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A 19th Century Chinese Cantonese Canton region porcelain centrepiece bowl having hand painted famille rose decoration with scenes of figures, birds and insects with intricate botanical patterns and gilded highlights. The bowl mounted in ormolu bronze mounts with pierced rim, scrolled handles raised on tripod base. No visible signs of major damage. Measures approx. 17cm x 26cm.
A 19th Century Chinese Cantonese Canton region porcelain vase having hand painted enamel Famille rose decoration with white cartouche panels depicting scenes of figures, birds, trees & insects. Circular rim and tapered neck set with gilded dragon and foo dog figures. Chip to rim. Measures approx; 30cm tall.
An early 20th Century Chinese Republic period Qianlong mark porcelain teacup & saucer comprising of a teal enamelled ground plate / saucer with polychrome scrolling leaves along with a famille jaune ground cup decorated with precious objects. No visible signs of major damage. Measures approx; 13cm wide.
A pair of 20th Century Chinese Republic Period Yongzheng mark Oriental porcelain bowls having hand painted Wucai decoration depicting warrior on horseback to the well of the bowl. The sides of the bowl depicting elders Immortals and precious objects. Each raised on a small circular footed base with six Yongzheng period marks in Kaishu script. No visible signs of major damage. Measures approx; 7cm x 15cm.
A pair of 19th Century Chinese Qing Dynasty porcelain vases of baluster shape having hand painted polychrome famille verte decoration depicting figures on horseback with other walking carrying various wares and goods in an exterior landscape setting. Both with concentric blue circles to base. Measures approx; 22cm tall. No visible damage.
A 19th Century Chinese blue and white porcelain moon flask having hand painted decoration depicting scrolling leaves and botanical details with central circular white cartouche panel depicting warriors on horseback. The vase having dragon / lizard shoulders raised on a circular foot. Measures approx; 15cm tall. Minor chips present with small hairlines to rim / neck.
A 19th Century Chinese Qing dynasty Kangxi mark blue and white porcelain vase. The vase of baluster form with Foo dog decorated cover / lid. The vase body hand decorated with scenes of branches and figures moving a large vase. Four Character Kangxi mark to underside. Damage / repair to neck. Measures approx; 28cm tall.
A pair of 19th Century Chinese Kangxi mark Oriental blue and white porcelain vases of Meiping shape. The vases with hand painted decoration in the Precious Objects pattern with geometric panel and bat borders. Four character Kangxi marks to undersides. Hairline to rim of one. Measures approx; 18cm tall.
A group of four 18th century Chinese / Oriental Daoist Porcelain figures. Glazed in white & adorned in ornate brightly coloured robes with traditional imagery such as dragon, blossom & butterflies. Each holding a different object & standing on a turquoise / green base with a central pink flower. Condition; some visible damage commensurate with age & glaze defects. Measure approx; 24cm x 7cm.
A 19th Century Chinese blue and white porcelain moon flask having hand painted decoration depicting scrolling leaves and botanical details with central circular white cartouche panel depicting bird resting in branch. The vase having dragon / lizard shoulders raised on a circular foot. Measures approx; 21cm tall. Large chip to rim and small chips present. Measures approx; 21cm tall.
Pair of Old Paris vases, mid-19th century.Enamelled porcelain.Measurements: 37 cm. high.Pair of enamelled porcelain vases that follow models close to the Sèvres manufacture. The fronts are decorated with female portraits inscribed in cartouches, while the backs are decorated with scenes inspired by Chinese landscapes. The stippled handles are surmounted by winged female busts.Paris Porcelain, also known as Old Paris, is a name for the production of a number of smaller manufactories established in Paris from the last quarter of the 18th century to the end of the 19th century. The first factories appeared around 1770, following the discovery of a kaolin deposit in Limoges. During the 18th century, the so-called Paris porcelain was that made and decorated in Paris, although in the 19th century it also included pieces made in the provinces and decorated in the capital. Production would be homogeneous in all the factories, with good kaolin paste and gilt decorations, used with royal permission, although it would not be Sèvres gold until the French Revolution, when the monarchy disappeared and with it the royal privileges of the crown factories. It was precisely the date of the Revolution that marked the beginning of the expansion of Paris Porcelain; production increased, with pieces following the stylistic and typological models of Sèvres, important technical improvements were achieved and a new and thriving clientele was supplied: the bourgeoisie. Following the Sèvres models, coloured backgrounds (dark blues, browns, blacks, yellows, oranges, etc.), gilt motifs and figurative decorations of pictorial quality dominated. The influence of the Louis XIV style was also important in these factories in the 19th century, not only in the decorations but also in the typologies.
Collection of Oriental Porcelain, comprising a stone glazed teapot and lidded sugar bowl decorated with lizards, three cups, saucers and six side plates decorated with dragons, a 4.5'' lidded blue pot, (all unmarked), two Art of Chokin plates and two coasters, two small lidded Oriental pots with lids, decorated with flowers, a Japanese set of teapot, milk jug, sugar bowl and two saucers, a Chinese tea pot, and a miniature unmarked Oriental teapot.
A 19th century Chinese porcelain blue-and-white bowl in the 18th century style - typically decorated in underglaze blue with pagodas, buildings, figures and a boatman to border, single figure on a bridge before buildings, trees and water to the interior well (small chips and some rim fritting to edge of rim), four-character mark to underside of base, raised on circular foot (32.5cm)
A Chinese porcelain Tianqiuping shape vase, Republic Period, painted with two iron red dragons chasing gilt pearls through thick blue enamel clouds with flames, above a scrolling wave band, 40cm, with wood strandPurchased in Shanghai in the 1940'sCondition report: In good condition with no obvious faults.
