We found 307207 price guide item(s) matching your search
There are 307207 lots that match your search criteria. Subscribe now to get instant access to the full price guide service.
Click here to subscribe- List
- Grid
-
307207 item(s)/page
Lot 1270
A George V hallmarked silver loaded electric lamp base with ribbed baluster stem and circular foot inscribed ‘Presented to Lieut. Col. J. S. Whitehead, T.D. by his Brother Officers on his Retirement 16th February 1936’, Sheffield 1932, height including fitment 31cm.Additional InformationQuite heavily tarnished and toned throughout. Has the double-pronged points sticking out from the base. Hallmarks are clear, also with Finnigan’s retail name engraved to the base. Stands true and no splits or damage, just heavily tarnished.
Lot 1668
ALEXANDER CLARK & CO LTD; a hallmarked silver oil lamp of small proportions, with milk glass reservoir and silver body, raised on ebonised plinth base, Finnegan 1936, height including funnel 27cm.Additional InformationGeneral wear, numerous nibbles to the top of the chimney, the silver bowl is slightly misshapen, tarnishing and scratches.
Lot 59
A microscope bench lamp in case, English, late 19th century,with glass reservoir, brass stand and condenser, in pine case, together with five boxes of various microscope lenses and accessories, the lamp, 12 1/2in (33cm) high (qty)Footnotes:Provenance:The Estate of the late Tony Dutton Esq QMC RMSFor further information on this lot please visit Bonhams.com
Lot 64
Two microscope slide preparation cabinets, English, late 19th century,the larger repurposed from an artist's paintbox with slide ringing turntable, spirit lamp, sectioning razor, slides and cover glasses, together with a smaller mahogany box fitted with 11 bottles, the larger 13in (33cm) wide (2)For further information on this lot please visit Bonhams.com
Lot 4233
Muthesius, Eckart: Interiors of Manik Bagh Palace Photographer: Eckart Muthesius. Interiors of Manik Bagh Palace in India. 1933. 4 vintage, large-format, warm-toned, matte gelatin silver prints. Each circa 22,5 x 34 cm. 2 with Architekt E. Muthesius Berlin blindstamp in lower right corner; each with number/annotation in pencil on the verso. The images show the Maharani's bedroom, the bed designed by Louis Sognot, Charlotte Alix, wall lighting fixture and floor lamp designed by Eckart Muthesius, round glass and metal table designed by Djo-Bourgeois, carpets with gray and blue pattern designed by Ivan da Silva Bruhns; the Breakfast room; the Maharaja's bedroom with dressing table with mirror by Louis Sognot and Charlotte Alix as well as chaise longue by Le Corbusier; the Music room. – Corners and edges bumped/ with traces of use, oxidation mirroring in edges, one print with a few brown fixer spots in right area, otherwise fine tonal prints in good condition. Lit.: Reto Niggl. Eckart Muthesius. Der Palast des Maharadschas in Indore. Architektur und Interieur. 1930. Stuttgart 1996, ill. p. 60, 75 and 80. Raphaèle Billé/Louise Curtis. Moderne maharajah, un mécène des années 1930. Exhibition catalogue, Musée des Arts décoratifs, Paris, Paris 2019, ill. pp. 86-87, 90-91, 110-111 and 113. Provenance: Eckart Muthesius Archive Muthesius, Eckart: Interiors of Manik Bagh Palace Photographer: Eckart Muthesius. Interiors of Manik Bagh Palace in India. 1933. 4 vintage, large-format, warm-toned, matte gelatin silver prints. Each circa 22,5 x 34 cm. 2 with Architekt E. Muthesius Berlin blindstamp in lower right corner; each with number/annotation in pencil on the verso. The images show the Maharani's bedroom, the bed designed by Louis Sognot, Charlotte Alix, wall lighting fixture and floor lamp designed by Eckart Muthesius, round glass and metal table designed by Djo-Bourgeois, carpets with gray and blue pattern designed by Ivan da Silva Bruhns; the Breakfast room; the Maharaja's bedroom with dressing table with mirror by Louis Sognot and Charlotte Alix as well as chaise longue by Le Corbusier; the Music room. – Corners and edges bumped/ with traces of use, oxidation mirroring in edges, one print with a few brown fixer spots in right area, otherwise fine tonal prints in good condition. Lit.: Reto Niggl. Eckart Muthesius. Der Palast des Maharadschas in Indore. Architektur und Interieur. 1930. Stuttgart 1996, ill. p. 60, 75 and 80. Raphaèle Billé/Louise Curtis. Moderne maharajah, un mécène des années 1930. Exhibition catalogue, Musée des Arts décoratifs, Paris, Paris 2019, ill. pp. 86-87, 90-91, 110-111 and 113. Provenance: Eckart Muthesius Archive
