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Click here to subscribeA rare Chinese porcelain famille rose beaker cup, Shen De Tang mark, Daoguang (1821-1850), painted with three magpies perched on a flowering prunus branch above bamboo, the underside with an iron-red four-character mark shen de tang zhi, 10.5cm high Provenance: From the collection of a lady in Wimborne, Dorset. 清道光 "慎德堂制"喜上眉梢图杯拍品来源：英国多赛特郡女士私人收藏Condition Report: tiny rim nick and hair crack restored. Condition Report Disclaimer
A Chinese glit-bronze blue and white porcelain mounted buckle, 19th century, 6.8cm diameter; and a Chinese bronze and gilt paste box and cover, late 18th or 19th century, incised and gilt with a landscaped scene with pagodas and figures, 6.2cm diameter (2)Provenance: From the private collection of a Gentleman, by descent from his father清19世纪 嵌青花瓷板铜鎏金带钩及铜山水台阁图印盒拍品来源：英国绅士私人收藏，其父亲早年所购，并由家族传承Condition Report: Wear to the surface commensurate to ageCondition Report Disclaimer
A Chinese coral-ground 'peony' Bowl, Daoguang six-character mark in underglaze blue and of the period (1821-1850), finely enamelled to the exterior with three lemon-yellow ground panels, each enclosing a shaded pink blossom peony framed by foliate scrolls and connected by the slender stems bearing three smaller blue flowerheads amidst further leafy foliage, all reserved on a rich coral ground, six-character seal mark in underglaze blue to base, 11cm diameterProvenance: From a Noble English family, prior to 1921 Other bowls of this pattern with a Daoguang mark have been published: one in the Olmer Collection, Roemer-Museum, Hildesheim, is illustrated by U. Wiesner, Chinesisches Porzellan, Mainz am Rhein, 1981, p. 197, no. 138; one in the collection of Simon Kwan was included in the exhibition, Imperial Porcelain of Late Qing, The Chinese University of Hong Kong, 13 August - 25 September 1983, p. 72, no. 51; another in the collection of the Hong Kong Museum of Art was included in their exhibition, The Wonders of the Potter's Palette, 2 November 1984 - 6 January 1985, pp. 158-159, no. 104 and another similar bowl from the Greenwald Collection, illustrated by Gerald M. Greenwald, The Greenwald Collection, Two Thousand Years of Chinese Ceramics, 1996, no. 70.清道光 珊瑚红地珐琅彩"大清道光年制"花卉图碗拍品来源：英国显赫贵族私人收藏 Condition Report: restored and under a light one can see the bowl has been in several pieces with at least three large pieces restored back on rim measuring into total an area approximately 18cm long x 4cm high and the interior of the bowl with old restoration spray now a cream colour with age and peeling away and under a bright light most pieces are present but there are two small black areas measuring approximately approximately 4mm x 3m and 3mm x 2mm which are presumably filled areas where the porcelain is missingCondition Report Disclaimer
A fine Chinese imperial porcelain yellow ground saucer dish, mark of Guangxu and of the period (1875-1908), painted and incised with a green and aubergine five-clawed dragon encircling a flaming pearl amongst stylised clouds and flames, the underside with aubergine grapes and green leaves on a yellow ground extending to the base, the base with a six-character mark of Guangxu within a double ring, 13.1 cm diameter.Provenance: From a private French collection清光绪 "大清光绪年制"黄地双龙戏珠纹盘拍品来源：法国私人收藏Condition Report: Colour of the yellow glaze slightly uneven, otherwise good condition other than firing blemishes Condition Report Disclaimer
A Chinese imperial porcelain small yellow ground saucer dish, mark of Guangxu and of the period (1875-1908), incised in green and aubergine with two five-clawed dragons in pursuit of a flaming pearl amongst stylised flames and clouds, encircled by six branches of peach flowers and fruits, the underside with two dragons between lingzhi branches, the base inscribed with a six-character mark of Guangxu, 10.8 cm diameter. Provenance: From a private French collection. 清光绪 "大清光绪年制"黄地双龙戏珠纹盘拍品来源：法国私人收藏 Condition Report: Short hair crack on interior but not throughCondition Report Disclaimer
A Chinese white porcelain bowl, late 15th or first half of 16th century, with slightly everted lip and covered in an off-white glaze, 16.5cm diameterProvenance: Purchased by the late J.B. da Silva (1918-2003) 5th February, 1994, form C.P. Sheffield of Frome and sold with original purchase receipt.明 白釉碗拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏，其于1994年2月5日购自英国古董商C.P. Sheffield Condition Report: The rim with gold lacquer repair approximately 2.3cm x 3mm and another approximate 7mm x 4mm otherwise good other than some glaze scathes to the interior and firing blemishes Condition Report Disclaimer
