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Lot 427
PAIR OF CHINESE FAMILLE JAUNE PORCELAIN LAMPS 20TH CENTURY the high shouldered vases with panelled decoration of birds and fish in a rock garden, on Chinese style wooden stands and brass mounts, with shou symbol finials and cream pinch-pleated shades; retailed by Whytock & ReidDimensions:92cm high including fittings, shades 50cm diameter
Lot 799
A set of twenty-five Chinese bisque porcelain busts of Mao Zedongcirca 1966-67Each inscribed 'Long Live Chairman Mao' in cursive script,18cm high, in pack-horse basket (25)Provenance: Peter WainCf. A set from the same hoard was exhibited: Mao: Art For The Masses, Revolutionary Art of the Mao Zedong Era, 1950-1976, National Museum of Scotland, Edinburgh, May 2003 - March 2004, cat. no. 32.二十世紀中期 毛主席瓷塑半身像一組二十五尊類似一組瓷塑像展覽於：大眾藝術：毛澤東期間的革命藝術"，蘇格蘭博物館，愛丁堡，2003年5月至2004年3月，圖錄編號32。來源：彼得·韋恩 (Peter Wain) 收藏A hoard of 400 bisque porcelain busts of Chairman Mao were discovered on the Sino-Tibetan border in an area regarded as the inspiration for Shangri-La.Originally intended for distribution throughout the South Eastern corner of Tibet, they were packed into baskets and transported by horse to Zhong Dian on the Yunnan Tibet border. The baskets were stored awaiting distribution in a police station but never made it any further, languishing forgotten until 1998 when the building was destroyed by an earthquake. The busts miraculously survived, protected by their transit baskets and straw wadding.The design of the bust was officially sanctioned, being the only sculptural image of Mao made for distribution to official buildings in China. The majority of the hoard was bought by the late Peter Wain, before being shipped to the UK.
Lot 800
A set of twenty-five Chinese bisque porcelain busts of Mao Zedongcirca 1966-67Each inscribed 'Long Live Chairman Mao' in cursive script,18cm high, in pack-horse basket (25).Provenance: Peter WainCf. A set from the same hoard was exhibited: Mao: Art For The Masses, Revolutionary Art of the Mao Zedong Era, 1950-1976, National Museum of Scotland, Edinburgh, May 2003 - March 2004, cat. no. 32.二十世紀中期 毛主席瓷塑半身像一組二十五尊類似一組瓷塑像展覽於：大眾藝術：毛澤東期間的革命藝術"，蘇格蘭博物館，愛丁堡，2003年5月至2004年3月，圖錄編號32。來源：彼得·韋恩 (Peter Wain) 收藏A hoard of 400 bisque porcelain busts of Chairman Mao were discovered on the Sino-Tibetan border in an area regarded as the inspiration for Shangri-La.Originally intended for distribution throughout the South Eastern corner of Tibet, they were packed into baskets and transported by horse to Zhong Dian on the Yunnan Tibet border. The baskets were stored awaiting distribution in a police station but never made it any further, languishing forgotten until 1998 when the building was destroyed by an earthquake. The busts miraculously survived, protected by their transit baskets and straw wadding.The design of the bust was officially sanctioned, being the only sculptural image of Mao made for distribution to official buildings in China. The majority of the hoard was bought by the late Peter Wain, before being shipped to the UK.類似一組瓷塑像展覽於：大眾藝術：毛澤東期間的革命藝術"，蘇格蘭博物館，愛丁堡，2003年5月至2004年3月，圖錄編號32。來源：彼得·韋恩先生私人收藏
Lot 987
