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Click here to subscribeFOUR PIECES OF CHINESE BLUE AND WHITE PORCELAIN FROM 'THE CHRISTIES SALE OF THE DIANA CARGO', 1995, comprising; TEA BOWL and saucer, COFFEE CUP and saucer, and a CANTED OBLONG SMALL MEAT PLATE, 9 3/4" x 6 3/4" (24.8cm x 17.1cm), all painted with dwellings and trees in mountainous river landscapes, all with stick lot number labels (5)
MODERN CHINESE REPRODUCTION BLUE AND WHITE PORCELAIN TWO HANDLED FISH BOWL OR PLANTER, of rounded oblong form with shell moulded handles, the interior printed with fish and aquatic plants, the exterior with floral panels, 7 3/4" (19.7cm) high, 13 1/2" x 9 1/2" (34.3cm x 24.1cm) between the handles
A CHINESE CINNABAR LACQUER SQUARE LIDDED BOX with black lacquer interior and base, the top carved with a sage sat beneath a fir tree issuing from rockwork with an attendant figure, the sides with running key-fret borders, 4 1/2" (11.5cm) square, also a LATE NINETEENTH/EARLY TWENTIETH CENTURY CHINESE PORCELAIN OCTAGONAL BOWL, polychrome enamelled, the interior with a five clawed dragon and two phoenix on a yellow ground beneath a rim of ruyi lappets, Qianlong four character seal mark, 5 3/4" (14.5cm) diameter (2)
NINETEENTH CENTURY CHINESE BLUE AND WHITE PORCELAIN SLEEVE VASE, painted with figures and large vases, on a floral ground with birds, 8" (20.3cm) high, four character Kang XI mark, TOGETHER WITH A LATER BLUE AND WHITE VASE with Manganese borders, 9 1/2" (24.1cm) high, and a CRACKLE GLAZED SMALL VASE with moulded Manganese floral decoration, 4 3/4" (12.1cm) high (3) (both vases with rim chips)
A Chinese eggshell porcelain famille rosebowl, the rim in the form of lotus, exterior and interior decorated with polychrome dragons amongst flowers, iron red mark to the base, Republic period, 18cm diam; together with a pair of vases, decorated with flower on the body, 11cm high, both in good condition, in box with receipt.
A Chinese faux-marble enamelled porcelain brush pot,Qianlong (1736-1795), in the shape of two partially unrolled scrolls of different heights tied together with a turquoise ribbon, one scroll painted with flowers and a landscape in famille rose within shaped panels, against swirling washes imitating marble, the other scroll with gilt bats amongst clouds against an iron-red ground, four character mark of Qianlong,9cm清乾隆 仿石釉流云百蝠纹书卷式笔筒 《乾隆年制》矾红篆书款
A pair of Chinese export porcelain large famille rose spoon trays,Qianlong (1736-1795), made for the Iberian market, painted in the centre with tulips amongst panels, the upright petal shape border similarly painted,17.4cm diameter, a grisaille hexagonal lobed spoon tray,Qianlong (1736-1795), painted with Zeus holding thunderbolts in the clouds,12.9cm wide, and a smaller hexagonal grisaille spoon tray,Qianlong (1736-1795), painted with a Roman soldier holding a sword, standing in a chariot with driver, behind two horses chasing a running man,13cm long (4)Both grisaille pieces from a private collection.清乾隆 外销墨彩碟 及 粉彩花口碟 一组四件
An attractive two-handled 'amphora' vase,Tang dynasty (618-907), the well-potted ovoid body applied with a pair of dragons arching over and descending to bite into the galleried rim on a short, waisted neck, each beast's back applied with three buttons and a mane curling back from between a pair of spiked horns or ears, the compact white ware dipped in a finely crackled clear glaze running down to the widest part of the body, the foot with finely knife-pared edge,27.8cmLiterature: A very similar but taller amphora (standing at 33.3cm), from the collection of Ronald W Longsdorf, was exhibited by Jim Lally in his October 2015 exhibition in which he ascribes the piece to having been produced by the Xing or Gongxian kiln. The Longsdorf amphora was published by Liu, 'A Survey of Chinese Ceramics', Vol. 1, 'Early Wares: Prehistoric to Tenth Century', Taipei, 1991, p.224; Lally also compares this piece with other published pieces:Krahl, 'Chinese Ceramics from the Meiyintang Collection', Vol. 1, London, 1994, p.137, no. 224; in the Musée Guimet, Paris, illustrated by Paul-David, et. al., 'The World’s Great Collections: Oriental Ceramics', Vol. 7: Musée Guimet, Paris, Tokyo, 1975, no. 21; and in the Turner Collection, now in the Columbia Museum of Art, illustrated in 'Eye to the East: The Turner Collection of Chinese Art', Columbia, 2008, p. 31.This classic Tang Dynasty shape, in both white and sancai-glazed variants, is among that dynasty's most elegant and admired forms, so much so that, one thousand years after the originals, the emperor-collector Yongzheng (r.1723-1735) commanded potters at Jingdezhen to create revivals of the earthenware forerunners in celadon-glazed porcelain.唐 邢窑白瓷双龙盘口尊
