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An early 20th Century Royal Crown Derby Imari Pot Pourri vase and cover, printed brown marks together with two Loetz style iridescent glass vases, a porcelain seated spaniel (repair to foot), a signed art glass paperweight, a graduated set of three Chinese famille verte export porcelain leaf dishes decorated with cockerels and an EPNS epergne with three cut glass trumpet shaped posy holders.
A mid 20th century Chinese porcelain tea/coffee service on a green ground decorated with butterflies Condition Report / Extra Information Three saucers chipped and/or broken.Two teacups cracked.Sugar basin with chips to glaze.Teapot handle with firing crack.Jug with losses to glaze.Coffee can with poor repair.Side plates with chips to corners.
A nice pair of famille rose porcelain vases marked Hongxian dating: Republic (1912-1949) provenance: China Slim shape, convex neck, curved border; on a double-ring shaped as a concentric ring; decorated with a court scene in famille rose tones at the body, featuring the four-character Hongxian Nian Zhi at the center of the base. One vase is perfect; the other one is restored, with a missing piece at the body, out of the decoration. If it is correct, the mark dates the vases in 1916, since they were made in Hongxian Emperor period (1st january 1916 - 22nd March 1916). However, according to other experts, the mark is not original one used to mark the real objects from the Hongxian period (marked "Jurentang"). Apparently, this mark appeared in 1930 circa. The attribution and the dating of the marked objects are still being discussed. See "Juretang" in the Gotheborgh glossary and the CHINESE MARKS section under the term "Hongxian Nian Zhi". dimensions: height 28 cm.
A big yellow ground bajixiang porcelain moon flask dating: late 19th Century provenance: China The convex sides are painted in blue on a yellow ground, in the style of Ming of 15th Century, with eight petals containing the bajixiang released from a small band of other petals, surrounding a central protuberance decorated with a flower; the sides are covered with lingzhi mushrooms; foot and neck en suite; the two handles are moulded as symmetrical, curved leaves; on the yellow base is painted in blue the apocryphal, six-character seal mark of the Emperor Yongzheng. A firing defect at the central protuberance and a small chip on the foot. A similar, smaller white and blue moon flask bajixiang, presumably of the same period, marked Qianlong was sold at at Bonhams, Auction 20024: FINE CHINESE ART, 08 November 2012, LONDRA, NEW BOND STREET; lot. 56. The bajixiang are the eight Buddhist symbols of good fortune. This moon flask recalls the samples in Ming style manufactured in the 18th Century, during Yongzheng and Qianlong Kingdoms. See a similar moon flask on yellow ground, marked Yongzheng and of the period, at Christie’s, SALE 2891 – IMPORTANT CHINESE CERAMICS AND WORKS OF ART; 30 November 2011; Hong Kong; lot 2944. An almost identical, white and blue moon flask bajixiang, marked Qianlong andof the period was sold at Christie’s, SALE 2463 – FINE CHINESE CERAMICS AND WORKS OF ART PART I & II; 15 September 2011, New York, Rockefeller Plaza; lot. 1547. dimensions: height 49 cm.
A beautiful and rare blu and white porcelain tea pot dating: 17th Century provenance: China Zigzag spout, bulb-shaped body and raised handle; finely painted in blue underglaze, featuring two frames depicting two Chimeras; at the top of the body is a round band decorated with flowers; handle and sprout decorated with clouds, the cover is decorated with floral motifs. Featuring a big, star-shaped headline on the body; a restored breakage on the border and some chips on the border and at the inside of the cover.A similar teapot was sold at Christie’s, SALE 11640 – CHINESE EXPORT ART; 21 January 2016, New York, Rockefeller Plaza; lot. 197. See also the pair of teapots sold at Christie’s, SALE 5262 – CHRISTIE’S INTERIORS; 8 April 2014, London, South Kensington; lot. 47. Compare to the Guest & Gray teapot, Catalogue: Chinese Ming & Earlier Ceramics & Works of Art, Ref. Y441. dimensions: height 24 cm.
