Jugendstil-DielenlampeUm 1910/1920. Messing, satiniertes Pressglas mit Kerbdekor. L ca. 48 cm. 1-flammige Deckenlampe an Kettenaufhängung mit Palmettenbaldachin und schalenförmiger Halterung; ovoider Lampenschirm Metall mit Korossionsspuren, Glasrand mit minimalen Chips. Elektrifiziert, Funktion nicht geprüft, alte Porzellanfassung. Art Nouveau plank lampAround 1910/1920. Brass, satin pressed glass with notch decoration. L approx 48 cm. 1-light ceiling lamp on chain suspension with palmette canopy and bowl-shaped holder; oval lampshade Metal with traces of corrosion, glass rim with minimal chips. Electrified, function not tested, old porcelain socket. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
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Jugendstil-ZuglampeUm 1910. Messing, Milchüberfangglas, Perlbehang. L mind. 110 cm, Ø ca. 30 cm. 1-flammige Hängelampe an Mittelstrebe mit Tellerbaldachin, durch Flaschenzug und eingesetztes Zapfengewicht höhenverstellbar; Glasschale akzentuiert durch Messingring und transparentem Glasperlbehang; Messing mit stiltypischer Reliefornamentik Alters-/Gebrauchsspuren, Metall mit Korrosionsspuren, Glasrand mit kleinen Chips, 1 Perlband fehlt. Elektrifiziert, Funktion nicht geprüft. Art Nouveau train lampAround 1910. Brass, milk cased glass, bead hanging. L min. 110 cm, Ø ca. 30 cm. 1-light hanging lamp on central strut with plate canopy, height adjustable by pulley and inserted spigot weight; glass bowl accented by brass ring and transparent glass bead hanging; brass with style-typical relief fornamentation Traces of age/use, metal with traces of corrosion, glass rim with small chips, 1 bead band missing. Electrified, function not tested. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Figürliche Tischlampe "Alter Fritz"1. Hälfte 20. Jh. Marmor-Plinthe, Régule bronzefarben patiniert, farbloses Glas mit weißem Innenfang und beigefarbenem Überfang. H 43 cm, Ø 30 cm. 6,2 kg. Nach der Schlacht von Kolin nachdenklich sitzender Friedrich II., König der Preußen. Hinter ihm ein Baum als Schaft für den Lampenschirm mit 1 leeren Schraubfassung Chips am Marmor. Elektrifiziert, Funktion nicht geprüft. Figural table lamp "Old Fritz"1st half 20th c. Marble plinth, régule bronze patinated, colorless glass with white interior and beige overlay. H 43 cm, Ø 30 cm. 6,2 kg. After the Battle of Kolin, Frederick II, King of Prussia, is seated pensively. Behind him a tree as a shaft for the lampshade with 1 empty screw socket Chips on the marble. Electrified, function not tested. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tischlampe im Bauhaus-StilUm 1930. Eisenblech grün und bronzefarben lackiert, im Schirm weiß. H 25 cm, Ø 24,5 cm. Schalenschirm und beschwerter Rundfuß mit breiter werdenden Zierstreifen am Rand. Schwenkbarer Bogenarm, dreh- und schwenkbarer Schirm mit 1 Schraubfassung Lackierung kaum, innen teils berieben, 1 minimale Beule. Verkabelung erneuert (?), funktioniert. Table lamp in Bauhaus styleAround 1930. Iron sheet painted green and bronze, white in the shade. H 25 cm, Ø 24.5 cm. Dish shade and weighted round base with wider decorative strips on the rim. Pivoting bow arm, rotating and pivoting shade with 1 screw mount Lacquering barely, inside partly rubbed, 1 minimal dent. Wiring renewed (?), works. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Tischlampe Metall verchromt bzw. Nickel, bernsteinfarbener Schirm mit weißem Innenfang. H 38 cm, Ø 32 cm. Pilzförmige Design-Lampe mit Druckknopf auf dem Rundfuß. Unter dem Schirm 1-flammige Schraubfassung Minimale Alters-/Gebrauchsspuren. Funktioniert. Table lamp Metal chrome plated or nickel, amber shade with white inner catch. H 38 cm, Ø 32 cm. Mushroom-shaped design lamp with push button on the round base. Under the shade 1-flame screw socket Minimal signs of age / use. Functioning. