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Lot 122

A Chinese Porcelain Yen Yen Vase, Kangxi mark but 19th century, painted in underglaze blue with lion dogs and cloud scrolls 26.5cm high A Similar Bowl, painted with a dragon chasing a pearl, sea; mark under two concentric rings 12cm diameter A Vase and Cover, painted with birds on blossoming braches under a crackle glaze, four character mark 17cm high (4) Yen yen - glaze pitting, some chipping to the side of the footBowl - numerous rim chipsVase and cover - large chips to the rim of the cover, crack sto the rim of the vase

Lot 148

A Chinese Yellow-Ground Porcelain Vase, bears Kangxi reign mark but not of the period, of ovoid form carved with bands of taotie, bears six-character reign mark in underglaze blue13.5cm highGood condition. No damage or restoration.

Lot 149

A Large Pair of Chinese Porcelain Floor Vases and Covers, Tongzhi marks but late 20th century, painted in famille rose enamels with panels of figures on a ground of peonies and pomegranates under ruyi collars, painted marks to the shoulders 115cm high (4)Provenance: Ex Mandarin Oriental Hotel, Mayfair, London Good condition. No damage or repair.

Lot 88

A Chinese Porcelain Vase, early 19th century, of baluster form, the flared neck with mythical beast handles, painted in famille rose enamels with dignitaries watching fighting displays and with birds amongst branches on a turquoise ground with insects and scattered foliage within Greek Key borders 62cm highProvenance: Dutton Manor, Lancashire Badly broken into multiple pieces and honestly re stuck

Lot 91

A Chinese Porcelain Bowl and Cover, Qianlong seal marks by 20th century, of ogee form, painted in coloured enamels with temple lions and cloud scrolls, seal marks in red20cm diameter (2)Slight fritting. No cracks or restoration.

Lot 84

A Chinese Porcelain Bowl, Qianlong, painted in the famille rose palette with trailing peonies under a formal border 23cm diameter on wooden stand A Similar Soup Plate, painted with two pheasants perched upon a rock 23cm diameter (3) Bowl with minor fritting and cracks to the foot. No repair.Plate, chipped and cracked.

Lot 138

A Chinese Porcelain Ginger Jar and Cover, 18th century, with later gilt bronze mounts and now as a lamp, blue ground with prunus blossom and cracked ice in gilt, the principle panels painted in famille rose enamels depicting pheonix in garden landscapes, with further small shaped panels containing flowers34cm to the fittingVisible porcelain appears in good condition. Not examined out of the mounts. Base and cover drilled for the cable. Would need to be checked by an electrician.

Lot 82

A Pair of Chinese Porcelain Incense Holders, 20th century, as caprisoned elephants, painted in famille rose enamels 19cm high Provenance: labels for the Allen Collection A Faux Bois Saucer, painted with wood grain effect and a gilt roundel with calligraphy, four character mark to the reverse 13cm diameter (3) Elephants - some restorationSaucer - good condition

Lot 95

A Chinese Porcelain Bowl, Yongzheng reign mark but 19th century, lobed form and painted in famille rose enamels with a continuing landscape with various figures and a horse in a fenced garden, seal mark in red14.5cm wideNo chips, cracks or repair. Notable wear and some flaking to the interior turquoise.

Lot 86

A Chinese Porcelain Cadogan Wine Pot, Qianlong style, painted in coloured glazes 9cm high A Similar Earthenware Pot 12cm high (2) Porcelain - end of the spout and support broken off and re gluedEarthenware - crazed, loss to upper handle terminal

Lot 36

A Lowestoft Porcelain Tea Bowl, circa 1780, painted with chinoiserie figures in a gardenA Similar Blue and White Tea Bowl, painted with a pagodaA Liverpool Porcelain Slop Bowl, painted with chinoiserie figuresA Set of Three Baddeley-Littler Saucers, painted with chinoserie figuresA Worcester Zigzag Fence Pattern Slop BowlA Small Quantity of Late 18th and Early 19th Century English TeawaresThree Chinese Coffee Cups and Three Saucers (qty)Lowestoft polychrome - tight crack, slight pittingLowestoft blue and white - glaze wear, to small foot chipsLiverpool slop bowl - old restored rim chips, further rim and foot chipsBaddeley-Littler - two with feint cracks, all three heavily pittedFence pattern bowl - small Y-shaped body crack, heavy chipping to the footPair of Chinese coffee cups - good conditionOdd Chinese coffee cup - crackedUncatalogued pieces not reported, please contact with specific requests if needed on these pieces