A pair of Chinese blue & white Nanking porcelain plates, Qing, mid 18th century, painted with blossoming peony within trellis and floral borders, 23cm dia, on wood standsCondition report: Both plates in good condition with no obvious faults. Although without the sea washed glaze one might expect, those items packed within the tea survived very much as they left the factory.
A Chinese porcelain wine cup, the exterior finely painted with two dragon carp in spuming waves and issuing a building amongst clouds from their mouths, beneath a gilt rim, apocryphal six character Yongzheng mark within two concentric rings, 6.6cm high, 7.5cm diaCondition report: No apparent damage or repair
A collection of eleven Chinese "Imari" circular porcelain plates, 26 cm diameter, and twenty-two 16 mm diameter side plates 20th century, decorated with fungus, insects and chrysanthemum in iron red, cobalt blue and gilt detail.Condition report: Side plates OKDinner plates with very slight stacking rubbing and edge rubbing but no cracks or chips.
A pair of Chinese porcelain Wucai stands, Republic period or later, of waisted square form, the top pierced with cash symbols within a border of flower heads, the sides painted with alternating panels of a dragon and a Fenghuang amongst flaming clouds, between ruyi head and spuming wave borders, the underside with quatreform aperture, 15.5cm wide, 15cm highCondition report: No apparent damage or repair. Some surface pitting in places, with discolouration / wear to decoration.
A Chinese eggshell porcelain lampion shape vase, Republic or later, painted with Shou Lao with boy attendants with ruyi sceptre and large peach, between ruyi head, cash and key painted borders, four rows of calligrahy verso, apocryphal four character Qianlong mark, 19.5cmCondition report: In good condition with no obvious faults.
Two Chinese porcelain figural wall appliques, Qing, 19th century, each modelled as a recumbent female, her head resting on her left hand, their right leg crossed over the top of their left, 16cm & 18cmCondition report: Small losses to both figures, visible on close inspection. Yellow figure with likely restoration across centre. Surface marks, pitting and general wear throughout to both, but they are structurally sound.
A Chinese porcelain cockerel bowl, late Qing, painted with seven cockerels beneath an iron oxide rim, on a circular foot, 18cm dia, 7.5cm high: a Chinese blue and white Batavia ware bowl, the interior painted with a rabbit beside a rock and blossoming prunus, within a border of tree peony and insects, the exterior a chocolate brown, auspicious mark to underside, 18.5cm dia, 9cm highCondition report: Cockerel bowl with 5cm hairline crack.Batavia bowls with rim chip restoration, smaller rim chips and hairline cracks.
A Pair of Chinese porcelain pheasants, late 20th century, each standing on a pierced rockwork mand flora base, impressed marks, 30cm, a porcelain elephant supporting a vase, 20cm, a small canton enamel vase, 16.5cm, a 20th-century square dragon stand, with raised sides and base, apocryphal six-character Wanli mark14.7cm wide and a Japanese square for dish, Edo period, with raised butterfly decoration bordered by roundels of cranes and tortoises amongst reeds and with re-entrant corners, 15cm wide,Condition report: Damage, repairs and losses to the elephant. Small chip to edges of the square dish. Other items with some surface wear and marks, but no apparent damage or repair.
Two Chinese porcelain tankards, Qing, each late 18th century, one in Mandarin palette, painted with figures in a landscape, with floral vignettes, within blue foliate scroll borders, interspersed by relief moulded butterflies and flowers,12cm; the other painted with a central floral spray with butterfly within a gilt trellis frame flanked by floral sprigs, beneath a band of blossoming garlands and gilt trellis, the overlapping strap handle terminating in moulded leaves and berries, 13.7cm; and18th century Chinese imari plate and a 19th century cockerel plate, 22 & 22.7cm dia respectivelyCondition report: Both tankards are in very good condition and with no obvious faults. Imari palette plate has numerous breaks ands rivet repairs. The cockerel plate has a fine 5cm hairline crack and some rubbing to the enamels.
After Wang Xiaoting, a Chinese porcelain Hu shape vase, with applied stag handles, the body painted with a continuous landscape of figures, buildings and trees beneath misty mountains, signed to the reverse, a two character Zhuanshu mark to the underside, 29cmCondition report: No obvious visible faults.
A Chinese porcelain landscape panel, 20th century, painted with a scholar and attendant on lakeside path heading towards a building on a rocky outcrop, with mountainous background, three lines of calligraphy, signed bottom right, 30.5 x 21cm; and another porcelain panel painted with buildings, blossoming trees, and pine trees within a misty background, 45 x 26.5cmCondition report: Both in good condition, with no obvious visible faults. Some wear to the smaller frame.
Two pairs of Chinese porcelain vases and a single vase, Qing and later, comprising a famille rose pair with applied shishi and chilong above panels of dignitaries and warriors, (A/F) 30.5cm, a pair of crackle glaze ground dragon vases, with incised Chenghua marks, 25.5cm; and a single 20th century vase painted with two horses, with flowers and rockwork beneath a willow tree, 20.8cmQty: 5Condition report: Large missing section to rim of one of the famille rose vases, small chips to the rim of the other. The remaining items appear generally good, with some light surface marks and pitting in places.
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106012 item(s)/page