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Lot 495
A Chinese famille rose 'nine peaches' tianqiuping vase and a baluster vase made of Chinese porcelain with a multi-coloured decoration of fruits and butterfliesEen Chinese famille rose 'negen perziken' Tianqiuping vaas en een balustervaas van Chinees porselein met een meerkleurig decor van vruchten en vlindersH 46 - 54.5 cm
Lot 487
Chinese porcelain baluster vase famile rose with decor of precious objects and ancient writing, late 19th centuryadded Chinese baluster vase with decor garden scene ca 1900 (restoration to neck)Chinese porseleinen balustervaas famile rose met decor van kostbare voorwerpen en oud schrift, laat 19e eeuwtoegevoegd Chinese balustervaas met decor tuinscène ca 1900 (restauratie aan de nek)H 58.5 cm en H 57.5 cm
Lot 134
A pair of Chinese blue and white porcelain Nanjing ware crackle glaze baluster form vases decorated with dragons chasing flaming pearl (apocryphal Chenghua mark verso, h- 30.5cm), together with a polychrome enamelled Nanjjing ware crackle glazed vase with figural scenes of soldiers on horseback in battle (apocryphal Chenghua mark verso) (3)
Lot 303
CHARITY LOT BENEFITING TENOVUS CANCER CARE generously donated by our vendors to include, RARE DAVENPORT 'CHINESE TEMPLE' DESSERT DISH, c. 1806-7, painted with chinoiserie figures beside a pagoda in a garden, gilt diaper border, red 'Longport' script mark, 28 x 23cm, part of a dessert service commissioned by George IV when Prince of Wales (two corners restored), JAPANESE PORCELAIN FIGURE OF KWANNON wearing flowing robes and holding an alms bowl, 24cms h, SATSUMA VASE of hexagonal section and painted with rakan, 19cms h, JAPANESE SATSUMA KORO & COVER, Meiji Period, of cord-tied cloth bag form, the domed, pierced cover with finial as a seated sage with gourd, decorated with shaped panels of figures, flowers and antiques, 20cms h, (head broken and reglued, tiny chip to top of gourd and 2 tiny rim chips) CHINESE PORCELAIN FIGURE OF GUAN YU, late 20th Century, the late Han Dynasty general dressed in flowing robes and holding a bladed weapon, decorated in bright enamels and gilt highlights, 46cms h, (minor enamel losses, wood shaft to weapon) (5)
Lot 110
Republican Period, Ca. AD 1912-1949 .A Chinese porcelain buddha. The content seated figure is wearing a robe decorated with blossoms, overlayered with an "iron-red" brick patterned coat, exposing his chest and belly. The figure is possibly the Budai monk, who is known for his joyful nature.一件中国瓷菩萨。坐像身着花纹袈裟，外罩红砖纹外衣，露出胸腹。人物可能是布袋和尚，他以开朗的性格著称。 Size: 185mm x 180mm; Weight: 1.08kg
Lot 112
Qing Dynasty, Ca. 19th Century AD.A Chinese Canton Famille Rose porcelain box and cover in rectangular form. The cover depicts a scene of court ladies, officials, and presumably the emperor. It could be an entertainment scene, as court ladies were not allowed during formal meetings with officials. There are two compartments inside the box.一件长方形的中国广东粉彩瓷盒。盒盖上绘有宫女、官员和皇帝的场景。这可能是一个娱乐场景，因为宫女在与官员正式会面时是不允许出现的。盒内有两个隔层。 Size: 65mm x 193mm; Weight: 1.18kg
Lot 3
Ming to Qing Dynasty, Ca. 17th Century AD.A pair of Chinese Wucai (five-colored) porcelain vases and jars on European mounts. The vase is decorated with several panels depicting flowers, with a ruyi symbol on each corner of the panels, topped with a scrolling floral band right below the neck. The cover has a similar design. The gilded mounts are in the European style, fitted to support the porcelain vase. It was a particularly common practice of French merchants, known as Marchant Merciers, to add European mounts onto Chinese porcelain to fit the tastes of the European market.一对欧式底座的中国五彩罐。花瓶上有几幅描绘花卉图，四角各有一个如意纹，瓶颈下方有一条卷草花纹带。盖子上也有类似的设计。镀金底座为欧式风格，用于支撑瓷瓶。为了迎合欧洲市场的口味，在中国瓷器上加装欧洲风格的托座是法国商人（被称为 "Marchant Merciers"）的惯用手法。 Size: 480mm x 260mm; Weight: 10.4kg
