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A Decalcomania Vase Mounted as a Lamp England / France circa 1880, of exceptional scale and with elaborate decoration on a pale blue ground, depicting C hinese figures in shaped panels to both sides, bordered by further figures, mythical creatures, flowering branches and scattered with birds, insects, and butterflies, mounted as a lamp with bowed silk shade, 84cm high
A Decalcomania Vase Mounted as a Lamp England / France circa 1880, of exceptional scale and with elaborate decoration on an off white ground, depicting C hinese figures in shaped panels to both sides, bordered by further figures, mythical creatures, flowering branches and scattered with birds, insects, and butterflies, mounted as a lamp with bowed silk shade, 84cm high
A Pair of Sinumbra Lamps France circa 1820, the fluted columns standing on a tripod of claw feet, the lamp mechanism incorporating glass chimneys within partially frosted and wheel cut glass shades, 76cm high Sinumbra lamps, literally lamps giving light without shadow, became an important technological innovation in lighting during the period of the Classical Revival. With its light source set at the centre of the circular tank, the illumination that fell on the table surface was without shadow. Many forms of table lamps and hanging lamps were produced, and the light was modulated by the use of half-dome and pyriform shades that were variously clear and frosted and wheel cut with a wide variety of designs.
A Tulip Student Lamp England, circa 1990, created and produced by Mallett, 48cm high In 1968 Francis Egerton, former chairman of Mallett, stumbled upon a beautiful, if rather damaged, William IV painted lamp. He immediately recognised that here was an object of timeless charm. Since then these table lights have formed a stamplle of Mallett s modern line range and continue in production to this day. They are an emblem of both the whimsy and dedication to historical accuracy that defines Mallett today. .

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