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Early 20th century Chinese blue and white porcelain box and cover, of compressed circular footed form, decorated with figure upon the back of a stylised animal, with remnants of red wax seal beneath, together with two early 20th century Chinese blue and white jars, each with figural decoration, largest jar H10cm
A Chinese cafe-au-lait blue & white porcelain tea bowl & saucer from the Nanking Cargo 1752, bearing "Christie's The Nanking Cargo" printed paper labels with the No. 5235, the saucer 12cm in diameter, together with three English tea bowls, one being late 18th century Worcester with cornflower decoration (5)
ASSORTED CHINESE ITEMS including CHINESE BROWN-GLAZED POTTERY TOY HORSE & RIDER, Tang Dynasty, from Changsha, Hunan, 7cm h., MING CHINESE BLUE & WHITE PORCELAIN SAUCER DISH, Tianqi (1620-1627), with moulded cavetto and cusped rim, centre painted with three fruiting branches, 14.4cm d. and YIXING POTTERY TEAPOT, by Li Huifang, fish ripple design with carp head spout and double loop handle, cover with carp knop, impressed mark, 17cm w. (3)Provenance: Peter Wain.Comments: saucer dish - rim reglued break,chips.
PAIR CHINESE BLUE & WHITE PORCELAIN BALUSTER JARS & COVERS, painted in the Kangxi-style, with elegant ladies (Lang elizen) on terraces and birds in exotic trees, cloud collars to shouder and base with interlinked bats, figural paneled domed covers, each baring four character Kangxi marks, 31cms high (2)Comments: one with small hole to body, cover with fritted edge and small chip, other vase with large rim chip and damaged/chipped/repaired cover, with fritting
A selection of mainly twentieth century Royal Crown Derby porcelain wares. To include: Royal Antoinette loving cup, a Derby Posies vase, a Derby Posies miniature loving cup for Prince William, a similar for Prince Henry, a Chinese Birds pin tray, two further examples, a double-ended egg cup and a blue and white transfer-printed Pembroke muffin dish and cover. All marked to the underside. Muffin dish: 21 cm wide. (9)Condition: in good overall condition. Small filled under-rim chip on the muffin dish base.
Group of assorted snuff and scent bottles, comprising an octagonal porcelain flask-form example with seal-type mark, no stopper, 5.3cm high, two Chinese interior-painted examples, two horn examples to include a double gourd with shou motifs, plus a horn ladle and a Japanese miniature rouleau vase, (7)
Three Chinese porcelain ginger jars with prunus decoration, 15cm high overall and smallerAll three pieces have production imperfections in minor spots. One is without a lid, one with a lid, and one with a broken-in two lid. One still has its cork stopper. Apart from what I have stated the pieces are in very good order. Thank you for your enquiry,
Group of 18th Century porcelain: Caughley blue and gilt teabowl and saucer, decorated with waterside pavilions; small early Worcester teabowl and non-matching saucer, crescent mark; Imari palette teabowl and saucer; and a Chinese type teabowl with figural reserves on Famille Rose diaper ground, (7)
A GROUP OF FOUR (4) BLUE AND WHITE PORCELAIN CUPS INCLUDING THREE (3) BLEU DE HUE VIETNAM AND CHINA, LATE NGUYEN DYNASTY, 19TH CENTURY It is comprised of: - a first plate adorned with a fisherman hermit: Jiang Ziya (姜子牙), the base inscribed with a four-character mark in underglaze cobalt blue: ‘双工四季’ () maybe for ‘rông cung tư cuối’; - a second plate adorned with a poetry by Li Bai (李白); - a third plate adorned with two confronted phoenix; - a fourth plate adorned with a geometrical pattern, that one possibly chinese. D (the biggest plate, with the poetry): 17 cm
