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A group of Chinese export porcelain, Qianlong, comprising; a pair of famille-rose plates painted with river landscapes, three various famille-rose plates including one painted with acrobats, three small Chinese Imari plates, four blue and white plates and a blue and white helmet shaped cream jug (a.f).
A group of three ivory carvings, early 20th century, comprising; a Chinese ivory carving of Guanyin with a dragon at her feet, 31cm. high, a Japanese sectional ivory carving of a father and child, 14.5cm. high, and a Japanese fisherman holding a net, 11cm. high; also a small Chinese blue and white porcelain shallow box and cover and two wood stands.
A group of Chinese porcelain from the Nanking cargo, circa 1750, comprising; a `Peony' pattern cylindrical mug, 10.5cm. high, and six `Boatman and six-flower border' pattern plates, three in underglaze blue and three in underglaze blue and enamels (a.f), 22.5cm. diameter, all with paper labels to bases.
PAIR OF CHINESE GUANGXU PERIOD PORCELAIN DOUBLE GOURD SHAPED BASES, each finely painted in burnt orange with a five toed dragon and phoenix amongst leafy foliage, 5 1/2" (14cm) high, six character underglaze blue mark, TOGETHER WITH A CHINESE PORCELAIN VASE of Indian club form, painted with a near matching design, 9 1/2" (24.1cm) high, double border mark, all with wooden stands (3)
FINELY POTTED 19tH CENTURY CHINESE IMARI PORCELAIN CIRCULAR BOWL on a pedestal foot, the interior painted in the centre with a single bloom floral sprig and with diaper banded and floral border, the exterior painted with garden fence and shrubs in three sections, 8" diameter and an ORIENTAL CARVED AND PIERCED WOODEN STAND (2)
A rare Worcester blue and white cup with trembleuse saucer c.1785, painted with the Forked Willow Fence pattern, a weeping willow tree beside large peony flowers and a low ornamental fence, within a cell diaper border, together with a Chinese soft-paste saucer in the same pattern, 12.5cm max. (3) Cf. Branyan, French and Sandon, Worcester Blue and White Porcelain 1751-1790, no.I.D.19 for a saucer described at the time of publication as the only known example.
A Lowestoft blue and white miniature or toy teapot and cover c.1762-65, the small globular body painted with small boats and pagodas in a Chinese island landscape, a berry border to the shoulder and cover's edge, 10.5cm across. (2) Cf. Sheenah Smith, Lowestoft Porcelain in the Norwich Castle Museum, p.218.
Three English porcelain botanical dishes 19th century, one Derby of shell shape and painted with a spray of Chinese Day-Lily, titled in iron red to the reverse, one untitled but painted with a spray of passionflower and with pierced handles, the last Davenport and painted with a fruiting nectarine branch, one broken and restuck, 30cm max. (3)
Two Japanese blue and white teabowls late 17th century, painted in the manner of Frederik van Frytom, with two figures standing guard in a harbour, the interiors with undulating blue rims. (2) Van Frytom (1632-1702) was a Dutch Delft artist whose style was copied by Arita potters in the late 17th century. In turn, these Japanese imitations were copied by the Chinese and also by workmen at Bow. Cf. A. Vecht, Frederik van Frytom, p.40 for the original source; also Anton Gabszewicz and Geoffrey Freeman, Bow Porcelain, p.63 for the Chinese and the Bow counterparts. Wares of this type are also discussed by Gordon Lang in The Wrestling Boys catalogue for the Burghley House Collection.
A European-decorated Chinese porcelain teapot with teabowl and saucer mid 18th century, printed and hand-coloured in England, perhaps at Battersea, with a shepherd and his flock seated beneath a tall tree with buildings visible on a hill behind, the teabowl and saucer with four character Yongzheng marks, 14.5cm. (4) Provenance: the Godden Reference Collection. The teabowl and saucer purchased from E & H Manners, 9th June 2004, and with paper labels for Stockspring Antiques, early James Giles no.153. The teapot previously in the Watney Collection. Exhibited: The Early James Giles and his Contemporary London Decorators, Stockspring Antiques 5-17 June 2008, cat. no.153, together with a matching milk jug. In his text accompanying the 2008 exhibition, pp.139-40, Geoffrey Godden discusses this distinctive pattern and suggests the Chinese blanks may have been up to ten years earlier than the date of the decoration.
A Chinese porcelain famille rose vase, Qing Dynasty, decorated with two shaped panels of Court figures on terrace and Warriors on horseback, within bat and scrolling borders, on a ground of peony and foliage, the shoulder with four applied chilong, the neck with shishi and ball terminals, 47cm high.
Four assorted Chinese porcelain famille rose plates, Qing Dynasty, comprising; a celadon ground plate with peony and bird decoration, 22.5cm diameter, a Canton plate decorated with panels of figures divided by panels of birds and flowers, 20.5cm diameter, a butterfly decorated plate, 20cm diameter, and a famille rose plate decorated with rockwork, bamboo, peony and a pair of quail, 19cm diameter, (4).
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106012 item(s)/page