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Lot 701
quite imposing Belgian Louis Van Boeckel signed Art Deco floor lamp in wrought iron and with its original bowl and shades in alabaster || VAN BOECKEL LOUIS (1857 - 1944) imposante staande Art Deco-lamp (217,5 cm hoog) met een prachtige en rijk uitgewerkte montuur in smeedijzer met een centrale schaal en vier kappen in albast - ca 1930 getekend
Lot 104
Pierre LE FAGUAYS (1892-1962) rare Art-Deco lamp "Jeune fille aux Poupees" in bronze with gilded patina, presenting her dolls Arlequin and Pierrot in an alcove supported by two bronze columns, the whole structure in marble of different shades. Work from the 1930s. Signed Le Faguays on the terrace. This artist took part in his first exhibition at the Salon de la Societe des Artistes Francais in 1922. He received an honourable mention in 1926 and another honourable mention, in the Sculpture section, in 1927. CITES documents supplied: N° 2024/BE00206/CE - Weight: 30.00 kg - Shipping unavailable - Sizes: H 570MM X L 410MM - At first glance: good condition
Lot 137
A gilt bronze table lamp, 20th century, in the form of a quiver of arrows, the lamp stem and arrows protruding from the lapet cast rim of a tapering central column entwined with leafy branches, rising from the centre of a bay leaf skirted boss surrounded with a foliate garland over an octagonal base 54cm high
Lot 132
An Art Deco Patinated Spelter Figural Table Lamp, modelled as a semi-nude female on tip toes, wearing a short skirt, with arms outstretched holding a white and gilt glass globe shade, head tilted back, on a circular onyx base, unmarked,65cm high She has a drilled hole under her left arm. Some surface wear. Needs re-wiring as had two core wire and metal candle holder. Normal minor knocks to the onyx base. White paint around thde rim of the globe.
Lot 102
Sophie Hamilton (born 1963): A Large Stoneware Vase, painted with flowers, unmarked,51.5cm highA Dartington Pottery Eclore Bowl, painted by Clare Grover with flowers, impressed and painted marks,29cm diameterA Dartington Pottery Dish, painted with a seahorse, fish and shells, impressed and painted marks,42.5cm wideA Dartington Pottery Eclore Lamp, painted with flowers, unmarked,28.5cm high (4)
Lot 10
Christopher Dresser (Scottish, 1834-1904) for Linthorpe Pottery: A Dish, shape 276, green, white and brown glaze, impressed HT (Henry Tooth) LINTHORPE and Chr,21cm wideA Pair of Linthorpe Pottery Bowls, shape 1, running green/white glaze, electroplated mounts, impressed HT (Henry Tooth) Linthorpe 1,7.5cm high in an electroplated standNine Others 1. shape 1 - both are crazed, one has hairlines.2. shape 276 has chips to the underside of the rim, crazed, restored crack and hairlines.3. shape 1300 jug has small nicks to foot rim, crazed, hairlines in handle.4. jug is crazed.5. shape 515 bowl has a hairline around the inside base, crazed.6. miniature vase has a restored rim, crazed and light surface scratches.7. shape 147? salt pot is crazed.8. shape 543 mustard pot is crazed.9. shape 1427 cup has some surface wear. 10. shape 14?7 saucer is crazed, tiny nick on foot rim. 11. shape 1458 oil lamp has a nick on the thread, one of the lugs is restored, crazed.
Lot 97
Andrew Hague (born 1948): A Stoneware Table Lamp, painted decoration and oxide glaze, impressed Askrigg pottery mark, 32cm highNine OthersHague worked as an apprentice to Marianne de Trey for six years. Moved to Askrigg pottery in the 1970's and has now retired.Christopher (Chris) Jenkins (1933-2022): A Set of Three Graduating Stoneware Bowls, tenmoku glaze interiors, impressed artist's mark,largest 19cm diameterA Studio Pottery Bowl, ochre glaze interior, unmarked,12cm diameter (14)All in good order. The ochre glazed interior bowl has very minor crazing.
Lot 27
A Linthorpe Pottery Oil Lamp Base, shape 1455, running green, brown, white glaze, unmarked, 22cm high bronze mounted base and handlesFour Linthorpe Pottery Vases (5)1. lamp base stamped LINTHORPE, mounted, crazing. 2. impressed 2076 twin-handled vase restored rim, crazed.3. impressed LINTHORPE twin-handled vase has a chip to rim and crazed.4. impressed LINTHORPE 1767 vase is crazed.5. impressed LINTHORPE 1767 vase is crazed.
Lot 133
An Art Deco Gilt Spelter Figural Table Lamp, modelled as a semi-nude female kneeling, arm outstretched holding a white and gilt glass globe shade, on an oval onyx base,45cm highCrack through right ankle with visible clear glue, arm joints are visible. Restoration to hand holding the candle holder. Minor nicks to the onyx base.
Lot 150
A Harvey Guzzini 4009 Table Lamp, designed by Luigi Massoni, chromed circular metal base and white lacquered tube, supporting a moulded acrylic white shade, unmarked,43cm highWe PAT tested and it passed, but wrong plug. Crack in top acrylic dome. Chrome is pitted. The white lacquered tube is worn and rusted. Lacking one of the chrome ball screw covers. Chrome is rusted on the ring between the two acrylic sections. Black ring between the chrome and white lacquer is cracked.Rust and dirty.