A Chinese black-ground en grisaille porcelain snuff bottle, Daoguang four-character seal mark and of the period, of cylindrical form and with gilt rim, painted en grisaille on a black-enamel ground with a continuous scene of Han Yu riding on the horseback crossing a bridge, with his attendant following behind and holding a prunus branch, the base inscribed with a four-character daoguang nianzhi mark in iron red, 8.8cm high See a smilar black-ground Daoguang-period snuff bottle painted with the same theme sold at Christie's, July 2013, Lot 48 Provenance: Private English Collection清道光 "道光年制"款黑地墨彩踏雪寻梅图鼻烟壶拍品来源：英国私人收藏Condition Report: GoodCondition Report Disclaimer
A Chinese light blue-ground porcelain snuff bottle, Qing Dynasty, painted in darker blue with lotus flower, 7.3cm high, later stopper; a Chinese blue and white miniature vase, Kangxi, 4.5cm high; a Chinese double-gourd blue ground snuff bottle with running horses, Qing dynasty, 4.5cm high without stopper and a blue-ground miniature vase, circa 1800, 6.3cm high (4) Provenance: The late J.B. da Silva (1918-2003) and then by family descent.清 青花鼻烟壶等一组四件拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏 Condition Report: the larger snuff bottle good other than firing blemishes the miniature blue and white vase goodthe horses snuff with rim missing and with restoration to rim made upthe blue ground bottle vase with foot rim chip but in the firing Condition Report Disclaimer
Y Three Chinese snuff bottles, including: a porcelain moulded snuff bottle and stopper, circa 1850, with the eight horses of Muwang on a gilt coral ground, jadeite stopper, 6cm high; a turquoise snuff bottle and stopper, circa 1900, carved in high relief with a lady, a child, a bird on a chrysanthemum branch, all amongst flowers, 5.5cm high; and an ivory snuff bottle and stopper, circa 1920, incised with a fisherman and figures in a river landscape, 6cm high (3) Provenance: From a private English collection, put together between 1960 and 1980仿石地浮雕八骏图瓷鼻烟壶等三件拍品来源：英国私人收藏，形成于上世纪60-80年代间Condition Report: Jadeite stopper with a chip and wear to the enamel of the porcelain snuff bottle.Turquoise snuff bottle with one chip to the leaf top and missing the spoonCondition Report Disclaimer
Ten various Chinese snuff bottles, mainly 20th century, comprising: a tiger's eye bottle carved with chilong on each side, 5.7cm high including stopper; a Lapis Lazuli bottle carved with fisherman under a tree, 6.7cm high including stopper; an amethyst bottle, carved with five chrysanthemums, 5.8cm high including stopper; a turquoise bottle, 6.5cm high including stopper; a Famille Rose porcelain bottle, moulded with figures, late 19th century, jadeite stopper, 8.5cm high including stopper; a blue and white porcelain bottle, with pseudo four character Yongzheng mark, 8.2cm high including stopper and two cloisonné bottles, a cinnabar lacquer bottle and a lac burgaute type bottle, 6cm to 7.5cm high and an agate tripod vase and cover, 8.3cm high; and a group of twenty various wood stands (31) Provenance: Private English Collection 各式鼻烟壶及底座一组31件拍品来源：英国私人收藏Condition Report: tiger's eye bottle with natural flawslapis bottle with natural flawsturquoise bottle with flawsamethyst bottle with natural flaws 19th c famille rose bottle with foot rim chip approximately 10mm long x 2mm wideblue and white bottle with crazing to glaze Condition Report Disclaimer
A large collection of approximately 150 auction catalogues and some dealer's exhibitions, including Poly Auction - Imperial Chinese Ceramics and Works of Art, China Guardian - Masterpieces of Chinese Jades, Sotheby's New York - The Zilkha Collection, Sotheby's London - Imperial Porcelain, A Private Collection, Sotheby's New York - The Arun Singh Collection拍卖图录一组约150本