Lot 71

A Chinese Porcelain Coffee Pot, 18th century, of tapering cylindrical form and with reeded loop handle, painted in underglaze blue with a gnarled branch issuing prunus blossom, later Dutch silver mounts, marked20cm highA Chinese Porcelain Ginger Jar and Cover, 19th century, crackle glazed and painted in underglaze blue with a scholar in a landscape15cm high (3)Spout of the coffee pot re stuckGinger jar with some staining

Lot 276

A Pair of Chinese Porcelain Vases, late 19th/early 20th century, of baluster form, the trumpet necks with mythical beast handles, painted in famille rose enemals with a lady being rowed ashore in a boat being watched by dignitaries and attendants, converted to lamp bases38cm highWiring not tested. No damage or repair to the porcelain.

Lot 152

A Chinese Porcelain "Chrysanthemum" Saucer Dish, Kangxi, painted in famille verte enamels with a jumping boy in a garden on a ground of foliate panels and precious objects within a fluted border with brocade roundels, rabbit mark in underglaze blue24.5cm diameterFree from chips, cracks and restoration. Some slight fritting to the foot. Minor glaze pitting. Free from any small cracks / firing cracks between the flutes. Needs cleaning.

Lot 153

A Chinese Porcelain Dish, Kangxi, of circular form, painted in famille verte enamels with phoenix amongst foliage and rockwork within a panelled cell border and broad fluted rim with panels of landscape, foliage and precious objects, four-character seal mark in underglaze blue41cm diameterFootrim with two drill holes for a hanging loop. Rim abraded. Glaze pitting and some wear to the enamels. Some glaze scratches to the reverse.

Lot 80

A Chinese Kraak Porcelain Bowl, Wanli, painted in underglaze blue with panels of flowers interspersed with dot borders and with a cnetral internal roundel with a bird15.5cm diameterA Similar Ginger Jar, painted with a landscape17cm high, with associated pierced hardwood coverA Japanese Imari Porcelain Bowl, Edo period, painted with coastal scenes and with a dragon in the well21.5cm diameter (3)Wanli bowl - large piece broken out of the rim and re glued.Ginger jar - Some minor edge chipsImari bowl - broken in two and re stuck

Lot 94

A Chinese Porcelain "Faux Bois" Bowl, 19th century, painted in red enamel with a simulated oyster veneer 11.25cm diameter A Yongzheng Plate, painted in fmaille rose enamels 22.5cm diameter A Small Beaker, enamelled and gilded in Japanese style with scolling foliage 6.5cm high A Japanese Satsuma Vase, Meiji period, of baluster form, painted with geese in a continuing landscape, signed 17.5cm high (4) Bowl with a small section of loss to the rim.Plate in good condition.Beaker with a filled chip, associated crack and a foot chip.Satsuma heavily crazed, with a crack on the foot and with some pitting. (signed near the base on the side)

Lot 102

A Pair of Chinese Porcelain Bowls, Qianlong reign marks but not of the period, painted in famille rose enamels with birds amongst foliage and rockwork on a celedon ground, bear six-character reign marks in underglaze blue17.5cm highOne bowl with a very minor hair crack to the foot. No other damage and free from repair.

Lot 133

A Japanese Arita Porcelain Heart-Shaped Dish, early Edo period, painted in underglaze blue after Frederik Van Frytom with European figures at a quayside with sailing boats, six character Chenghua reign mark12cm wideA Similar Chinese Soft-Paste Porcelain Example, Qianlong, Chengua marks12.5cm wide (2)Japanese dish - some glaze imperfections only, no damage or repairChinese dish - firing crack with an associated hair crack, numerous other tiny firing cracks and a further three cracks

Lot 144

A Chinese Porcelain Baluster Jar and Cover, in Kangxi style, gilt with exotic birds amongst foliage within formal borders on a rouge de fer ground 37cm highChip to the rim of the cover. No further chips or cracks. Free from restoration. Some surface wear, slight gilt loss and some glaze pitting. On small abrasion to the side of the vase, see image.

