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ASSORTED CHINESE BLUE & WHITE PORCELAIN TEA BOWLS & SAUCERS, 18th/19th Century, painted with landscapes etc. together with a coffee cup, a coffee cup & saucer, a small and larger plate (22)Comments: plates cracked/rivited, one coffee cup broken handle, various chips & cracks, inspection advised.
A Late XIX Century Chinese Porcelain Vase and Cover, of baluster form, painted in blue with flowering prunus trees within a Greek key pattern border, character marks to base, 40cm high; Another Similar, (no cover). (3) Lot 1094 - 1. Smaller Jar no cover, 2cm firing crack to base running up the side. Large 'L' shaped crack to body with small chips 21cm long running up to and across, pitting. 2. Large Ginger Jar and Cover, pitting, large firing fault to interior.
A Chinese XIX Century Porcelain Tankard, painted in blue with a Chinoiserie river landscape,12cm high; A Chinese Blue and White Ginger Jar and Cover, painted with vases of flowers in panels against a flowerhead ground, 20cm high on a hardwood stand. (4) Lot 1096 - Mug - firing crack to underside 1.5cm long, pitting and fritting, crack and chip to handle near bottom terminal, crack and chip to handle near top terminal. Ginger Jar - lid broken and restruck in several places with associated chips. Vase - pitted, faint crack to interior, deep scratches to panel. stand - losses and cracks, very scratched.
A collection of Chinese 19th century famille rose porcelain: five plates, each 24.5cm diameter, four of which depicting court scenes, one decorated with interlocking dragons; together with a further cup, 11cm diameter, saucer 16cm diameter, and a jug (handle af)Provenance: the Peto Family, formerly of Chedington Court, Dorset
A Chinese porcelain tea service decorated in blue with pagodas and figures in a landscape, with gilt decorated borders and foot rims, no marks. Comprising a 21cm dished plate, six tea bowls and saucers and four cups, a lidded teapot with moulded spout and a small lid. With a paper label 'This blue & white china tea service was brought by Albert Smith from China about 1858. Provenance: By descent from Albert Smith's sister Laura Eady. ** POOR CONDITION. Tea pot extensively broken and stuck back together. Saucers: four with breaks some of which repaired, two with light chips to the rim. Tea bowls: three broken and stuck back together, two with light chips to rim. Cups: three with extensive damage.
A Pair of George II Giltwood Mirrors After a Design by Thomas Johnson, Circa 1765together with four Chinese blue and white porcelain pots from the Vung Tau Cargo.Height 51 3/8 x width 33 3/8 inches.This lot is located in Chicago.Provenance:Hotspur Ltd., London, 21 January 1994 (with invoice)Note:The published designs of the Soho carver Thomas Johnson (1714-1778) were a seminal influence in disseminating the Rococo taste in England. Both Twelve Girandoles from 1750 and A New Book of Ornament in 1758 depict naturalistic, almost fanciful designs that often featured Chinamen and animals inspired by Aesop" Fables. Even the renowned cabinet-maker Thomas Chippendale paid homage to Johnson" creative genius as he credits him with several Rococo designs in the Third Edition of the Director. These mirrors closely correspond to the center design of a mirror illustrated on page 65 of One Hundred and Fifty New Designs published in 1761 (reproduced here). Although no specific documented commissions by Johnson have been found, he is known to have supplied mirrors in the early 1760s to Paul Methuen of Corsham Court, Wiltshire and the Duke of Atholl at Blair Castle, Perthshire.One mirror with part of an old label reading "LORD F." Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Large Chinese Export Blue Canton Porcelain BasinLate 18th/Early 19th CenturyHeight 7 x diameter 24 1/2 inches.This lot is located in Chicago.Conceived with drilled hole in the basin.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Chinese Export Blue and White Porcelain Jardiniere19th Century Height 16 1/4 x width 26 inches.This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Sevres Lilac-Ground Hexagonal Hard-Paste Porcelain Teapot and Cover (Theiere 'Chinoise Fragonard')Circa 1819bearing stenciled blue interlaced Ls enclosing a fleur-de-lis mark with incised kiln date cypher 14-10 for October 1814 and gilt m, 11, n, 18 (sic) M... for gilding on 11 November 1818 (sic) possibly by Moyer; the hexagonal baluster pot with conforming slightly domed hexagonal cover with gilt coral flower finial, a molded gilt-edged central frieze painted in coral red with a key pattern, the applied upright loop handle also coral with stylized gilt leaf terminals, the angled faceted spout with gilt wolf-head mouth with a bell suspended as the terminal, the neck of the pot coral with a gilt ball resting at the angle of each of the six facets.Height 5 1/2 inches.This lot is located in Chicago.Provenance:Nicolier, Paris (labeled)Dragesco-Cramoisan, Paris, 16 June 1995 (purchased at the International Ceramics Fair, London; with invoice)Exhibited:New York, Bard Graduate Center for Studies in the Decorative Arts, The Porcelain Manufactory at Sevres, 1800-1847: Alexandre Brongniart and the Triumph of Art and Innovation, 14 October 1997-31 January 1998, cat. no. 47Washington, D.C., Hillwood Museum and Gardens, Sevres Then and Now: Tradition and Innovation in Porcelain 1750-2000, 12 September-10 December 2006, cat. no. 41Literature:Tamara Preaud, ed., The Porcelain Manufactory at Sevres, 1800-1847: Alexandre Brongniart and the Triumph of Art and Innovation, Exhibition Catalogue, Bard Graduate Center for Studies in the Decorative Arts, 1997, cat. no. 47Liana Paredes, Sevres Then and Now: Tradition and Innovation in Porcelain 1750-2000, London, 2009, cat. no. 41, pp. 84-85Note:Designed for Sevres by Alexandre-Evariste Fragonard in April 1818, the theiere chinoise Fragonard was put into production immediately. The present teapot and the other example in this sale (lot 104) are two of the earliest