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A near pair of Chinese famille verte ovoid porcelain vases, Kangxi (1662-1722), decorated with flowers, birds and rockwork, with carved wooden covers, one with a double-ring mark to base, 23.5cm and 25.5cm high including coversProvenance: from the private collection of a Norfolk Family since the mid 19th centuryCondition report: Both vases with some minor glaze scratching. One vase has a few spots of glaze wear around the neck. The other has a few nicks to the footrim and a tiny hairline on the rim. Both covers are split.
Chinese famille verte ovoid porcelain vase and cover, 19th century, decorated with panels of flowers on a scrolling foliate-patterned ground, 21cm highProvenance: from the private collection of a Norfolk Family since the mid 19th centuryCondition report: The cover has been restored. Otherwise good condition, with some nibbles to the rim.
Chinese famille verte porcelain jar, 18th/19th century, decorated with a tropical bird perched on rockwork, surrounded by flowers and foliage, together with carved wooden cover and stand, 13.5cm high without cover and standProvenance: from the private collection of a Norfolk Family since the mid 19th centuryCondition report: Hairline to the base. Long star-crack to the body. Otherwise good condition.
Chinese famille rose porcelain platter, Qianlong period, both painted with the double peacock pattern, 37cm and 42cm acrossCondition report: One platter is in two pieces - it has formerly been broken in to three pieces and restored. The other has some enamel wear but otherwise is in good condition.
Pair of Chinese famille verte porcelain vases, probably Kangxi period, converted to lamps with 19th century ormolu mounts, one in piecesProvenance: from the private collection of a Norfolk Family since the mid 19th centuryCondition report: One is in many pieces - possibly some pieces missing but difficult to ascertain. The other has dents to the ormolu top, and the neck has glue and detritus from where the ormolu was attached - does not appear to be damaged under the glue but difficult to be certain.
Set of seven Chinese famille rose porcelain dishes, Qianlong period, decorated with peonies and other flowers, 23cm diameterProvenance: from the private collection of a Norfolk Family since the mid 19th centuryCondition report: Overall good antique condition. One with a hairline on the rim and a few small chips. One with some glaze wear on the rim. One has two T-shaped hairlines in the middle. One has small rim chips, hairline on the rim and hairlines in the middle. One has small rim chips. One has two cracks on the rim and some chips. The last with no faults.
Four pieces of 18th century Chinese export porcelain, including an Imari bowl, two Imari dishes, and a famille rose dish, each decorated with flowers, the bowl measuring 24cm diameterCondition report: Good overall condition. The bowl has glaze loss around the rim and a light star-crack on the base. One Imari dish has a light star crack in the centre, a small hairline and some fritting on the rim. The other has a light hairline on the rim. The famille rose dish has some fleabites to the footrim.
Five pieces of 18th century Chinese blue and white export porcelain, including a dish, two saucers and a rice bowl cover, and a larger dish measuring 32.5cm diameterCondition report: The scalloped dish has a couple of nibbles. One saucer has a small hairline and the other has some fritting, a chip and light hairline to the footrim. The rice bowl cover has some fritting and three hairlines. The larger dish has some fritting and a star crack in the centre.
Quantity of 19th century Chinese porcelain, including three snuff bottles, a teapot, tea bowl, bowl, pot and a pair of green bottle vases (9)Condition report: One of the green vases is reglued at the neck. The larger bowl has a chip and hairline on the rim. The teapot has a couple of tiny natural firing cracks on the rim. The pot has small rim chips. The tea bowl has a small rim chip. One snuff bottle has two footrim chips and fleabites to the rim. Another has fleabites to the rim, a chip and associated hairline on the rim, a long hairline to the body, and a chip to the footrim. The last has a chip and a small hairline on the rim.
