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Click here to subscribeA GROUP OF LAMPS AND ORNAMENTS to include a pair of red 'dragon patterned' table lamps fitted with double bulb attachments and shades (UK plugs but untested), height 72cm , a pair of purple decorative circular vases with Chinese bird patterns to each side height 36cm, a guitar stand, and a composite figurative lamp depicting three women on a podium height 73cm (6) (Condition Report: all lamps untested, some scratches to the vases)
FIVE BOXES AND LOOSE GLASSWARE, to include a quantity of various drinking glasses wine, tumblers, liqueur, champagne flutes etc. some names include Webb Corbett, Dartington, Luxion etc. also included a glass covered cheese board, lamp shades, footed dessert bowl, vases, cut glass serving bowls etc. (5 boxes + loose), (sd/af)
A GROUP OF LAMPS AND TALL ITEMS, to include a pair of glass and gold plastic table lamps with cream lampshades, (one shade is badly stained), a wooden windmill table lamp, (no plug), a mirrors cracked effect bulbus table lamp with black lamp shade, a novelty dead man's finger rum bottle converted into a table lamp no shade, a rounded shape silver hammered metal effect table lamp no shade, a pair of skyline detail metal touch lamps, a large white unicorn sculpture length 46cm, (has been repaired and is dirty in places), a white metal vintage style bird cage height 38cm, (qty), (Condition Report: no lamps have been tested, all items are in need of clean, please see main description for individual items)
A LARGE QUANTITY OF LAMPS AMD DECORATIVE ORNAMENTS to include approximately fourteen lamps of assorted size and form to include a pair of yellow and blue ceramic oriental style lamps, a figurative table lamp depicting two Greek deities, a Messengers paraffin lamp, a pair of metal table lamps with scrolled feet, a large terracotta water jug marked 'H.Perez' to the base, a green metal watering can embossed 'G.R. 1939,' a vintage cast iron pressure cooker marked 'A. Kenrick & Son 6 Quart' to the base, two small artificial Christmas trees, a quantity of shades of assorted sizes, etc (qty) (Condition Report: all untested, some crazing to glazed items, s.d)
THREE BOXES AND LOOSE CERAMICS, GLASS, METAL WARES AND SUNDRY ITEMS, to include a twenty one piece Royal Stafford art deco style tea set, two Adams Old Colonial bowls, a Copeland Spode Gainsborough serving dish, two New Chelsea teacups and saucers, a Hofbauer style crystal bowl, a red Anchor Hocking vase, a Wedgwood Sarah's Garden covered pot, other Wedgwood giftware in patterns to include Chinese Legend, April Flowers, Glen Mist, Wild Strawberry and Kutani Crane, a copper kettle and jugs, a hammered brass tray, jam kettles, a saucepan, a brass based oil lamp, a green glass fishing float, etc (3 boxes + loose) (sd)
A VINTAGE INDUSTRIAL WALL LIGHT, Dugdills - A vintage 1940s industrial engineers articulated multi positional workers wall lamp light. The lamp having six jointed sections and circular wall bracket holding a dark green and white porcelain enamel shade (1) (Condition Report: missing a shade, in need of rewiring, some joints are immovable, flaking and rusting to paint)
A GROUP OF TABLE LAMPS AND SUNDRIES, comprising a pair of Tiffany style bedside lamps in the form of butterflies, with multicoloured leaded glass wings, height 23cm, a Tiffany style table lamp with a green and cream leaded glass shade, height 47cm, two handmade studio pottery table lamps in the form of fairy cottages (one has a missing mushroom top by front door), an amber glass table lamp in the form of an oil lamp, a large wicker hamper, an ornate brass plant stand, height 77cm, a large Capodimonte style bowl of pink roses made in Italy on the base, etc. (qty) (Condition Report: all lamps untested, may need rewiring, the bowl of roses is chipped, dusty, s.d/a.f)
TWO BOXES AND LOOSE MISCELLANEOUS ITEMS, to include a onyx touch lamp, vintage No.5 Stanley plane, large Portmeirion Pomona mixing bowl, selection of treen items included bowls, clock, etc, pewter tankers, four wicker storage baskets, brass light fitting with three frosted glass shades fitted, five framed pictures, cartoon cat biscuit jar and tea pot, limited edition crime writers desk tea pot 610/3000, signed on the bottom by Cardew Design, large swan sculpture by The Juliana collection, no. 51190, two musical ornaments, oval plates with horse scenes, etc. (2 boxes + loose), (sd/af)
