A FAMILLE ROSE ENAMELED PORCELAIN BALUSTER VASE AND COVER, QIANLONGChina, Qianlong period (1735-1796). The baluster body rising from the spreading foot to a rounded shoulder with a broad cylindrical neck, the domed cover with a broad rim and lotus finial, the vase richly enameled with colorful landscape panels between vases of flowers and elaborate borders.Condition: The cover in good condition with a chip to the knob, the vase was broken into several pieces which have been reattached with hairlines, touchups, and material fillings visible, minor wear and firing flaws.Provenance: From an old family collection in Pressburg, Austrian Empire, Slovakia, and thence by descent to the present owner.Weight: 3,565 gDimensions: Height 50.5 cmAuction comparison: Compare three closely related baluster vases and covers, also from the Qianlong period, at Christie's New York in Mandarin & Menagerie: The Sowell Collection and Chinese Export Art From Various Owners on 26 January 2015, lot 126, sold for USD 60,000 (together with two beaker vases from the same period).
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A LARGE "NINE PEACHES" PORCELAIN VASE, GUANGXU MARKChina, late Qing Dynasty to Republic Period (1880 - 1920). The large baluster porcelain vase with polychrome enamels, depicting the famous motif of nine peaches, flower tendrils and the Chinese character for happiness. The base is painted with a Guangxu mark (1875 - 1908) and possibly from the period.Condition: Excellent condition with hardly any traces of wear. Provenance: German private collection.Weight: 4027 g Dimensions: Height 40.8 cm
A LARGE PORCELAIN FAMILLE ROSE 'BAJIXIANG' TRIPOD INCENSE BURNERChina, late Qing Dynasty (1644-1912). Apocryphal Jiaqing seal mark in a horizontal line in iron red. The globular body with pierced upright curved handles on each side and three stoutly rounded cabriole legs. The censer is sturdily potted and enameled on the body with the Eight Buddhist Emblems, Bajixiang, amidst lotus flowers and tendrils extending onto the legs, all reserved against a lime-green ground. Pink bats are flanking the handles, the waisted neck is encircled by floral scroll below a key-fret band on the galleried rim. With matching base and cover both beautifully carved from dark wood, the lid is flanked with a whitish jade handle with dark streaks.This incense burner is likely to have been part of a five-piece altar garniture set, known as the 'Five Offerings' (wugong 五供), which were widely used in Buddhist rituals to seek protection from the deities. In shape and decoration, the vessels included in these sets, which also comprised a pair of candlesticks and wine containers, recall those employed to perform ancestral sacrifices during the Shang and Zhou periods. Restoring the ancient Chinese ways through the reinterpretation of archaic forms was viewed by the Qing rulers as one way to reinstate the importance of performing filial acts, the core value of Confucian thought that legitimized the emperors' right to rule.Condition: Very good condition with some minor, age-related wear, some minor flakes and glaze chips. Provenance: American private collection. Weight: 11.9 kg (including the base and the cover) Dimensions: Height 37.5 cm (without the case and cover), 56.5 cm (with the base and cover)13% VAT will be added to the hammer price additional to the buyer's premium - only for buyers within the EU.
A group of three lathe 19th century Victorian ceramic porcelain Italian Majolica style vases. The vases of baluster form with foliate finial to the lid, floral and birds decoration to the centre and yellows foliate border to the outside. A M blue mark to the underside along with a pair of empire style vases with a scalloped rim, waisted neck, twin scrolled handles raised on splayed base decorated with gild Chinese motifs and animals.
Carreau de revêtementChine, Dynastie Qing, XVIIIe siècleCarré et épais en céramique à décor épigraphique encadré de rinceaux en cobalt sous glaçure transparente. Au centre, dans un double-losange ceint d'un double-cercle, inscription coranique.19,5 x 19,5 cm env.A Chinese blue and white arabic script porcelain tile, Qing Dynasty, 18th century, For the islamic market.Inscriptions : C. 72:18-20
Provenance: Adrienne Vittadini & Gigi Vittadini, Southampton Estate. Chinese celadon porcelain vase, marked on the underside. Provenance: Adrienne Vittadini & Gigi Vittadini, Southampton Estate. Size: 8 1/2 x 8 1/2 x 17 in. Please note that all sales are final. No refunds will be given under any circumstances.
A group of European and Asian ceramics, including an early 19th century French porcelain armorial cabinet plate, 24cm, an English china lidded twin handled sucrier, pale green and gold decoration, Chinese dishes and bowls, and an Edwardian bowl with silver plated rim, 24 by 11.5cm high, a/f. (11)Condition: Most pieces with chips, some with repairs.
A Chinese Republic porcelain vase, of hexagonal section with reticulated sides, decorated with flowering plants and a hummingbird hanging upside down, gilt twin line border to rim, black painted calligraphic script and iron red signatures to back, iron red four character mark to base, 12 by 28cm high.
A group of thirteen 19th century Chinese Export porcelain circular dishes, all decorated in similar Imari palettes, a/f, three with old stapled repairs, each approximately 22cm. (13) Condition - All of the plates have some form of damage: mostly nibbles to rims, pitting, flaws in glaze but some with hairline cracks and larger chips.
Six Staffordshire house form pastille burners, together with three pieces of decorative Chinese porcelain. Chinese vase: Modern with chips and hairlines. Jar and cover: Cover has been restored, jar with some chips and paint scratches. Small Chinese vase: has been restored. Pastille burners: with chips and losses.
20th century Chinese carved hardwood screen with a porcelain figure panel, decorated with flowers. Screen measures 55.5cm long, 82.5cm high. CONDITION REPORT: The chinese porcelain plaque is in excellent condition, no chips, cracks or restorations. Hardwood frame and stand is in very good condition, little signs of wear.
A 19th century Chinese hardwood connoisseur's vase box, the sliding cover enclosing a silk-lined interior fitted to accommodate a jade or porcelain meiping, brass swan neck carrying handle, 24cm long; a Chinese hardwood circular vase stand, carved as a lotus, shaped scroll feet, 19.5cm diam; another, rectangular, faux bamboo frieze above a pierced apron of scrolling prunus, 18cm wide (3)
A Chinese famille rose enamel ceremonial ladle, painted with ferocious dragons and scrolling clouds in merging tones of pink and blue on a paler pink ground, cinquefoil-shaped bowl, slightly tapering cylindrical handle, 19th/20th century; a Chinese porcelain of a seated goose, in tones of turquoise, ivory, and mauve, 19.5cm high, impressed and printed marks; a 19th century famille verte shaped dish, 15.5cm diam, Canton, c. 1860; a Blanc de Chine figure of Guanyin; pagoda and temple models; landscape scroll painting; etc., [13]
A pair of Chinese porcelain figural table lamps, the traditional man and woman wearing flowing robes and modelled standing on scrolling cloud bases, painted in polychrome enamels, gilt brass octagonal bases profusely chased with flowering leafy foliage, 64cm high overall, the porcelain Republican period, c. 1920
Three pieces of 18th century Chinese Famille Rose porcelain, comprising a bullet shaped teapot and cover, painted with reserves of figures in an interior; together with a floral decorated silver shape sauceboat and plate, (3)Condition report: Sauceboat with some wear tpo enamels in reserve and an approx. 10mm firing crack to edge. Teapot cover with glaze chip. The knop has lost virtually all its glaze.Plate appears sound.
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