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A Chinese famille rose porcelain panel, decorated a grasshopper amongst flowers, bamboo and prunus, with a red seal, minor chips and loss to corners, 25.5 x 38 cm, now mounted on a wooden panel, 40 x 53.5 cm See illustrationReport by GHSome minor paint loss. Small chip to bottom right hand corner
A Chinese export blue and white porcelain part tea and coffee service, comprising a teapot and cover, a tea caddy and cover, a milk jug and cover, a bowl, twelve tea bowls, nine saucers, nine coffee cans, two spoon trays, a bowl and cover, and a dish See colour illustrationReport by GHA couple of small rim chips to one of the bowls.The smaller bowl has a foot-rim crack.Otherwise generally okay
Good large pair of 19th Century Chinese Canton Famille Rose porcelain vases, each with waisted neck and pierced zoomorphic handles on ovoid body, decorated in enamels with seated figures perhaps the Eight Immortals, beside objects enclosing calligraphic inscriptions between bands of flowers on Greek key grounds, unmarked, 61cm high Condition: General rubbing to rim gilt, rim to one vase has a replaced and restored chip approximately 3cm wide with central crack, the neck of same vase has been spray-restored, other vase has similar spray restoration to neck interior, the internal turquoise glaze maybe an attempt to disguise further restoration, handles have been reattached (at least three of four), star crack beneath one vase - **General condition consistent with age
Large pair of Chinese Canton Famille Rose porcelain celadon-glazed vases, each of 'tied bag' form with crimped flared neck and ovoid body, applied handles to neck modelled as two Dogs of Fo playing with a ball, the body decorated in coloured enamels with Buddhistic precious objects, unmarked, 63cm high Condition: One vase has two old losses to folds of neck - **General condition consistent with age
19th Century Japanese Imari porcelain shallow dish, of wavy outline decorated in underglaze blue, iron-red, green and gilt with an urn issuing flowers within panelled border, pseudo Chinese six-character and double ring marks to base, five stilt marks, and floral scroll work verso, 30.5cm diameter Condition: Very minor flake chip to one point of rim, one other point of rim slightly flattened, minor wear to gilding commensurate with age and use, a few 'glaze pops' and kiln inclusions to field - **General condition consistent with age
Late 18th/early 19th Century Chinese blue and white porcelain plate or charger, decorated with a figure before a waterside cottage, within scroll and lattice borders, unmarked, 38cm diameter Condition: Two small old rim chips plus general fritting and a crescent shaped rim crack to border, dark glaze pops and inclusions to field - **General condition consistent with age
Four 19th Century Chinese Canton Famille Rose porcelain plates, with enamelled floral decoration within swag border, 26cm diameter Condition: One has no chips or losses but minor glaze rubbing from being stacked, second has very small rim loss (less than 5mm), third has slightly larger rim loss (less than 1cm), forth has significant rim loss plus crack (approximately 4-5cm) - **General condition consistent with age
Eight assorted early 19th Century Chinese blue and white porcelain plates, of octagonal form decorated with waterside pavilions, each approximately 23.5cm diameter (8) Condition: All have minor glaze pops, pock marks and edge fritting, one has minor old chip to reverse, another has radial hairline between 9 and 10 o'clock, a third has radial hairline at 11 o'clock, a fourth has an old chip to reverse and a restuck section between 12 and 1 o'clock to border and a fifth has an old edge chip plus radial crack at 5 o'clock - **General condition consistent with age
Set of four 20th Century Chinese blue and white porcelain jars and covers, each of sixteen-panelled ovoid form with domed cover, decorated with carp fish swimming amidst weeds double ring marks to base, 34cm high (4) By repute - Ex Royal Fort, Clifton, Bristol Condition: All in good order but no great age detected - **General condition consistent with age
20th Century Chinese Canton Famille Rose porcelain baluster vase, probably Republican period, decorated with figures in a landscape setting, one riding a stag, beneath cranes in flight, one with rider, iron-red 'seal' mark beneath, 43.75cm high Condition: **General condition consistent with age