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Art-déco-PlafonnierGlas "Negra" signiert. Frankreich, um 1920. Bronze, farbloses Formglas mattiert. Ø 46 cm, H 12 cm. 7,1 kg. Deckenlampe mit massivem Fassungsring in Form eines Rutenbündels sowie Scharnierklappe für den stilisiert reliefierten Glasschirm. 1 Schraubfassung Leichte Korrosionsspuren und wenige Farbspuren, Fassung alt ergänzt. Elektrifiziert, Funktion nicht geprüft. Art deco plafonnierGlass "Negra" signed. France, c. 1920. Bronze, colorless molded glass frosted. Ø 46 cm, H 12 cm. 7.1 kg. Ceiling lamp with solid socket ring in the form of a rod bundle and hinge flap for the stylized relief glass shade. 1 screw socket Light traces of corrosion and few traces of paint, socket old supplemented. Electrified, function not tested. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Jugendstil-PlafonnierAnfang 20. Jh. Holz, goldfarben lackiertes Metall, farbloses Glas mattiert. Platte: 47 x 42 cm, Ø ca. 39 cm, H ca. 30 cm. Große, 3-flammige Deckenlampe mit runder profilierter Halterung und tropfenförmigem Glaskörper mit Kerbschnitt-Ornamenten. Montiert auf rechteckiger mahagonifarbener Holzplatte mit Messingapplikationen Leichte Alters-/Gebrauchsspuren, Glasrand mit Chips, Holzplatte nachträglich montiert. Elektrifiziert, Funktion nicht geprüft, alte Porzellanfassungen. Art Nouveau PlafonnierEarly 20th century Wood, gold lacquered metal, colorless glass frosted. Plate: 47 x 42 cm, Ø approx 39 cm, H approx 30 cm. Large, 3-light ceiling lamp with round profiled fixture and teardrop-shaped glass body with notched ornaments. Mounted on rectangular mahogany colored wooden plate with brass applications Light signs of age/use, glass rim with chips, wooden plate subsequently mounted. Electrified, function not tested, old porcelain sockets. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Orientalischer Nischenteppich mit prächtigem Vasenmotiv und Vögeln2. H. 20. Jh. Wolle, feine Handknüpfung. Polychromdekor mit vorwiegend Rot, Blaugrün und Elfenbein. Ca. 153,5 x 104 cm. Im Mittelfeld ein geschweiftes Mihrab mit Prunksäulen, Ölampel und Bodenvase mit Blütenzweigen und verschiedenen Vögeln vor blaugrünem Hintergrund. Mehrreihige blütenberankte Bordüre mit Vögeln, Fransenabschlüsse. Verso lederverstärkte Kanten Leichte Alters- und Gebrauchsspuren. Oriental niche carpet with magnificent vase motif and birds2nd h. 20th c. Wool, fine hand knotting. Polychrome decoration with predominantly red, blue-green and ivory. Approx. 153.5 x 104 cm. In the center field, a curved mihrab with pomp columns, oil lamp and floor vase with flowering branches and various birds against a blue-green background. Multi-row floral border with birds, fringe finishes. Verso leather reinforced edges Light signs of age and wear. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
2 Künstlerglasvasen1987. Signiert "A. Greiner Mai". GREINER-MAI, Albrecht(1932 Lauscha - 2012) Montiertes und vor der Lampe geblasenes farbloses Glas mit opakschwarzen Fäden und opalweiß-roten Fadeneinschmelzungen. H 12 und 22 cm. 2 artist glass vases1987. signed "A. Greiner May". GREINER-MAI, Albrecht(1932 Lauscha - 2012) Mounted and pre-lamp blown colorless glass with opaque black threads and opal white-red thread enamels. H 12 and 22 cm. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