A group of 18th century Chinese porcelain, including a Nanking tea bowl and saucer, an Imari teapot, an unusual Mandarin teapot on tripod feet, famille rose tea bowl and saucer, blue and white tea bowl, and four saucers (11)Condition report: The famille rose tea bowl has a hairline and the saucer has a star crack. The Imari teapot is missing its lid and has small chips to the tip of the spout. The tripod teapot is missing its lid, has a staple-repaired handle, a small hairline by one foot and one by the spout. Otherwise some minor fritting.
Quantity of 18th and 19th century Chinese porcelain, including a Chenghua-marked bowl decorated with roundels on a green diaper-moulded ground, a blue and white dish, a large polychrome jar and a blue and white vase (4)Condition report: The jar has two rim chips, other nibbles to the rim, some gilt wear, and a long hairline on the rim. The vase has two filled chips with attached hairlines on the rim. The dish has fritting all round the rim and a small hairline. The bowl is heavily restored, with small chips and fritting on the rim.
Pair of Chinese famille rose porcelain bowls with flared rims, c.1900, decorated with tropical birds, flowers and auspicious symbols, iron red seal marks to bases, 19cm diameterCondition report: One bowl has two small rim chips and a 'T' shaped hairline on the rim. The other has two small hairlines on the rim with a couple of nicks attached.
19th century Chinese miniature Canton famille rose teapot, together with a similar bowl and cover and another Chinese porcelain bowl (3)Condition report: The Canton bowl has restoration to the rim of the lid and one handle, and is sprayed inside. The other bowl has some fritting to the handles.
PAIR CHINESE 'DOWAGER EMPRESS DAYAZHAI' TYPE PORCELAIN VASES, 20th Century, shouldered form with fixed ring lion mask handles, painted en grisaille and white enamel to a yellow ground with sinuous 4-clawed dragon amid flowering chrysanthemum and hibiscus (denoting Autumn), gilt highlights, 20.5cms h (2) Provenance: Private collection North Wales Auctioneer's Note: this type of decoration is associated with the Empress Dowager Cixi (1835-1908) and is known from five or six designs based on her own paintings, found on dinner wares and narcissus pots for her exclusive use during late Tongzhi and early Guangxu. Of the 100 original period porcelains made, only a handful remain, and those that do appear on the market are late Guangxu, Republic or later. Comments: one with two small rim chips, both with rubbed gilt rims and handles, one handle with glaze chip, both slightly wobbly, bases lack any reign or seal marks.
MATCHED PAIR CHINESE BLUE & WHITE PORCELAIN MOON FLASKS, 19th/20th Century, with chilong handles, painted with large roundels depicting figures in conversation in a garden beneath maple tree, and with three immortals picnicking beneath pine tree, reserved on foliate grounds, 21cms high (2) Provenance: Private collection (North Wales) Comments: one with tiny rim chip
RARE CHINESE FAMILLE VERTE PORCELAIN 'LOTUS POND' BASIN, Kangxi, centre decorated with lotus pond with pair of Manchurian cranes, crayfish and pair of crickets, the wide everted rim with four vignettes of flowering prunus reserved on a seeded flowering peony ground, underside with four iron red peony sprays, 40cms diam. Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Auctioneers note: The lotus is strongly associated with purity and numbers among the Eight Auspicious Symbols of Buddhism. Since the lotus is the attribute of He Xiangu, one of the Eight Immortals, it can also be interpreted as a Daoist symbol of longevity. For comaparable Kangxi basins with figure decoration see Sothebys New York, 19 Mar 2013 lot 180; Wooley & Wallis 27 July 2021 lot 121. Also, Christies 14 May 2014 for a basin with lotus pond border and Bonhams 5 Nov 2020 lot 52 for one with palace ladies harvesting lotus.Comments: rim chip, base with blackening, slight wear to gilding.
