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Lot 188
A CHINESE FAMILLE ROSE PORCELAIN BASIN, 19TH CENTURY, circular, enamel painted with peacocks and other birds amidst rockwork and blossoming prunus, the high sides similarly decorated with birds, peacocks, insects and sprigs of foliage, the broad turquoise-glazed rim enamel painted with foliate sprigs and four reserves. 40.5cm diameterCONDITION REPORTHairline crack to the base of the basin. In otherwise good condition.
Lot 200A
A CHINESE PORCELAIN BLUE AND WHITE CIRCULAR SAUCER DISH, 17TH CENTURY, painted to the centre with two phoenix birds perching on rockwork, the underside with double foot rim. 27cm diameter Provenance: Richard Marchant Limited, 1st July, 1980CONDITION REPORTNo obvious repair under UV light, appears to be in good condition
Lot 205
AN 18TH CENTURY CHINESE BLUE AND WHITE PORCELAIN COFFEE CAN, decorated in underglaze blue with bowing figures in a mountainous landscape, 6.2cm high; and A CHINESE PORCELAIN SANG DE BOEUF VASE, squat globular form with a flared neck and raised on a short cylindrical foot, 11cm by 12.5cm. (2)CONDITION REPORTCoffee can: Two possible glaze faults to rim painted in, glaze fault to handle. Vase: Base unmarked, light crazing.
Lot 207
A CHINESE BLUE AND WHITE PORCELAIN CYLINDRICAL JAR, with decorative small handles and raised on three supports, decorated in underglaze blue with a scholar and attendant under a tree. 9cm by 8cm CONDITION REPORTLacks cover, small firing fault to rim, usual light pops and frits, base unmarked.
Lot 215
A CHINESE SANG DE BOEUF PORCELAIN WATER POT, shouldered form with short neck rim, in vibrant orange-red glaze, base bears underglaze blue concentric circles mark. 6cm by 6cm, with carved wood standCONDITION REPORTNo noted restoration or damage, orange peel texture to glaze, interior with traces of coloured glaze.
Lot 226
TWO CHINESE PORCELAIN OVAL DISHES, the first with tobacco leaf pattern, 25.5cm long; the second Famille Rose, 21cm long. (2)CONDITION REPORTNo chips, cracks or restoration. The tobacco leaf pattern plate with some thin areas of glaze and minor staining. The famille rose dish with some brown staining. Generally in good condition.
Lot 228
A Chinese porcelain blue and white circular dish, 18th century, decorated to the centre with a basket of flowers within a lappet-shaped border painted with shrubs and flowers reserved against a scale pattern ground, lingzhi mark to the base, diameter 35cm, (small repair to rim) Comparable to a very similar example in the Victoria and Albert Museum
Lot 2049
A quantity of late 18th century Caughley 'Salopian' blue and white porcelain teawares, comprising gadrooned teapot and cover, sugar bowl and cover, milk jug, five tea bowls (two with gilded interior banded decoration and three smaller plainer examples), one deep saucer, one shallow, saucer, shaped spoon tray, and a teapot stand, each underlaze blue decorated in the Chinese Temple pattern and heightened in gilt, with scalloped gilded rims, most pieces bearing blue S or S+ for Caughley Salopian mark verso (two tea bowls unmarked, cream jug marked with an X), teapot h.14cm, teapot stand dia.19cm, smallest tea bowls dia..8cm (12 pieces in total)Condition report: Teapot good.Sucrier is fully restored, cover good.Cream jug with hairline to handle.All with some gilt wear, mostly to rims.Otherwise good.
Lot 2449
A Kangxi period Chinese porcelain teapot, of bullet shape, having C-scroll handle with thumbpiece and slightly reeded spout, the inset lid having lotus bud finial, all-over decorated in the Imari palette heightened in gilt, h.15cm (to tip of finial) gross w.23cmCondition report: Cover – several small surface chips to upper edge of rim.Base – good, original and unrestored.