Lot 85

A Chinese Porcelain Cong Vase, 20th century, with moulded elephant mask handles and decorated in blue glaze25cm high, with standSome glaze scratches. No chips, cracks or repair.

Lot 83

A Chinese Porcelain Sleeve Vase, 18th century style, painted in famille rose enamels with birds and flowers35.5cm highGood condition. No damage or repair.

Lot 109

A Pair of Chinese Verte Imari Porcelain Octagonal Bowl, Kangxi, painted with alternating panels of chrysanthemums on a blue ground and precious objects and birds and insects amongst foliage15cm wideFirst bowl - no restoration. Fritting and small chips to the rim. Slight fritting to the foot. Some glaze and gilt wear. Second bowl - large piece broken out of the rim and restored. Some small restored chips. Rim re gilded. Some glaze and gilding wear.

Lot 79

A Chinese Porcelain Teapot and Cover, Qianlong, painted en grisaille and further embellished incoloured enamels with two ladies conversing and a musician stood beside a donkey12.5cm high (2)Cover heavily fritted and with some chips. Fritting and chips to the spout and foot. Crack to the lower handle terminal.

Lot 146

A Chinese Porcelain Rouleau Vase, Xuande mark but 19th century, painted in famille noir enamels, with precious objects to the collar, a yellow lappet border and panels of birds and flowers below, four character mark in underglaze blue60cm highLarge flat chip to the side of the rim. Short hair crack to the rim.

Lot 34

A Worcester Porcelain Coffee Cup, circa 1770, painted in the atelier of James Giles with a Chinese dignitary and attendant in a gardenA Similar Coffee Cup, painted with chinoiserie figuresAnother Coffee Cup, painted with exotic birds in a garden (3)Wear to rims of all three and some glaze pitting. One figural cup with a short hair crack under the rim. Floral cup with a crack to the foot. No restoration.

Lot 150

A Chinese Porcelain-Mounted Hardwood Table Screen, 19th century, the circular plaque painted in famille verte enamels with figures in a garden within a cell border, mounted in a carved and pierced square screen mounted on a conforming trestle base56.5cm highPorcelain centre frr from cracks and repair. No noted wear. Appears from the narrow section visible that the plaque is glazed on the side. Timber frame with notable opening to the joints. The square panel has been screwed into place. Some minimal losses.

Lot 110

A Chinese Porcelain Vase, late Qing Dynasty, of square section baluster form with ring and mask handles, painted in underglaze blue with figures and calligraphy39cm highLarge section of loss to one corner of the rim. Some fritting and glaze pitting. No restoration.

Lot 121

A Chinese Porcelain Punch Bowl, 19th century, with everted rim edged in copper glaze, painted in underglaze blue with a band of stylized foliage and lotus pods35cm diameter on wood standHeavily restored with yellowing and flaking to the over spray. The damage appears to have been confined to one side of the bowl and there is a good deal of overglaze blue decoration as part of the repair. From a deceased collector in Yorkshire

Lot 103

A Chinese Porcelain Bowl, Kangxi, of octagonal form and painted in underglaze blue with the eight Immortals and with an internal band of cracked ice and prunus blossom, six character Chenghua mark under two concentric rings 15.5cm wide A Kraak Porcelain Bowl, late Ming, painted with a central roundel with a leaf under a formal border 14.5cm wide (2) Kangxi bowl - a large piece broken out and with staple repair, large flat chip to the footKraak - some fritting to the rim

Lot 78

A Chinese Porcelain Bottle Vase, Daoguang, painted in famille rose enamels with two figures and calligraphy inscriptions, seal mark in red17.5cm highSome slight glaze pitting. No damage or repair.