3 KünstlerglasvasenDatiert 1978, 1981 und 1991. Signiert "WBD". BÄZ-DÖLLE, Walter(* 1935 Lauscha) 2x montiertes und vor der Lampe geblasenes kobaltblaues Glas mit Emailaufschmelzungen: Stangenvase (H 25,5 cm) und Pokalglas (H 30,5 cm). / 1x Opalglas mit aufgeschmolzenen braunen Farbflächen und gesprenkelten Emailaufschmelzungen (H 17 cm). Anbei 1 Ankaufszettel 3 artist glass vasesDated 1978, 1981 and 1991. signed "WBD". BÄZ-DÖLLE, Walter(* 1935 Lauscha) 2x mounted and pre-lamp blown cobalt blue glass with enamel fusions: Rod vase (h 25,5 cm) and goblet glass (h 30,5 cm). / 1x opal glass with fused brown color areas and speckled enamel fusions (h 17 cm). Enclosed 1 purchase note .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Barocke Veilleuse mit JagdmotivenUngemarkt, 2. H. 18. Jh. Polychrom bemalt, goldstaffiert. H 23 cm. In Form einer Terrine gestaltetes Stövchen/Rechaud mit zwei Rocaillehenkeln, vier verdeckten Luftnasen und Deckel. Beidseitig die Darstellung von Jagdhunden bei der Vogeljagd. Ohne Einsatzschale Deckel restauriert und mit Randbestoßungen, beide Henkel und 1 Luftnase restauriert. Eine Veilleuse bestand aus einem Unterteil (réchaud), einer flachen Ölschale/Lampe/Brenner, einer Einsatzschale mit Handhaben und einem Deckel. Sie diente sowohl als Nachtlicht als auch zum Warmhalten von Speisen und Getränken, die Bettlägerige und Kranke aus dem eingesetzten Napf trinken oder löffeln konnten. Baroque veilleuse with hunting motifsUnmarket, 2nd half 18th century Polychrome painted, gold decorated. H 23 cm. Sculpted in the form of a tureen teapot/rechaud with two rocaille handles, four covered air noses and lid. On both sides the depiction of hunting dogs hunting birds. Without insert bowl Lid restored and with edge chips, both handles and 1 air nose restored. A veilleuse consisted of a base (réchaud), a shallow oil bowl/lamp/burner, an insert bowl with handles and a lid. It was used both as a night light and to keep food and drink warm, which bedridden and sick people could drink or spoon from the inserted bowl. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar große AnsichtenvasenFischer & Mieg. Prägemarke F&M, Fischer & Mieg, Pirkenhammer, ab 1857. Polychrom bemalt, goldstaffiert, teils goldbronziert. H 47 cm. Ovoide Vasen mit Kraterhals, Rundfuß und zwei großen Schlangenhenkeln, auf oktogonalem Sockel. Mintgrüner Fond, 1x schauseitig die Ansicht des Josephskreuzes auf der Josephshöhe im Harz und 1x die Ansicht der Stadt Stolberg im Harz mit Blick auf das Schloss Stolberg, verso jeweils ein großes Blumenbukett, Kabelaussparung im Sockel (als Lampenfuss nutzbar) Partieller Goldabrieb, Brandriss in 1 Schlange. Pair of large view vasesFischer & Mieg. Stamped F&M, Fischer & Mieg, Pirkenhammer, from 1857. Polychrome painted, gold decorated, partly gold bronzed. H 47 cm. Ovoid vases with crater neck, round base and two large serpentine handles, on octagonal base. Mint green background, 1x on the front the view of Joseph's Cross on the Josephshöhe in the Harz Mountains and 1x the view of the city of Stolberg in the Harz Mountains with a view of Stolberg Castle, verso each a large bouquet of flowers, cable recess in the base (usable as a lamp base) Partial gold abrasion, fire crack in 1 snake. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lampe mit BacchantenreliefNeapelmarke, 2. H. 20. Jh. Weiß mit Goldstaffage. H 57 cm. Balusterkorpus mit zwei gewinkelten Henkeln, Rundfuß und Quadrathplinthe. Umlaufend die reliefierte Darstellung eines Bacchantenreigens mit Faunen, Bacchantinnen und Putten. Elektrifiziert (Funktion nicht geprüft), konischer Stoffschirm Lamp with bacchante reliefNaples mark, 2nd half 20th c. White with gold staffage. H 57 cm. Baluster body with two angled handles, round base and square plinth. Circumferentially the relief depiction of a bacchante roundel with fauns, bacchantes and putti. Electrified (function not tested), conical fabric shade .