mike Handford, 'Hillsleigh', Burford, OxfordshireBoth with old worm and typical chips/flaking etc commensurate with age.
Lot 724
A black painted plaster figure, 20th century, the goddess Demeter holding a torch, modelled as a floor lamp, with glass shade100cm highIt currently has a modern style plug so clearly has been used as a light but we have not tested it. Date of the figure possibly from the 1930’ssome surface cracks to paint finish as well as crack to top of one arm
Lot 271
‡ Stella R Crofts (1898-1964)Elephant Lamp basestoneware glazed in colours, on ebonised wood basemarks probably concealed,28cm. high LiteraturePaul Hughes Stella's Ark, Stella Crofts, Studio Potter, Animal Modeller & Designer, Private press, page 32 for a comparable example. This figure was illustrated in the The Studio Yearbook, 1926 titled Indian Elephants.
Lot 404
Anish Kapoor (born 1954)a table lamp designed by Anish Kapoor and manufactured by Welwyn Lighting Company for 'At Home With Art',wood and parchment, with seven Three Hundred and Sixty Degrees plates designed by Richard Wentworth, 2017, each with impressed fingerprint motif, four made for the Tate Gallery, two with boxes, and a pair of coat pegs designed by Antony Gormley, in original card boxes,ink AK monogram to lamp35.5cm. high27.5cm. diam. (plates), (10) LiteratureColin Painter, At Home With Art, Hayward Gallery Publications, page 38 & 39 (Kapoor), 32 & 33 (Gormley), 56-57 (Richard Wentworth). Catalogue notesAt Home with Art was a collaboration between nine artists from the contemporary art world and the public through the design and production of household objects. The plates designed by Richard Wentworth were produced by Royal Doulton with Richard Wentworth designing gold-leaf fingerprints to be applied to the surface. The examples in this lot have either the Tate or Royal Doulton backstamp.
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307207 item(s)/page