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Émile Gallé (French, 1846-1904), a cameo glass lamp, early 20th century, cased and acid-etched with foliate motifs, cameo 'Gallé' signature, 26cm highCondition ReportStructurally the lamp appears sound. It is in working order and fitted with a 3-prong UK plug. There are some scratches to the shade where it attaches to the metal fitting.PAT test - Failed
Anglepoise, an Anglepoise 'model 1227' desk lamp, aluminium with a black moulded three-stepped base, stamped 'THE ANGLEPOISE PATS PENDING S. AF. PAT NO. 30/35, MADE BY HERBERT TERRY & SONS', 82cm high fully extendedCondition ReportStructurally sound and in working order. The lamp is fitted with a UK three-prong plug socket. Scuffs and loses to the shade commensurate with age and use. There is oxidation, marks, and scratches to the metal. The lot would benefit from a light clean.
Loetz, an iridescent glass and Osiris pewter table lamp, c.1900, the glass shade with combed iridescent trail, raised on a pewter stand, pewter numbered and stamped 'Osiris', 35cm highCondition ReportStructurally sound and fitted with a three-prong UK plug socket. In working order. Some minor chips to the shade but only visible when it is removed from the base. Some small marks and scuffs to the shade. A small nick to the pewter to to the rim at the top. A few scratches to the pewter.PAT test - Passed
Jean-Pierre Vitrac (French, b.1944), an 'Éventail' folding table lamp, model '10481', designed 1972, French, chrome and opaline glass,29.5cm diameter closed82cm long fully extended29.5cm highCondition ReportTwo replaced glass shades. With some surface marks and scratches to the metal commensurate with use.PAT test - Passed
Possibly Italian, an adjustable three-light floor lamp, 20th century, brass, with black-enamelled shades, base and central column, 133cm wide 123cm deep 118cm high Condition ReportWith marks and dents to the polished gold tone part of the shades commensurate with use. The mount has come loose from one of the shades. With small marks and scratches throughout commensurate with use. Please see additional images. There is PAT test - Passed
â–² Harvey Guzzini (Italian, 1929-2020), a 'Clan' floor lamp, c.1970, with a cognac acrylic curved shade, raised on a curved tubular chrome stand,35cm diameter40cm highCondition ReportThere is a crack to the shade and cracks to the cognac body of the lamp. The white shade has been reglued to the body of the acrylic and chrome ring. There are also minor surface scratches to the cognac acrylic sections. Some minor wear to the frame. Please see the additional images.PAT test - Passed
Ca. AD 1 - 100.A bronze oil lamp with a rounded body, a slightly recessed discus with a central filling hole, and a short nozzle ending in a rounded opening for a wick. The handle is formed as a broad stylised leaf with well-defined veins and a gently serrated edge. The lamp sits on a ring base.For similar see: The Metropolitan Museum of Art, Object Number: 2021.40.61.Size: 65mm x 110mm; Weight: 166gProvenance: Private UK collection; previously acquired on the Holland art market in the 1990s.
Ca. AD 1 - 200. A collection of three terracotta oil lamps. The one on the left has a flat circular body with a raised central figure of an animal, possibly a lion, and surrounding decoration around the discus. The central lamp has a voluted nozzle, and the shoulder is decorated with rosettes in raised relief. The one on the right shows a recessed, rounded body with a dog or similar animal depicted in the centre.For similar see: Christie's, Live Auction 5524, Axel Guttmann collection of ancient arms and armours, Part II, Lot. 179.Size: 85-95mm x 55-70mm; Weight: 135gProvenance: Private UK collection; previously acquired on the German art market in the 1990s.
Ca. AD 1000 - 1200. A collection of three glazed terracotta oil lamps, each with a globular body, long channelled spout, and vertical handle extending into an upright finial. One lamp is coated in a turquoise glaze, while the other two are decorated in green, brown, and blue against a cream-coloured background.For similar see: M. Erdem, CERAMIC WORKS IN SAHİP ATA FOUNDATION MUSEUM, Selcuk University, Faculty of Fine Arts, Department of Ancient Tile Repairs, 2018, f. 6 and 7.; C. M. Henshaw, UCL PhD, Early Islamic Ceramics and Glazesof Akhsiket, Uzbekistan, f. 3.12.Size: 135-155mm x 70-75mm; Weight: 585gProvenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. AD 1000 - 1200. A collection of three glazed terracotta oil lamps, each with a globular body, long channelled spout, and vertical handle extending into an upright finial. One lamp is coated in a glossy brown glaze, while the other two are decorated in green, brown, and blue against a cream-coloured background.For similar see: M. Erdem, CERAMIC WORKS IN SAHİP ATA FOUNDATION MUSEUM, Selcuk University, Faculty of Fine Arts, Department of Ancient Tile Repairs, 2018, f. 6 and 7.; C. M. Henshaw, UCL PhD, Early Islamic Ceramics and Glazesof Akhsiket, Uzbekistan, f. 3.12.Size: 135-145mm x 75-80mm; Weight: 690gProvenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. AD 600 - 800.A pair of deep green glass oil lamps, one with a rounded body and the other with a conical form, both with deep interiors and thick flaring rims. Each lamp would have been inserted into a polycandelon for suspension.For similar see: Victoria and Albert Museum number 8195.Size: 120-123mm x 170-190mm; Weight: 14kgProvenance: Private UK collection; From an old British collection formed in the 1990s.
Ca. AD 300 - 600.A terracotta oil lamp with a rounded body and a central filling hole surrounded by a raised rim. Five short, evenly spaced wick spouts extend radially from the body. A single loop handle rises from the back. The upper surface is decorated with low relief curvilinear patterns, including scrolls and concentric circles framing the central opening. The underside is plain with a ring base.Size: 45mm x 120mm; Weight: 137gProvenance: Private UK collection, acquired on the US art market; Ex. Collection of James Wolfensohn, NYC., acquired from Perspective Ltd., Jean-Michel Gozlan, King David Street, Jerusalem, Israel, 1990s. This item has been cleared against the Art Loss Register database and comes with a confirmation letter.

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307192 item(s)/page