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lampe mit KinderpaarMarke nicht erkennbar, 2. H. 19. Jh. Polychrom bemalt, goldstaffiert; Metallmontierung. H 33 cm. Vor einem Baumstamm sitzendes Kinderpaar mit Blumen, auf einem Metallsockel mit zwei rosenumrankten Leuchterarmen. Elektrifiziert (Funktion nicht geprüft) Bestoßungen an Blüten und Blättern, einige Porzellanblüten fehlen. Lamp with pair of childrenMark not recognizable, 2nd h. 19th c. Polychrome painted, gold decorated; metal mounting. H 33 cm. Pair of children sitting in front of a tree trunk with flowers, on a metal base with two arms of candelabra surrounded by roses. Electrified (function not tested) Bumped flowers and leaves, some porcelain flowers missing. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Paar figürliche LampenfüßeJacob Petit. Aufglasurrote Marke, um 1850. Frankreich. Polychrom bemalt, goldstaffiert. H 21 cm. 2 bäuerliche Tanzpaare auf einem Rocaillesockel Partieller Goldabrieb, 1x Sockel und Lampenhalterung restauriert, 1x mit Farbretuschen an der Lampenhalterung. Pair of figural lamp feetJacob Petit. Glazed red mark, circa 1850. France. Polychrome painted, gold decorated. H 21 cm. 2 peasant dancing couples on a rocaille base Partial gold rubbing, 1x base and lamp holder restored, 1x with color retouching on lamp holder. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Lampenfuß mit LandschaftsmalereiRoyal Copenhagen. Wellenmarke und Stempelmarke, 1951. Unterglasurbemalung. H 25,5 cm. Balusterform, schauseitig die Darstellung einer Landschaft mit Gehöft. Elektrifiziert (Funktion nicht geprüft) Lamp base with landscape paintingRoyal Copenhagen. Wave mark and stamp mark, 1951. Underglaze painting. H 25,5 cm. Baluster shape, on the outside the representation of a landscape with homestead. Electrified (function not tested) .*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
Reich eingerichtete 2-Raum-PuppenstubeUm 1900.Holz, außen cremefarben gestrichen, innen teils alt tapeziert. 29,5 x 63,5 x 27 cm. 2-Raum-Gehäuse mit 3 Frontsäulen, 3 verglasten Fenstern, Gardinen und 1 beweglichen Zwischentür. Ausgestattet mit Möbeln, Kachelofen, Klavier, 2 Deckenlampen, Wandlampe, Weihnachtsbäumchen, 2 Uhren etc. Dazu zahlreiche Püppchen, Zinngeschirr, Dekorationsobjekte etc Altersspuren, teils kleine Defekte.Rich furnished 2-room dollhouseAround 1900.Wood, painted cream outside, inside partly old wallpapered. 29.5 x 63.5 x 27 cm. 2-room case with 3 front columns, 3 glazed windows, curtains and 1 movable intermediate door. Furnished with furniture, tiled stove, piano, 2 ceiling lamps, wall lamp, Christmas tree, 2 clocks etc. In addition, numerous dolls, pewter dishes, decorative objects etc Altersspuren, partly small defects.*This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
4 Einrichtungsgegenstände für die PuppenstubeUm 1900. Metall, teils goldbronziert. H 9 - 16,5 cm. Reich verzierter Armlehnsessel aus Zinn, Petroleumlampe mit Milchglasschirm, Regulator und Vogelbauer mit "Elastolin"-Ständer Altersspuren, kleine Defekte, Vogelkäfig jünger. 4 furnishings for the dollhouseAround 1900. Metal, partly gold-bronzed. H 9 - 16.5 cm. Richly decorated arm chair made of pewter, petroleum lamp with frosted glass shade, regulator and birdcage with "Elastolin" stand Marks of age, small defects, birdcage younger. *This is an automatically generated translation from German by deepl.com and only to be seen as an aid - not a legally binding declaration of lot properties. Please note that we can only guarantee for the correctness of description and condition as provided by the German description.
