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Lot 440
Two carved Chinese root wood carved figural lamp bases, 14" and 15" high respectively; together with a carved Chinese figure of a man and a hardwood figure of a boy with two elephants (4)-** Provenance - From the Estate of Mr Roy Moodie by descent, who had a fascinating and successful banking career with the Hong Kong and Shanghai Banking Corporation in the 1950s. It was this time spent in the far east that encouraged his love and lifelong interest in Chinese artifacts, especially blue and white porcelain, jade and furniture
Lot 552
A BRONZE AND ORMOLU TABLE LIGHT of candelabra form with cut glass lustre drops, the body with Bacchus masks and swags, 59cm high, together with another table lamp hugn with cut glass lustre drops and with malachite chip and enamel base, 35cm high (2) Condition Report: Main light - one of the glass candle pillars is broken at the top. missing some lustre drops and chips to some others. One arm is a bit loose. a small hole in the metal base - please see images. Malachite light - . No issues. Both are tarnished to the gilt and will need re-wiring.
Lot 550
A SEVRES STYLE TABLE LAMP of two handled urn form, painted with flowers within gilt cartouches, with ormolu mounts and base, 35cm high, together with another example with similar flower decoration, 42cm high (2) Condition Report: measurements to top of urns and not including lamp fittings. no obvious chips or cracks. rubbing to gilt as expected.
Lot 201
A CHINESE FAMILLE VERTE VASE LAMP painted with birds in branches, 31cm high and an Imari jar painted with flowering trees and foliage, divided by two mon, 32cm high, wood stand (2) Provenance William Braidwood (1857 - 1938) Condition Report: famille verte vase with neck reduced, drilled and with electrical fitting. Imari jar with wood insert to mouth for electricity.
Lot 61
Ruskin (John, art critic and social critic, 1819-1900).- Albumen print photograph of Filippino Lippi's Madonna and Child signed by Ruskin below image, light fading to image, faint blind-stamp of Ruskin lamp to lower corner of image, light creasing to mount, c.280 x 225mm., c.1875.⁂ An interesting piece of Ruskin ephemera - the present example is very similar in subject, mount and used of blind-stamp to those held at the Ahmoleon that were donated by Ruskin to the Ruskin Drawing School in 1875 for use as teaching aids. It seems likely therefore that the present example was gifted by Ruskin from his personal collection.
Lot 145
An early 20th century mahogany display cabinet, extended back with central flower head design, twin astragal glazed doors revealing internal shelves, on cabriole legs and ball and claw feet 133.5 x 107 x 35cm, along with two Queen Anne style mahogany dining chairs with upholstered seats, cabriole front legs, and an oak barley twist floor standing lamp
Lot 219
A mixed lot to include a Victorian brass framed fire screen with floral painted mirrored glass panel, an oak framed circular wall mirror, oil lamp with glass shade converted to electricity, a four branch silver plated candelabra, mixed brass framed pictures and a tole work style tray and a quantity of scatter cushions
Lot 356
An unusual 19th century Chinese famille rose baluster vase, with later lamp conversion, drilled, polychrome painted with auspicious symbols on a green simulated-shagreen ground above a lower border of stylised lappets, with twin double-kylin handles and applied bixies to the shoulders, with frilled turnover rim, 17¼in. (43.8cm.) high, rim broken and repaired.
Lot 614
A pair of Victorian brass & copper Barrett & Sons reading lamp candles / student lamps, each having ornate pierced hood with copper reflector, plain column with applied shaped Barrett & Sons retail plaques, raised on square stepped base, the undersides of base stamped "A Barrett & Sons reading lamp candles should always be used 5/6 per box of 3lb", 14in. (35.6cm.) high.
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