Lot 552
DI PRIMA DIANE: (1934- ) American Poet, associated with the Beat movement. T.L.S., Diane, one page, 4to, Sawyer's Bar, California, 11th October 1969, to 'Dearest Brother John', on the attractive printed stationery of the Poets Press Inc. of San Francisco. Di Prima writes a friendly letter, reporting on her recent activities, in part, '….I am now this minute sitting in a barn loft, typing by the light of a kerosene lamp, at Black Bear Ranch, which is about 10 bumpy hours by car from that little oasis of civilization and violence which is San Francisco. The ghosts of Oak Street became too much for me to cope with, the little neighbourhood (black) kiddies became too much for Mini & Alex [two of her five children] and then the FBI kept coming around to see me, so I cut out with the kids and Grant Fisher [her future second husband, whom she married in 1972]…..Hope to make the barn loft more or less snug with good heating stoves and rugs, it's a pleasant enuf space…..Maybe you'll come and visit us one day……I have got rid of Poets Press. I'm going to try out some of the things I wrote about in the Rev[olutionary] letters, & see what happens from there. I'm also going to write a lot of the shit I wanted to write, and forget about how much or little bread I get out of it all…..What else? except to say I love & miss you & wd like to hear…..' VGOn several occasions Di Prime faced charges of obscenity and in 1961 had been arrested by the Federal Bureau of Investigation for the publication of two poems. In 1969, the year of the present letter, Di Prima wrote a fictionalised, erotic account detailing her experience in the Beat movement entitled Memoirs of a Beatnik.
Lot 152
*** ITEM LOCATION BISHTON HALL** A 20th Century oak standing lamp with a fluted column; a 20th century print; A 20th Century oak ship helm circular occasional table, constructed with from one helm on a column, raised on the helms handles on splayed feet. (3)CONDITION:***OBJECT LOCATION BISHTON HALL COMBINED WITH LINE 2***
Lot 234
TUTTLE, RICHARD TUTTLE, RICHARD 1941 Rahway, NJ/USA Titel: Sentences IV. Aus der Serie: Twenty Floor Drawings. Untertitel: Mehrteilige Installation. Datierung: 1989. Technik: Mixed Media (Holz, Blech, Styropor, Eisenstangen, Leinwandstoff, Farbe, Draht, Tackerklammern, Lichterkette, Lampenfassungen und Glühbirnen). Maße: 180 x 180cm. Provenienz: - Galerie Schmela, Düsseldorf - Privatsammlung Nordrhein-Westfalen Ausstellungen: - ICA, Amsterdam 1991 - Institut Valencià d'Art Modern, 1992 - Sezon Museum of Art, Tokyo 1995 - Galerie Schmela, Düsseldorf 2002 - Museum of Modern Art, San Francisco 2005 - Whitney Museum of American Art, New York 2005/06 - Des Moines Art Center, 2006 - Dallas Museum of Art, 2006 - Museum of Contemporary Art Chicago, 2006/07 - Museum of Contemporary Art Los Angeles, 2007 Literatur: - Ausst.-Kat. Richard Tuttle - Twenty Floor Drawings, ICA, Amsterdam 1991, Abb. - Ausst.-Kat. Richard Tuttle - Selected Works: 1964 - 1994, Sezon Museum of Art, Tokyo 1995, S. 88, Nr. 73, Abb. - Ausst.-Kat. Richard Tuttle, Galerie Schmela, Düsseldorf 2002, Abb. - Ausst.-Kat. The Art of Richard Tuttle, Retrospektive Wanderausstellung, San Francisco 2005, S. 304, Abb. Richard Tuttle gilt als einer der wichtigsten und progressivsten Künstler der Nachkriegszeit. Er hat die Landschaft der zeitgenössischen Kunst revolutioniert, indem er immer wieder die Regeln und Vorstellungen von Genre und Medien in Frage stellt. Losgelöst von rationalen Festlegungen, sensibilisiert er den Betrachter für die Wahrnehmung und das Unbewusste und beschäftigt sich mit allen Aspekten der Kunst. Oft wird Richard Tuttle mit dem Kunstbegriff "Post-Minimalismus" in Bezug gebracht. Als junger Künstler der Pop-Bewegung und den Anfängen des