Important, large and rare blu and white porcelain plate dating: Jiajing (1522-1566) provenance: China Placed on a short, ring-shaped feet; the inside of the plate decorated with a beautiful ensemble of lotus flowers; painted with six flying storks and six clouds at the back; featuring Arabic writings and a five-pointed star at the base. A big headline at the center with a small restoration; a small glaze-defect. See a very similar plate at the Topkapi Museum in Istanbul, lot number TKS 15/1892. See the book Chinese Ceramics in the Topkapi Saray Museum, Istanbul, A complete catalogue, Vol. 2, Yuan and Ming Dinasty Porcellains; Regina Krahl in Collaboration with Nurdan Erbahar, by John Ayens; Sotheby's Pubblication, pag. 721 fig. 1273 dimensions: diameter 40 cm.
A beautiful and large blu and white porcelain plate dating: Jiajing (1522-1566) provenance: China Finely painted in white and blue; depicting a hill landscape surrounded by water and with a man on a donkey crossing a bridge between two mountains; the border is decorated with a painted band with storks and lotus flowers; finely painted at the back with three pomegranate branches with a bird on top. Chips on the border and a firing damage at the center.The depicted scene presumably takes place in the Huangshan (literally: "Yellow Mountains") mountains, on the Immortals' Bridge. This landscape inspired a lot of Chinese artists and it can be easily found on several paintings on paper. Moreover, it is quoted in more than twenty-thousand poems from the Tang dynasty (618 – 907) to the Qing Dynasty (1644 – 1908). During the Qin Dynasty (221 a. C. – 206 a. C.) these mountains were known as Yi Shan. The current name was used when the poet Li Bao (701 – 762) used it in 747 in one of his poems. A similar plate is at the Topkapi Museum in Istanbul, object TKS 15/3487; TKS 15/1553; TKS 15/1923. See the book Chinese Ceramics in the Topkapi Saray Museum, Istanbul, A complete catalogue, Vol. 2, Yuan and Ming Dinasty Porcellains; Regina Krahl in Collaboration with Nurdan Erbahar, by John Ayens; Sotheby's Pubblication, page 685/6, pic. 1121/22 e page 697, fig. 1169. dimensions: diameter 34.5 cm.
An important and rare pair of doucai square porcelain jardinieres on stands dating: Qing (1644-1911) provenance: China Raised on dour, bracket-shape stands; each side is painted with a scroll of flowers featuring a continuous stem holding a yellow flower; also featuring three, violet flowers with violet, red and yellow buds; a band decorated with double pumpkins, leaves and iron-red bats on the smooth border; the enamels are encircled by blue, underglaze borders; four, vertical supports at the inside; each one features a drainage hole and pink, wooden vase support. Period: 18th-19th Century. A very similar pair of jardinieres doucai was sold at Christie’s, SALE 2689 – FINE CHINESE CERAMICS AND WORKS OF ART; 21-22 March 2013, New York, Rockefeller Plaza; lot. 1553. Provided with the original certificate of the Oriental Artland - 12th May 1960 in Hong Kong stating that the object, with the description and picture attached, was manufactured more than 100 years ago. dimensions: dimensions 17 x 20 x 20 cm.
An important and large armorial plate in blu and white porcelain of the Portuguese Indian Companies dating: Kangxi (1662-1722) provenance: China Beautifully painted, featuring a medal enclosing at the inside a flower surrounded by two bands with concentric leaves, one on the medal and the other on the border, featuring an emblem belonging to the famous Italian Ginori family; the very fine border is moulded as a step; the base is on a wide, ring-shaped foot and features an underglaze mark shaped as a lingzhi mushroom painted in blue at the inside of a double circle. Small chips on the border.In the past, the emblem was attributed to the Caldeira Family (Castro 1987), particularly the emblem given to Andrè Caldeira in 1599, but today, thanks to some documents owned by the descendants of Ginorisi family, is attributed to the famous Florentine family. The embles of the two families are very similar, Castro mentions the Ginory Family and underlines the similarity of the two shields. The decoration has the style of the pieces made for the Portoguese market - this service was indeed ordered by Lorenzo Ginori when he was in Portugal. The armorial, white and blue plate of Coelho mentioned at the end of the notes family proves this similarity. See an identical dish with a stem attributed to Ginori Family sold at Christie’s, SALE 6587 – CHINESE CERAMICS, EXPORT CERAMICS & WORKSOF ART; 18 June 2002, London, King Street; lot. 339. See also a similar but smaller plate and featuring the same emblem at the center sold at Christie’s, SALE 6731 – CHINESE CERAMICS AND WORKS OF ART, INCLUDING EXPORT ART; 17 June 2003, London, King Street; lot. 219. See also the smaller dish with the emblem at the center sold by Bonhams, ASTA 10780: EXPORT AND DECORATIVE ART OF THE CHINA TRADE; 9 March 2004, London, New Bond Street; lot. 21. See also the catalogue “Hit & Mythâ€, Cohen & Cohen; pag. 108 – 109, exhibited in London, St Jame’s, 67 Jermyn Street, 30 October– 8 november 2014 containing a similar, smaller plate featuring the same emblem painted at the center and not at the border. See also “A Porcellana Chinesa e os Brasoes do Imperioâ€, Nuno de Castro, 1987; pag. 43. A smaller plate featuring a similar decoration but with the Coelho family emblem at the center was sold at Bonhams, AUCTION 10430: THE DU BOULAY COLLECTION OF CHINESE CERAMICS; 10 November 2003, London, New Bond Street; lot. 29. dimensions: diameter 33 cm.
