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Lot 459
Fine Tiffany Studios table lamp, monumental size, bronze base supporting a bronze and leaded glass shade in mottled green glass and turtle-back tiles, excellent original patina to all bronze, base signed Tiffany Studios, New York, #532, shade signed Tiffany Studios New York, #1482, overall: 18"w x 25.5"h, a great Arts & Crafts lighting example Literature: A similar base is shown on page 186 of Alastair Duncan`s book Tiffany Lamps and Metalware approximately 10 cracked glass segments; original patina; base with impressed TIFFANY STUDIOS, NEW YORK and 532 on base; TIFFANY STUDIOS, NEW YORK and 1482 on shade; overall very good condition
Lot 461
Excellent Tiffany Studios table lamp, bronze base with its original patina, green and yellow leaded glass shade in the Crocus pattern, base signed Tiffany Studios, New York, #444, shade signed Tiffany Studios, New York, #1454-14, overall: 16"w x 22"h, exceptional glass with good color and mottling Literature: A similar base is shown on page 95 of Alastair Duncan`s book Tiffany Lamps and Metalware approximately 10 cracked glass segments; original patina to all bronze; plastic cord; Perkins switches and sockets; a little dirty; overall very good condition
Lot 463
Good Tiffany Studios table lamp, bronze base with ribbed and applied designs, maintains a good original patina, yellow and green leaded glass shade in the Lemon Leaf pattern, base signed Tiffany Studios, New York, #794, shade signed Tiffany Studios, New York, #1470-26, overall: 18"w x 22"h, the glass has excellent color Literature: A similar base is shown on page 74 of Alastair Duncan`s book Tiffany Lamps and Metalware approximately 2 cracked glass segments; cloth cord; G.E. Co. switches and sockets; impressed marks to base and shade; overall very good condition
Lot 465
Nice Tiffany Studios table lamp, bronze base with blown-out glass, three arms supporting a leaded glass shade in a Tulip pattern, base signed Tiffany Studios, New York, #28621, shade signed Tiffany Studios, New York, original patina to all bronze, overall: 16"w x 24"h Literature: A similar base is shown on page 78 and 79 of Alastair Duncan`s book Tiffany Lamps and Metalware original patina; base with impressed TIFFANY STUDIOS, NEW YORK and 28621 on base; TIFFANY STUDIOS, NEW YORK on shade; overall very good condition
Lot 791
Vintage George Nelson Bubble table lamp, by Howard Miller, cigar shape with original stand, signed with Howard Miller clear decal, 13"dia x 36"h, excellent original condition No breaks or repairs. Very light wear consistent with age and use over time. Light works. Very nice original condition, overall.
Lot 803
Pierre Chareau Butterfly table lamp, 1990s production of the 1920s design, produced by Edition Modern, two alabaster shades mounted in a metal frame, 10.5"w x 9"d x 12.5"h, excellent original condition No chips or cracks. Some roughness to the alabaster plates where the metal clips attach. The lamp works. Low wattage bulbs are recommended; higher wattage bulbs can cause opaque spots to form on the alabaster. Sturdy and structurally sound.
Lot 825
Murano glass table lamps, pair, probably by Flavio Poli, Italy, heavy glass forms in blue and yellow with freeform sides over heavy glass bases, original quatrefoil-shaped silk shades, glass only: 9"w x 6.5"d x 19.25"h, with shade: 35"h, excellent original condition No chips or cracks. No repairs. Sturdy and structurally sound. Both lamps work. Light scratches to the bottoms. The shades show age but are not damaged (no tears or stains). The shades are very high quality. The body of the lamp and the base are two separate pieces.
Lot 827
1940s floor lamp, copper and bronze over aluminum, large flared shade, domed base, pull chain, unsigned, 22.25"dia x 66.75"h, very good original condition Light to moderate surface scratches, scuffs and abrasions. Slight wobble to shade. Dents to the base. The finish on the shade is uneven, with rough spots. Lamp works. Uses one bulb. There is no cover for the shade, but a small lip around the top of the shade suggests that there may have been one.
Lot 852
C. Jere Crane table lamp, chromed metal wire structure over a black enameled base, one light source with black enameled metal diffusers, adjustable arm, 12"w x 30"d x 23.5"h as shown, very good condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Lot 870
Verner Panton Ring lamp, re-edition, by Vitra Design Museum, 2001, originally designed in 1969, square form with raised circles, red and clear plastic, max 60 watts, original finish, signed with metal Vitra tag, 24"w x 8"d x 24"h, excellent original condition No chips or cracks. No repairs. Sturdy and structurally sound. Works. Cord has an on/off switch. One small screw on the back is missing a nut but this is not a problem because there are three other nuts/bolts.
Lot 871
Singletron rock lamps, three, Italy, molded plastic with textured finish, original finish, two signed with clear decals, left: 28"w x 23"d x 20"h, middle: 18"w x 15"d x 12"h, right: 30"w x 22"d x 20"h, dirty, one is missing wiring, good original condition No repairs. Wear consistent with age. All are quite dirty and need cleaning. The wiring is missing from one rock; we lit it with a work lamp. Note the large sizes of these rock lamps. Sturdy and structurally sound.
Lot 872
Shiro Kuramata Oba-Q table lamp, Japan, molded plastic shade with the appearance of draped fabric, signed with Shiro Kuramata label, 17"dia x 15"h, excellent original condition No chips or cracks. No repairs. No damage. Lamp works. A sticker indicates that the max wattage is 100 but we advise using a 60-watt or smaller bulb to avoid heat damage.
