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Click here to subscribeA group of Chinese export porcelain, Qianlong, including a Famille Rose punch bowl, 24cm diameter; a blue and white punch bowl, 21cm diameter; a Famille Rose plate, 23cm diameter; and a Famille Rose planter, 18.5cm high (4)清乾隆 各式外銷瓷等一組四件 Condition Report: both the punch bowls crackedthe plate with very small chips to the rim the planter with one corner restoredCondition Report Disclaimer
A Chinese eggshell porcelain bowl, 19th century, the interior delicately incised with two scaly dragons chasing flaming pearls of wisdom, the body decorated with a translucent white glaze and raised on a short straight foot, contained in a fitted box, 13.2cm diameter清十九世紀 暗刻雙龍戲珠紋碗 Condition Report: in good conditionCondition Report Disclaimer
An 18th century Chinese blue and white porcelain tureen and stand (a/f) (2)Tureen - markings and pitting to the interior. Residue arks of white paint throughout. Chip to rim - see images. Loss to one handle. Large fracture line running along the basal rim. The plate - has fritting to the rim. Staining and discoloured marks to the top and base surface.
A Chinese export famille rose porcelain "Manchu" chamber pot and cover, Qing Dynasty circa 1790, on later gilt metak tripod mount (a.f handle missing): A famille rose porcelain teapot and cover circa 1900. A pair of oriental provincial lacquer food bxes and covers inlaid with floral sprigs, 25cm diameter 21 cm high (4)Provenance: Heydon Grange, NorfolkTeapot - lid is a/f with heavy losses. The teapot has some minor pitting and marks to the exterior. The decoration has rubbed. Metal repair to the bottom of the handle. Chamber pot - the lid has fracture liens to the interior with pitting. The gitl and decoation has faded with some enamel punches. The chamber pot has a loss of the handle leaving black marks. There is rust/residue where the metal plinth meets the ceramic pot. Marks and scratches throughout. Lacquered boxes - a/f with heavy losses of inlay and exterior lacquered, with dry cracking.
A CHINESE PORCELAIN CHARGER, FIRST HALF 19TH CENTURY probably for the Central Asian Market, overglaze painted with polychrome floral decoration, the centre with Islamic inscription and date reading AH 1235/1820 AD, modern hanging bracket, 46.5cm diam.Provenance: Collection of the late Peter Millett (1925-2016)
A PAIR OF CHINESE EXPORT ARMORIAL DINNER PLATES, QIANLONG PERIOD, CIRCA 1775 each plate famille-rose enamelled with the arms of Boyd, Earl of Kilmarnock, all within an underglaze blue Fitzhugh band at the foliate rim, 24.5cm wideFootnote: For a plate from this service, see D.S.Howard, Chinese Armorial Porcelain, p.687.約1775年 外銷家紋瓷餐盤一對
A CHINESE EXPORT ARMORIAL OVAL SERVING DISH, QIANLONG PERIOD, CIRCA 1785 famille-rose enamelled to the interior with the arms of Hankey quartering Barnard and impaling Wyver, all within gilt bands at the well and broad everted rim, 26.2cm wideFootnote: For a pair of plates from this service, see Sotheby's, New York, Chinese Export Porcelain from the Collection of Elinor Gordon, 23 January 2010, lot 168.約1785年 外銷家紋橢圓瓷盤
A LARGE CHINESE FAMILLE-ROSE 'MAGU' DISH, QING DYNASTY, YONGZHENG PERIOD (1723-35) the rounded sides rising from a short straight foot to an everted broad rim, finely enamelled to the interior with the Daoist Immortal standing holding a lingzhi, to her side stands a small boy carrying a basket on his back and a deer with a peach spray in its jaws, all encircled by floral sprays at the rim, 35cm diameter.Provenance: Collection of Augustus the Strong, Elector of Saxony, King of Poland (1670-1733), Saxony, Dresden, inventory no. N=1831. Confirmed by the Staatliche Kunstsammlungen Dresden that the dish was originally part of the Royal Dresden porcelain Collection.Property from a Private Collection, England.Footnote: For an almost identical dish with the same Japanese Palace Inventory number in the Dresden Porcelain Collection, see Eva Strober, La Maladie de porcelaine., East Asian Porcelain from the Collection of Augustus the Strong, Berlin, 2001, pl.32, where it is noted that such pieces likely entered the collection in 1727.OFFERED WITHOUT RESERVE 清雍正（1723~1735年） 粉彩麻姑圖大盤
A CHINESE PORCELAIN FIGURE OF CHAIRMAN MAO, JINGDEZHEN, CIRCA 1966-76 well modelled, standing with hands held behind his back holding his cap, wearing a long green double-breasted overcoat, his face with gentle smile, 43.5cm highFootnote: For a similar figure of Chairman Mao, see Fan Jianchuan, The Cultural Revolution Porcelain Wares, page 24.約1966~1976年 景德鎮毛主席瓷人像