A rare pair of "Pseudo tobacco leaf" porcelain dishes dating: last quarter of the 18th Century provenance: China With lobed, bracket-shaped border, featuring the famous decoration "pseudo tobacco leaves" at the center. The dishes feature two, big spinning and some chips at the border, one of them with a small breakage on the border.Two dishes with the same decoration and shape were sold at Christie’s, SALE 4102 – CHRISTIE’S INTERIORS; 24 January 2012, London, South Kensington; lot. 282. See also Sotheby’s, Auction: N08758; PROPERTY OF A PALM BEACH PRIVATE COLLECTOR; 29 March 2011, New York; lot. 144. A dish decorated en suite can be found also at Palazzo Pitti, Museo degli Argenti e Museo delle Porcellane, Sala delle Porcellane Orientali, in Florence. See the catalog of the Scalambrino Commection: Oriental porcelains and European Majolica; Francesco Morena; ISBN 88-8347-350-7; page 78-79, object number 105. Another sample with similar decorations belongs to the Mottahedeh Collection. See Howard-Ayers, China for the West. Chinese Porcelain & Other Decorative Arts for Export illustrated from the Mottahedeh Collection, 1978, vol. II, pag. 540-541. dimensions: diameter 23 cm.
A rare tobacco leaf decorated porcelain exportation plate dating: Qianlong (1736-1795) provenance: China Carved, octagonal shape; finely decorated with a variation of the famous tobacco leaf depicting enameled flowers, leaves and buds.A similar plate was sold at Christie’s, SALE 5912 – CHRISTIE’S INTERIORS; 9 December 2014, London, South Kensington; lot. 46. See also Christie’s, SALE 11640 – CHINESE EXPORT ART; 21 January 2016, New York, Rockefeller Plaza; lot. 147. dimensions: dimensions 41 x 33. x 4.5 cm.
An elegant and scarce Ruby-back glazed porcelain cup dating: Yongzheng (1723-1735) provenance: China Egg-shell body, on a thin, ring-shaped foot; finely painted with famille rose roses and another small flower at the inside; completely covered with a rich, pink enamel at the external part; white, glazed base. Three, tiny chips on the border. See a very similar sample, featuring the saucer, in hina GUARDIAN AUCTIONS CO. LTD; Series: Autumn Auction 2013; Session: Collection of Porcelain; lot. 5122. Another, similar cup with saucer was sold at Christie's; SALE 3329 – THE PAVILLON SALE-CHINESE CERAMICS AND WORKS OF ART; 7 October 2014, 22nd Floor, Hong Kong; lot. 184. Earlier sold at Christie’s, SALE 2862 – IMPORTANT CHINESE CERAMICS AND WORKS OF ART; 1 June 2011, Hong Kong, Convention Hall; lot. 4018. An identical cup with saucer belongs to the Ernest Grandidier Collection, Musée National des Arts Asiatiques-Guimet, lot number G 188. dimensions: diameter 6.5 cm.
TEK SING CARGOfive pieces of early 19th century Chinese porcelain comprising a saucer, three bowls, and a side plate, of various designs, all with Nagel Auctions Tek Sing Treasures label (5)Note: The `Tek Sing` (or `True Star`) was a large three-masted Chinese ocean-going junk which sank after running aground on a reef in the Gaspar Strait, on 6th February 1822. It had sailed from Amoy (now Xiamen, in Fujian province, China) and was bound for Batavia in the Dutch East Indies (now Jakarta, Indonesia), laden with a cargo of porcelain and 1600 Chinese immigrants, most of whom lost their lives. Following the discovery of the wreck in 1999 the salvageable cargo was raised from the sea bed, having lain undisturbed for nearly 180 years.