Lot 35
Qing Dynasty, Ca. 18th Century AD.A pair of Chinese Imari-styled chargers. The chargers are decorated with flowers and foliage in the Imari palette of red and blue with gold gilding, encircled by a thin blue ring on the edge. For similar examples, see Franks.376 and Franks.758.+ at the British Museum.Before becoming known as a style, Imari ware was initially a term used describe items that came from the Imari port. It became one of the foreign designs to be copied in Chinese porcelain production. Export porcelain was a large industry for China, and the designs of such items were usually altered to fit the local tastes of each target market. This lot displays a great example of such cultural exchange. While the style is made to imitate Imari ware with the typical color palette of blue, red and gold, the porcelain produced in China would have a whiter appearance than porcelain made in Japan.一对中国伊玛里风格的茶盘。盏托上饰有伊万里风格的花叶，红蓝相间，镀金，边缘有蓝色细环环绕。类似的例子见大英博物馆收藏的 Franks.376 和 Franks.758.+。在成为一种风格之前，伊万里器最初是用来描述来自伊万里港的物品的一个术语。它成为中国瓷器生产中模仿的外国设计之一。外销瓷器是中国的一大产业，此类物品的设计通常会根据每个目标市场的当地口味进行修改。这件拍品就是这种文化交流的一个典范。虽然风格是模仿伊万里（Imari）瓷器的蓝色、红色和金色的典型色调，但中国生产的瓷器比日本生产的瓷器外观上更白。 Size: 60mm x 470mm; Weight: 5.4kg
Lot 36
Qing Dynasty, Kangxi Period Ca. AD 1662-1722 .A pair of Chinese famille rose blue-ground porcelain bowls in the form of teacups. The bodies are decorated with lotus flowers and foliate scrolls, set against a blue-glaze background.一对中国粉彩蓝地大茶碗。碗身以蓝釉为底，饰莲花和卷草叶。 Size: 57-120mm x 185-195mm; Weight: 960g/4.7kg
Lot 65
Ca. 20th century AD.A Chinese Famille Rose bottle vase. The fine eggshell porcelain boasts a delicate, thin walled body decorated with flowers and bamboo shoots. On the other side of the body, there is a poem describing beautiful scenery and fragrant florals.一件中国粉彩瓶。细腻的蛋壳瓷瓶身，薄壁上饰有花卉和竹子。瓶身的另一侧有描绘美丽景色和花香的诗句。 Size: 190mm x 80mm; Weight: 550g
Lot 67
Qianlong period (AD 1735-1796), Qing dynasty.A set of three Chinese mandarin punch bowls. The body is decorated with panel paintings depicting figures in a garden, with gilt bands on the rims. This would be a fine examle of Chinese export porcelain made in a manner accommodating to Western taste and function. 一套三个中国潘趣酒碗。碗身饰有描绘花园中人物的嵌板画，边缘有镀金带。这是中国外销瓷器中的精品，其制作方式符合西方人的品味和功能。 Size: 130mm x 310mm; Weight: 5.1kg
Lot 74
Ca. 17th century AD.A Chinese blue and white bowl. The body shows a scene of "flowers and birds", a longstanding theme in Chinese painting depicted on this porcelain bowl. The scene is situated above a lotus petal band, and topped with a double blue ring below the rim.一件中国青花碗。碗身绘有花鸟图案，这是瓷碗上长期描绘的中国绘画主题。花鸟图案位于莲瓣纹饰之上，碗沿下有一圈青花双环。 Size: 170mm x 360mm; Weight: 3.3kg
Lot 97
Ming Dynasty, Wanli Period, Ca. AD 1572-1620.A pair of blue and white Kraak plates. The center of one depicts birds and plants, while the center of the other depicts insects and plants. Both plates have a band of cartouches with rotating motifs of plants and flowers. For a similar piece, see the British Museum: Franks.191. Kraak porcelain is the earliest form of export porcelain that appeared during the end of the Ming dynasty. It was made for the West and the term "Kraak" relates to it representing porcelain made for different European markets throughout the centuries, influencing the development of Chinese export porcelain.一对蓝白相间克拉克盘子。一个盘子的中心描绘了花鸟图，另一个盘子的中心描绘了虫草图。两个盘子上都有一圈旋转的花草图案。类似作品见大英博物馆： Franks.191。克拉克瓷器是明朝末年出现的最早的外销瓷器。它是为西方制造的，"Kraak "一词代表了几个世纪以来为不同欧洲市场制造的瓷器，见证着中国外销瓷的发展。 Size: 73mm x 370mm; Weight: 5.7kg
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105996 item(s)/page