A small rare Chinese blue and white jarlet, zhou tou guan, Yongzheng (1722-1735), decorated with feathery scrolling floral elements around the body, and traditional classic scrolls around the flange, the base partly glazed, 5cm highProvenance: From the collection of the late J.B. da Silva (1918-2003) and by family descent. Bought at Phillips, for £30, 14th January 1976, lot 59. No receipt but itemised in collection notes. Compare with a very similar jarlet, with same feathery elements, from the Henry J Oppenheim collection at the British Museum, accession number 1947, 0712.201 and illustrated in, Soame Jenyns, Later Chinese Porcelain, 1951, plate IX, Fig.1c. Compare with a Ming Dynasty example of such a jarlet at the National Museum of China, see zhongguo guojia bowuguan guancan wenwu yanjiu congshu 《中国国家博物馆馆藏文物研究丛书·瓷器卷·明代》, 2007, pp41清雍正 仿宣德青花轴头罐拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏，其于1976年1月14日以30英镑的价格购自英国富艺斯Condition Report: Wear to the surface commensurate to age, the glaze on the upper half of the jarlet with kiln dust, the rim with a minute glaze chip of 3mm and several short glaze cracksCondition Report Disclaimer
A good Chinese blue and white double-spouted teapot, Kangxi, the ovoid hexafoil body painted with flower-stems and foliage, repeated to the spouts and upright bracket handle and cover, the interior with a central partition, 15.5cm Provenance: The late J.B. da Silva (1918-2003) who inherited the teapot from his father-in-law in 1973.Exhibited: Oriental Ceramics Society, 1983, No. 28As tea drinking became increasingly popular in Europe in the 17th century, tea wares of Chinese porcelain found a ready market. This traditionally Chinese type was used to serve two different types of tea. Compare with a similar blue and white example in the collection of the Chitra Museum, London, No. 889. Similar Famille Verte examples are illustrated by, Regina Khahl, OCS Exhibition, 2016, China without Dragons, p. 310, no. 184. The author notes, 'A yixing teapot of this double form, and Western copy of it, were in the collection of Augustus the Strong of Saxony (r.1694-1733) and are preserved in the Zwinger Collection in Dresden.' Another illustrated by Dr C.J.A. Jorg, Chine de Commande from the Royal Museums of Art and History in Brussels, Exhibition at Flagstaff House Museum of Tea ware, Hong Kong, 30.11.1989 to 27.02.1990, and another similar Famille Verte example can be seen in the collection of the Metropolitan Museum , New York, Accession no. 79.2.1317a,b 清康熙 青花花卉图双流壶拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏，其于1973年从其岳父处继承展览信息：英国东方陶瓷协会，1983年，展品编号28号 Condition Report: in good condition other than some chips to unglazed foot rim and firing cracks and blemishes and small glaze frits Condition Report Disclaimer
A Chinese Export Famille Rose armorial Mug, Qianlong, circa 1770, decorated in underglaze blue, coloured enamels and gilding with the arms of Clifford of Frampton, Gloucestershire, 11.2cm high Provenance: From the collection of the late Mrs and Mrs J.B. da Silva and by family descent.David S. Howard, Chinese Armorial Porcelain, Volume 1, p.479, illustrates an example of this armorial. 清乾隆 粉彩外销纹章瓷杯拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏Condition Report: minor enamel lossesCondition Report Disclaimer
A Chinese Export Famille Rose armorial Mug, Qianlong, decorated in underglaze blue, coloured enamels and gilding with the arms of Graham, 11.2cm high Provenance: From the collection of the late Mrs and Mrs J.B. da Silva and by family descent.David S. Howard, Chinese Armorial Porcelain, volume 1, p.592, illustrates an example of this armorial.清乾隆 粉彩外销纹章瓷杯拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏 Condition Report: Some wear to gilding and enamels at base of armorial and firing crack to interior and with very fine interior rim crack which is probably just in the glaze as does not go through to outsideCondition Report Disclaimer
A Chinese Export octagonal soup bowl, Qianlong , circa 1765, enamelled and gilt with the arms of Maltby impaling Lyne and the motto DESIRA NARARO SE within spearheads, the sides with floral sprays, 22cm diameterProvenance: From the collection of the late Mrs and Mrs J.B. da Silva and by family descent.David S. Howard, Chinese Armorial Porcelain, volume 1, p.513, illustrates an octagonal soup bowl with this armorial清乾隆 粉彩外销纹章瓷盘拍品来源：前英国外务部官员J.B. da Silva (1918-2003) 私人收藏 Condition Report: with long circular hair crack running around the well of the dish mainly visible from underside but faintly showing through to the front otherwise with small firing blemishes and very minor rim chipsCondition Report Disclaimer