TEK SING CARGOfive pieces of early 19th century Chinese porcelain comprising two saucers, two bowls, and a side plate, of various designs, all with Nagel Auctions Tek Sing Treasures label (5)Note: The `Tek Sing` (or `True Star`) was a large three-masted Chinese ocean-going junk which sank after running aground on a reef in the Gaspar Strait, on 6th February 1822. It had sailed from Amoy (now Xiamen, in Fujian province, China) and was bound for Batavia in the Dutch East Indies (now Jakarta, Indonesia), laden with a cargo of porcelain and 1600 Chinese immigrants, most of whom lost their lives. Following the discovery of the wreck in 1999 the salvageable cargo was raised from the sea bed, having lain undisturbed for nearly 180 years.
TEK SING CARGOfour pieces of early 19th century Chinese porcelain comprising a saucers, two bowls, and a side plate, of various designs, all with Nagel Auctions Tek Sing Treasures label (4)Note: The `Tek Sing` (or `True Star`) was a large three-masted Chinese ocean-going junk which sank after running aground on a reef in the Gaspar Strait, on 6th February 1822. It had sailed from Amoy (now Xiamen, in Fujian province, China) and was bound for Batavia in the Dutch East Indies (now Jakarta, Indonesia), laden with a cargo of porcelain and 1600 Chinese immigrants, most of whom lost their lives. Following the discovery of the wreck in 1999 the salvageable cargo was raised from the sea bed, having lain undisturbed for nearly 180 years.
MATCHED PAIR OF CHINESE PORCELAIN JARS AND COVERSof shaped form, the lids with a brass band below the finial and the lip, the jars with a brass band to the lip and foot, one decorated with a four toed dragon chasing a pearl, the other decorated with magnolia trees, with a six character mark to the base, 41cm high
TEK SING CARGOfive pieces of early 19th century Chinese porcelain comprising two saucers, two bowls, and a side plate, of various designs, all with Nagel Auctions Tek Sing Treasures label (5)Note: The `Tek Sing` (or `True Star`) was a large three-masted Chinese ocean-going junk which sank after running aground on a reef in the Gaspar Strait, on 6th February 1822. It had sailed from Amoy (now Xiamen, in Fujian province, China) and was bound for Batavia in the Dutch East Indies (now Jakarta, Indonesia), laden with a cargo of porcelain and 1600 Chinese immigrants, most of whom lost their lives. Following the discovery of the wreck in 1999 the salvageable cargo was raised from the sea bed, having lain undisturbed for nearly 180 years.
TEK SING CARGOfive pieces of early 19th century Chinese porcelain comprising two saucers, two bowls, and a side plate, of various designs, all with Nagel Auctions Tek Sing Treasures label (5)Note: The `Tek Sing` (or `True Star`) was a large three-masted Chinese ocean-going junk which sank after running aground on a reef in the Gaspar Strait, on 6th February 1822. It had sailed from Amoy (now Xiamen, in Fujian province, China) and was bound for Batavia in the Dutch East Indies (now Jakarta, Indonesia), laden with a cargo of porcelain and 1600 Chinese immigrants, most of whom lost their lives. Following the discovery of the wreck in 1999 the salvageable cargo was raised from the sea bed, having lain undisturbed for nearly 180 years.
TEK SING CARGOsix pieces of early 19th century Chinese porcelain comprising three tea bowls and three saucers, of various designs, all with Nagel Auctions Tek Sing Treasures label (6)Note: The `Tek Sing` (or `True Star`) was a large three-masted Chinese ocean-going junk which sank after running aground on a reef in the Gaspar Strait, on 6th February 1822. It had sailed from Amoy (now Xiamen, in Fujian province, China) and was bound for Batavia in the Dutch East Indies (now Jakarta, Indonesia), laden with a cargo of porcelain and 1600 Chinese immigrants, most of whom lost their lives. Following the discovery of the wreck in 1999 the salvageable cargo was raised from the sea bed, having lain undisturbed for nearly 180 years.
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106012 item(s)/page