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Lot 303
A 19TH CENTURY SQUARE CHINESE PORCELAIN TEAPOT with coloured floral scroll work decoration on a green ground.18cm wide 14cm high This is in good overall condition. There is a hairline running through the top handle joint to the body. Vieiwed Under UV light. No chips to the spout of the rims. The lid is in good undamaged condition.
Lot 119
A Herend Porcelain Bottle Cooler, 20th century, decorated with Chinese style flowers, printed mark 16.5cm high A Similar Oval Platter A Circular Dish A Circular Box and Cover Six Various Vienna Porcelain Vases Three Similar Circular Boxes and Covers A Heart Shaped Dish Two Limoges Pin Trays An Aynsley Vase A Royal Worcester Cake Slice (qty)This lot has been imported from outside the United Kingdom under the Temporary Admission scheme. VAT will be charged at 5% on the hammer price and 20% on the buyer's premium.
Lot 211
(8) Lot of eight various chinese porcelain objects from 18th century. Each object is decorated with different colors, such as pink and green, and has different motifs. - Weight: 935 g - Shipping unavailable - Region: Chine - Sizes: divers - At first glance: normal wear / patina of use - Condition details: divers conditions. (eclats et felures)
Lot 720
A Chinese monochrome footed bowl with sgraffito decoration, on a hardwood stand, 15cms diameter; together with a blanc de chine figure depicting Guanyin, 22cms high; a Chinese blue & white vase decorated with a seated female figure with hardwood cover, 8.5cms high; a 19th century Chinese clobbered tankard, 22cms high and a Chinese style continental white porcelain blanc de chine tea bowl on stand.Condition ReportThe sgraffito bowl has two hairline cracks running down from the upper rim, the blanc de chine figure has restoration to the headdress, the blue & white vase has been restored, the tankard has restoration to the handle, the tea bowl is in good condition.
Lot 779
GEORGE OWEN FOR ROYAL WORCESTER, A FINE RETICULATED TEAPOT WITH COVER of double walled globular form, the outer wall pierced with wide bands of honeycomb, the spout with pierced lozenge shaped panel, the lid with reticulation and double knop spear finial, the piercing coloured in light blue with gold dots, the pink borders with zigzag designs of white and turquoise jewels, the handle with a band of larger turquoise jewels, applied mark in relief and printed mark in puce, date letter for 1878 12.5cm high In 1859 English potter George Owen (1845-1912), at only age 13, started work with Royal Worcester, where he was employed as a china presser in the ornamental department. He was responsible for cutting holes in porcelain using a moulded outline to imitate Sevres and Chinese examples.The ambidextrous George Owen set about perfecting the technique so that the finished product was made up of much smaller piercings, finer than those found in either the Chinese or Sevres creations. Always experimenting, Owen’s technique and his multiple kiln visits risked months of work with the ever-present possibility of having to start over a constant shadow.The 1896 edition of the Pottery Gazette best summed up the process when it reported “the artist (Owen) tooled every one of these miniature apertures without having any tracery, or any other assistance whatever to guide him to regularity, except his eye and hand… if on the last day of his work his knife had slipped, and so made two ‘holes’ into one, the whole piece would have been ruined”.So secretive was Owen about his technique, he worked behind closed doors and hid his tools if anyone entered his workspace. Even his own son, who provided thin-walled vessels for Owen to perforate, was never allowed to watch. Before he started work, he would use a pair of compasses and callipers to carefully measure the distance around a vessel, marking where each incision should be made – and then create the hexagonal holes with a sharp, oiled knife, deftly swapping from hand to hand as he worked his way around the piece.To date, no one has managed to replicate the finesse of Owen’s work. Condition generally good. Very light age related wear including gilt rub. Two surface hairlines (approx. 3cm) to the base of the teapot, though these are just to the surface and do not appear within. Manufacture seam to the spout. Multiple additional images now available
Lot 56
A square Chinese porcelain Ming-style tile Decorated with underglazed blue chrysanthmums, arabesques and tassels.52cm. Set in an original hardwood frame as a table top, with a later stand.74 x74cm, height 77cmThe tile cannot be removed from the table but good restoration can be seen. The images under UV light indicate the quality and extent of the restoration (See images)
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