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An 18th century Cantonese porcelain fruit bowl with famille rose decorated panels of figures and flowers reserved on a trellis ground, 26.5 diameter x 11.5 cm high, and an 18th century Chinese blue and white export porcelain fruit bowl with additional gilt decoration, decorated with panels depicting figures and pagodas in coastal landscapes, 28.5 diameter x 12.5 cm high (2)
A large pair of 19th century Chinese blue and white porcelain vases decorated with rectangular figural and floral panels on a flower-head trellis work ground, with twin handles in the form of temple lions and applied modelled decoration of dragons around the neck (converted to electric table lamps), both approx 61 cm high excluding fittings (ILLUSTRATED)
A Chinese Imperial porcelain blue and white ewer and cover, the pear-shaped body painted in the Ming style with peaches and loquat enclosed in quatrefoil panels on a ground of flowering peony, the neck with a continuous lotus scroll beneath upright stiff leaves, the handle painted with five jui fungus, a band of gadroons around the foot, the spout with a composite scroll, the base with a six character Qianlong seal mark and of the period 1736-95, damages, 28cm. (2)
A pair of Chinese porcelain saucers, Republic period, each decorated in famille rose enamels with blossoming branches, the undersides with blossoming branches and bats underglazed blue seal mark Xiezhu Zhuren zao (Made by the Master of Wind Music) within a ‘European green’ border each saucer 13cm in fitted case (2) See Wilson, M. Rare Marks on Chinese Ceramics V & A Publications 1999 page 164 for a discussion of this mark. Later wares display courser characteristics than the original Daoguang examples and as such are dated to the Republican period (1911-1937)
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