TWO BOXES AND LOOSE METALWARE, to include two lined copper saucepans and a matching frying pan, frying pan diameter 32cm, largest saucepan approximate diameter 24cm, a small brass milk pan, a food warmer by The Household Supply and Atmospheric Churn Comp Ltd of 119 New Bond Street, a Tilley lamp, a pair of silver napkin rings, hallmarked Birmingham 1931, two sugar/flour sifters with silver lids, hallmarks worn, plated and stainless steel cutlery, etc (2 boxes + loose) (sd)
ITEM: Oil lamp, Type Kennedy 1, Group CMATERIAL: PotteryCULTURE: Bronze AgePERIOD: 1300 - 586 B.CDIMENSIONS: 37 mm x 140 mm x 136 mmCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired before 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Bronze Age oil lamps were among the earliest devices used for illumination, appearing as early as the third millennium BCE across various regions including the Near East, Aegean, and Mediterranean. Made primarily of clay or stone, these lamps were simple in design, typically consisting of a shallow bowl or saucer with a pinched rim to hold a wick. This basic form allowed oil to pool in the lamp’s basin, and when a wick—usually made from plant fibers or twisted cloth—was inserted, it could be lit to provide a small, steady flame. These lamps were fueled by animal fats or plant oils, such as olive oil, which was abundant in Mediterranean regions. The accessibility and practicality of these lamps made them essential household items in Bronze Age settlements.The design of Bronze Age oil lamps varied slightly depending on cultural influences and resources available in specific regions. In the Levant and Mesopotamia, for example, lamps were often plain, functional vessels made from readily available clay, with minimal decoration. In Minoan and Mycenaean civilizations, however, some lamps were more refined and occasionally decorated with simple incised or painted patterns. As metalworking advanced during the Bronze Age, a small number of lamps were also made from bronze, though these were likely reserved for ceremonial or elite use due to the value of the material. Despite their modest appearance, these lamps held cultural significance and were sometimes used in ritual contexts, indicating their role in both daily life and spiritual practices.
ITEM: Oil lamp depicting a lion, Type Bussière E IX 31 - Atlante X A1 aMATERIAL: PotteryCULTURE: Late Roman, ChristianPERIOD: 5th - 7th Century A.DDIMENSIONS: 50 mm x 70 mm x 115 mmCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired between 1970 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Christian oil lamps, primarily dating from the late Roman period into the Byzantine era, played a dual role in both practical illumination and religious symbolism. These lamps were often simple in design, reflecting the modest roots of early Christianity. Made typically of clay or metal, they had small, flat bodies with one or two nozzles where wicks could be inserted, and they were fueled by olive oil. As Christianity spread throughout the Roman Empire, Christian iconography began to appear on these lamps, with motifs like crosses, fish, doves, and other symbols representing faith and the promise of salvation. These lamps were used in Christian households, places of worship, and even catacombs, where they provided light and carried symbolic meaning, illuminating spaces as well as representing spiritual enlightenment.The decoration of Christian oil lamps varied widely depending on the time and region. Early examples often used simpler motifs, but as Christianity became more widely accepted, the symbols on these lamps grew more elaborate and distinctively Christian. In the Byzantine period, for instance, lamps might display scenes from biblical stories, the Chi-Rho (a symbol for Christ), or other sacred imagery. Archaeological finds of these lamps in churches and graves underscore their spiritual role, often being placed with the deceased as symbols of hope and eternal life. These lamps helped Christians subtly express their faith, especially in the pre-Constantinian period when they faced persecution.Christian oil lamps also reflected the evolving role of religious art and worship in Christian communities. Beyond functional lighting, these lamps served as teaching tools for the illiterate, using symbols to communicate complex theological concepts.
