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Click here to subscribeAn Art Deco Walther & Sohne 'Rotterdam' table lamp, a German blue moulded satin glass base, depicts a Sea-siren on a rocky outcrop, holding aloft the light (this has an opaque white flame shade) c.1935, 40cm high overallCondition Report: A few small chips to base rim, the shade support is a bit dented, the flame shade has chip to tip and some chips to base rim, hidden when inside the metal housing.
QUENTIN BELL (1910-1996) FOR FULHAM POTTERY: A painted table lamp and shade the pottery lamp of gently tapering form, decorated with nude male and female figures diving into water, the base with incised signature "Fulham Pottery, Quentin Bell", impressed mark for Fulham Pottery and Bell's own stamp; the hand-painted shade contemporary with the base and by the same artist, the lamp base 37cm high (excluding fitments), 63cm high overallProvenance: Private family collection, Dorset, formed over generations, including pictures selected by Edward Wolfe RA (1897-1982), a family friend
ASSORTED FURNITURE including TWO PAIRS OF MODERN WALNUT OCCASIONAL/BEDSIDE TABLES. of cube form, largest 55 x 55cms, MODERN FRENCH-STYLE CREAM PAINTED BEDROOM SUITE, comprising single bed, dressing table, Long John stool, painted side chair and tall bookcase, MODERN TWO-SEATER SETTEE, upholstered in green & ivory floral fabric, castors, 152cms wide (back with wine stain, overall faded), two-tier walnut trolley, oval cross banded coffee table, French-style side table, nest of occasional tables and magazine rack, two bedroom chairs, small caned Windsor chair, two modern oak stools / tables, tripod standard lamp table, embroidered picture with loose fitted legs (22 total)
George Carwardine (British 1887-1947) for Herbert Terry & Sons Ltd. Anglepoise Desk Lamp enamelled aluminium, iron and leather, the leather stamped 'Hermes, Paris' (to the base)(63cm high folded (24.8in high), 120cm high extended (47in high); Base 20cm wide, 20cm deep (7.8in wide, 7.8in deep))
§ Sir Peter Blake C.B.E. R.D.I. R.A. (British 1932-) for Aram Designs Limited Two 'Step' Lamps Finnish birch plywood(Taller lamp: 143cm high (56.25in high) (including shade); Smaller lamp: 110cm high (43.25in high) (including shade))Footnote: ‘When I was asked by Zeev Aram to design a piece of furniture for his exhibition, my first thought was, which is the ‘simplest’ furniture – a table. So I designed a table. I wanted it to be very basic, as though a child had drawn it, like a kitchen table. Then I chose to have it made from thick plywood, to make the legs from ply, and turn the ‘constructed’ surface to the front of the table, to show how it was made. The construction of the corners is always the same, as a table can be made to order by simply giving the size of the table top and the height. It can be plain wood, sealed, or stained white, black and primary colours, on their own or a combination – red, yellow and blue. Later I decided that a lamp which matched the table would be interesting, and designed that too.’ (Peter Blake, 1986 quoted in accompanying Aram Design Limited catalogue)
§ Sir Peter Blake C.B.E. R.D.I. R.A. (British 1932-) for Aram Designs Limited Two 'Simple' Tables comprising a dining table and low table, Finnish birch plywood, the low table painted(the dining table 71.5cm high, 90cm wide and 90cm deep (28.25in high, 35.5in wide, 35.5in deep); the low table 38cm high, 62.5cm wide and 62.5cm deep (15.25in high, 24in wide, 24in deep))Footnote: ‘When I was asked by Zeev Aram to design a piece of furniture for his exhibition, my first thought was, which is the ‘simplest’ furniture – a table. So I designed a table. I wanted it to be very basic, as though a child had drawn it, like a kitchen table. Then I chose to have it made from thick plywood, to make the legs from ply, and turn the ‘constructed’ surface to the front of the table, to show how it was made. The construction of the corners is always the same, as a table can be made to order by simply giving the size of the table top and the height. It can be plain wood, sealed, or stained white, black and primary colours, on their own or a combination – red, yellow and blue. Later I decided that a lamp which matched the table would be interesting, and designed that too.’ (Peter Blake, 1986 quoted in accompanying Aram Design Limited catalogue)
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