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A Chinese Canton porcelain dinner and tea ware comprising coffee pot, lidded tureen, jug, shallow bowl, butter dish with saucer, 3 large plates, 4 medium plates, 4 saucers and 9 cups. CONDITION REPORT -chip and hairline to jug, tureen with repair to handle, tureen lid with repair to handle and repaired hairline, coffee pot handle repaired and minor nibbles to foot rim, chip to shallow bowl, 5 medium/small plates with either small chip or hairline, 3 large plates with either minor hairline or chip, 4 cups with either small chip or hairline - see images for damage.
A Chinese porcelain ginger jar with cover decorated in over enamels with a bird amongst a flowering tree, blue six character KangXi mark within a double circle to base but later, height 22cm. CONDITION REPORT - minor nibbles/imperfections to foot rim and hairline/firing crack to rim (see images).
BOTTIGLIA Giappone, seconda metà del XVII secolo - A BOTTLE Japan, second half of the 17th century Porcellana, con corpo globulare e lungo collo cilindrico, dipinta in blu cobalto steso in diverse gradazioni al di sotto dell’invetriatura trasparente. La decorazione consiste di un paesaggio popolato di figure con ombrellini. Rotta e ricomposta ‘ab antiquo’. Altezza 26,5 cm Realizzato in Giappone durante il periodo in cui le fornaci cinesi imperiali di Jingdezhen erano in sofferenza per la difficile situazione politica, questo tipo di bottiglia era destinata all’esportazione verso l’Europa, motivi e forme molto simili si ritrovano nella produzione di Delft dell’inizio del Settecento. - Porcelain with a spherical body and long cylindrical neck, painted in cobalt blue spread in various thicknesses under the transparent glazing. The decoration consists of a landscape with figures bearing umbrellas. Broken and restored ‘ab antiquo’. Height 10.43 in. Made in Japan during the period when Chinese Imperial kilns of Jingdezhen were suffering from the difficult political situation. This type of bottle was destined for exportation to Europe. Very similar shapes can be found in the production of Delft at the beginning of the 1700s. € 200
A pair of Chinese porcelain plates after Meissen mid 18th century, each painted with a shaped panel containing a figure on horseback riding away from a building, and two other figures armed with swords and javelins, within laub und bandelwerk type borders, the rims with a formal foliate design in red, blue and gilt, 22.7cm. (2)
A Worcester blue and white low-footed sauceboat c.1756-58, painted with an apparent variation of the Sinking Boat Fisherman pattern, each side with a figure crossing a bridge between islands within moulded panels, the interior with an unusual floral design, workman's mark, and a Chinese porcelain copy of a Worcester sauceboat, painted with a figure in a boat, presumably copying the Boatman pattern, pseudo workman's mark, the former with a 4.5cm rim crack, 18.3cm max. (2) Provenance: the John Pinnick Collection.
A study collection of porcelain teabowls and saucers most 18th century, including a Chinese blue and white teabowl from the Ca Mau cargo, a Chinese teabowl and two saucers, later enamelled to imitate the Queen Charlotte pattern, two moulded Chinese saucers in the Kakiemon palette, a Worcester Warmstry-fluted teabowl in the Kakiemon palette, a Meissen saucer painted with flowers, two Doccia saucers with moulded decoration, a similar coffee cup, a Chinese cup and saucer with floral decoration, a teabowl painted with European figures, and an English saucer, perhaps Baddeley-Littler, painted with Chinese figures, some damages, 13.5cm max. (16)
A comparison group of blue and white porcelains 18th century, including a Caughley sauceboat, a Chinese porcelain bowl cover, a Caughley saucer, a Chinese saucer, and a Worcester saucer and two teabowls, two Caughley teapot stands, a pearlware teapot stand, a Caughley bowl, two pearlware teabowls, a Worcester spoon tray and a Caughley spoontray, a Caughley coffee cup and a Liverpool coffee cup, all decorated with versions of the Fisherman and Cormorant pattern, various marks, some damages, 18cm max. (17) Provenance: the John Pinnick Collection.