A collection of thirty-eight Eskenazi catalogues Comprising: Ancient Chinese bronze vessels, gilt bronzes and early ceramics, Jun 1973;Chinese ceramics from the Cottle collection, Nov 1973;Early Chinese Ceramics and works of art, Jun 1974;Ancient Chinese bronzes from the Stoclet and Wessen collections, Jun 1975;Chinese jade from a private collection, Jun 1976;Ancient Chinese bronze vessels, gilt bronzes and sculptures; two private collections, one formerly part of the Minkenhof collection, Jun 1977;Ancient Chinese sculpture, Jun 1978;Ancient Chinese bronzes and gilt bronzes from the Wessen and other collections, Jun 1980;Ancient Chinese bronzes, gilt bronzes, inlaid bronzes, silver, jades, ceramics - Twenty five years, Jun 1985;Ancient Chinese sculpture from the Alsdorf collection and others, Jun 1990;Inlaid bronze and related material from pre-Tang China, Jun 1991;Chinese lacquer from the Jean-Pierre Dubosc collection and others, Dec 1992;Early Chinese art from tombs and temples, Jun 1993;Early Chinese art: 8th century BC - 9th century AD, Jun 1995;Ceramic sculpture from Han and Tang China. (Soft cover), Mar 1997;Animals and animal designs in Chinese Art, Mar 1998; Chinese works of art and furniture, Nov 1998;Ancient Chinese bronzes and ceramics, Mar 1999;Ancient Chinese bronzes from an English private collection, Nov 1999; 1960 - 2000,Masterpieces from Ancient China, Mar 2000;Chinese ceramic vessels 500 – 1000 AD, Nov 2001;Two rare Chinese porcelain fish jars of the 14th and 16th centuries, Nov 2002;Chinese works of art from the Stoclet Collection, Mar 2003;Song Ceramics from the Hans Popper Collection, Nov 2005;A selection of early Chinese bronzes, Mar 2006;Chinese Porcelain from 15th - 18th century, Nov 2006;Song: Chinese Ceramics 10th - 13th century, Mar 2007;Chinese Sculpture and Works of Art, Mar 2008;Chinese Ceramics and Stone Sculpture, Oct 2008;Fiftieth Anniversary Exhibition: Twelve Chinese Masterworks, Nov 2010;Early Chinese Metalwork in Gold and Silver; Works of Art of the Ming and Qing Dynasties, Mar 2011;Chinese huanghuali furniture from a private collection, Nov 2011;Junyao, Nov 2013;Principal wares of the Song period from a private collection, May 2015;Transfigured Echoes: Recent Paintings by Liu Dan, Oct 2015;Gogottes, May 2018;Soong Part 5, May 2018. (38)古董商埃斯卡納齊圖錄一組38冊
Lot 1002
A pair of Chinese hongmu porcelain set armchairs,Qing Dynasty, Guangxu periodeach with openwork archaistic back carved with a central bat above a large porcelain circular doucai-painted panel decorated with 'precious vessels', the arms set with two small circular panels, above solid rectangular seat and carved openwork frieze, 104cm high x 69cm wide.清光緒 紅木嵌鬥彩瓷板椅一對
Lot 1003
A pair of Chinese hongmu porcelain set armchairsQing dynasty, Guangxu periodeach with openwork archaistic back carved with a central bat above a large porcelain circular doucai-painted panel decorated with 'precious vessels', the arms set with two small circular panels, above solid rectangular seat and carved openwork frieze, 104cm high x 69cm wide.清光緒 紅木嵌鬥彩瓷板椅一對
Lot 488
A pair of Chinese famille verte biscuit porcelain sweetmeat dishesQing dynasty, Kangxi periodEach of pentagonal form, painted to the centre with a horse in blue on a green turbine ground, the sides decorated with prunus and sea waves, 12cm long. (2)Provenance: A British private collection.Purchased from John Sparks Limited in 1950, and thence by descent.Described in an insurance valuation carried out by Peter Sparks of John Sparks Ltd., 2nd May, 1957.清康熙 素三彩天馬紋攢碟一對來源：英國私人收藏，於1950年代購於約翰斯帕克斯，後傳承至現藏家。曾記錄于約翰斯帕克斯有限公司的保險評估單中，日期：1957年5月2日。保險評估人：彼得斯帕克斯。Condition Report: 品項報告 Condition report Repair of a crack runs across one of the dishes. Minor nibbles around the feet. Wear to enamels and general surface wear throughout - particularly to the interior.
