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A mixed lot of Chinese blue and white porcelain, Qianlong and later including an octagonal dish painted with an extensive lake landscape with figures and buildings, 28cm; two tea canisters and covers [one cover possibly matched], 12 and 13cm; a dragon bowl, apocryphal four-character Kangxi mark, 15cm [tiny chip to rim]; two batavian-ware saucers; a bowl painted with fish [damaged]; and a snuff bottle 8.
A small mixed lot of Chinese blue and white porcelain comprising a circular bowl painted with flowers and foliage, apocryphal Chenghua mark, 11cm diameter, a paste box decorated with peony scroll, [cracked], a jarlet painted with flowers and foliage and a small quadrilobed wine cup, the exterior applied with flowers and decorated with a butterfly on the interior, [glued section to rim]. 4
A mixed lot of Chinese porcelain, Qing dynasty and later comprising a Chinese Imari spittoon, 12cm [damaged, handle lacking]; a famille rose octagonal figural jar and cover; 15cm; a similar cup and cover painted with bamboo and flower sprays; 10cm [small rim chip]; two Canton teabowls and a small Japanese Imari vase [6].
A mixed group of Chinese and Japanese porcelain comprising a blue and white saucer dish painted with peony scroll and four shou medallions, six character Yongzheng mark within a double circle, 16cm diameter; five matching Arita saucer dishes painted in blue with flowers and foliage, Fuku mark verso, probably Edo period, 14cm diameter; and four Chinese famille rose pedestal dishes [some rim chips].
A 19th century Chinese porcelain Famille Verte jardinere with white vignettes on a blue ground, enamel painted with Chi Chi and birds and insects amongst flowering branches, painted four character mark to base, height 17.5cm, diameter 20.5cm.Condition Report: No visible chips, cracks or restoration new photos added
AN ORIENTAL CARVED HARDSTONE CUP, A CHINESE PORCELAIN EXPORT TEA BOWL AND A NORITAKE VASE, the hardstone cup of flowerhead outline, foliate carved handle, length 8.4cm x width 6.5cm x height 2.8cm, the late 18th / early 19th century tea bowl with Imari decoration and the Noritake vase with cloisonne effect decoration, height 12cm (3) (Condition Report: cup appears to be good condition, the tea bowl has nibbles to the rim and the Noritake vase has some wear to the gilt handles)
Two Chinese porcelain teapots (one missing cover) and a hexagonal pedestal dish, tallest 9.5cm Blue teapot neckrim chipped and coloured-in, approx. 4x2mm; cover good. Other teapot repaired chip to neckrim, approx. 10x5mm; enamels worn. Pedestal dish crack inward from rim, visible only underside, approx. 15mm; firing crack to footrim; enamels and gilding worn.
Chinese Qing Dynasty large famille rose porcelain punch bowl with a Rose Medallion pattern, gilt highlights, and polychrome enamel decoration centering a figural medallion to the interior surrounded by alternating medallions of birds, peonies, insects, and figures to the interior and exterior against an abundant ground of flowers, insects, fruits, and vases. Provenance: From an important Sands Point New York estate. Diameter: 19 in. Height: 8.25 in.