COLQUHOUN (ITHELL)Archive of 'magical writings', manuscripts, typescripts, original illustrations and printed material, comprising: i) Manuscript and typescript essays and lecture notes, including typed essays on Qabalah with manuscript amendments ('The Crown and the Kingdom' in four parts '...The ten circles, centres or concentrations of force are the Sephioth or Divine Emanation...'), Druidry and Gnosticism, 'Fire and the Pyramid of Flame' ('...the progeny of Electricity... the essence of our divine ancestors, the celestial hierarchies...'), typescript of her one-act play 'The Pilgrimage', essay on Aleister Crowley ('Heaven & Earth: The Dying Kick of the Dying-God'), on ritual ('Ceremony Connected with the Banishing Ritual of the Pentagram... The altar is arranged as for the Neophyte Grade of the G.D... Rose and Dagger in E., Incense, lamp and Fire-Wand in S., Cup in W.... if the pentacle is not ready, a gold coin may be substituted...'), on interior stars ('De Astris Interioribus'), a long descriptive essay on 'The Isiac Tablet of Bembo', also 'The Taro as Colour', 'Zodiacal Rulership of the Taro Court Cards' and descriptions of 17 of the 22 Major Arcana of the Tarot ('The Fool', 'The High Priestess', 'The Hanged Man', etc.), and much else; illustrated with some 23 original diagrams in biro, some coloured in gouache, including 'The Cube' (5), the Tree of Life (10), 'Tatwass Through the Day' (collection of loose coloured-paper shapes), 'Taro Trumps in the Cube of Space' (4), c.244 pages, typed or written in blue or black biro on lined paper, many annotations and amendments, illustrations and diagrams in biro and gouache, mostly 4to, [undated]; ii) File of incoming correspondence, some published as appendices (Dorothy Empson, Maxwell Armfield (3), Robert Temple (3), Colin Murray of the Golden Section Order), typed article by Mrs Armer on 'Worship of the Old Deity', printed matter concerning Colquhoun's Masonic affiliations, and 4 pages of unpublished notes and diagrams, 80 pages, various sizes, etc. [1970's]; iii) Colquhoun's research material pertaining to W.B. Yeats, Maude Gonne and Ireland, including notes taken at the Yeats International Summer School at Sligo, her 'Irish' address book (including those of Jack Yeats and Mrs W.B. Yeats), various photographs, maps, guidebooks, timetables etc., c.47 pages of notes, c.1966-1968; with first edition copies of Ithell Colquhoun's Sword of Wisdom: MacGregor Mathers and the Golden Dawn, London and New York, 1975, one inscribed by the author to Kitty (2), The Crying of the Wind, Ireland, 1955, and The Living Stones, Cornwall, 1957, [second half twentieth century] (collection)Footnotes:'THE OPENING OF THE SEALS IS FOLLOWED BY THE SOUNDING OF SEVEN TRUMPETS & THE POURING OF SEVEN VIALS': MAGICAL WRITINGS AND ILLUSTRATIONS BY THE IMPORTANT BRITISH SURREALIST PAINTER, OCCULTIST & AUTHOR.Until recently the surrealist works of Ithell Colquhoun (1906-1988) have been somewhat overshadowed by better-known contemporaries such as Leonora Carrington and Eileen Agar, but interest in her art and writing is now firmly in the ascendant. Indeed, the scholar Amy Hale has noted that Colquhoun '...is becoming recognized as one of the most interesting and prolific esoteric thinkers and artists of the twentieth century...' (Amy Hale, 'The Magical Life of Ithell Colquhoun' in Nevill Drury, Pathways in Modern Western Magic, 2012) and argues that through Colquhoun's work '...we can see an interplay of themes and movements which characterizes the trajectory of certain British subcultures ranging from Surrealism to the Earth Mysteries movement and also gives us a rare insight into the thoughts and processes of a working magician...'