The Royal Hong Kong Jockey Club and The Royal Hong Kong Golf Club awards of Mr Donald Black and his wife Mrs Black including a large silver cigarette box engraved "Donald Black Winner On Norse Queen The Jockey Club Handicap 1 Mile 159lbs 17/1 1948, The Hong Kong Champions 1 1/4 miles 147lbs 24/1 1948, Sassoon Challenge Cup 1 1/4 miles 147lbs 29/3 1948, Norse Princess The Chinese Club Cup 1 1/4 miles 147lbs 20/1 1948, From Iris and Reidan Johannesson" by Adie Brothers Ltd Birmigham 1946, 25.5 cm 14.5cm 1650g gross, a silver salver engraved "The Hong Kong Jockey Club 1950 Autumn Plate" by William Suckling Ltd Sheffield 1946, 31cm diameter 1250g, Wai Kee Hong Kong silver trophy bowl "Archie Lyle Cup Winner 1960 D Black" 10cm diameter 129g, a Wai Kee Hong Kong silver His and Hers pair of ashtray trophies "Barton Trophy 1960 Runners Up Mr & Mrs D Black" 11cm square 232g, a Hong Kong silver pin tray trophy with five dollar 1976 inset "Mr & Mrs D Black November 1976" by maker FJ 9cm diameter 45g, Hong Kong silver ashtray trophy "RHKGC Pole Hunt Cup 1977 Best Nett 36 Holes G D Black" 8cm square 41g, The Royal Hong Kong Golf Club Tackhing silver paperknife trophy "Railway Cup 1961 Runner Up Mrs D Black" 21cm long 41g, Wai Kee Hong Kong silver prize cup trophy "RHKGC G M Young Cup 1961 Won by Peat Marwick Mitchell & Co, Team- D Black, G M Macwhinnie, W F Houstoun, J A Ferguson" 11.5cm tall 147g, six further pin tray tophies, an enamelled spoon, Royal Hong Kong Jockey Club enamelled Owner and Member badges, horse hoof inkwell silver mounts, three leather dice cups and a set of five porcelain plates with horse portraits. Information regarding Donald Black's race wins can be found at the address below https://racingmemories.hk/hottopics/black-donald-riding-wins/
A collection of Eskenazi exhibition catalogues, dated 1972 to 2002, including: Early Chinese Ceramics and Works of Art, March 1972, Ancient Chinese bronze vessels and early ceramics, June - July 1973, Chinese ceramics from the Cottle collection November 1973, Early Chinese ceramics and Works of Art, June - July 1974, Ancient Chinese bronzes from the Stocklet and Wessén collections, June 1975, Chinese Jades from a private collection, June - July 1976, two volumes Ancient Chinese bronze vessels, gilt bronzes and sculptures; two private collections, one formerly part of the Minkenhof collection, June-July 1977, Ancient Chinese sculpture, June-July 1978, Ancient Chinese bronzes and gilt bronzes from the Wessén and other collections, July 1980, Ancient Chinese Sculpture, December 1981, Twenty five years , June 1985, Tang, June 1987, Chinese and Korean Art from the collections of Dr Franco Vannotti, Hans Popper, and others, June 1989, Chinese Art from the Reach Family collection, December 1989, Ancient Chinese sculpture, from the Alsdorf collection and others, June 1990, boxed, Inlaid bronze and related material from pre-Tang China , June 1991, Chinese Lacquer from the Jean-Pierre Dubosc collection, and others, December 1992, Early Chinese art from tombs and temples , June 1993, boxed, Yuan and early Ming blue and white porcelain, June 1994, boxed, Early Chinese Art: 8th century BC to 9th century AD , June 1995, boxed, Sculpture and ornament in early Chinese art, June 1996, two vol Ceramic sculpture from Han and Tang, China, New York, March 1997, Chinese Buddhist sculpture, June 1997, Chinese works of art and furniture, 1998, Animals and Animal designs in Chinese art, New York March 1998, Ancient Chinese bronze and ceramics, New York, March 1999, Ancient Chinese bronzes from an English private collection, November 1999, boxed, Masterpieces from Ancient China, Millennium exhibition, 1960 to 2000, New York, London, 2000, boxed, Tang ceramic sculpture, New York, 2001, Chinese ceramic vessels 500-1000AD, November 2001, Chinese Buddhist sculpture from Northern Wei to Ming, New York, March 2002, Two rare Chinese porcelain fish jars of the 14th and 16th centuries, November 2002, Song: Chinese ceramics, 10th to 13th century, November 2003 Chinese works of art from the collection of J M A J Dawson, Brochure, December, 1980 (36) Provenance: Gordon House
A SET OF ELEVEN CHINESE FAMILLE ROSE ARMORIAL PLATES C.1750 Painted in enamels and gilt with the arms of Amyas of Norfolk, each with flowering blossoms to the centre surrounded by a gilt chain border, with smaller floral sprays to the rims, 23cm. (11) Provenance: formerly the collection of Moor Park, Much Hadham. Cf. D S Howard, Chinese Armorial Porcelain, p.532 for another dish bearing the arms of Amyas of Norfolk.
A CHINESE FAMILLE ROSE EROTIC SUBJECT SAUCER DISH C.1740 Painted with a young monk grasping a struggling maiden around the waist, with a dog beside an open book and a discarded rosary to the side, 20.2cm. Cf. R Krahl and J Harrison-Hall, Ancient Chinese Trade Ceramics: Ming to Qing Porcelain in the British Museum, no.70.
A COLLECTION OF CHINESE PORCELAIN ITEMS KANGXI 1662-1722 Comprising: four dishes, three bell-shaped cups, eleven tea bowls, eight saucers, and a bowl, variously decorated in the wucai, famille verte and Imari palettes with flowers, landscapes, birds, mythical beasts, diaper and other designs, 25.2cm max. (27) Provenance: a number of the items with invoices dated between 1970 and 1979. Copies of the invoices are available.