Lot 184

Pair of Chinese porcelain table lamps, each of inverted baluster form, decorated with wading Herons amongst reeds against a plain ground, raised upon circular hardwood base, H66cm including shade

Lot 183

Pair of Chinese porcelain lamps, each of squat baluster form, decorated with a smokey crackle glaze, raised upon square brushed bronze base, H58cm including shade

Lot 274

Two 19th Century Chinese porcelain vases of small baluster form decorated with Chinese figures, 9cm high

Lot 412

An 18th Century Chinese porcelain octagonal plate with brown line rim, blue and white chinoiserie decoration, 22cm diameter

Lot 250

An 18th Century Chinese porcelain caddy decorated in famille rose style, 10cm high

Lot 272

A pair of Chinese porcelain export plates, 18th century possibly Yongzheng of octagonal form painted in blue and white with two figures in a garden setting within floral and butterfly borders18cm diametergood condition

Lot 276

19th Century Chinese porcelain bowl decorated in polychrome with Chinese figures and caligraphy, red seal mark to base, 11cm diameter

Lot 256A

A 18th Century Chinese export porcelain tankard with blue and white design (large chip to rim), 12cxm high

Lot 252

A Chinese porcelain vase, baluster body with blue and white decoration and metal repair to rim with good luck symbol to base

Lot 261

A group of 3 Chinese Porcelain Ginger Jars late 19th century two with prunus decoration and covers (af) and further jar with panels of precious objects with 4 character mark to base within double concentric circle (3)16cm highcover of one jar broken and re-stuck

Lot 266

Two 18th Century Chinese porcelain famille rose plates, 23cm diameter, (one with crack and chip)

Lot 256

A Chinese porcelain bowl, 19th Century with blue and white floral design, four character mark to base (Inventory 342), 14cm diameter

Lot 259

A late 18th Century Chinese export porcelain bowl with floral design together with a further small famille rose dish (a/f)

Lot 275

An 18th century Qianlong period Chinese export porcelain platter with typical blue and white chinoiserie design within floral borders (tiny chip to rim)33cm longgood condition with one tiny rim chip

Lot 270

A large Cantonese tea cup decorated in typical fashion with Chinese figures together with a further small saucer and a Dutch decorated Chinese porcelain bowl (some damages)

Lot 260

A large Chinese porcelain punch bowl, 18th Century, decorated with Chinese figures (a/f). 27cm diameter

Lot 263

Group of Chinese porcelain wares including a late 18th Century blue and white dish, 18th Century octagonal plate and group of three tea bowls and one saucer

Lot 590

Imperial yellow Chinese porcelain jar, 19th Century Chinese blue and white vase with character marks to base and decorated with prunus flowers, together with a pair of late 19th Century Japanese blue and white porcelain Koro (4)

Lot 254

A Chinese porcelain ginger jar 19th Century, the blue ground with prunus decoration, four character mark to base

Lot 619

A Chinese porcelain teapot, late 19th Century, the turquoise ground with polychrome design of flowers and Chinese symbols

Lot 291

An impressive Chinese porcelain vase decorated in famille rose/vert with peacocks amongst foliage within stylised borders, 60cm high (hairline to body)

Lot 271

A 19th century Chinese Porcelain Octagonal Jar or Caddy with blue and white painted chinoiserie designs 4 character mark to base16cm highgood condition

Lot 255

Chinese porcelain ginger jar 19th Century decorated with prunus on a blue ground

Lot 257

A Chinese porcelain rice bowl cover and stand, 19th Century with four character mark to base and polychrome rice grain design (Inventory 339)

Lot 269

A Chinese Porcelain bowl decorated with the "3 Friends of Winter" Daoguang mark to base but probably later.13cm diametergood condition

Lot 240

A Chinese porcelain Ho-Ho bird, turquoise glaze 29cm high No visible chips, cracks or restoration, some crazing to body. Some ‘rough’ finish marks to base

Lot 268

YELLOW-GLAZED WITH BROWN SPOTS DING-FORM CENSER QIANLONG MARK AND POSSIBLY OF THE PERIOD 乾隆款或到代 黃釉褐彩樹瘤紋三足鼎式香爐the globular body supported on three long feet and surmounted with two looped handles, the exterior carved in relief with irregular warts highlighted in brown enamel against yellow ground, the underside of the body incised with a four-character Qianlong mark  10cm high  A closely comparable yellow-glazed tripod vessel of similar style and size but unmarked, dated to the Qing dynasty, Kangxi period, was in Henry J Oppenheim's collection and bequeathed to the British Museum in 1949, museum registration number 1947,0712.285. The same censer has also been published in Later Chinese porcelain: The Ch'ing dynasty (1644-1912) by Soame Jenyns, Published by Faber & Faber, 1965, Plate XXV, 2B.