A GROUP OF CHINESE ART AUCTION CATALOGUES AND OTHERS Comprising: Sotheby's London, Important Early Chinese Ceramics, Archaic Bronzes, Sculpture, Silver and Lacquer from the Works of Art Collection of the British Rail Pension Fund, 12th December 1989 Sotheby's New York, Fine Chinese Ceramics, Furniture and Works of Art, May 31 and June 1 1994 Sotheby's Hong Kong, Fine Chinese Ceramics, 13 November 1990 Sotheby's Hong Kong, Important Chinese Ceramics and Works of Art, 1 and 2 November 1994 Sotheby's Hong Kong, The Goldschmidt Collection of Qing Imperial Porcelain, 13 November 1990 Christie's Swire Hong Kong, Important Chinese Ceramics, Jades and Works of Art, 1 and 2 October 1991 Christie's Swire Hong Kong, Fine Chinese Ceramics, 8 October 1990 Christie's Swire Hong Kong, Fine 19th and 20th Century Chinese Paintings Part I and Part II, 7 October 1990 Christie's Swire Hong Kong, Fine Chinese Ceramics, 31 March 1992 Christie's Swire Hong Kong, The Jarras Collection, Part II: Fine Ming and Qing Ceramics, 8 October 1990 Spink, Chinese Art, Singapore 26 September- 26 October 1996 China Defender Auctions, 1997 Autumn Auctions, Beijing 31 October 1997 The First Auction of Beijing Hanhai Art Auction Corp., Fine Chinese Curios, 19 September 1994 Arts of Asia, November-December 1989 (15 total) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A LARGE GROUP OF CHINESE CERAMICS BOOKS AND OTHERS Comprising: Tang and Liao Ceramics, W. Watson, Rizzoli 1984 Kangxi. Yongzheng. Qianlong. Qing Porcelain from the Palace Museum Collection, Forbidden City Pubishing House and The Woods Publishing Co. 1989 Selected Ceramics from the Collection of Mr. & Mrs. J. M. Hu, Shanghai Museum 1989 Ceramics Sourcebook, E. Manners, Collins&Brown Limited, Quarto Publishing 1990 Chinese Blue & White Porcelain, D. Macintosh, 2nd edition, Book Marketing Ltd. 1988 Collecting Oriental Antiques, J. Moorhouse, Hamlyn 1990 Chinese Pottery and Porcelain, Li Zhiyan and Cheng Wen, Foreign Languages Press Beijing 1989 Oriental Blue & White, Sir Harry Garner, Faber and Faber London 1970 Celadon Wares, G. St. G. M. Gompertz, Faber and Faber London 1968 Jade, R. Keverne, Lorenz Books 1995 Song Ceramics, M. Tregear - photocopied book IV Jun, Ru and Guan Wares: New Styles of Glazing for Stoneware - photocopied book (or part of a book) (12 total) Condition: For a condition report or further images please email hello@hotlotz.com at least 48 hours prior to the closing date of the auction. This is an auction of preowned and antique items. Many items are of an age or nature which precludes their being in perfect condition and you should expect general wear and tear commensurate with age and use. We strongly advise you to examine items before you bid. Condition reports are provided as a goodwill gesture and are our general assessment of damage and restoration. Whilst care is taken in their drafting, they are for guidance only. We will not be held responsible for oversights concerning damage or restoration.
A Chinese carved hardwood and pink marble circular Plant Stand, circa 1900, probably Padouk Wood, with foliate carved frieze, on four cabriole legs, H 64, together with a taller example in a similar style, note missing part of its foliate frieze, H 77 cm(2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An 18thC Chinese cafe-au-lait porcelain Tea Bowl and Saucer, c. 1750, decorated to the well with floral baskets in blues and reds, brown ground verso, Saucer: D 11.4cm, Bowl H: 4cm, one bowl damaged and restuck (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese porcelain blue and white crackleware Snuff Bottle, of shouldered tapering conical form, underglaze depictions of bird perched in tree, seal mark to base, hard stone stopper, H 7.5cm, together with a Chinese blue and white porcelain Snuff Bottle, with overglaze red dragon, with stopper, H 8.4cm (2)
A Chinese famille rose porcelain lobed footed Dish, decorated to the body with figures, on enamelled foot with iron red mark to base, restoration, W 20cm x L 27cm x H 7cm, together with a Chinese blue and white spherical Squat Vase, six character mark to base, H 7cm, two blanc de chine Figures, two blue and white Pots, a Charger, etc. (a lot)
A pair of antique Japanese Satsuma Vases, of bottle form, with dark brown and black ground decorated with flying gilded birds, H 30cm, together with a kutani Bottle Vase, H 30.5cm, three Kutani Plates, a miniature pair of Kutani Vases, a trinket pot, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A small 19thC Chinese monochrome ovoid Bottle Vase, in shades of blue with long slender neck and potted foot, two chips to foot, H 17cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese Wucai porcelain Vase, of baluster form and slender neck, with antique repair, crazed, H 22.5cmProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese famille verte biscuit Vase, of tapering square with flared rim, restored, profusely decorated, coloured and reticulated with figures and mystic beasts, impressed seal mark to base, H 34cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese sang de beouf flambe Bottle Vase, with globular body and slender tapering neck, H 31.5cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese enamelled Plate, decorated with central figural scene enclosed within blue enamels, D 