Lot 546
A Chinese ormolu-mounted celadon-glazed 'bamboo' groupQing dynasty, the porcelain 18th/19th century, the mount 1815-1830Modelled as a pair of bamboo shoots issuing from craggy rocks, with a small bird perched in between, all mounted on a French gilt-bronze base inscribed 'Escalier de Crystal Paris', 13cm high overall.清十八/十九世紀 鑲銅鎏金底座青釉竹子，「Escalier de Crystal Paris」款L'Escalier de Crystal was a 19th century luxury store in Paris that opened in 1808, and started specialising in the sale of gilt bronze and fine porcelains from 1815; when it also became a regular haunt for Royal customers. The mention 'l'Escalier de Crystals' is particularly associated to the period 1815-1829, when the store was run by Marie Désarnaud, who installed a crystal staircase in 1815 and sold the shop in 1829 to Jacques Boin, crystal carver and engraver. From 1830, the new shop owners reduced the mention 'à l’Escalier de Cristal' to 'Boin tailleur et graveur sur cristaux' (Boin carver and engraver on crystals).Condition Report: 品相報告The main bamboo trunk slightly cut down and then overpainted at the rim. Base not examined. A few scattered iron spots and other firing imperfections.
Lot 627
A Chinese export famille rose and rouge-de-fer 'Pocock' armorial leaf-shaped dishQing dynasty, Qianlong Period, circa 1761Enamelled and gilt to the centre with the arms of Pocock impaling Drake, encircled by the ribbon of the order of Bath with its motto, 'Tria Juncta in Uno', all surrounded by floral sprays and birds, the rim with an iron-red and gilt chain border, the handle in the shape of a stem, 30.5cm long.清乾隆 粉彩紋章瓷盤This is one of three services made for Sir George Pocock (1706-1792), Admiral of the Blue and Knight of the order of the Bath.D. S. Howard points out an incongruence in the coat of arms, which includes the ribbon of the Order of the Bath, but not the augmentation of the arms, a sea-horse between two eastern coronets and the word 'Havannah', both granted at the same time on 26 May 1761, thus suggesting that the service was ordered from China earlier that year.Cf. D. S. Howard, Chinese Armorial Porcelain, Vol. I, Faber & Faber and Heirloom & Howard, London, 1974, p.566.This lot will be included in the upcoming revision of D. S. Howard, Chinese Armorial Porcelain, Vol. I undertaken by Heirloom & Howard.Condition Report: 品相報告：light rubbing to enamels and gilt and some restoration to the handle.
Lot 654
A large Chinese blue and white plateQing dynasty, Qianlong periodDepicting birds and flowers to the interior, 44cm diameter.清乾隆 青花花鳥紋盤c.f. A similar one was exhibited in Chinese Export Porcelain Exhibition from the 17th to the 18th century, 2020, Guangdong Museum.Condition Report: 品項報告Some expected scratches, Two chips to the rim associated with hairlines, two large restored areas to the plate with overpainting.
Lot 679
A small Chinese biscuit porcelain 'dragon' pear-shaped vase, yuhuchunpingLate Qing dynasty, apocryphal Kangxi six-character markPainted in black enamel with a fierce dragon pursuing a flaming pearl amid clouds and flames, the mark also in black enamel to base, 13cm high.清十九世紀晚期 素燒繪龍紋玉壺春瓶Condition Report: Slight 2mm firing flaw to rim. Wear throughout, generally good.