.The magical material in this archive, save for four pages of notes and diagrams, was gathered together and published as The Magical Writings of Ithell Colquhoun in 2007 by Steve Nichols, a copy of which is included in the lot. It serves as a complement to Colquhoun's 1974 work, Sword of Wisdom: MacGregor Mathers and the Golden Dawn, her only published book on magical theory. The four essays entitled 'The Crown and the Kingdom' were also published by Steve Nichols as a separate volume in 2006. Much of it was delivered as lectures, notably to Countess Tamara Bourkhoun's Golden Dawn-inspired Order of the Pyramid and Sphinx in the 1960's, of which she was a prominent member, or articles in such publications as Prediction. She was an initiate of several different orders representing Hermetic and Pagan traditions including the OrdoTempli Orientis, the Masonic Order, the Fellowship of Isis and the French Gnostic Church. Colquhoun discovered surrealism through the work of Dali and Magritte whilst studying at the Slade under Henry Tonks, and joined the English Surrealist Group in 1939, exhibiting with Roland Penrose at the Mayor Gallery the same year. Her involvement with the British Surrealist movement, however, was to be brief as she was soon expelled from the group for refusing to abandon the occult research which had become central to her work. She was interested in the occult from an early age, particularly the principles of the Hermetic Order of the Golden Dawn, introduced through her cousin Edward Garstin, and she infused her art with elements of occult colour theory and sacred geometry, both of which she returned to in her later writings as evidenced here (see Amy Hale, The Magic Surrealism of Ithell Colquhoun, Art UK online, June 2020).The present collection represents many of her wide-ranging interests, drawing together her magical and artistic careers. In her short article of 1977, 'The Taro as Colour', a modern typed copy of which is included in the archive, she talks of her magical theory of colour and the surrealistic painting technique of automatism: '...It renders the essence of each card by the non-figurative means of pure colour, applied automatically in the manner of the psychomorphological movement in surrealism...' she explains. Also evident is her admiration for Celtic lore (one letter is from a Deaconess of the Ancient Celtic Church) and in particular W.B. Yeats, a Golden Dawn Adept who also used automatism in his work ('...Through his hermetic studies under MacGregor Mathews, Yeats was deeply embued with Qabalistic thought...'). Ithell's influential article about Aleister Crowley which appeared originally in the London Broadsheet, no.4, April 1955, is also present, typed and amended by the author: '...Ithells' attitude to Aleister Crowley was ambivalent. He chased her around a house once, but she managed to escape his advances...' (Nichols, p.3). Amongst the wealth of material here is a detailed description of a ritual, 'The Outline of Preliminary Ceremony Connected with the Banishing Ritual of the Pentagram', running to some five handwritten pages with red and black inks used to clarify which are spoken words and which are actions. As might be expected, there are also several striking illustrations, including a series of colourful painted diagrams depicting various configurations of The Cube. Provenance: Steve Nichols, editor of The Magical Writings of Ithell Colquhoun, 2007.For further information on this lot please visit Bonhams.com
A 9ct rose gold curb link bracelet, with bolt ring clasp and attached 9ct gold, yellow metal, gilt metal and white metal charms, to include; a 9ct gold Aladdin's lamp, a 9ct gold and enamel 'Rye' shield, a yellow metal 'Souvenir De Rome' stamped '750' etc, total weight approx 76gCondition:General wear, some dents and occasional breakages to a few of the charms, clasp is plated as gold clasp is broken, refer to images
Art Deco standard lamp with stepped base, rusting to base of lamp and to the body in some areas, would benefit from a clean. All electrical items in this lot have been PAT tested for safety and have passed. This does not confirm that the item is in full working order. Not available for in-house P&P
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307192 item(s)/page