Lot 272

IRON-RED-DECORATED WHITE-GLAZED SOFT-PASTE MOONFLASK VASE YONGZHENG MARK AND POSSIBLY OF THE PERIOD 雍正款或到代 礬紅加彩白釉漿胎雙龍抱月瓶the circular body sturdily potted and supported on a splayed foot, surmounted with a short neck with disc-shaped mouth, each of the circular sides moulded in low relief with two four-clawed sinuous dragons surrounded by ruyi- head clouds, the long sides further adorned with archaistic key-fret patterns highlight in iron-red and gilt paint, covered overall with a white glaze with ivory tinge and fine craquelure, leaving only the foot rim unglazed, the base incised with a six-character Yongzheng mark under the glaze 28cm high The qualities of the present vase - the slight ivory tinge of the crackled glaze and the crisp decoration - are all characteristic of 'soft-paste' porcelain, a technique developed in the 18th century for making white porcelain. This technique was developed as an attempt to imitate the ivory-white Ding wares from the Song dynasty. The body was particularly fine textured and therefore ideal for very crisp moulded, carved and incised designs, as seen on this vase. The glaze on these soft-paste porcelains usually has a finely crackled appearance.'Soft paste' involves the addition of a powdered white clay to the porcelain body, which is called hua shi (slippery stone), and the resulting lightweight ware with delicately moulded and incised designs, was actually more expensive to produce than a standard kaolin body, as Pere d'Entrecolles observed in his second letter of 1722. For a full discussion, see R. Kerr, Chinese Ceramics: Porcelain of the Qing Dynasty 1644-1911, 1986, pp. 52-53, where the author also illustrates a Qianlong 'soft paste' vase in the Victoria and Albert Museum, fig. 29, accession number C.551-1910. A closely comparable moonflask of similar two-dragon decoration, was sold at Sotheby's Hong Kong, 16th May 1977, lot 217. Another white-glazed soft-paste moonflask, carved with shou characters and dated to the Qianlong period, was sold at Sotheby's London, 1 November 2023, lot 15. Other soft-paste examples include a white-glazed hu-form vase with elephant heads and cloud design, dated to the Qianlong period, is in the collection of the Metropolitan Museum of Art, New York, accession number: 29.100.279. 

Lot 245

LARGE BLUE AND WHITE 'DRAGON' BRUSH WASHER YONGZHENG MARK, 19TH-20TH CENTURY 十九至二十世紀 雍正款 青花雙龍搶珠大筆洗of cylindrical form, the straight side painted two five-clawed dragons chasing for a flaming pearl, the base inscribed with a six-character apocryphal Yongzheng mark in underglaze blue  25.6cm diameter  Collection of Sir Alan Campbell, GCMG, thence by descent to his daughterThe diplomat Alan Campbell (later Sir Alan Campbell, 1919-2007) was the youngest son of Hugh Campbell, (1873-1943) silk merchant and Director of Ilbert & Co, Shanghai. In 1905 Hugh Campbell married Ethel Warren (1881-1951) daughter of HM Consul-General in Shanghai, Sir Pelham Warren (1845-1923). Alan Campbell, who inherited an interest in Chinese porcelain from his parents, probably acquired this dish in Beijing in 1956-57 during his time as Head of Chancery at the British Legation. His neighbour and colleague in the Legation was John Addis (later Sir John Addis KCMG, 1914-83, British Ambassador to China 1972-4), a collector and authority on Ming porcelain, who made important donations of ceramics and textiles to the British Museum and the V&A; Museum. Campbell’s memoir Colleagues and Friends, published in 1988, mentions shopping for antiquities in Wig Street and getting ‘sound advice’ from Addis.

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