A Chinese Kangxi period porcelain Jar, the neck with a Ruyi band border above chrysanthemums flanked by stylised characters, the base with Ming style lappet border, raised on Chinese hardwood Stand, the Jar 20cm high CONDITION REPORT: This item has lots of surface scratches, lots of dark abrasions to the outside, there are several chips mostly to the inside of the lip, the outside of the body appears quite dark in places, there is a double concentric circle mark to the underside.
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Collection of Six (6) 19th Century Chinese Export Hand Painted Porcelain Table Top Items. Various marks and seals. Wear, chips. Tallest measures 3" H. Provenance: The Shepps Collection, Palm Beach, Florida. A copy of complete provenance available upon request. Shipping $58.00 (estimate $150-$250)
Two Chinese blanc de Chine English-decorated beakers, c.1700, the octagonal flared forms originally decorated with incised bands of stiff leaves, later enamelled in the Japanese manner with tigers and dragons amidst Oriental plants in the Kakiemon palette, 6.5cm. (2) Cf. Helen Espir, European Decoration on Oriental Porcelain, p.210, pl.7 for beakers with Kakiemon floral decoration in the British Museum.
Nine Continental porcelain saucers, 18th century, three Nove and variously painted with flowers and a Chinese figure with a parasol, two Cozzi and painted with a building and a blue border, a Capodimonte saucer decorated with fruit, a Tournai saucer with a peacock, and a Sèvres saucer and a La Courtille saucer painted with flower garlands, damages, 13.3cm max. (9)
Four Caughley spoon trays, late 18th century, two printed in underglaze blue with the Fisherman and Cormorant pattern and the Fenced Garden pattern, the others with flower sprigs in gilt and blue, a Worcester spoon tray printed with The Bandstand pattern, and a small Chinese porcelain spoon tray painted with polychrome flowers, various marks, 16.3cm max. (6)
Two Chinese porcelain teapot stands and a spoon tray, 18th century, of hexagonal form, one stand painted in famille verte colours with two birds on a branch, the other in the famille rose palette with two quail beneath flowering peony, the spoon tray with three figures seated beside water, together with a Chinese saucer with a further variation of the Two Quail pattern, minor faults, 13.3cm max. (4)
Three English-decorated Chinese porcelain teapots and covers, 18th century, originally decorated in bianco-sopra-bianco with flowering plants, later enamelled, probably in London, with butterflies and polychrome sprays of rose, heartsease and other flowers, some damages, one spout a replacement, 19.5cm max. (6)
A small mixed group of ceramics, including a small creamware teapot and cover, an early Chinese box base in a celadon glaze, a Chinese teabowl or wine cup moulded with leaf bands, a large English porcelain teabowl painted with simple shells, and a modern Royal Worcester milk jug printed with a bird perched on fruit, some faults, 14.5cm max. (6)
A Chinese porcelain Dutch-decorated bowl, Qianlong 1736-95, later-enamelled in Holland with a repeated scene of European musicians, a gentleman playing the cello, a lady a small harp, while a second seated lady conducts from a central position, the bowl's interior with a central scene of swans swimming before a village, the inside walls with three landscape scenes, 14.5cm dia. Cf. Helen Espir, European Decoration on Oriental Porcelain, p.166, pl.15 for a similar bowl.The decoration on this bowl is perhaps derived from Philip Mercier's painting The Music Party, which depicts the three children of George II (including Anne, Princess of Orange).
A small group of Chinese porcelain teawares, 18th century, including a teabowl and saucer painted with panels of peony spray, four coffee cups variously painted with landscapes and flower panels, one with an interesting scene of an apparent naval battle beside European traders in a harbour, a milk jug with later European floral decoration, and a large English teabowl painted in orange and gilt with Chinese figures in a garden, some faults, 12.1cm max. (8)
A small collection of English porcelain teawares, 2nd half 18th century, including a Vauxhall blue and white teabowl painted with a tree, a Bow teabowl applied with prunus, a Liverpool small mug with flowers, a saucer with a Chinese figure in a garden, a Derby polychrome milk jug, a Japanese teabowl painted in blue with a pattern copied by Bow, and a tea canister cover painted with flowers and butterflies, damages, 12.4cm max. (7)
Two Chinese teapots and covers and a bowl with an associated cover, 18th century, one teapot painted with in the famille verte palette with figures in a mountainous landscape, the other in famille rose enamels with a cockerel beneath peony, the bowl with Chinese figures in a garden setting, all reserved on floral bianco-sopra-bianco grounds, and a Chinese porcelain plate later decorated in Europe with a butterfly and caterpillar amidst flower sprays, some damages and losses, 21cm max. (7)
A small collection of European-decorated Chinese porcelain, 18th century, including four cups, a teabowl, a beaker and three saucers, most originally decorated in underglaze blue with later enamelling in red and gilt, one saucer Dutch-decorated with baskets of flowers, two London-decorated with butterflies and flowers, one cup with flowers in green camaieu, some damages, 12cm max. (9)
A rare Chinese Batavian European-decorated teabowl and saucer, Kangxi 1662-1722, the underside glazed brown with later wheel-engraved decoration in Saxony or Bohemia, of birds perched on a continuous flowering branch, two Chinese London-decorated teabowls and a saucer painted with flowers and insects, a saucer painted with plants in the Kakiemon palette, and a Meissen saucer painted by James Giles with fancy birds, applied with grapevine to the underside, some damages, 13.5cm max. (7) Cf. Helen Espir, European Decoration on Oriental Porcelain, p.59, pl.12 for a similar example of the Batavian ware. The technique of cutting and polishing the new Böttger stoneware, produced at Meissen c.1710, made such techniques desirable on other media and was used on Chinese porcelains such as these to great effect.
A Meissen cup and saucer, c.1735-40, painted in the Kakiemon palette with the Two Quail pattern, a Chinese porcelain teabowl and saucer in the same pattern, and a later Meissen-style quatrefoil saucer similarly decorated with a puce ground to the underside, some damages and repairs, 12.5cm max. (5)
A Chinese porcelain Dutch-decorated teabowl and saucer, c.1720-25, originally decorated with horizontal bands of cash diaper around anhua decoration, later enamelled in Holland in the Kakiemon palette with parrots perched on branches of red rosebuds, 13.7cm. (2) Cf. Helen Espir, European Decoration on Oriental Porcelain, p.67, pl.24 for a teapot with similar decoration.
A Chinese porcelain London-decorated teapot and cover, c.1755-65, painted in the Giles manner with a butterfly and furry caterpillar around colourful sprays of European flowers, a short crack to the base, 20cm across. (2) Illustrated: Stephen Hanscombe, The Early James Giles and his Contemporary London Decorators, p.77, no.67. Paper label for the Hanscombe Collection.
A London-decorated Chinese porcelain composite part tea service, 18th century, the porcelain originally decorated with bianco-sopra-bianco flower sprays, then finely painted in Europe with butterflies and European flowers. Comprising: a teapot and cover with stand, a milk jug, two coffee cups and a teabowl. (7)
Two English porcelain teapots and two coffee cups, c.1760-70, including a Derby teapot and cover and an octagonal Derby coffee cup with a wishbone handle, painted with Chinese figures seated at or standing beside a table, and with two confronting cockerels beneath a plant stand, a further coffee cup and a Chinese coffee cup painted in similar designs, and a Lowestoft teapot painted with two figures in a garden setting, some losses, damages and restoration, 19cm max. (6) Provenance: the octagonal cup with a paper label for the Watney Collection.
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106012 item(s)/page