Minimalismus ausgesetzt, beginnt Tuttle, die Möglichkeiten von Material und Form frei von historischen Anspielungen und Präzedenzfällen zu erforschen. Frühe Untersuchungen über die Verschmelzung von Malerei und Skulptur zeigen sich in seinen konstruierten Gemälden, welche in einem Schwellenraum zwischen den gewählten Medien existieren. Auch die Auseinandersetzung mit der Erweiterung des Begriffes der Zeichnung ist in seinem Werk allgegenwärtig. So schafft er bereits früh "Drahtzeichnungen" welche auf Nägeln direkt an die Wand gebracht werden. In seiner Serie "Twenty Floor Drawings" erweitert er den Begriff der Zeichnung in den Raum: Mit den auf den Boden liegenden oder an einer Wand stehenden "Skulpturen" erforscht er die mit einer Zeichnung verbundenen, traditionellen Zwänge in Bezug auf Material, Medium und Methode. Gekonnt stößt er diese um, wobei er eine Vielzahl traditioneller und nicht-traditioneller Verfahren anwendet. Die 1980er und 1990er Jahre markieren für Tuttle ein breiteres Experimentieren mit Material und eine Hinwendung zu installativen und raumfüllenden Arbeiten. Wie auch in der Arbeit "Sentences IV" beginnt er die Grenzen zwischen dem Kunstwerk und seinem es umgebenden Raum zu überwinden und somit eine neue individuelle Wahrnehmungserfahrung zuzulassen. Die intensive Auseinandersetzung mit Maßstab, Licht und Ausstellungssystemen, welche sich durch sein ganzes Werk hindurch fortsetzt, lässt sich anhand des vorliegendem Werk deutlich erfahren. Bewusst lehnt Tuttle die Rationalität und Präzision des Minimalismus ab und wendet sich einer handgefertigten Qualität und einer Neuerfindung der Form zu. Das Werk, welches aus der Aufeinanderstapelung seiner Bestandteile in sich selbst Stand erhält, krallt sich an Wand und Boden und besetzt den Raum durch seine Strahlkraft, Komplexität und Volumen. Tuttle zeichnet in dem Werk die Schönheit und Poesie aus bescheidenen Materialien und schafft es somit, dem Betrachter die Zerbrechlichkeit der Welt als Spiegel vorzuhalten. Erläuterungen zum Katalog Richard Tuttle USA Minimalismus Zeitgenössische Kunst Objekte 1980er Abstrakt Installation Mixed Media Licht TUTTLE, RICHARD TUTTLE, RICHARD 1941 Rahway, NJ/USA Title: Sentences IV. From the series: Twenty Floor Drawings. Subtitle: Multi-part installation. Date: 1989. Technique: Mixed Media (wood, sheet metal, styrofoam, iron rods, canvas, paint, wire, staples, chain of lights, lamp holder and bulbs). Measurement : 180 x 180cm. Provenance: - Galerie Schmela, Düsseldorf - Private collection North Rhine-Westphalia Exhibitions: - ICA, Amsterdam 1991 - Institut Valencià d'Art Modern, 1992 - Sezon Museum of Art, Tokyo 1995 - Galerie Schmela, Düsseldorf 2002 - Museum of Modern Art, San Francisco 2005 - Whitney Museum of American Art, New York 2005/06 - Des Moines Art Center, 2006 - Dallas Museum of Art, 2006 - Museum of Contemporary Art Chicago, 2006/07 - Museum of Contemporary Art Los Angeles, 2007 Literature: - Exhibition catalogue Richard Tuttle - Twenty Floor Drawings, ICA, Amsterdam 1991, ill. - Exhibition catalogue Richard Tuttle - Selected Works: 1964 - 1994, Sezon Museum of Art, Tokyo 1995, p. 88, no. 73, ill. - Exhibition catalogue Richard Tuttle, Galerie Schmela, Düsseldorf 2002, ill. - Exhibition catalogue The Art of Richard Tuttle, Retrospektive Wanderausstellung, San Francisco 2005, p. 304, ill. Explanations to the Catalogue Richard Tuttle USA Minimalism Contemporary Art Sculptures 1980s Abstract Installation Light
Lot 100S
A designer table lamp, with black flower fret work shade, Peony, designed by Meiha Tsang for Innermost. RRP £150., Donated by Lightstyles.co.uk of Essendine.NB. This lot is being sold on behalf of The Rotary Club of Stamford Burghley to raise funds for the Sue Ryder Thorpe Hall Hospice Appeal.
Lot 126
A Capo di Monte late 20thC pottery twin handled vase, moulded with putti and animals, 28cm high, 52cm wide, a reticulated twin handled table lamp with heart shaped reserves moulded with figures, 41.5cm high, a campana vase moulded with a band of figures, 26cm high, and a further vase moulded with figures and beasts, 24cm high. (4)
Loading...-
307207 item(s)/page