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Lot 428
Very elegant table lamp from the Belgian brand Boulanger, 1970'sDecor Ostrich egg in blue opaline and palm tree, golden metal also called: Hollywood Regency , in the style of Maison Charles. Without shade.Zeer elegante tafellamp van het Belgische merk Boulanger, jaren 70Decor Struisvogelei in blauwe opaline en palmboom, gouden metaal ook wel: Hollywood Regency genoemd, in de stijl van Maison Charles. Zonder kap.H 82 cm
Lot 2464
A Damascus cuerda seca mosque lamp of brass and copper construction, the enamelled domed cover surmounted by a crescent and star, the centre section of hexagonal form with six glazed panels above a further enamelled domed base, the whole suspended by three chains, Syrian, early 20th century, overall suspended height approx. 80cm.
Lot 2465
A yellow tin glazed pottery oil lamp, the body with incised and applied dot decoration, having an elongated spout with loop handle and raised thumb piece, h.8cm, together with two others, the first having two spouts to a squat circular body and circular dished foot, with traces of irridescence, h.7cm, the second having a pinched spout on a tapered column and dished base with shaped handle, h.11cm, Seljuk Dynasty, Turko-Persian, 10th-12th century C.E. (3)Yellow lamp has an old break to the spout, the two spout lamp with old break to the base of the bowl and handle, all with chips/cracks commensurate with age.
Lot 2521
19th century English school - Naval frigate and sailing vessels leaving harbour, oil on canvas (re-lined), 42 x 52cmRelined.With craquelure all over, but paint otherwise good and stable.UV lamp shows it has undergone 8” triangular tear to centre and been overpainted.Other smaller areas of overpaint thoughout, including to edges.In modern frame.
Lot 2569
George Vincent (1796-1832) - Landscape with figures and cattle, oil on panel, signed with monogram lower right and dated 1831, 36 x 50cm, label verso stating 'Exhibited Norwich Society of Artists 1831'Panel good, no splits.Paint good and stable, no craquelure.Has been lightly cleaned and varnished.UV lamp highlights light varnishing and very minor touching-in only.
Lot 2270
A 1915 Triumph 499cc motorcycleRegistration No. XA 4988Chassis No. 1017MSEngine No. 43740U1MIn black with grey and green fuel tank.Known in their day as the 'Trusty Triumph', this is a good original vintage machine. Features include three speed Comery gearbox, original Bosch magneto, complete Lucas acetylene gas headlamp, generator and rear lamp, plus Lucas bulb hornWe believe this to be a model H.It has not run for at least 30 years, however the fuel tank was drained at the same time.Fuel tank repainted prior to our vendor owning it.Original magneto.Stands well.Some age wear as expected but generally good to very good condition.
Lot 2345
A 19th century Sitzendorf blanc de chine porcelain oil lamp, the acid etched amber tinted glass shade above a heavily floral encrusted body supported by three putti, h.58cmShade good.Ceramic generally good but with numerous small chips to leaves.Two small cracks to top of base.Font section the same but with a smaller ratio of leaf chips.Stands well.Clips still on burner collar.
Lot 86
After Agathon Léonard, French (1841-1923), Danseuse à l'Écharpe (Play of the Scarf), 20th century, bronze, wired as a lamp, inscribed A.Leonard, 59cm high.Sometimes called Léonard Agathon van Weydevelt he was a French Art Nouveau sculptor. He regularly exhibited across France, and was made a chevalier of the Légion d'Honneur in 1900. Some of his best-known works are studies of dancers, such as La Cothurne (Tragic Pose from Le Jeu de l'escharpe), modeled in 1895 and cast in 1900. The Play of the Scarf, executed in a characteristic fin-de-siècle manner and rendered originally in gilt, showed a dancer in a flowing gown with a billowing scarf held above her head. This piece was produced in 1897, was inspired by the renowned dancer, Lois Fuller and was displayed as a table centerpiece at the 1900 World's Fair at the Pavillon de Sèvres in Paris. This example is not gilded and may have been cast at a slightly later date. Condition reportThe bronze is re-assuringly heavy! The electrics are working in the saleroom but are not certified. Note the modern screw which has been used to fit I assume a replacement light fitting. The first casts of this famous bronze were gilded and these come to sale from time to time. I was unable to find a comparable bronze with brown patina. While the piece is inscribed, there is no obvious foundry mark. I was hoping Suisse freres were the foundry but cannot confirm that. The work is in generally good condition. It appears to have some age, based on wear to base and overall patination. I am not dating the piece but it appears to pre date 1970. From estate of a Scottish family.Overall and elegant and attractive work of art.
Lot 512
James Webb (1825-1875)The Bass RockSigned and dated (18)72, oil on panel, 22cm by 35cmGlazed. Some relatively light surface dirt and discoloured varnish. There is relatively notable craquelure in an essentially vertical arrangement, mostly contained to the sky and which is slightly more concentrated to the right hand 50%. No losses apparent but one or two areas beginning to look slightly precarious. Paint slightly thin in places, especially upper left hand corner. Nothing to determine under a UV lamp but this may not be conclusive. Otherwise in a stable and presentable state of preservation. Not examined out of the frame.
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