Lot 344
Various pottery and effects, a pair of Chinese Republic period porcelain miniature vases, each polychrome decorated with figures and trees, seal marks beneath, 10cm high, a red ware match stand, Jasper style vase, various other Continental porcelain hand bells, Chinese miniature ginger jar, etc. (a quantity)
Lot 46
An Interesting 19th Century Porcelain French Inkwell Having Scrolled Twin Handles and Enamelled Decoration in the Chinese Famille Rose Style with Flower Head on Blue Ground and Scrolled Floral Trim on Pink Ground, the Top with Fitted Gilt Metal Store Having Four Compartments to Include Hinged Ink Cap and Complete with Porcelain and Gilt Metal Mounted Seal Decorated in the Famille Verte Palette, 10.5cm High Max
Lot 131
A collection of 18th century English porcelain comprising of:A Lowestoft 'Redgrave' pattern saucer, two Newhall floral tea bowls with a further Newhall saucer, A blue and white Worcester 'Chinese' pattern tea bowl, a late 18th century Caughley spoon tray and a Samson armorial raised dish/spice urn (7)
Lot 66
SET OF FOUR CHINESE EXPORT 'EXOTIC BIRDS' WALLPAPER PANELS QING DYNASTY, 18TH-19TH CENTURY 清 外銷壁紙花鳥圖 紙本設色 鏡框 （共四幅） gouache on paper, painted on pink ground with flowering plants and trees including prunus, peonies, chrysanthemums with rockwork, inhabited by pheasants, herons, quail and butterflies, with bamboo frames Dimensions:167cm x 50.8cm eachProvenance:Provenance: Private Scottish collection, Broxmouth House, Dunbar, East Lothian, formerly in the drawing room; home of the Late Major-General Sir John Kennedy (1893-1970), G.C.M.G., K.C.V.O., K.B.E., C.B., M.C. He was a senior British Army officer who served as Assistant Chief of the Imperial General Staff during World War II.Broxmouth House was built ca. 1774 and was purchased and renovated by Major General Sir John Kennedy in 1966. Note: Note: Many forms of Chinese export art played an important role in European interior decoration during the late 17th and 18th century, of which black and gold lacquer furniture, silk embroidery, and porcelain wares are most common. Chinese wallpapers appeared in Europe at about the same time as part of the larger trade. Imported by the East India and Dutch East India companies, these hand-painted papers arrived in Europe in the form of rolled sheets and marked an astonishing change of taste in grand houses that endured throughout the 18th century into the 19th century and then again periodically in the late 19th and early 20th century centuries.Most of the great houses of Europe had at least one room decorated with Chinese papers, they were often hung to form continuous murals decoration around the room and featured exotic subject matters, which are the scenes of Chinese life and landscapes, flowering trees populated with birds, butterflies and insects, and a hybrid decoration of the flowering trees incorporating with figures and sometimes pagodas and temples.The National Trust looks after one of the most important collections of historic Chinese wallpapers in the world, on permanent display at 18 country houses. For discussion and comparison of the wallpapers in British country houses, see de Bruijn, E., Bush, A. and Clifford H., Chinese Wallpaper in National Trust Houses, Swindon, National Trust, 2014, and de Bruijn, Emile, Chinese Wallpaper in Britain and Ireland, London, Philip Wilson in collaboration with the National Trust, 2017. Also compare to a suite of twenty-four export Chinese wallpaper panels depicting birds and flowers, dated to the Qing dynasty, ca. 1790-1810, sold at Sotheby's London, 11 December 2019, lot 23. A set of nine Chinese painted wallpaper panels, probably 19th century, was sold at Christie's London, 2 Oct 2013, lot 28.
Lot 171
Pair Chinese porcelain moonflask vases, each with pair heart embossed handles and underglaze blue flowering prunus decoration, four-character Kangxi mark to base, 26cm high (2) Condition ReportSurface marks and accretions. Imperfections and inclusions to the glaze. Small chips to the rim on one. Drilled hole towards the base on both. General wear and tear.
Lot 178
Set of five large and eight smaller Chinese Canton porcelain plates, enamelled with birds and flowers on a celadon ground, the largest 26cm diameter (13) Condition ReportLight surface marks, all with varying degrees of loss to the enamel decoration, crazing to some, some with chips and and some with hairlines. General wear and tear.
Lot 180
Chinese porcelain blue and white bowl, 20th century, with six-character mark, painted in the Ming style with flowers and scrolling tendrils, within key-pattern and double line borders, on a carved pierced wooden stand, 13cm diameter Condition ReportOverall good condition. Some surface marks/accretions. No signs of damage or restoration under UV. General wear and tear.