UNUSUAL CHINESE FAMILLE VERTE 'FEMALE WARRIORS' PORCELAIN DISH, Kangxi, centre decorated with three mounted semi-clad female warrior rebels with swords pursued by soldiers with lances and observed by a general and official under banner reading 'san jun si', all within border of six landscape vignettes reserved on a diaper ground, underglaze blue artemesia leaf mark, 37cms diam. Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Auctioneers note: Cf. Victoria and Albert Museum, no. C.1221-1910 for a matching dish bequeathed by George Salting, with the same inscribed banner translating as third military superintendant, being the leading warrior general (shuai). Another near identical dish with Marchant Asian Art, London, no. M3952. Comments: some wear to enamels, dish broken and reglued, rim fritting, restorations, cracks, chips, rim infills, old rivets removed and infilled.
CHINESE WUCAI OR FAMILLE VERTE & UNDERGLAZE BLUE PORCELAIN SAUCER DISH, Kangxi, centre decorated with flowering shrubs and ornamental rock, cavetto with cusped panels of citrus fruits on an iron red diaper ground, within blue floral border and double lines, underglaze blue flower mark, 34cms diam. Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Comments: fritting, rim and foor ring chips, some cracks.
CHINESE BLUE & WHITE 'ASTER' PATTERN SAUCER DISH, Kangxi, painted with typical design of flowerheads and flowers stems on scrolled ground, cusped rim, underside with three lotus sprays, 28cms diam. Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Comments: two hairlines.
PAIR CHINESE ENAMELLED BLUE & WHITE PLATES, Qianlong, each centre decorated with a pair of deer beneath pine tree within lobed panels, iron red cloud collar border, diaper rim, 23.2cms diam. (2) Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Comments: Both with chips and fritting around the rims, and stacking wear to glaze.
CHINESE MING-STYLE CELADON VASE, Republic, baluster form and carved with stiff leaf collar to neck, above formal lotus sprays, base with 6-character Zhong guo jing de zhen zhi mark, mounted for electricity, 30.5cms high Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Comments: inside filled with foam.
SIX CHINESE EXPORT PORCELAIN DISHES, Qing dynasty, comprising Chinese Imari plate, 23cms diam; famille rose Manchurian crane and lotus plate, 22.5cms diam; blue and white pine and peony soup plate, 22.5cms diam; blue and white pierced cavetto landscape saucer dish, 26cms diam; blue and white scrolling lotus dish, 26.8cms diam.; blue and white pencilled river landscape dish, 27.8cms diam. (6) Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Comments: variously wiith rim chips, hairlines, minor restorations and fritting
CHINESE PORCELAIN 'DRAGON' SAUCER DISH, Kangxi mark but probably later, centre painted with sinuous five-clawed dragon chasing a flaming pearl in underglaze blue on a mustard yellow ground, 6-character kaishu mark in double circle, 20.8cms diam.Provenance: deceased estate (north Wales)Comments: underglaze imperfection in the cavetto at 4 o'clock, base with uneven covering of glaze in small scattered patches, rim slightly uneven
PAIR CHINESE DONGYANG WOOD CARVINGS, 20th Century, depicting vertical sprays of chrysanthemums issuing from rockwork below sparrows in flight, within glazed cases, 117 x 34.5cms (2) Provenance: deceased estate (north Wales). Collector bought Chinese porcelain and jades from leading London dealers like Bluett and Sidney Moss. Larger part of the collection sold in these rooms 7 December 2018.Comments: one or two loose sections, one back board split.There is a large split in the back wood of one. It is most of the way down the whole length, someone has taped up the back.The glass on the inside is dirty and cloudy on both.All carvings on the inside looks good.