19cm, together with a pair of lobed Chinese enamel Plates with central floral motif, D 17cm, a small enamelled Pot and Cover, a small Beaker with zhou mark, also together with a pair of lacquer and mother of pearl inlaid Bowls, lined with metal, D 12cm x H 6cm (8)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of decorative Japanese and Chinese Ceramics, to comprise three Kutani Vases, a pair of interesting Chinese Teapots, a figural Teapot, Figures, a Foo Dog, etc. (a lot)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A quantity of early to mid 18thC Chinese porcelain Teawares, comprising a famille rose Tea Bowl and Saucer, D 11.5cm, another Tea Bowl and Saucer, of square form, with noir panels, saucer chipped and crack emanating from it D 12.8cm, Tea Bowl cracked and restuck, together with three further Saucers,one with unusual turquoise enamel border, D 13.6cm, three further Tea Bowls (not associated) and a Teacup (11)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An unusual 19thC Chinese export porcelain Plate, the plain ground with gilded foliate representation, D 23cm, together with another similar, D 23cm, gilding worn on both, together with two further unusual Chinese plates, both of plain ground with gilt floral motifs, D 21cm (4)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Chinese hardwood artists Easel, with carved and pierced foliate pediment raised on three bamboo effect legs, the rear leg moving on a pin hinge, W 56 cm x H 104.5 cm x D 50 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A Chinese Kangxi famille verte porcelain Plate, with colourful enamels of a flower basket and underglaze blue pictorial mark verso, D 21.6cm, with label for Carew-Shaw collection 1969, together with a Kangxi enamelled plate with pictorial mark verso, D 22.5cm and another with central floral motif enclosed by four further panels, pictorial mark verso, damaged and restuck, D 22.6cm(3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
An antique Japanese porcelain Tray, decorated in a deep brown ground with floral enamels, black ground border, 40.5cm x 33cm, together with a lobed Dish and a Plate of similar palette, also with a quantity of other Japanese porcelain to comprise two Cups and Saucers, Sucrier, Plate, etc. and a Vietnamese ogee shaped Bowl, etc. (a lot)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A small quantity of 18thC Chinese Tea Wares, to comprising two famille rose Tea Bowls, a famille rose Tea Cup, a famille rose Sparrow Beak Jug, with associated lid, H 13.5cm, also with a famille rose Plate, D 20.6cm, with an unusual Teacup decorated in black and gilt, with similar Saucer (7)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese porcelain imari palette baluster Mug, decorated in florals, H 16.5cm, together with another imari baluster Mug, H 13cm and another Chinese Mug, damage to items (3)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A pair of antique Chinese blue and white Bowls, with underglaze bandes of decoration, raised on potted foot, damaged, from Shangrila Antique Amsterdam, D 20cm x H 10cm.Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A fine 19th century Chinese hardwood inlaid side Table, inlaid with ivory and exotic woods, square top depicting detailed flora and phoenixes, the petals being ivory and foliage being wood, raised on square similar inlaid legs, under tier inlaid in hardwood depicting a classical temple, dragon and bamboo, note some missing inlay and damage to top, see images, W 42 cm x H 71 cm x D 42.5 cm. DEFRA Ivory Act submission ref: G75DE72RProvenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large quantity of antique and late Japanese Kutani Ware, to comprise a large Baluster Vase, H 36cm, together with a pair of bottle Vases, H 22cm, a Jar with Cover, the finial in the form of a figure, H 25cm, another lidded Jar, profusely gilded, H 24cm, a figure of a woman holding a Vase aloft, H 32.5cm, three Teapots, etc. (10)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A matched of 18thC Chinese export porcelain Plates, decorated in iron red flora, D 22cm, together with three further Chinese porcelain iron red Plates, one of smaller size, D 16cm (5)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A 19thC Chinese porcelain baluster Mug, decorated in colourful enamels of figures in an interior scene, on foot, H 13.5cm, together with another Chinese porcelain baluster Mug of similar decoration, H12.5cm (2)Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
A large Chinese carved hardwood centre / occasional Table, circa 1900, top with smooth flower centre surround by floral carvings and beaded edges, above foliate carved frieze and raised on cabriole legs, W 75 cm x H 62 cm x D 75 cm. Provenance - The Damien Parsons Collection. The property of the late John Damien Parsons, an East Devon architect and husband of poet Patricia Beer, whose interest in Asian Art was sparked after he inherited a few pieces of Chinese porcelain from his grandfather. Over many decades Parsons continued to add to the collection, sourcing Chinese and Japanese Ceramics and Works of Art from exhibitions and other collections. Pieces from the Parsons Collection were recently exhibited at Mount Edgcumbe.
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106012 item(s)/page