A very large Chinese blue and white basin, Qing Dynasty, late 18th century or early 19th century, the centre painted with a view of boats, trees and pagodas on islands, the pagoda to the right possibly inspired by a view of the West lake of Hangchow, the everted rim with a geometric pattern, and the exterior with flowering peony, lotus, chrysanthemum and prunus branches, a hole for drainage to one side, 69cm diameter x 19cm high, on circular mahogany stand on four scroll legsProvenance: From the collection of Sir David and Lady Scholey.Large basins such as the present example were probably used as bathing tubs, which would include a pierced hole for convenient drainage. A virtually identical example was sold at Christie's, The Cowdray Sale: Works of Art from Cowdray Park and Dunecht House, At Cowdray Park, West Sussex, 15th September 2013, lot 13A similar example is illustrated in Jean McClure Mudge, Chinese Export Porcelain for the American Trade, 1785-1835, 1981, Delaware, fig. 71, from the collection of the Museum of the American Trade.清18世纪晚期-19世纪早期 青花山水台阁图大盆拍品来源：英国Scholey爵士及女爵伉俪私人收藏，David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席 Condition Report: cracked through the centre from one side to the other approximately 84cm long and further crack extending from main crack about 36cm long and chip on foot rim approximately 2cm x 2cm and firing cracks and glazes faults throughout Condition Report Disclaimer
A rare Chinese porcelain 'Lotus' bowl, Kangxi, white body and blue-toned glaze, brown line rim, the exterior with incised lotus scroll, the base marked in underglaze blue four character mark with double line square border 商山仿古 (Shang shan fang gu 'Shangshan imitating the ancient'), 19.2cm diameter, wood standProvenance: From the collection of Sir David and Lady ScholeyShang Shan was the alias of Guo Pengling (1654-1722), whose ancestors were originally from Tai Yuan in north China but had moved to Yang Zhou along the Yangtze River. Guo became a jinshi (metropolitan graduate) in 1678 and took up various posts in civil service afterwards. He was remembered for his literary accomplishments, having produced several volumes including the Yinshan Tang Xinggao (Manuscript of the Yinshan Hall) and the Zhitang Shiji (Collected Poetry of the Fungus Hall). Compare with an almost identical bowl in the British Museum on display (G95/dc46/sh9) from the Sir Percival David Foundation, museum no. PDF,A.408. See Ming Wilson, 1999, Rare Marks on Chinese Ceramics, a joint exhibition from the Percival David Foundation of Chinese Art and the Victoria and Albert Museum, pp82-83.清康熙 "商山仿古"款缠枝莲纹白釉碗拍品来源：英国Scholey爵士及女爵伉俪私人收藏，David Scholey爵士为前英格兰国家银行总监及英国国家肖像画廊主席。类似"商山仿古"款碗可见大英博物馆大维德基金会所藏，藏品编号PDF, A.408。"商山"是郭彭龄（1654-1722）的字，其先太原人，迁扬州，康熙十七年进士，历任各地方官，以艺文称著，有《印山堂行稿》，《芝堂诗集》。Condition Report: the interior of the bowl with scratches to the glaze the unglazed foot rim with firing crack and with minor firing blemishes to the glaze throughout Condition Report Disclaimer
Two Chinese 19th century Qing dynasty blue and white porcelain dishes, with central pavilion and pine tree scene, each 32.5 cm wide x 25 cm high together with a 19th century Japanese famille verte bowl on hardwood stand, the bowl with slight everted rim decorated to the interior with applied red and green enamels depicting patterns, fruit roundels and vignettes with flowers and birds, the exterior with iron red and gilt details, bowl 24 cm diameter x 10 cm high, the carved stand 19.5 cm diameterCondition report: the bowl has no breaks, some light hairline cracks to the centre (only visible on the underside), there is loss of enamel and gilding, some minor pitting. The base has a few cracks but no breaks or missing partsLocation: BWL
A Zsolnay Pecs Hungarian potpourri and cover, the reticulated moorish style body decorated with blue floral spray with gilt highlights, impressed marks '1980 16 12', 27cm high, with a Chinese porcelain green-ground ginger jar, iron red Kangxi Zuanshu script mark to the underside, 22cm high (2)CONDITION REPORT:The potpourri shows fine surface crazing and rubbing to the gilt highlights throughout. The crazing has developed into a hairline crack on the rim. There are no visible chips, cracks or losses. The ginger jar shows an area of nibbled loss to the rim approximately 2.5cm long, and further smaller areas of nibbling. Both pieces are dirty and would benefit from cleaning.