Lot 875
Vico Magistretti Mezzachimera table lamp, by Artemide, one-piece molded plastic form on a white enameled metal base, uses three light bulbs, fully marked on base, 9"dia x 31.5"h, excellent original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Lot 888
Phillips "Erwi" table lamp, painted aluminum and brass, base serves as a counterweight, stamped ERWI, 13"w x 8.5"d x 14"h, very good condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Lot 889
Clay Michie table lamp, for Knoll Associates, c. 1950, brass base, white enameled shade, switch on base, arm swivels at base and at center, shade adjusts, original finish, 12"w x 17"d x 15"h, very good original condition Lamp works. Wear to the surface of the metal on the base. No bends or dents to the shade. A few small scratches to the shade. Rewired - newer cord. All swivel/adjustment points are in good working order.
Lot 919
Arc floor lamp, Italy, 1960s, maker unknown, an adjustable tubular chromed arm supports a white plexiglass shade, rectangular marble base, signed, as shown: 79"w x 73"h, very good original condition Very light surface scratches. Sturdy and structurally sound. Lamp works. No damage to shade. Some roughness to back corners of the marble base.
Lot 934
Richard Sonneman Orbiter floor lamp, by Sonneman, chrome, a weighted black metal base supports an arched top holding an adjustable arm with one chrome ball shade, base is 12"dia, overall height: 62"h, arm with shade is 39.5"w, very good condition Light surface scratches, scuffs and abrasions. Sturdy and structurally sound. Light wear consistent with age and use over time. The surface of the base is splotchy. The light works.
Lot 944
Murano glass table lamp, Italy, clear and white latticino glass with applied elements of clear glass with encased gold leaf, base: 8"dia X 21"h, as shown: 32.5"h, no shade, very good original condition Sturdy and structurally sound. Lamp works. No shade. Roughness to the tips of the applied glass details-there do not seem to be any chips but it is difficult to be completely certain.
Lot 969
Elio Martinelli Flex Calotta table lamp, by Martinelli Luce, Italy, weighted base supports an adjustable spine, original finish, 12"w x 26.6"d x 20.5"h, fully signed on base, very good original condition A condition report is being prepared for this item. Please note that the absence of a condition report on this website does not imply that there is no damage or repairs. It is the buyer`s responsibility to be informed before bidding. Please contact John Toomey Gallery to receive a report if one is not posted: 708-383-5234 or send email to Lisanne@JohnToomeyGallery.com. Please ask any questions before bidding.
Lot 979
Cedric Hartman floor lamp, USA, brass, clear crystal switch, fixed chrome stem, authenticated, original finish, 11"w x 13"d x 37.5"h, very good original condition Clear switch was replaced by Cedric Hartman, Inc. And the lot includes a cardboard shipping carton from Cedric Hartman, Inc. The lamp is early. Lamp works. Small spots to the base. Light wear consistent with age and use over time. Sturdy and structurally sound.
Lot 1036
Gordon and Jane Martz lamp table, by Marshall Studios, oak frame with round table top covered in round white and light gray tiles, signed with Marshall Studios label, original shade, 19"dia x 59"h, excellent original condition No chips or cracks. Sturdy and structurally sound. No problems. The lamp works. The shade is clean and has no damage or repairs. Very nice original condition.
Lot 1053
Paavo Tynell hanging light fixture, attribution, by Lightolier, perforated brass shade with glass diffuser, wire spring detail, 15"dia x 20"h, cord has been cut, very good original condition No chips or cracks. Light to moderate surface scratches, scuffs and abrasions. The cord has been cut to the length shown. The egg-shaped metal element is not weighted, and differs slightly in color. Lamp works.
Lot 41
Rare Grueby vase, nice broad form with carved and applied leaves and buds, covered in a very unusual light blue suspended matte glaze, marked, paper labels, 8"w x 6.5"h restored lamp cord hole to side near foot; some minor chips to high points of the decoration; minor crazing; impressed logo and paper labels on base
Lot 115
Heintz desk lamp, attribution, sterling on bronze, applied geometric designs, pull chain with acorn, unmarked, 8"w x 10"h very minor wear consistent with age and handling; minor flaking to painted finish on interior of shade; no mark or signature was detected; applied felt to base; cloth cord; overall very good condition
Lot 140
Byrdcliffe drawings, group of thirteen, (one shown): Iris panel for hanging cabinet (Zulma Steele) tracing paper, 13" x 7", cabinet: Nelson-Atkins Art Museum; Lily lamp stand side (Zulma Steele), tracing paper, 36" x 14", example: Treadway-Toomey, lot 219, Dec. 2012; Chestnut design for side chair (Zulma Steele), tracing paper, 6" x 12", example: Milwaukee Art Museum; Three Edna Walker designs for Dawson Dawson-Watson Settle, variation: Carnegie Museum of Art, tracing paper, 13" x 19"; tracing paper, 54" x 13"; tracing paper, 12" x 33"; Tulip Poplar design for linen press (Edna Walker) tracing paper, 12" x 33", example: Museum of Fine Art, Boston; Measured working drawing for Byrdcliffe chiffonier, manila paper, 20" x 26" examples: Two Red Roses Foundation; Drawings for Byrdcliffe lily table (Zulma Steele), tracing paper, 7" x 22.5"; manila paper, 24" x 6"; tracing paper, 18" x 4"; Design for Byrdcliffe footstool, manila paper, 9" x 22", example: Woodstock Artists Association; Lily side chair (Zulma Steele) Manila paper, 14.25" X 21", examples: Munson Williams Proctor Arts Inst., Winterthur Museum, Sotheby`s, lot 9, June 2004 inquire with gallery for condition report
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307192 item(s)/page