A Chinese porcelain famille rose square brush pot,18th century, two of the sides painted with a figure in the clouds, the other two sides with a mountain river landscape above a cockerel and a fish, the edges in black and green simulating bamboo, standing on four small bracket feet,12.8cm high清十八世纪 粉彩开光道教人物图四方笔筒
A pair of Chinese porcelain blue and white vases,Kangxi (1662-1722), of baluster form, each painted with numerous panels of trees in mountainous river scenes, the neck with a continuous band of a stag, also in a mountain river scene, between bands of diaper pattern,38.7cm (2)Provenance: Formerly from the Barons, later Comtes, Van Den Steen de Jehay and by descent from the family.Literature: An almost identical vase is published in 'Chinese Ceramics in the Collection of The Rijksmuseum, Amsterdam: The Ming and Qing Dynasties', by Christiaan J A Jorg, colour plate 90, p.100.清康熙 青花开光山水图纹瓶 一对
A pair of Chinese porcelain blue and white tea bowls and saucers,Kangxi (1662-1722), painted with flowers on a blue ground, the base of the saucer and cup with flower mark within a double ring,saucer 13.7cm diameter, anda Chinese porcelain small dish,Tianqi (1621-1627) painted with a horse and rider approaching a castellated castle wall within a mountain river scene, all within a castellated border,15.6cm diameter (5)明天启 青花山水图碟 及 清康熙 青花缠枝莲纹茶杯及碟 一组五件
A rare Chinese blue and white armorial charger,early 18th century, painted with a buffalo underneath a pine tree in a watery landscape, the rim painted with sprigs of flowers and an eagle crest, the border trimmed during manufacture,43.6cm diameterLiterature: See Howard Sanctuary, 'Chinese Armorial Porcelain', p.968 - 'This is a remarkable soft paste service with very white glaze and with the painting in underglaze blue. This is the only soft paste armorial porcelain known which could have been for the British market (except replacements) although a very few others pieces are known to have been made for the continental market'.清十八世纪初 青花牧牛图徽章纹大盘
A collection of early Chinese lead-glazed earthenware,Han dynasty (206 BC-AD 220), comprising:a spoon with dragon handle, two large rectangular bowls with handles, two ear cups, one with remains of gilt, all under a crazed iridescent green glaze, anda further lacquered wood ear cup and a porcelain spoon,10.1 to 15.2cm (7)汉 陶器 及 漆器 一组七件
A Chinese porcelain blue and white vase, having applied fish handles, top half decorated with symbols, the bottom wit bird amongst foliate design, together with a collection of Chinese turquoise figures, including three mythical beasts, two cats and a duck, plus a silver and porcelain bowl (parcel)
A 17th Century Chinese porcelain rectangular blue and white tea caddy, each panel with painted design of landscape and foliage, with associated metal top, 7.8 cm x 12 cm high together with an 18th Century Chinese blue and white square example, 8 cm square x 12.5 cm high af and a later rectangular example missing top, 11.5 cm x 12 cm high17th Century Lidded Caddy:Small chips to all sides and rims.Several hairline cracks around the stopper.Rubbing to the base.Discolouration around the edges.Square Example:Multiple chips to all edges and corners.Rubbing to areas of the decoration.Several small hairline cracks.Areas of pitting.Central circular rim has been broken.Rectangular Example:Large substantial cracks down three of the sides.Small chips to the edges and bases.Discolouration to the edges and inconsistent paintwork (likely a result of the firing process)Fading to the top.
A Chinese porcelain ginger jar, 18th / 19th century, decorated in Kangxi style with three kylin amongst clouds, with cobalt blue double ring to base, together with a later turned wooden cover and five legged stand, 10.5 by 13cm.Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
A Chinese porcelain ginger jar, 19th century, with carved wooden cover and stand, painted overall with prunus blossoms on a cracked ice ground, 13cm high, 19cm high including cover and stand, together with another Chinese porcelain ginger jar and cover, late 19th / early 20th century, decorated with a rural scene, two men with fowl and framed by matte brown bands, painted four character mark to base, 15.5cm. (2)Provenance: The Estate of Mr Joseph B. Hay, son of Major-General Arthur K. Hay DSO OBE - 100 years of a military family.
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