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A COLLECTION OF CUT CRYSTAL AND GLASSWARE, comprising a boxed Royal Doulton Newbury pattern vase, a Stuart Crystal vase, seven assorted decanters, an Edinburgh Crystal dish, rose bowl, a set of six engraved wine glasses, a boxed glass paperweight, sugar sifter, preserve pot, Royal Brierly lidded pot, a lamp work hot air balloon, a blue Caithness dish (chipped rim), etc. (Qty)
A GROUP OF LAMPS, JARDINIERES, CLOCK AND SUNDRY HOMEWARES, to include eight table lamp bases of various styles, including a pair of oriental style resin lamp bases and some converted from bottles, a Spode Velamour twin handled vase, a John Tams 'Sylvan Jasper' jardiniere, a green glazed jardiniere, a modern wall clock with decorative floral surround, lampshades, etc (qty) (sd, untested)
THREE BOXES AND LOOSE LAMP, METALWARES, TREEN AND SUNDRY ITEMS, to include a brass oil lamp with glass shade and chimney, total height 58cm, a tea caddy of sarcophagus form with mother of pearl escutcheon, internal divider, partial lining, key and internal covers, two mid twentieth century plastic dolls tallest 54cm, a shortbread mould with thistle motif and two patterned pastry wheels, snooker balls, a bronzed spelter figure of a boy, brass wares, etc (3 boxes + loose) (sd)
A QUANTITY OF PLANTERS, LARGE VASES AND TABLE LAMPS, to include a Portmeirion white Parian ware British Heritage collection jug, a large white jardiniere stand and planter, green onyx table lamp, faux flowers, an onyx and stone pot of grapes and vine leaves, a collection of small shades, bedside lamp, cream jug, etc. (Qty)
TWO 9CT GOLD CHARMS, the first a yellow gold cat charm, hallmarked 9ct Birmingham import, approximate gross weight 4.5 grams, the second a yellow gold kinetic charm of a man swinging around a street lamp, hallmarked 9ct London, approximate gross weight 2.3 grams (condition report: general moderate wear, overall condition good)
A SLECTION OF OCCASIONAL FURNITURE, to include a circular oak barley twist occasional table, diameter 55cm x height 72cm, a bentwood stool, a telephone seat, a fire screen, a singer sewing machine (locked with no key) a brass and onyx standard lamp, etc (condition - surface marks and imperfections to all) (9)
A pair of ESLA Bi-Multi Group 'AL' lanterns, c.1930s and later, now converted to standard lamps, each supported by a modern wrought iron base,78cm wide78cm deep188cm high (2)Originally found illuminating the streets of London and the South-East of England in the 1930s, the British-made lamp was designed by Haydn Harrison and manufactured in Kent by the Electric Street Lighting Apparatus Co. The lights survived into the 1970s, when most were removed following the 1970s energy crisis.
A theatre spotlight lamp,c.1930s and later, with a rotating coloured glass wheel, raised on a pierced column and four feet, 55cm wide65cm deep195cm highThis theatre spotlight was once used at Liverpool’s famous Empire Theatre, and is believed to have been made in the late 1930s. The light would have beamed through coloured panes of glass, which were moved using a rotating wheel, directing different colours of light on to the stage for dramatic effect.Condition ReportThe light has been subject of a full restoration, so the electrical lighting is now functioning, and new glass has replaced the original missing and broken sections. The metalwork has been cleaned and stripped back, creating a characterful theatre light that could be a real feature in someone’s home.
Robert Richfield (American photographer, 1947-present) photographic composition, depicting multiple shots of a lamp at different stages in the evening, framed 30cm x 92cm Robert Richfield (b. 1947, Covington, KY) was raised in Cincinnati, OH. Taking interest in photography as a teenager, he left the Midwest in 1965 to attend the Rhode Island School of Design. There, he received a BFA in 1969, followed by a MFA in 1972. While matriculated at RISD, the young photographer studied with and was profoundly influenced by Harry Callahan and Aaron Siskind. Richfield established a strong friendship with Siskind, working as his printer and personal assistant in Providence, RI from 1980-84. Accompanying Siskind on photographic trips to Morocco, Brazil, and Mexico, he grasped and internalized the itinerant role of the professional photographer. Richfield has continued to travel extensively throughout his career, frequenting the United Kingdom, Continental Europe, and Mexico

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307192 item(s)/page