Lot 1154
A CHINESE FAMILLE ROSE PUNCH BOWL with a ribbed body decorated externally with birds in blossoming foliage, the interior with insects and flowers, Qianlong, 26cm dia.; four other Chinese porcelain bowls; and a Japanese Imari dish decorated in iron red, blue and gilt, 18th century, 24.5cm dia. (6)
Lot 17
A very rare and important Dutch delft basin, Adrianus Kocks, De Grieksche A, 1686-1701Modelled after a metal shape, moulded on the sides, two indented larger sections, decorated with dense floral patterns including a border of cabbage roses and sprays of mixed flowers, the borders with Chinese porcelain inspired elements, the well with a band of coin-pattern alternated with lozenges with four dots, 46cm x 36.2cm, AK mark for Adrianus Kocks, owner of De Grieksche A, 1686-1701Footnotes:Provenance:European private collection;Thence by descent to the present ownerDe Grieksche A factoryAdrianus Kocks and his wife Judith Kocks-van Eenhoorn took over the Grieksche A factory from Lambertus van Eenhoorn in 1686. It is known that Kocks, together with Lambertus Cleffius, owner of De Metaale Pot, tried to expand into the French market. But the height of Adrianus Kocks's commercial entrepreneurship was undoubtedly the reputation he built up as the main supplier of Delftware to the court of King William III and his wife Queen Mary. After having left the Netherlands for England, William and Mary ordered Delftware in large quantities from Adrianus Kocks. In January 1701, Adrianus Kocks passed on the workshop to his son, Pieter. He died only five months later and his coffin was carried by 18 bearers, an indication of the high esteem in which he was held in in Delft. For more information on the factory history of De Grieksche A, see Delfts Aardewerk: Geschiedenis van een Nationaal Product (1999), pp.64-153.William and Mary as patrons of De Grieksche A factoryMuch of the evidence about the orders placed by William and Mary is circumstantial, partly because the factory records have mostly not survived. Archaeological research conducted in the gardens around the Dutch Royal Palace of 'Het Loo' in Apeldoorn has revealed some exceptional objects marked SVE for Samuel van Eenhoorn, the owner of De Grieksche A before Adrianus Kocks such as garden ornaments and tulip vases. The Royal couple was passionate about Delftware and Mary certainly played an important role placing orders and defining its use in the Royal interiors. In one of his poems, Jan d'Outrein (1662 – 1722), suggested that it is highly possible that some of the most remarkable pieces were made after the Queen's specifications. She also probably contributed to the spread of the taste for expensive luxurious Delftware amongst the English aristocracy. It is now widely accepted that Queen Mary contacted Samuel van Eenhoorn shortly after she moved to the Netherlands. After Samuel's death, De Grieksche A factory stayed under the patronage of the House of Orange for many years. In her recent publication Koninklijk Blauw (2020), Suzanne Lambooy notes the influence of Daniel Marot, who joined the Household in 1684 and was charged with most of the designs for the gardens and interiors of the various Royal Palaces. Marot was instrumental in introducing a new Baroque style which was met with enthusiasm in the courts of Europe. Wall-covering textiles and mirrors were combined with carved giltwood consoles and monumental Delftware, and by cleverly integrating various previously more isolated interior elements, Dutch Delftware was promoted to play an integral role in the conception of a Royal interior. More and more elaborate and ambitious shapes were designed for the Royal Court, such as the famous tulip vases and large garden vases, produced, amongst others, by De Grieksche A. It is likely that this exceptional basin can be seen in the context of these expensive and technically highly accomplished pieces made for the Court of William and Mary or one of their entourage.For further reading on Royal patronage of De Grieksche A see also: A.M.L.E. Erkelens, 'Delffs Porceleijn' van koningin Mary II: Ceramiek op Het Loo uit de tijd van Willem III en Mary II. Queen Mary's Delft porcelain': Ceramics at Het Loo from the time of William and Mary, Zwolle.This lot is subject to the following lot symbols: ** VAT on imported items at a preferential rate of 5% on Hammer Price and the prevailing rate on Buyer's Premium.For further information on this lot please visit Bonhams.com
Lot 158
Two Meissen plates with underglaze-blue decoration, circa 1740With wavy, brown-edged rims, painted after a Chinese original with a peacock perched on a flowering branch opposite fanciful towering rockwork and gnarled branches, the border painted with panels alternating between four different garden scenes, the panels including Chinese figures and a fancy bird displaying its tail, the under-rim painted in blue with a border of trailing plants and rocks, a curious flowering tree issuing from stylised rockwork painted in the centre of the base above the Meissen factory mark, 25.7cm diam., both with crossed swords mark and a tiny square or letter o in underglaze-blue, one plate impressed 20 (2)Footnotes:A similar example is in the Arnhold Collection, New York; see M. Cassidy-Geiger, The Arnhold Collection of Meissen Porcelain 1710-50 (2008), p.489, no. 224, where the author notes that the mark on the reverse is based upon a Japanese model. Another identical plate was in the Hoffmeister Collection, Hamburg, sold in these Rooms, 26 May 2010, lot 14.For further information on this lot please visit Bonhams.com
Lot 426
A Chinese export porcelain punch bowl, Qianlong period, painted to the exterior with peonies and ruyi sceptre heads, with attached wood base, 31cm diameter and two Japanese Satsuma style vases (3) Condition Report: The bowl broken, restored and riveted, later wooden base, vases decorative one broken and restored Condition Report Disclaimer
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