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Lot 455
Full title: An interesting collection of rare reference works, auction and dealer catalogues on Chinese and Asian artDescription:Various dimensions. A comprehensive collection of Chinese ceramics from all periods, Marc MichotChristophe Hioco (4 volumes), Christophe Hioco Gallery ParisHighlights in the collection of Chinese ceramics on the 32nd antiques fair of Belgium (26th January - 8th February 1987), Marc MichotIridescence from the East - an exhibition of mainly Buddhist art from Southeast Asia, India and China, Jonathan Tucker et al.A survey of Chinese Ceramics - Early Wares: Prehistoric to Tenth Century, Prof. Liu Liang-yuOut of China's Earth - Archeological Discoveries in the People's Republic of China, Qian Hao et al.Asiatic Arts in private collections of Holland and Belgium, H.F.E. VisserThe Golden age of Chinese Archaeology - Celebrated discoveries from the people's republic of China, Xiaoneng YangAsian Art - The second Hali annual, Jill Tilden et al.Wei Asian Arts - Oriental Art and Antiques (4 volumes), Paola d'Alatri et al.Buddhist art-private collection - 16 Centuries of Chinese, Khmer and South East Asian art, buddhist art teamIslamic and Indian Art - Oriental Manuscripts and Miniatures, Sotheby's London (October 10 and 11 1991)Chinese Ceramics and Chinese Export Ceramics and Works of Art, Christie's London (November 13 2001)Sculpture Bouddhique, Jacques Barrere S.A.Tajan - Arts du Japon, Hotel Drouot (7 Avril 2008)The ancestor transcends - Sculptural Arts from Asia and Oceania, K. GrusenmeyerIndian and Southeast Asian Antiquities, Nancy Wiener Gallery New YorkVisages du Champa - Bronzes du Vietnam, Galerie Christophe HiocoGalerie Christophe Hioco, Galerie Christophe HiocoEarly Chinese Stone Sculpture, Berwald Oriental Art New York (March 2005)Peace of Mind - Indian, Himalayan and Southeast Asian art, Marcel Nies (2000)Immortal Image - Art of India, the Himalayan regions, Indonesia and Southeast Asia, Marcel Nies (2001)Windows of the Sacred World - Arts of India, the Himalayan regions, Indonesia and Southeast Asia, Marcel Nies (2002)The Sacred Breath - the cultural heritage of India, the Himalayan mountains and Southeast Asia, Marcel Nies (2005)Body's Speech and Mind - Asian religious images, Marcel Nies (2006)Majesty of the Sacred - Art of India, the Himalayan regions and Southeast Asia, Marcel Nies (2007)Buddharaja, 'The King-Buddha' - Sculptures from India, the Himalayas and Southeast Asia, Marcel Nies (2008)The Future Buddha - the cultural heritage of Asia, Marcel Nies (2009)Nirvana, Sculpture from India, Himalayas and Southeast Asia, Marcel Nies (2010)Om Mani Padme Hum, Marcel Nies (2011)Dance of the Gods - Sculpture from India, the Himalayas and Southeast Asia, Marcel Nies (2012)The Path to Enlightenment - Marcel Nies (2013)Portrait of the Divine - Sacred sculpture of Asia's lost kingdoms, Marcel Nies (2014)Asiatische Kunst, Lempertz Auktion (12and13 Juni 2009)Indian, Himalayan and Southeast Asian Art, Sotheby's New York (October 28 1991)Ben Janssens Oriental Art (two volumes), Ben Janssens Oriental Art (2013-2014)Chinese art at Spink - Spring 1991, Spink and son Ltd. LondonFine Chinese ceramics and works of art, Sotheby's New York (September 21and22 2005)A book of Chinese art - Four thousand years of sculpture, painting, bronze, jade, lacquer and porcelain, L. Hajek et al.Chinese jade - from the Neolithic to the Qing, J. RawsonChinese Ivories - From the Shang to the Qing, Oriental Ceramics SocietyChinese Jade throughout the ages, Victoria and Albert museum (May 22nd - June 1975)Gems of China's cultural relics 1933, cultural relics publishing houseThe art of China to AD 900, W. WatsonAsian Art - India, China, Japan, B. Geoffroy-SchneiterOf Earth and Fire, M. Girard-GelsanImperial China - the art of the horse in Chinese history, B. CookeMagic, Art and Order - Jade in Chinese culture, Palm Springs Desert Museum (8th February - 29 April 1990)Reflections of the Orient, Duke's (September 23 2010)Traiders and Raiders - on China's Northern Frontier, J.F. So et al.Pathways to the Afterlife - Early Chinese Art from the Sze Hong Collection, J.M. White et al.Empires beyond the Great Wall - the heritage of Genghis Khan, A.T. KesslerAn album of Chinese art, M.A. Pang et al.Son of Heaven - Imperial arts of China, R.L. ThorpJades from China, A. Forsyth et al.The history of Asian Art - Architecture, Painting, Sculpture, B.S. Meyers et al.Jades Chinois, W. Chen-chiuThe path of beauty - a study of Chinese aesthetics, L. ZehouReflections of Early China - Decor, Pictographs, and Pictorial Inscriptions, X. YangThe Shaanxi Provincial Museum, The Shaanxi Provincial MuseumImages Bouddhiques en bronze dore, Galerie Jacques BarrereSculptures d'Asie (three volumes), Galerie Jacques BarrereAsian Art Portfolio - Masterpieces from the Asia Society, The Asia SocietyJade - A traditional Chinese symbol of nobility and character, National Museum of History Republic of ChinaPrinces of Jade, E. Capon et al. "
Lot 49
Full title: A varied collection of Chinese famille rose and qianjiang cai porcelain, 19/20th C.Description:Dia.: 34,5 cm (the largest dish) H.: 29 cm (the pair of vases)H.: 30 cm (the jar, incl. the wooden cover) - H.: 27 cm (the jar)Dim.: 19 x 15,5 x 6 cm (the lobed bowl)Dia.: 13,5 cm (the small dish)