Lot 183A
Chinese porcelain bowl painted with a bird perched on a tree stump amongst pink flowers and green leaves, brown calligraphic signature to base, 16.5cm, on a wooden stand, a 19th century Chinese blue and white porcelain plate painted with dense flowers, leaves, with seal mark to underside of base, 23cm diameter (2)
Lot 416
A Japanese Kairakuen ware 'melons' deep dish by Eiraku Hozen (1795–1854)Edo period, mid-19th century, 'Eiraku' impressed seal markThe dish carved to the centre with a pair of melons on their vine, the rim moulded and carved with alternating flowering peonies and shishi, all covered in yellow, green and aubergine enamels in the Chinese Fahua style, the base with impressed artist's seal mark within a roundel, 33.5cm diameter.Hozen was one of the most influential ceramicists in Kyoto in the late Edo period. Having been adopted by Ryozen (10th Eiraku), he became the eleventh generation in the Eiraku Zengoro lineage; he started sealing his works as 'Eiraku' after 1827. He produced a variety of fine-quality wares, mostly on special order, including blue-and-white porcelain, copies of Chinese porcelain, and Cochin-style (Kōchi ware) works with polychrome glazes. With Ryozen, he became involved with the private kiln in Kairakuen in Kii province, owned by Tokugawa Harutomi. He was well versed in calligraphy, painting and poetry and enjoyed the patronage of noble families. His technical mastery encompassed the areas of underglaze cobalt, gold and colored enamels, celadon and wares evoking the ceramics of Korea, China and Southeast Asia.Condition Report: 品相報告Four hairlines running from rim to well, two with tiny associated chips to the exterior of the rim. Some general expected surface wear; firing imperfections, mostly consistent with type, including pitting, unglazed spots and a couple of fine firing lines.
Lot 61
A fine Chinese blue and white 'crane, deer and pine tree' rouleau vaseQing dynasty, Kangxi periodThe gently tapering, cylindrical, body rising from a short straight foot to a rounded shoulder, slender neck and flared mouth, finely painted to the exterior in bold washes of cobalt with a crane and a deer in lake-side a pine grove strewn with craggy rocks, the rising sun emerging from billowing clouds, 26cm high.Provenance: Gardiner Houlgate, Bath, 28 March 2011A Private Collection of Export Porcelain.清康熙 青花繪鶴鹿同春圖紋棒槌瓶來源：Gardiner Houlgate, 巴斯，2011年3月28日。前外銷瓷器私人收藏。The decoration on the present lot is ripe with auspicious symbols. The crane and the pine trees are both symbols of longevity, which are reinforced when depicted together, particularly in the case of flying cranes and growing pines.The deer is a further symbol of longevity, as it was thought to be the only animal who could find the herbs of immortality and is often a companion of Shoulao, the god of Longevity; however, it is also a pun for 'official salary', as the two words are homophone in Chinese, making it also a symbol of wealth and status.Condition Report: 品相報告Some expected very minor firing imperfections include a couple of pits and iron spots. A sympathetically restored foot chip which has been reattached. Some expected light scratching and surface wear. A very tiny glaze nibble to the edge of the mouth rim.