A Chinese porcelain Dutch-decorated bowl 1st half 18th century, later painted in Holland with the 'Cherry Picker' pattern, a man in a windswept coat and black breeches standing on a ladder and picking fruit from heavy laden branches, two Chinese coffee cups and a teapot stand, later enamelled with the Stag Hunt pattern, a Dutch-decorated Chinese coffee can with sepia figures in the Du Paquier manner, and another later enamelled with peony over the original under-glaze blue decoration, 14.7cm max. (6) Provenance: the bowl from the Helen Espir Collection, no. 344. The other pieces from the reference collection of Geoffrey Godden. The Cherry Picker, or Apple Picker, pattern is discussed in European Decoration on Oriental Porcelain, pp.165-166. Traditionally thought to be merely an erotic allusion to stolen fruit, credence has also been given to a theory that the fruit in the tree is actually oranges, and the young couple William and Anne enjoying the early years of their marriage.
A Mennecy white-glazed chocolate cup with cover and stand c.1750, applied with sprigs of flowering prunus, incised DV mark to the cup, the cover with a silver mount, two Chinese porcelain libation cups applied with prunus and magnolia, and a cinquefoil teapot applied with prunus, some damages and replacements, 15.8cm max. (7)
Two English porcelain coffee cups c.1760-75, one Worcester, printed and coloured with the Red Bull pattern, a continuous design of three Chinese figures with two cattle, the other Derby and printed in blue with a version of the same design, derived from a Chinese prototype, part of the handle broken and restuck to the Worcester cup, 6.3cm. (2) Provenance: the John Pinnick Collection.
Three C J Mason Ironstone miniature vases c.1825, two of bottle form painted with flowers and in the Imari palette, a hexagonal pot painted with the Red Cook, a Miles Mason porcelain câchepot painted with flowers, and a miniature Ironstone beaker, printed and coloured with a Chinese landscape, some faults, the hexagonal jar lacking its cover, 10cm max. (5) Provenance: the Doug Godden Collection.
A Worcester blue and white small plate c.1775-80, with scalloped edge, painted with the Fan-Panelled Landscape pattern, pseudo script mark, and a small Chinese porcelain bowl painted with two fan-shaped panels containing flowers, reserved on a powder blue ground, the bowl restored, 16.2cm max. (2) Provenance: the John Pinnick Collection.
19th century AD.A tin-glazed bowl with basal ring, bell-shaped profile. 403 grams, 16.5cm (6 1/2"). Fine condition.Private collection, Cambridgeshire, UK; acquired prior to 2000. The Tek Sing (True Star) wreck is one of the famous recovery stories of the 20th century. Sailing from the port of Xiamen (then known as Amoy) in February 1822 the vessel Tek Sing was bound for Jakarta, Indonesia laden with porcelain goods and 1600 Chinese emigrants. The captain decided to pass through the Gaspar Strait, between the Bangka-Belitung Islands, and ran aground on a reef. The vessel sank in about 100 feet of water. The next morning, February 7 an English East Indiaman captained by James Pearl, passing through the same waters, encountered debris and some survivors and managed to rescue about 190 of the latter. [No Reserve]
A selection of Chinese armorial porcelain tea bowls and saucers, Qianlong (1736-1795), comprising three bowls and four saucers, each piece decorated in famille verte with 'MLL' surmounted stag crest and further peacock, temple and garden decoration, within gilt borders, teabowls 7.8cm diameter, saucers 12.5cm diameter (7)
A Chinese porcelain cup, Qianlong (1736-1795), decorated in polychrome enamels depicting two seated immortals within a garden, bamboo handle, 6.5cm high, along with a Chinese porcelain blue and white bell shaped cup, decorated with urns, crossover handle, 6cm high and a selection of Chinese export blue and white tea cups and saucers (10) (at fault)
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106012 item(s)/page