Lot 132
1931 Rolls-Royce 20 / 25 Sedanca de Ville by Windovers Transmission: manualMileage:57000First registered on 7th May 1931 and finished in pastel blue and black with black leather interior, GNS75 was initially ordered by J.J. Jones of 88 St. James's Street, London however the first owner was actually Hylton Ralph Murray-Philipson (Jnr) of Stobo Castle, Peebles. Stobo Castle had been purchased by Hylton Murray-Philipson Snr in 1905 and in 1924 he conveyed the estate to his son who was a pioneer aviator. Hylton's career consisted of being the C.O. of the City of Edinburgh Auxiliary Air Force Squadron, Conservative MP for Twickenham; Chairman of N.E. Marine Engineering Company and a member of the King's Bodyguard for Scotland and the Royal Company of Archers. Hylton Murray-Philipson suffered from ill health and died in 1934 aged 32 leaving GNS75 to his wife Monica and two young children. In 1939 Monica Murray-Philipson sold Stobo Castle to Wenefryde Agatha Scott, 10th Countess of Dysart and after 10 years of being a widow Monica married Colonel P.H. Lloyd of Stone House in Blaston. The Colonel and Murray-Philipson had business connections as they were both company directors of Manvers Main Collieries Ltd €“ Murray-Philipson in 1923/33 and Lloyd in 1940/47. In 1943 GNS75 is shown as being with her second family, that of John Stanley Coombe Beard of Grayshott Hall, Surrey. John Beard was an architect well known for designing over 100 cinemas in many styles, Baroque, Art Deco, Italian Renaissance, Greek Revival and even Egyptian. Interestingly in 1937 Mrs Beard made call to the police about an attempted burglary which resulted in the first arrest directly attributable to the new 999 service. A rare, possibly unique and very attractively designed car incorporating many appealing features such as stylish wings, separate steps in place of running boards, slim bumpers, external visor and louvred bonnet and scuttle with beautifully proportioned coachwork. With a polished aluminium bonnet top and waistline and P80 'bullseye' headlamps with pillar spot lamp all adds to the overall gorgeous design with the incorporation of various Art Deco touches. This 20/25 allows you to instruct your chauffeur from the privacy of the rear passenger compartment with the interior dividing screen while keeping an eye on progress with your own speedometer which is naturally mounted atop the built-in drink's cabinet. Such unusual original features are what make this Rolls-Royce special, even the delightful Sedanca de Ville coachwork is rare with its split separate steps and Art Deco flourishes. The front compartment provides accommodation for the driver and a passenger with a removable roof section for open-air motoring and wind-up windows. The driver's window also featuring a quick release lower section to allow hand signals to be easily executed. A right hand gear change allows for plenty of legroom and the large steering wheel is surmounted by a collection of hand controls. A large bulb horn lies easily to hand and the windscreen can be opened for ventilation. It is shaded by a glass visor and a spot lamp is within the driver's reach. Gauges are also a feature of the rear passenger compartment, although separated by a dividing screen, the rear passengers can keep an eye on their own speedometer as well as being supplied with a clock, barometer and a circular thermometer. The clock, and possibly the barometer, appear to be later additions. The drinks cabinet has provision for holding several decanters and a few glasses in a Lazy Susan, although the glassware itself is no longer present. The leather upholstery looks to be in lovely condition throughout, exhibiting just the right amount of patina without looking tatty. The carpets, door cards and headlining are similarly well presented as are stylish Art Deco door handles and window winders, which place this Rolls-Royce squarely in the 1930s. To the exterior, the Palladian radiator surround is topped with the Spirit of Ecstasy and the long bonnet is flanked by twin side-mount spare wheels. A pair of large Lucas tripod headlamps illuminate the road ahead and are assisted by a centrally mounted spot lamp, as well as the swivelling spot lamp near the driver. Twin horns complete the scene at the front of the car, along with a polished chrome-plated bumper. The Windovers Sedanca de Ville coachwork suits the car well and is beautifully proportioned. It features the unusual running boards, separate for front and rear passengers, as well as a useful luggage boot to the rear. Polished aluminium discs cover the wire wheels and the car runs on a full set of Paymaster tyres. Lifting the long bonnet reveals the powerful, straight-six, 3.7 litre engine. The engine features coil ignition and is fed by an Autovac fuel pump and, unusually for a car of this period, there is a glass bottle of screen wash mounted on the bulkhead, which is likely to be a later addition coupled to a small modern electric pump which has been added for ease of use. Supplied with a history file which includes historic photographs of restoration, instruction book and the original buff logbook coupled to the V5C registration document and copies of handwritten service records. The vendor informs us that the engine starts up easily every time and runs well. It is said to be a joy to drive and mechanically sound with its overhead valves, four-speed gearbox and powerful engine, this Rolls-Royce is certainly very capable and splendidly opulent. An imposing motorcar, which wears fabulously unusual coachwork and retains many original details.
Lot 1355
A Victorian Egyptian revival figure oil lamp with cut glass font and tulip shade. COLLECT ONLY,Original Victorian shade has small chip to top rim, Chimney is undamaged, font undamaged, burner is Sherwoods & has no damage but missing snuffers & lever. Black glazed base has small chip underneath. No damage to figure traces of original gilding to surface.
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307192 item(s)/page