Lot 85
An associated pair of Chinese doucai 'lotus and chrysanthemum' jarsQing dynasty, Qianlong seal marks and of the periodEach jar finely painted in underglaze blue and enamelled in iron-red, yellow and green enamels with roundels of chrysanthemum flower heads, interspersed with leafy lotus meanders, the blue outlines carefully filled out, all between underglaze blue ruyi borders at the shoulder and rim, the six-character seal mark in underglaze blue to the base, each 11.5cm high (2).清乾隆 鬪彩番蓮團菊紋罐兩隻，青花篆書「大清乾隆年製」款As often the case with doucai-enamelled Imperial porcelain of the 18th century, the design of the present lot is inspired by a Chenghua prototype, such as the jar with butterflies and chrysanthemum roundels in the Qing Court Collection, illustrated in Porcelains in Polychrome and Contrasting Colours, The Complete Collection of Treasures of the Palace Museum, Hong Kong, 1999, pl. 166. No exact prototype can be found for this design, but the pattern is known in bowls, an example of which was excavated from the waste heaps of the Ming imperial kilns at Jingdezhen and included in the exhibition A Legacy of Chenghua, The Tsui Museum of Art, Hong Kong, 1993, cat. no. C119. A pair of jars of the same design, but with their lids, was sold at Sotheby's London, 3 November 2021, lot 143; another pair at Christies Hong Kong, 27 November 2013, lot 3209. A pair of jars of this design is in the Tianjin Art Museum, included in the exhibition Chinese Treasures of 5000 Years, Japan, 1985, Catalogue, no. 46; another pair was included in the exhibition Min Shin no Bijutsu (The Art of Ming and Qing), Osaka City Museum of Fine Arts, 1980, Catalogue, p. 43, no. 1-192. Condition Report: 品相報告The first with a few 2mm pit to rim and a very fine horizontal short hairline to shoulder (approx. 15mm long); there is also a small star-shaped glaze line to the interior of the shoulder, which is hardly visible at the naked eye and can only be seen under UV, and which does not appear to go through the body as it is not visible to the exterior. Some pitting to the interior of the base.The other jar with a very fine rim hairline (approx. 30mm), and a short firing crack to the interior of the shoulder.Both with some black residue around the foot, and with a few scattered light scratches consistent with age. Please refer to condition report images for further details.
Lot 93
A Chinese Mughal-style pale celadon jade lobed twin-handled bowlQing dynasty, 17th/18th centuryOf oval lobed form with carved foliate handles, the foot delicately carved in the form of a camellia with folded petal tips, 19.5cm wide, 7.5cm high.Provenance: R.M.W. Walker Collection.The Choice Collection of Old Chinese Porcelain and Objects of Art formed by the late R.M.W. Walker, Christie's London, 12 July 1945, lot 145.With John Sparks Ltd, 128 Mount Street, London, W1.John Sparks Ltd Insurance Valuation, dated 1953, listed as number 7.Collection of Robin Marx (1923-1975), UK, and thence by descent within the family.清十七/十八世紀 莫臥兒式青玉雕雙耳盌來源：R.M.W. Walker收藏；佳士得倫敦1945年7月21日R.M.W. Walker藏品專場拍賣會，第145號；John Sparks Ltd, 英國倫敦；John Sparks公司1953年保險評估單，第7號物品；Robin Marx (1923-1975)英國收藏，由後人傳承至今。
Lot 167
A small Chinese blue and white 'riverscape' bottle vaseMing dynasty, 16th/17th centuryThe compressed globular body rising from a straight rim and recessed base to a slender neck with gently flared mouth, painted overall with the continuous scene of a scholar on the shore of a river crossed by sampans and boats and dotted with jutting rocks, the rim washed in blue, 15.3cm high.Provenance: 'Grahame Clarke Porcelain' no. 91 (collector's label).Brian Page Antiques, 29 July 2008 (receipt)明十六/十七世紀 青花繪江景圖紋長頸瓶來源：'Grahame Clarke Porcelain', 91號。Brian Page Antiques, 2008年7月29日賬單。Condition Report: 品相報告Expected firing imperfections otherwise generally good. There is a whitish dust suspended in the glaze (firing flaw) which is highlighted under UV inspection, however this appears to have occurred in the firing.
Lot 168
A small Chinese blue and white 'phoenix' baluster vaseLate Ming dynasty, 17th centuryBoldly painted on the baluster body with two phoenix in flight amidst wispy clouds, the shoulder and neck with decorative bands beneath the blue-washed rim, 14cm high.Provenance: Grahame Clarke Porcelain, no. 170 (collector's label).明晚期十七世紀 青花繪鳳紋棒槌瓶來源：Grahame Clarke Porcelain, 170號。（標籤）Condition Report: 品相報告Expected light surface wear and firing imperfections consistent with type, including iron spots, pitting and some grit in the glaze.