A modern Chinese porcelain garden seat, 31 by 31 by 45cm high, decorated in underglaze blue, together with a modern Chinese bowed slab sided vase and cover, famille verte style, an Indian brass circular side table with folding wooden barley twist base, 60 by 60 by 58.5cm and an Ironstone ceramic bucket and strainer cover with wicker handle. (4)
清雍正 粉彩麻姑獻壽圖大盤 the interior delicately enamelled with Magu, the goddess of longevity, holding a lingzhi spray, beside a boy attendant carrying a basket of peaches over his shoulder, and a stag with a peach in its mouth, the mouth rim gilded, the base with a wheel engraved Johanneum Inventory mark 'N=183 I'43.5cm diameterProvenance:August II, 'August the Strong', Prince-Elector of Saxony (1670-1733), Dresden;Private English collection, Hampshire; the collection has been in the family for over four generations, since the 1920's.Footnote: Note: The scene on this dish depicts the Daoist Immortal, Magu, on her way to celebrate the famous peach banquet of the Queen Mother of the West, Xi Wang Mu, who rules over the garden of the peaches of longevity. The fine drawing of Magu's feminine face is in the traditional Chinese style without shading. The scene contains many symbols of long-life and immortality, especially the lingzhi fungus, the deer, and the peaches, while the blossoming prunus tree represents youth and new life.Augustus II (1670-1733) King of Poland and Elector of Saxony known as Augustus the Strong, whose passion for collecting created the basis of Dresden’s Art Collections, had a particular fondness for East Asian porcelain from the 17th and early 18th centuries. Obsessed with porcelain, he had the largest collection of Asian porcelain in Europe with over 29,000 pieces recorded on his death in 1733.This plate can be dated with some accuracy since no new pieces were added to the collection of Augustus the Strong (1670-1733) after his death in 1733, and the inventory books at Dresden reveal that dishes of this kind were acquired in 1727. After his death in 1733, the porcelain was packed away in the cellars of the unfinished "Japanische Palace". The term "Johanneum" was taken from the building in Dresden to which the royal collection was moved in 1875-76.One plate with the same number of the old Dresden inventory (N=183 I, inventory 1779) and almost identical decoration and size is in the Dresden collection.[1] Some other examples with the same inventory number entered the art trade presumably as a result of earlier sales, with examples found in the museum Boijmans Van Beuningen in Rotterdam[2] and in the former Collection Ignazio Vok.[3] Two smaller dishes (39cm diameter and 38.8cm) with the same design and inventory number were sold respectively at Christie's London, 30 April 2015, lot 111 and Sotheby's New York, 17 March 2021. [1] Eva Ströber, La maladie de porcelaine ..., East Asian Porcelain from the Collection of Augustus the Strong, Leipzig, 2001, no. 32[2] C.J.A. Jörg, Oriental Porcelain, A Choice from the Boymans-van Beuningen Museum Collection, Rotterdam, 1995, p. 61, and fig. 25[3] Ulrich Wiesner, Seladon Swatow Blauweiss. Chinesische Keramik aus der Sammlung Ignazio Vok, Köln, 1983, no. 153
A six-fold screen,after a design by the French painter François Boucher of 1742, of an imaginary view of a Chinese marketplace by a river, where the Dutch would have visited to export Asian luxury goods such as porcelain and silk, each fold 200.5 x 43cm 人物故事图六扇屏风Condition report: A bit cockled and with some pulled threads. Minor dirt marks in various locations.Printed on cloth on wood frame.
A Chinese porcelain tea set, 20th century, comprising a teapot and four cups and saucers, painted with a lotus pond, inscribed with the signature of Hu Xianya and dated year of Guihai, teapot 17.5cm high (10)Condition report: Gilt rubbed.Teapot with small hairline cracks to cover and to footrim.
Two Chinese umbrella stands,late Qing dynasty, each of rectangular form, inserted with blue and white porcelain panels, painted with literati in a rocky landscape, ladies and boys in a garden, or birds and flowers, 80 and 80.5cm high (2)清晚期 嵌青花人物故事图瓷板木架 一对Condition report: Both frames with chips, cracks, splits, and surface scratches.One stand has one panel with a star crack, one panel damaged with cracks and chips, and two bottom panels to each side badly damaged. The other stand has one bottom panel to the side cracked, and the other bottom panel badly damaged.
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106012 item(s)/page