ITEM: Oil lamp with inscription 'The light of Christ shines for all'MATERIAL: PotteryCULTURE: ByzantinePERIOD: 4th - 5th Century A.DDIMENSIONS: 30 mm x 60 mm x 87 mmCONDITION: Good conditionPROVENANCE: Ex Palestine private collection, acquired in the 1990sComes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.A Byzantine oil lamp inscribed with the phrase "The light of Christ shines for all" is a remarkable artifact that reflects the deep spiritual and theological beliefs of the Byzantine Empire. This inscription emphasizes the central role of Christianity in daily life and religious practices during the Byzantine period. Oil lamps were essential for both practical illumination and religious rituals, and incorporating a Christian message into their design highlights the integration of faith into everyday objects. The inscription serves as both a devotional statement and a reminder of the divine presence in the lives of believers, making the lamp a significant symbol of Christian piety and enlightenment.The design and craftsmanship of Byzantine oil lamps were highly refined, often made from materials such as clay, metal, or glass. These lamps frequently featured intricate decorations, including religious symbols, motifs, and inscriptions. The inclusion of the inscription "The light of Christ shines for all" on the lamp would have been achieved through engraving or molding, demonstrating the skill of Byzantine artisans. This inscription not only personalized the lamp but also reinforced the idea that light, both physical and spiritual, is a manifestation of Christ's presence and guidance in the world. The lamp's practical function as a source of light was thus imbued with deep religious significance.In addition to its spiritual message, the Byzantine oil lamp with this inscription provides valuable insights into the religious and cultural practices of the period. The lamp would have been used in private homes, churches, or during religious ceremonies, emphasizing the importance of maintaining a connection with the divine in various aspects of life. The presence of such an inscription also reflects the broader trend of incorporating Christian themes into art and everyday objects, illustrating how Byzantine art and material culture were deeply intertwined with religious beliefs.
ITEM: Oil lamp with confronted ErosMATERIAL: PotteryCULTURE: Greek, HellenisticPERIOD: 2nd – 1st Century B.CDIMENSIONS: 23 mm x 70 mm x 98 mmCONDITION: Good conditionPROVENANCE: Ex Emeritus collection (USA), collected from the 1950’s to the 1980’s by a distinguished university professor who served as Department head, Dean and Vice President of a major university.Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice. Eros, in Greek religion, god of love. In the Theogony of Hesiod (fl. 700 BCE), Eros was a primeval god, son of Chaos, the original primeval emptiness of the universe, but later tradition made him the son of Aphrodite, goddess of sexual love and beauty, by either Zeus (the king of the gods), Ares (god of war and of battle), or Hermes (divine messenger of the gods).Eros was a god not simply of passion but also of fertility. His brother was Anteros, the god of mutual love, who was sometimes described as his opponent. The chief associates of Eros were Pothos and Himeros (Longing and Desire). Later writers assumed the existence of a number of Erotes (like the several versions of the Roman Amor).In Alexandrian poetry he degenerated into a mischievous child. In Archaic art he was represented as a beautiful winged youth but tended to be made younger and younger until, by the Hellenistic period, he was an infant. His chief cult centre was at Thespiae in Boeotia, where the Erotidia were celebrated. He also shared a sanctuary with Aphrodite on the north wall of the Acropolis at Athens.
ITEM: Oil lamp depicting a horseMATERIAL: PotteryCULTURE: RomanPERIOD: 1st - 3rd Century A.DDIMENSIONS: 40 mm x 67 mm x 98 mmCONDITION: Good conditionPROVENANCE: Ex French private collection, acquired between 1970 - 1990Comes with Certificate of Authenticity and Export Licence. If you are from outside the European Union, we will have to apply for the export licence again for your country, this takes 3 to 5 weeks and has a cost of 5% of the hammer price, this amount will be added to the final invoice.Roman oil lamps were essential household items throughout the Roman Empire, serving as the primary source of illumination in homes, temples, and public spaces from around the 3rd century BCE through late antiquity. These lamps were typically made of clay or terracotta, though some luxurious versions were crafted in bronze or other metals for wealthier patrons. Designed with a small, shallow reservoir to hold oil—most commonly olive oil—and a spout for the wick, Roman oil lamps were simple yet effective in providing light after sunset. Their portability made them versatile for both indoor and outdoor use, from domestic activities to religious ceremonies.The designs of Roman oil lamps varied widely and often reflected the cultural, artistic, and religious values of their time. Simple lamps had minimal decoration and were purely utilitarian, while others were intricately decorated with motifs such as mythological scenes, animals, or gods and goddesses. Lamps featuring figures of deities like Venus, Mercury, or Bacchus were common and served as symbols of protection and blessing. Some lamps even depicted scenes from Roman life or famous gladiator battles, showing the influence of popular culture on everyday objects. The variety of decorative elements also highlights the skilled craftsmanship of Roman artisans, who often used molds to create detailed reliefs on the lamps’ surfaces.In addition to their practical use, Roman oil lamps held significant cultural and religious symbolism. They were frequently placed in graves and tombs as part of funerary customs, symbolizing light for the deceased in the afterlife. Oil lamps were also used in rituals and as offerings in temples, particularly in domestic cults where they served as an act of devotion to household gods or protective deities. Lamps have been discovered across the vast Roman Empire, from Britain to Egypt, providing valuable archaeological insights into daily life, trade networks, and religious practices.
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