Lot 189
A BLUE AND WHITE 'DRAGON' PORCELAIN SHARDEarly Ming DynastyDepicting the head of dragon with large bulging eyes below swirling clouds, the shard forming a section of a large jar.21cm (8 1/4in) longFootnotes:The dragon bears a resemblance to that depicted on the Xuande mark and period jar illustrated in Valenstein, Suzanne G. A Handbook of Chinese Ceramics, New York: The Metropolitan Museum of Art, 1975, pl. 82. Compare also to a shard from a large jar with masks and dragons excavated from the Xuande strata at the site of the imperial kilns at Jingdezhen, illustrated in Chang Foundation, Xuande Imperial Porcelain excavated at Jingdezhen, Taipei, 1998, no. F-17.For further information on this lot please visit Bonhams.com
Lot 276
A RARE FAMILLE ROSE 'LIBERTY' PUNCH BOWLQianlongEnamelled on each side with a cartouche portrait of John Wilkes below the inscription ARMS OF LIBERTY, beside a portrait of Lord Mansfield, each portrait flanked by supporting figures and mottos.26cm (10 1/4in) diam.Footnotes:For an identical bowl see D. S. Howard, Chinese Armorial Porcelain, 1974, p. 955 where the author points out that these bowls, together with the similar, more commonly-found bowls inscribed 'Wilkes and Liberty', are more political than heraldic. John Wilkes (1725-1797) was a popular campaigner for liberty and was elected to Parliament on several occasions, as well as elected Mayor of London in 1774. Lord Mansfield, representing 'The Establishment', was Lord Chief Justice from 1756-1788.For further information on this lot please visit Bonhams.com
Lot 509
A COLLECTION OF CHINESE ART AUCTION CATALOGUESIncluding: Bonhams, The Cunliffe Collection, 2002; Christie's, Robert P. Piccus Collection of Fine Classical Chinese Furniture, 1997; Christie's, The Jingguantang Collection, Pts II and III, 1997; Christie's, The Gerald Godfrey Private Collection of Fine Chinese Jades, 1995; Christie's, The Jarras Collection, Part II: Fine Ming and Qing Ceramics, Pt II, 1990; Christie's, The Eugene O. Perkins Collection of Qing Ceramics, 1989; Christie's, Early Ming Blue and White Porcelain, Collection of R H R Palmer, 1989; Sotheby's, Chinese Ceramics and Jades from the Su Lin An Collection, 1995; Sotheby's, Chinese and Korean Ceramics; Ira and Nancy Koger Collection, 1990; Sotheby's, The Goldschmidt Collection of Qing Imperial Porcelain, 1990; Sotheby's, Collection of British Rail Pension Fund, May 1989; Sotheby's, Collection of British Rail Pension Fund, December 1989; Sotheby's, The Paul and Helen Bernat Collection, 1988; Sotheby's, The T Y Chao Collections, Pts I and II, 1986/7; Sotheby's, Chinese Ceramics from the J M Hu Family Collection, 1985; Sotheby's, Chinese Works of Art; the Collection of Richard C Bull, 1983; Sotheby's, Chinese Ceramics and Works of Art; Collection of Eugene Bernat, 1980; Sotheby's, The Edward T. Chow Collection. Parts I-III 1980-1; Sotheby's, Chinese Ceramics and Works of Art; the Collection of H R N Norton, 1963; Sotheby's, Ming Porcelain: the Collection of R H R Palmer, 1962; Sotheby's, Collections of G H Whigham, Peter Boode and Charles Russell, 1960 and several other general catalogues, many with price lists.(31).This lot is subject to the following lot symbols: • TP• Zero rated for VAT, no VAT will be added to the Hammer Price or the Buyer's Premium.TP For auctions held in Scotland: Lots will be moved to an offsite storage location (Constantine, Constantine House, North Caldeen Road, Coatbridge ML5 4EF, Scotland, UK) and will only be available for collection from this location at the date stated in the catalogue. Please refer to the catalogue for further information.For all other auctions: Lots will be moved to an offsite storage location (Cadogan Tate, Auction House Services, 241 Acton Lane, London NW10 7NP, UK) and will only be available for collection from this location at the date stated in the catalogue. Please note transfer and storage charges will apply to any lots not collected after 14 calendar days from the auction date.For further information on this lot please visit Bonhams.com
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106012 item(s)/page