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Lot 19
Chinese porcelain small dish with Chinese characters decorated in underglaze blue, with Qangxi mark to base, together with a small pot of octagonal shape decorated in enamel with Chinese characters and caligraphy, and a further small Chinese porcelain tulip vase decorated in underglaze blue (3)
Lot 118
A CHINESE SANG DE BOEUF PORCELAIN VASE of baluster form, the pale rim and trumpet mouth have a crazed finish, deep footed base, 37cm high, comes with a carved wood stand, (Sang de boeuf - French name for Lan yao hong - 'Ox blood')Condition report – Old damage to neck, the pieces amateurishly glued back into place, the crack extends down the body, other cracks too, and a chip to the foot rim.
Lot 195
COLLECTION OF ORIENTAL PORCELAIN, including two Chinese 19th Century blue and white vases, Japanese Imari shouldered vase, Kutani rectangular tray decorated with samurai, Chinese celadon baluster jar and cover (drilled, converted to electricity), two sancai glazed models of foo dogs and a Samson hexagonal jar and cover (9)The large prunus jar has no damage, just very dirty.
Lot 1354
A small collection of books on pottery, porcelain, ceramics, including 'Ruskin Pottery', by Atterbury & Henson, 1993, 1st edition, original cloth, dust wrapper; Lewis 'The Ewenny Potteries', 1982; Godden 'Encyclopedia of British Pottery and Porcelain Marks', 1996, original cloth, dust wrapper; Robert Copeland 'Spodes Willow Pattern and other designs after the Chinese; plus two others on paper making and lacquer/ japanning (6)
Lot 64
Burgess & Leigh Indian Empire scenes teapot, of aesthetic form, printed in colours with elephant riders, figures and hunting dogs, H16cm, together with 18th century Newhall type tea bowl, 18th century Imari design tea bowl, two saucers and an 18th century Chinese porcelain cup - Condition Report Teapot: finial crudely repaired. Small chips to cover. Chips to interior of teapot lid. Chips to the base and wear/ scuffs throughout. Chinese cup: some losses to the paint work. Small chip to rim of teabowl. Imari tea bowl has a chip to the rim. Chip to rim of one saucer.
Lot 488
Worcester Crescent period reeded porcelain bowl, decorated with a flower and a rim border, crescent mark to the underside, 6" diameter, 2.5" high; together with a Caughley tea strainer (at fault), Adams Old English oval platter, a vine moulded dish 5.5" diameter and a Chinese pattern blue and white platter 13" x 10" (5)
Lot 543
Chinese famille vert Kangxi porcelain tea bowl, the lobed bowl decorated with birds and flowers, rabbit character mark underside, 3.25" diameter, 2" high; together with a miniature famille rose vase 3.5" high, blue and white jar decorated with prunus blossom and two similar turquoise glazed cockerel figures 7.75" high (one repaired head/comb break) (5)
Lot 409
* Ji Hui ??. Flower and Butterflies ???????, early Ming Period, black ink, opaque and transparent watercolour on silk, with red seals to lower corners, titled and signed on a separate strip of silk to right outer margin, some surface marks and light horizontal creases, 28 x 25.7 cm (11 x 10.1 ins), mounted on plain and patterned silk scroll, with title in Chinese to verso, with one (of two) wooden handles present (with remains of handwritten label in Chinese)Qty: (1)NOTESProvenance: A.W. Bahr Collection. Abel William Bahr (1877-1959), collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society. A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shangai, November 1908, published in 1911. A Survey of Chinese Paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
Lot 410
* Chinese School. Three generations of a Chinese family, black ink, brown ink and opaque watercolour on silk, some surface marks and light stains, some small areas of paint loss, several horizontal creases, 130 x 89 cm (51.25 x 35 ins), mounted on paper, with waterstaining to left margin, one (of two) wooden handle presentQty: (1)NOTESProvenance: A.W. Bahr Collection. Abel William Bahr (1877-1959), collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society. A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shangai, November 1908, published in 1911. A Survey of Chinese Paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
Lot 411
* Chinese School. Two Laughing Boys, Chien Lung period (1736-1795), opaque watercolour with black ink on silk, unsigned, some marks and surface soiling, with a few insignificant losses, one horizontal crease to upper portion of image, with consequent splitting of the silk, and a few other minor horizontal creases elsewhere, 158 x 84 cm (62.25 x 34 ins), mounted upon patterned silk scroll, with early 20th century partial typewritten label to reverse 'No. 882. Two Laughing Bo[...] Ch'ien Lung Per[...] (Ko-Su).'Qty: (1)NOTESProvenance: A.W. Bahr Collection. Abel William Bahr (1877-1959), collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society. A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shangai, November 1908, published in 1911. A Survey of Chinese Paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
![* Shen Ben ??. [Two Dragons Fighting] ???????, 18th century, black ink and black and grey wash on silk, signed and with red s](https://cdn.globalauctionplatform.com/4146f66d-2f98-4dd2-af07-ace100a4025d/95722f14-6474-456d-a242-ace200c48db3/468x382.jpg)
Lot 412
* Shen Ben ??. [Two Dragons Fighting] ???????, 18th century, black ink and black and grey wash on silk, signed and with red seal to right margin at centre, some surface marks and discolouration, mounted on patterned silk scroll, with three 19th century handwritten labels in brown ink to reverse giving the title and artist's name, and the number 86, 131 x 61 cm (51.5 x 24 ins)Qty: (1)NOTESProvenance: A.W. Bahr Collection. Abel William Bahr (1877-1959), collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society. A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shanghai, November 1908, published in 1911. A Survey of Chinese Paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
Lot 623
ARR * Cooper (Alfred Egerton, 1883-1974). Interior of a Hangar, with an airship under construction, circa 1915-20, black chalk, grey wash and white gouache on brown paper, signed with initials AEC lower right, slight loss to extreme upper right corner, 25 x 36 cm (10 x 14 ins), framed and glazedQty: (1)NOTESProvenance: Abel William Bahr (1877-1959), thence by descent. A distinguished collector of Chinese art and antiquities, and Secretary of the North China branch of the Royal Asiatic Society, A.W. Bahr is the author of Old Chinese Porcelain and Works of Art in China, being descriptions and illustrations of articles selected from an exhibition held in Shanghai, November 1908, published in 1911. A survey of Chinese paintings in the Bahr Collection by Osvald Siren was published by the Chiswick Press in 1938.
Lot 110
A Chinese, Qing dynasty, export porcelain circular bowl with fan-shaped landscape and floral panels in colours on a powder blue ground. Bearing vacant double ring mark to base. Probably 19th century. 16.5 cm diameterCondition report: Crack from the rim of the bowl. Firing blemish at the lip edge.
Lot 112
A Chinese, Qianlong famille rose porcelain cornucopia wall pocket with barbed rim, painted with exotic flowers and scrolling tendrils the tip of the horn painted with a river landscape in colours. 24 cm long x 16 cm wideCondition report: Chip to the raised rim of the mouth and a fine hairline crack to the mouth.Some signs of feint glaze cracks throughout, see the imagesRubbing to the gilding, some minor losses to some enamels but nothing too detrimental in our opinion.See extra images taken in natural light.
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106012 item(s)/page