examples made, the form produced between 1818 and 1846 as a stand-alone teapot. Later examples featured more elaborate decoration such as that of 1827 now in the collection at Sevres-Cite de la ceramique (MNS 24.784).Three of the five easily located extant examples were at one time in the collection of Mr. and Mrs. Fred Krehbiel. The third, an agate blue-ground pot painted and gilt in the style of Chinese cloisonne enamel, purchased from Dragesco-Cramoisan in October 2006, was a gift to the Art Institute of Chicago in 2010.Fragonard was paid 30 francs for his design. His watercolor of it, retained in the factory" archives (2011.3.900, reproduced here), is almost identical to the present pot, with decoration of a coral red fretwork frieze enriched in gilt on a powdered lavender ground.The salesroom entry records for 26 December 1818 include the first eight examples of the theiere chinoise Fragonard. The Sevres factory held its annual selling exhibition at the Palais du Louvre 29 December 1818-8 January 1819. In total, seventeen examples are recorded between 1818 and 1821, each priced at 36 francs. These were almost certainly a solid ground color with a fretwork frieze similar to the two examples in the present sale. The present example, with its incised kiln date of October 1819 is obviously from this group. Two with a blue ground enriched in gilt and priced at 55 francs may be similar to an example of 1819-1820 sold at auction at Drouot by Audap & Associes, Paris, 10 December 2020, lot 134. Between 1827 and 1846, eight further examples of the form are recorded with richer decoration. The teapot now at the Art Institute dated 1832-1835 (2010.583a-b) may be from this group. The factory markings on this teapot present a conundrum, in that the gilder" mark appears to predate the kiln date. The incised kiln date 19-10 is written in a typical 18th century hand, the loop of the 9 not closing completely. It is the inscribed gilding date of 1818 that must be incorrect. M…. may be for Jean-Louis Moyer (active 1818-1848), recorded at Sevres as a gilder who used a wide capital M as his mark. Looking at the dates involved, the present teapot with its patently incorrect gilding year will have been one of his first pieces, so perhaps one can excuse the error.Photo Credit: © RMN-Grand Palais / Art Resource, NYIn good condition with negligible wear to the angles of both pot and cover. Having a tiny chip to the gilt foot rim to the left of the spout and a miniscule chip to the edge of a finial petal which ha been retouched. Very minor wear to gilding.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Chinese Export Tobacco Leaf Reticulated Porcelain Basket and UnderplateCirca 1810-1815the basket with a handwritten paper note taped to the underside that reads 'The Stirling Tobacco Leaf Service. Once displayed in the China Room at Keir House, London [sic]. Commissioned in 1815 to celebrate the marriage of Archibald Stirling to Elizabeth, daughter of Sir John Maxwell Pollock'.Height overall 5 3/4 x width 10 7/8 inches. This lot is located in Chicago.Provenance:Probably commissioned in 1815 by Archibald Stirling of Keir House, Stirling, Scotland on the occasion of his wedding to Elizabeth Maxwell, daughter of Sir John Maxwell PollockDimensions of Basket: Height 5 x width 10 x depth 9 inches. Dimensions of Underplate: 1 1/4 x width 10 7/8 x depth 9 3/4 inches. Some light rubbing to gilt decoration along edges. The underplate with some heavier wear to decoration in center field from contact with underside of basket. The basket having repaired breaks to both handles. Additional images available upon request. Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
Four Chamberlain's Worcester Porcelain Articles from the Carnatic ServiceCirca 1820comprising two plates, an oval dish and an oval platter, each decorated with a central botanical image respectively identified to the underside: Superb Corn-Flag (plate), Winged Passion-Flower (plate), Chinese Lychnis (oval dish), Prickly Comfrey (oval platter); the border of each bearing a cartouche inscribed in Arabic 'Amir Al Hind Nawab Azam Jan Bahadur 1236 Hirji' (date 1820 AD) and with maker's stamp to the underside.Width of platter 12 5/8 inches.This lot is located in Chicago.Provenance:Eyre & Greig Ltd., London, 29 November 1995 (with copy of invoice)Note:The articles in the present lot come from one of two services made by Chamberlain's Worcester for His Highness Willajah Nabob Auzum Jar, the 11th Nawab of the Carnatic, Madras, who reigned from 1819-1825. The botanical images were copied from illustrations in Curtis" Botanical Magazine.Diameter of plates: 10 inches.Width of oval dish: 11 5/8 inches.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A Chinese Export Porcelain Tureen and Cover 18th/19th CenturyHeight overall 10 1/2 x width over handles 13 inches.This lot is located in Chicago.Condition reports are available upon request. All lots are sold "as is," in the condition they are in at the time of the auction. The physical condition of lots can vary due to age, normal wear and tear, previous damage, and restoration. Prospective buyers are strongly advised to inspect a lot personally or through a knowledgeable representative prior to bidding. The absence of any reference to the condition of a lot does not imply that the lot is in perfect condition or completely free from wear and tear, imperfections, or the effects of aging. Prospective buyers must review and agree to the Conditions of Sale before participating in an auction, and it is the responsibility of the buyer to ensure that they have requested, received and considered any condition report.
A LARGE CHINESE YELLOW GROUND FAMILLE ROSE PORCELAIN MOON FLASK VASE, painted with a panel on one side depicting a bird and flowers, the reverse with a panel of vases of flowers, further decorated with floral motifs the vase with molded chilong handles, base with six-character mark, 44cm high.
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106012 item(s)/page