Lot 608
Full title: Four Chinese blue and white 'cranes and pagoda' saucers, ex-collection of August the Strong, KangxiDescription:Dia.: 13,5 cm Provenance: With an engraved inventory number from the collection of August the Strong. Saxon elector and Polish king Augustus the Strong was a major proponent of porcelain in the early 18thcentury. His love for the material drove him to imprison a talented young alchemistnamed Johann Friedrich Bottger in hopes of finding the formula for white porcelain, which at that time was a secret known only in China and Japan. When Bottger perfected the recipe for porcelain in 1709, Augustus the Strong quickly founded the Meissen Porcelain Manufactory - the first porcelain manufactory in Europe - revolutionizing the porcelain market worldwide. He eventually amassed what is still the largest collection of Chinese and Japaneseporcelain in the West, and began plans fora palace built to store the royal collection - an ambition that ultimately remained a dream. The number of Chinese and Japanese porcelain Augustus the Strong collected grew to 29,000 until his death in 1733. Roughly 8000 pieces from his collection are still preserved in Dresden. They are actually the subject of a major cataloguing, digitization, and research project of the Dresden Porcelain Collection, something experts from all over the world are working on. The remaining third can be considered as a representative cross section of the original collection. The other pieces were dispersed throughout the world in many different ways: In the 19th century, when the Porcelain Collection tried to turn itself into a museum of world ceramics, so-called duplicates were sold or given away in exchanges. When Saxony became a republic in 1918, parts of the porcelain collection became public whereas others stayed with the royal family and were partly auctioned. More losses occurred during the Second World War, when the collections were moved to different repositories outside of Dresden and later to Russia, from where the biggest part returned to Dresden in 1958. Today, we can recognize the pieces originally in the collection of Augustus the Strong thanks to their historic inventory numbers. They are treasured objects in public as well as private collections and in the art market.
Lot 656
Full title: A pair of Chinese blue and white kraak-style dishes with VOC-ships, KangxiDescription:Dia.: 26,5 cm Ref.: - Christie's, New York, Jan. 23, 2019, lot 633, for a similar example. (sold USD 3.750) (link)- David S. Howard, The Choice of the Private Trader, London, 1994, p. 46 pl. 13.- Traces of Trade, Chinese Export Porcelain Donated by Henk B. Niewenhuys
Lot 793
Full title: A pair of Chinese green-glazed miniature vases, MingDescription:H.: 8 cm Provenance:- A Belgian private collection.- With Robert McPherson antiques, London.- The Carl Kempe collection, one with a label on the base for his collection. Collector of Chinese antiquities. Born in Stockholm, and spent most of his life at Ekolsund, a former royal palace some forty miles north of Stockholm, which he bought in a dilapidated condition in 1912, and subsequently restored. The ground floor was converted into a library. He belonged to a group of Chinese art connoisseurs who began collecting in about 1930; he was also a member of the Chinese Club in Stockholm (a local branch of the Oriental Ceramic Society in London). He was an early member of the Oriental Ceramic Society and lent pieces to the Royal Academy Exhibition, 1935-1936. He apparently visited China for the first time in 1935, and began specialising in monochrome whiteware porcelain after that date. His collection fell into three principal areas, Chinese gold and silver from the Zhou to the Q'ing periods, Chinese whitewares, and Chinese glass, but he also collected Chinese lacquer, snuff-boxes, bronzes and other metalwork, enamels, hardstones and Roman glassware (the latter being sold through auction in London by Bonhams on 29 April 2004). After his death his collection continued to be housed at Ekolsund, and in 1971 the Kempe Foundation organised a touring exhibition to the United States of 150 items of gold, silver and ceramics. The house was later sold and the collection dispersed. The ceramics, gold and silver went to the Museum of Art and Far Eastern Antiquities in Ulricehamn; the Chinese glass had already been presented by Kempe to the Museum of Far Eastern Antiquities in Stockholm; the BM's Carl Kempe Collection was donated by Giuseppe Eskanazi to commemorate his 50th anniversary in England. He was a great benefactor of the Museum of Far Eastern Antiquities in Stockholm and started the Association of Friends of the Museum in 1959. (source: The British Museum - link)
Lot 277
Chinese blue and white porcelain bottle vase, 18th/19th century, decorated with precious objects and a landscape scene, bands of patterns around the neck, double-ring mark to base, 19cm highSmall footrim chips. A couple of very light and tiny hairlines to the rim. The rim looks slightly rough and pitted and may have been ground.
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106012 item(s)/page