A Chinese porcelain flambe glazed vase, 19th century, the baluster shaped vase with a graduating aubergine/purple hue glaze to the exterior, 35cm high, raised on a hardwood base, converted to a lamp (at fault) Provenance: Ruyton Hall, Shropshire Lighting lots are sold as decorative items only, prospective buyers must consult with a qualified electrician before use or installation of these items.
A Chinese famille juan ginger jar and cover, Qianlong four character mark, decorated with two vignettes of extensive landscapes within chrysanthemum sprays, the cover decorated with Daoist emblems, kaishu script character mark in iron-red to the underside, 32cm high, with a Chinese sancai glazed Do of Fo, 25cm high (2) Provenance: Ruyton Hall, Shropshire Condition report; Ginger jar - no obvious areas of restoration. Overall decoration appears good. General surface and enamel wear and scratches visible but no chips or cracks. Some pitting and glaze fritting. The edge of the cover with small areas of glaze grazes revealing the porcelain body - these are very small.
RARE CHINESE EXPORT PORCELAIN JACOBITE PUNCH BOWL QIANLONG PERIOD finely painted to both sides with a polychrome portrait of Bonnie Prince Charlie wearing a tartan jacket, blue bonnet and white cockade, flanked with white roses, in flower and bud, on vibrant green leafy stems, the interior with a further white rose spray, the internal rim with a rui sceptre gilt border(28.8cm diameter, 12.1cm high)Footnote: Note: This punch bowl forms an important part of a small group of Jacobite Chinese export porcelain wares. So far recorded are a small number of punch bowls, with either Prince Charles or Highland figures depicted, beer jugs and a small amount of armorial porcelain with Scottish Royal arms showing Jacobite standards. A closely comparable example to this punch bowl is held in the Drambuie Collection of Jacobite Works of Art and was previously in the staunchly Jacobite family collection of the Earl & Countess of Perth (see The Jacobite’s and their Adversaries, Christie's Glasgow 12th June 1996, Lot 88 and previously on loan to National Museums Scotland, Bonnie Prince Charlie and the Jacobite’s, 2018). As with the example under discussion, it is a particularly fine example showing the highest quality of decoration in the floral sprays and borders, with the detail much finer than more often seen. The portrait also shows far more attention to detail than normal, and, while it is copying the recognisable portrait used in many forms of Jacobite art, the use of such a wide palette of colours is unusual. The portrait is a direct copy of one of the most prolifically produced and recognisable engravings of Prince Charles completed by Sir Robert Strange, an engraver from Edinburgh and member of Prince Charles’s Lifeguards regiment, during the ‘45. Sir Robert’s connection to the cause was close and he is known to have had at least two personal meetings with the Prince in Inverness just before Culloden to create the engraved printing plate for the proposed Jacobite Banknotes (now in the collection of the West Highland Museum Fort William). The print was immediately popular and can be seen in varying scales from miniatures to large-scale prints (see Lyon & Turnbull, Scottish Silver & Applied Arts, 14th August 2019 lot 468). This piece is unusual and differs from the Drambuie example in that the sprays of white roses are of undoubted Jacobite significance, rather than the more generic red/ pink sprays seen in the Drambuie work. These white or Stuart roses were a constant symbol of the Jacobite cause and their use in sprays of three with open and closed buds closely mirror the iconic use in Jacobite glasses. It has been much discussed that the large open rose head represents King James and the buds, Prince Charles and Prince Henry. The commissioning of punch bowls in support of the Jacobite cause is interesting and the connection between them and the associated and more prolific glassware is important. Whether used in private homes or in Jacobite clubs or societies, the use of punch to toast support of the cause is well recorded. The symbolic drowning of Hanoverian Kings on coins set into punch ladles or the passing of glasses over the punch bowl to symbolise the ‘King over the water’ would all have been well-understood in 18th-century society. To carry out these acts using such a fine and bold Jacobite punch bowl would have made what was already a significant act even more important to those involved. Indeed the kudos of owning such an exotic, fashionable and fine piece of porcelain suggests that a high-status Jacobite supporter would have owned this bowl. Moreover, they were comfortable demonstrating their support in an overtly public way so soon after the ’45. In 1863 a large inventory of the contents of Taymouth Castle was prepared by Christie Manson & Woods for the Marquess of Breadalbane. The punch bowl is listed in the inventory as No. 966 'A punch bowl with two medallion portraits of the Pretender'. [National Records of Scotland GD112/22/54-58]
Eight various blue and white porcelain plates,18th century and later, Chinese, each decorated with flowers (8)Condition report: One with a chip and hairline crack to the underside. Many with small chips and fritting to the rim. Minor non-professional restoration to some chips.The larger: 28cm and the smaller: 25cmAll appear 18th century kangxi/Yongzheng periodPlease view additional images
A pair of Chinese porcelain cylinder vases,early 20th century, Xuantong, marks to the underside, in an orange glaze and decorated in gilt with peonies and an inscription,12cm diameter28cm high,together with a third similar vase (3)Condition report: Gilt very worn, no obvious cracks or restorations.