ELEVEN LARGE CHINESE PORCELAIN DISHES 18TH CENTURY Two decorated in the famille rose palette with sprays of peony and chrysanthemum, two painted in enamels with a central floral medallion surrounded by various flowers, seven with large blossoming flowerheads in underglaze blue, 38.5cm max. (11)
A SMALL GROUP OF CHINESE PORCELAIN ITEMS LATE QING DYNASTY/REPUBLIC PERIOD Comprising: a near pair of famille rose bowls depicting the Eight Immortals, each with a six character Qianlong mark to the base, a famille rose bowl and cover decorated with many boys, with six character Jiaqing marks, and a rouge-de-fer bowl, cover and stand painted with mountainous riverscapes, the cover with a mark reading yun shan, 17cm max. (7) Provenance: from the estate of Anne Marie Wood, Warwickshire, acquired no later than the 1990s.
THREE CHINESE FAMILLE ROSE MUGS QIANLONG 1736-95 The largest painted with peony and fruiting lychee, the loop handle terminating in a gilt ruyi-head, another decorated with a scholar and ladies holding books and a musical instrument in a landscape, with an attendant holding a horse's reins beside them, the smallest painted with the arms of Armstrong of Newcastle upon Tyne between floral sprays, with a gilt chain band encircling the rim, 15.9cm max. (3) Cf. D S Howard, Chinese Armorial Porcelain, p.532 for another mug from the Armstrong service which dates from c.1750.
A CHINESE PORCELAIN 'LANDSCAPE' BITONG 19TH CENTURY The cylindrical brushpot decorated in relief with a figure riding a donkey through a mountainous landscape as his attendant follows behind, all covered in a pale mint-green glaze, the base with a six character Daoguang mark, together with a wood stand, 13.5cm. (2)
A LARGE CHINESE BLUE AND WHITE KRAAK PORCELAIN DISH WANLI 1573-1620 Painted to the centre with an octagonal panel depicting waterfowl by the bank of a river amidst flowering lotus, with cartouches enclosing precious objects, fruits and flowering branches around the rim, the images divided by geometric patterns, with simple roundels containing lingzhi to the underside, 35.8cm.
A CHINESE BLUE AND WHITE PEAR-SHAPED VASE KANGXI 1662-1722 The body rising from a tall spreading foot to a flared rim, painted with two scholars seated by the shore of a river gazing at the moon and distant mountains, with another figure sitting on a sampan beneath trees, all below bands of swirls and simple circles, 21.5cm. Cf. R Chen, Qing Shunzhi Kangxi Chao Qinghua Ci (Qing Dynasty Shunzhi and Kangxi Blue and White Porcelain), p.401, no.257 for a vase of the same design in the collection of the Palace Museum.
FOUR CHINESE PORCELAIN ITEMS REPUBLIC PERIOD Comprising: a famille rose ovoid vase painted with various flowers between bands of underglaze blue decoration, with a six character Qianlong mark to the base, a beehive-shaped waterpot with iron-red dragons and a six character Daoguang mark, together with a wood stand, and a pair of yellow-glazed models of lion dogs seated upon pedestals, 22.8cm max. (5) Provenance: from the collection of Ursula Overbury (d.2018).
A CHINESE ROUGE-DE-FER PORCELAIN PLAQUE LATE QING DYNASTY Painted in iron-red and gilt with two figures standing on the bank of a river gazing at musicians on a boat, with rocky mountain peaks in the distance, all contained within a hardwood frame, 40cm x 25cm. Provenance: from the collection of Sir Thomas Jackson, 1st Baronet (1841-1915) and thence by descent. Sir Thomas Jackson, 1st Baronet (1841-1915) was the third Chief Manager of the Hongkong and Shanghai Banking Corporation and his influence on the company was so notable that he became known as the bank's 'Great Architect'. He was also one of the founding members of the Hong Kong Jockey Club. Born in County Leitrim, Ireland, Jackson joined the Belfast branch of the Bank of Ireland at age nineteen before accepting a position in East Asia with Agra and Masterman's Bank five years later. In 1866, he joined HSBC, which had only been established the previous year. Jackson was quickly promoted to the position of an accountant in Shanghai, and he later spent several years working in Japan as the manager of the bank's Yokohama office. At the early age of 35, he was appointed as Chief Manager of HSBC and, under his direction, the company became the leading bank in Asia. After a successful career in Hong Kong, Jackson returned to the UK in 1891, taking charge of the company's office in London. He was knighted in 1899 and three years later he retired and received the additional title of Baronet. In 1906, a statue of Sir Thomas Jackson was unveiled in recognition of his services both to HSBC and Hong Kong. His statue still stands in Statue Square in front of the bank's Hong Kong headquarters. Jackson Road in Hong Kong was also named after him. His collection comes from Gilford Castle in County Down, Northern Ireland, which was purchased by James Wright, husband of Sir Thomas Jackson's niece Mary Menary.
A PAIR OF CHINESE BLUE AND WHITE PORCELAIN PLAQUES LATE QING DYNASTY One painted with a figure drinking wine in a garden beneath a pine tree, he stands by a qin with two smaller attendants by his side, the other depicting armed warriors riding on horseback through a rough landscape with a flag-bearer running beside them, each contained in a wood frame, 36.5cm x 24.5cm. (2) Provenance: from the collection of Joseph Alexander Thomson (d.c.1950) who worked in Hangzhou, and thence by descent.
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106012 item(s)/page