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Click here to subscribeA Chinese Blue and White Export Porcelain Bowl, Qianlong, circa 1770, externally painted with a continuous lake view with pavilions, boats, willow trees and birds above a cellular pattern foot, internally with broad trellis band edged with fleur de lys, and central floral medallion, brown glazed rim, 28cm diameter, 12cm high
A Chinese Blue and White Export Porcelain Forty-Six Piece Dinner Service, Qianlong, circa 1780, each piece painted with an extensive lakeland landscape within broad hexagon and diamond lozenge bandings, comprising oval two-handled tureen and cover, with lotus finial (33cm wide), a pair of oval tureen stands (33cm wide), a pair of shallow oval serving dishes (37.2cm wide), a two-handled sauce tureen and cover (19.5cm wide), a set of six oval dish stands (25.5cm wide), four oval dish stands (29.4cm wide), a fruit bowl (24cm wide), two graduated oval meat dishes (41cm and 37cm wide), seven circular soup bowls (25cm diameter), and twenty circular plates (24cm diameter)
A Graduated Pair of Chinese Blue and White Export Porcelain Octagonal Meat Plates, Qianlong, circa 1750, each painted with a woman and child in a punt on a lake within a lozenge diaper frame and floral reserves, 35.3cm and 27.7cm diameter; and An Export Mug, circa 1770, cylindrical, painted with a lakeland scene, with entwined strapwork handle, 13.5cm high (3)
A Pair of Chinese Blue and White Export Porcelain Serving Plates, Qianlong, circa 1750, centrally painted with a spray of peonies and bamboo within trellis, floral and diamond diaper borders, 31.5cm diameter; A Set of Eight Similar Circular Dessert Plates, 23cm diameter; and Two Others, 23cm (12)
A Group of Seven Chinese Imari Porcelain Items, circa 1730, comprising circular bowl (26cm diameter), sugar basin (14.5cm), circular plate (28.5cm), a set of three dinner plates, and a similar single plate (23cm diameter), each painted with stylised peonies, fence work, pavilions, birds and scrolls
A Pair of Chinese Export Porcelain Vegetable Tureens and Covers, probably for the American market, circa 1790, of metal inspired shape, the rectangular bases with indented angles and a broad blue enamelled panel with gilded wrigglework band, the upswept panelled covers similarly decorated and with basket of flower on leaf finials, picked out in peach enamels and gilt, 25.3cm wide, 13cm high
A Chinese Export Famille Rose Porcelain Pedestal Milk Jug, for the European market, circa 1775, of silver inverted helmet shape with cut twig handle, lotus petals moulded to the lower body, with two horizontal registers painted with sprays of flowers, on a conical foot, 11.7cm high; A Famille Rose Mug, circa 1790, cylindrical, the "chicken skin" ground painted with insects and flowers within panels, 11.5cm high; and A Chinese Blue and White Porcelain Hexagonal Vase, Kangxi, circa 1690-1720, painted with panels of archaic vases and auspicious Buddhistic emblems, with later wicker enwrapped European metal handle, and associated tin glaze pottery cover with serpent handle, painted in blue to match, overall 11cm high (3)
A Chinese Blue and White Porcelain Dragon Bowl, Yongzheng (1723-1735), internally with a sky dragon pursuing the cosmic pearl, its scaly body continuing around the external wall amongst clouds, six character mark of Yongzheng within a concentric double circle, 19.4cm diameter, 7.8cm high; and A Somewhat Similar but Smaller Bowl, 11.9cm diameter, 5.4cm high (the lower wall engraved with a Chinese or Japanese collector`s mark (2)
A Chinese Blue and White Export Porcelain Vase, of squat baluster form, originally with cover, the neck reduced, with a collar of ruyi heads and diamond trellis, over a continuous frieze depicting a group of twenty-nine Manchu court figures in an interior divided by trees, rocks and mist, retrospective six character mark of Chenghua, 27.2cm high (neck cut down, a/f)
A Chinese Blue and White Porcelain Ewer, bearing the mark of Emperor Jiajing, but Kangxi (1662-1722), of baluster shape, painted on each side with an arrangement of archaic vessels, prunus, peonies and Buddhistic precious objects, the downswept handle and slender upswept spout each painted with four cloud wisps, retrospective six character mark of Jiajing within double concentric circle, 16cm high (lacking cover)
A Chinese Famille Rose Export Porcelain Large Punch Bowl, circa 1750, internally centred by a fruiting pomegranate branch, within a broad rim banding of hexagon cellular pattern, externally with a pair of blue crested birds and a pair of water fowl amongst peonies, 40cm diameter, 17.5cm high (a/f)
A Matched Pair of Chinese Blue and White Porcelain Altar Candlesticks, Transitional, circa 1640, of metal form, with upturned bowl bases, one painted with six figures and attendants in a mountainous landscape with rocks, plantains and mist, within lappet borders, the other with a lady on horseback attended by a Confucian scholar in a similar landscape, the waisted cylindrical nozzles from shallow integral dishes painted with flowers and "tulip" motifs, to conical nozzles (triple pierced), 33.5cm high
A Chinese Blue and White Kraak Porcelain Small Circular Dish, Wanli, circa 1570, of bracketed circular shape, painted with a water bird at the edge of a lake flanked by lotus blossoms, in a typical lappet panel radiating border enclosing flowers and emblems, externally with circles in panels, 28.5cm diameter
An English porcelain tea cup and saucer, polychrome-decorated with bands of flowers within royal blue and gilt borders, early 19th century; an English transfer printed and polychrome-decorated teabowl and saucer, early 19th century; and a Chinese famille rose saucer, decorated with a scene of an acrobat, 19th century (5)
A Staffordshire porcelain part tea service, 19th Century, decorated in grey, red and gilt with Chinese flowers, comprising five large cups and saucers, twelve side plates and two oval meat dishes, together with a white stoneware jug, mid-19th Century, relief moulded with a seated girl and dogs (faults).
A late 19th Century Continental tin glazed pottery dish with polychrome floral and foliate decoration, a Royal Crown Derby white porcelain jug in the form of an owl, a late 18th Century Chinese export porcelain mug with floral spray decoration, a late 18th Century Chinese blue and white export porcelain sucrier (minus lid and one handle), an Oriental blue and white bowl, and two English porcelain comport stands/bases
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