Two Chinese porcelain vases, 20th century, red character marks, the first Cantonese painted with panels of figures before buildings and birds and branches of flowers, 47cm high, the second with tall everted neck, painted with panels of chrysanthemum and stylised petals and scrolls reserved on a pale yellow ground (2)
Collection of English pottery and porcelain teawares, circa 1830 and later, printed and painted with robins perched on holly branches, a lustreware small footed bowl, a blue ground relief moulded teapot and cover, a redware teapot and cover enamelled with Chinese flowers, an English porcelain Imari pattern ring tree, a Graingers Worcester blue ground miniature teapot and cover and a small footed bowl (8)
Collection of English porcelain teawares, circa 1780 and later, including a Newhall saucer painted with Chinese-style flowers, a fluted tea bowl and saucer painted in blue and gilt with sprigs, a coffee cup in gilt and painted with cornflowers, a coffee can similar, an Imari pattern breakfast cup and a scroll pattern saucer, a Sevres-style saucer, gilt with Louis Philippe monogram, a Chinese export spoon tray, two tea bowls and an Imari pattern coffee cup Condition Report(Additional photo added)
Collection of Caughley and Chinese export porcelain, late 18th century, pseudo Chinese script marks and 'S' mark, variously printed with chinoiserie figures, pavilions and shrubs, in blue, comprising two Caughley coffee cups, a tea bowl and two Chinese export coffee cups, enriched in gilding (5)
Collection of English pottery and porcelain and a Chinese export armorial tea bowl, late 18th to early 19th century, comprising a Worcester spirally moulded blue and gilt tea bowl and saucer, an English porcelain tea bowl with puce and gilt scrolls, a Staffordshire pearlware miniature tea bowl and saucer and a Chinese export tea bowl with shield-shaped crest (4)
Collection of English porcelain tea wares, circa 1775 and later, comprising a Worcester Japan pattern teacup with blue pseudo-Chinese seal mark, riveted, a Newhall transfer-printed coffee can with farm landscape, a Minton Imari pattern coffee can with X mark with M below and 657 in blue and an English porcelain Imari pattern coffee cup (4) Condition ReportWorcester Japan Pattern - Old repair work (stapled), one other minor crack. No signs of crazing or staining.Newhall Farm - Crack to bottom, some minor gilt loss. Possible repair to base rim. No sign of crazing and staining.Minton Imari - Evidence of multiple previous repairs. Some base wear. No sign of crazing or staining.English Imari - Crazing through out. Some base and gilt loss.
Japanese pottery vase, inverse-baluster shaped, painted in enamels with Samurai warriors and other figures and having pierced wooden cover, 23cm high overall and a Chinese porcelain vase painted in blue with rocky river landscape, pair kylin below, 31cm high (2) Condition Reportnibbling around top rim, crack or flaw in base
Chinese Canton porcelain plate with four panels of figures interspersed with butterflies and birds, all in famille rose colours, 20cm diameter, another Chinese Canton porcelain plate and Japanese charger with three panels of figures, lakeside landscape and flowers, on a yellow and red ground, 33cm diameter (3)
Pair Victorian Aesthetic movement earthenware vases, each of tall ovoid form, painted with strawberry plant sprays on a green ground, circa 1870-80, 33cm high, a Chinese style porcelain punch bowl painted with small floral spray and having blue and gilt borders, 28cm diameter and a pair of English porcelain tea bowls (5) Condition ReportThe gilt on the top of both vases is worn and chipped, there is also crazing to the inside. On the back of one of the vases there a few small indents. There are a few spots of paint loos. One of the vase has a large chip.
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