A FAMILLE ROSE CHINESE EXPORT PORCELAIN ‘LADIES AND BOY’ OGEE-SHAPED SHALLOW DISH CHINA BY COMMAND, LATE QING DYNASTY Of circular ogee shape, it rests on a short ring foot/. The inner part is finely painted in famille rose enamels with two ladies and a boy as well as an arch and arrows. H: 6 cm - D: 25,5 cm 中国出口粉彩“美人与童子”浅盘 中国,晚清 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A SMALL GUAN TYPE SHALLOW CIRCULAR WINE CUP China, Presumably 18th century The small circular cup resting on a short unglazed ring foot, the piece all with a thick celadon glazed with a double network of crackles, the so-called 'iron thread' and 'gold thread'. H: 3,2 cm - D:7,5 cm [INTERNET KEYWORDS] CHINA, CHINESE, QING, ANTIQUE, CERAMIC, PORCELAIN, PAINTING, SCROLL, JADE, DYNASTIE, JAPANESE, VIETNAMESE 官窑风格浅圆小酒杯 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A CELADON GLAZED PORCELAIN ‘CRANE’ GLOBULAR WATER POT APOCRYPHAL MARK OF EMPEROR YONGZHENG CHINA, 20TH CENTURY It rests on an unglazed ring foot and has a compressed globular body surmounted by a round shoulder, a waisted neck and an everted rim. It is all covered with a celadon glazed over an engraved design of ruyi, stylized cicadas and cranes medallions. The base bears an apocryphal mark of Emperor Yongzheng, a six-character one in kaishu script and in cobalt blue. H: 14,5 cm Note: The crane (he - 鹤) is believed by the Chinese to live to a very old age and therefore is a symbol of longevity. 青瓷仙鹤纹水壶,仿雍正款 中国,20世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A BLUE AND WHITE CHINESE EXPORT PORCELAIN ‘FLOWER’ TEAPOT AND COVER CHINA, QING DYNASTY, 18TH CENTURY It rests on a short ring foot and has a compressed globular body. It has an arch-shaped handle as well as a curved spout. It is topped by a globular finial. It is finely painted in underglaze cobalt blue with flowers. The base bears two collector labels: XVIIe K’ang Hsi 1667-1723’ and #96. H: 7,4 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 中国出口青花花卉纹带盖茶壶 中国,清代,18世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A CHINESE EXPORT PORCELAIN CREAM POT CHINA, QING DYNASTY, 18TH CENTURY, QIANLONG PERIOD It rests on a short ring foot and has a globular body surmounted by a waisted neck. It has a triangular-shaped beak and an arch-shaped handle. It is adorned in famille rose enamels with two ladies, a man and a boy as well as with scrolls. The base bears two old collector labels: ‘Ep. Kien-Long 1736-1796’ and #66. H: 10 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 中国出口瓷杯 中国,清代,18世纪,乾隆时期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A SUITE OF TWO (2) CHINESE EXPORT PORCELAIN CUPS CHINA, QING DYNASTY Of circular shape, it rests on a short ring foot and is finely enameled in famille rose enamels with chrysanthemum flowers in reserve medallions against a black ground. The two pieces bear two old collector labels on their bases: ‘Ep. Kien-Long 1736-1796’ and #72 and #108. D (the biggest): 11,4 cm Provenance: - a private collection; - formerly the property of Otto Gürgen, a German prominent industrialist in Buenos Aires, Argentina, in the 1930s (by repute). 一组两(2)个中国出口瓷茶杯 中国 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A GROUP OF FIVE (5) FAMILLE ROSE ‘FLOWER’ CHINESE EXPORT PORCELAIN PLATES CHINA BY COMMAND, QING DYNASTY, 18TH CENTURY D (each): 22,7 cm 一组五(5)件中国出口花纹粉彩瓷 中国,清代,18世纪 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
A FAMILLE ROSE PORCELAIN ‘DAOIST LANDSCAPE’ OFFERING BOWL OR STEMP CUP CHINA, LATE QING DYNASTY, LATE 19TH CENTURY Of octofoil shape, it rests on a tall spread foot. It is finely painted in famille rose enamels with various symbols including four of the Eight Treasures of Buddhism on the foot, Daoist landscapes within reserve medallions against a light blue ground with flower scrolls on the body and five bats surrounding a Shou (longevity) character within the bowl. H: 9 cm Note: The rebus of ‘Wu Fu Peng Shou’ (五褔捧壽) is used by Chinese people in their lives. Referring to the rebus, there are five bats surrounding the Chinese character for longevity, which literally imply blessings of longevity. “八宝”粉彩供杯 中国,晚清,19世纪晚期 NOTE: CONDITION REPORTS AND MEASUREMENTS It is up to the bidder to satisfy themselves prior to buying as to the condition of a lot. In relation to Condition Reports, whilst we make certain observations on the lot, which are intended to be as helpful as possible, references in the condition report to damage or restoration are for guidance. The absence of such a reference does not imply that an item is free from defects or restoration, nor does a reference to particular defects imply the absence of any others. The condition report is an expression of opinion only and must not be treated as a statement of fact. Measurements and weight are approximate and the potential bidder may re-ask it to be checked when asking for a condition report.
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106012 item(s)/page