A CHINESE BLUE AND WHITE 'DIANA CARGO' TUREEN, COVER AND STAND, CIRCA 1816 the octagonal oblong body, domed cover and stand painted with landscape scenes within geometric bands, the tureen set with a pair of hares-head handles, the stand 35cm wideProvenance:Christie's Amsterdam, 6-7th March 1995, Lot 699 (part lot).From the collection of the late A.J. (John) Lippitt (1928-2019), Hampshire.Footnote: The Diana was a merchant ship of the Honourable East India Company, wrecked on rocks in the Malacca Straits on 4 March 1817. She was trading between Canton and India, carrying a cargo of Chinese porcelain, tea and spices. Her porcelain cargo of 24,000 pieces was intended for sale to merchants based in Calcutta, for their own use and for shipment on to England. The salvage operation was carried out between 1991 and 1994.約1816年 “戴安娜號”出水青花湯碗連蓋連托
A CHINESE EXPORT ARMORIAL DEEP DISH, QIANLONG PERIOD, CIRCA 1775 famille-rose enamelled to the interior with the arms of Foulis of Collinton, all within an iron-red and gilt spearhead band and a rococo-style leafy scroll at the well, 25.7cm diameterFootnote: For another piece from this service, see D.S.Howard, Chinese Export Porcelain, vol.1, p.374.约1775年 乾隆 外銷家徽瓷盤
A good Chinese blue and white 'Warriors' dish, Kangxi, rising from a short foot to a flared rim, the interior nicely painted with a scene of warriors on horseback beneath an overhanging willow tree, encircled by six panels of further warriors at the rim, the exterior decorated with panels of ruyi below floral sprays, the base inscribed with an apocryphal Chenghua mark, 37.7cm diameter During the Kangxi period it was fashionable to depict warriors and scenes from popular novels such as The Romance of the Three Kingdoms, or Outlaws of the Marsh. The majority of the images on porcelain are derived from woodblock illustrations. Compare with a blue and white 'warriors' dish, Kangxi period, sold at Sotheby's New York, Lot 1751, 14 Sept 2019, and a Chinese blue and white saucer, is illustrated in Christiaan J. A. Jörg, Chinese Ceramics in the Collection of the Rikjsmuseum, Amsterdam, London, 1997, p. 94, no. 82.Provenance: Collection of a private lady in Malborough清康熙 "大明成化年制"款青花刀馬人圖大盤拍品來源：英國Malborough市私人女士珍藏 Condition Report: small chips and firing blemishes to the rim and foot rimsome scratches to the interior and exterior Condition Report Disclaimer
A Chinese blue and white porcelain bowl made for the Vietnamese market, Qing dynasty, 19th century, the exterior painted with two dragons chasing flaming pearls amid clouds, the recessed base bearing the four character Thieu-tri nen-che mark in underglaze blue, rim with metal mount,12.3cm diameterThe Vietnamese emperor Thieu-tri reigned from 1841-1847.清19世纪 "明命年制"款青花云龙纹外销东南亚市场碗 Condition Report: three hair cracks cracks running down the side of the bowl each approximately 6cm long Condition Report Disclaimer
A Chinese blue and white porcelain table screen, 20th century, the plaque painted with two figures seated in an open pavilion in a landscaped scene, mounted in a carved hardwood frame, overall height 44cm, the porcelain plaque 35cm long x 20cm wide青花人物山水圖插屏 Condition Report: overall very presentable conditionCondition Report Disclaimer
A Chinese green-enamelled 'Dragon' dish, Qianlong seal mark and period, with flaring rounded sides, enamelled at the centre to the interior with a central medallion enclosing a green writhing five-clawed dragon with a flaming pearl, all outlined in black enamel, the exterior with a continuous scene of two dragons chasing flaming pearls above a delicately incised wave ground in anhua, the base inscribed with a six-character Qianlong seal mark, 18cm diameterCompare with a green-enamelled Qianlong period 'Dragon' dish, Christie's London, Lot 13, 8th Nov 2016, and with other examples, decorated with similar dragon motifs and anhua technique, dated to the Yongzheng and Jiaqing period in the Qing court collection, currently housed in the Palace Museum, Beijing and illustrated in The Complete Collection of Treasures of the Palace Museum: Miscellaneous Enamelled Porcelains Plain Tricoloured Porcelain, Shanghai, 2009, pp. 95-96, no. 76 & 77.Provenance: From a private collection in the West Midlands.清乾隆 "大清乾隆年制"款白地暗刻海水綠彩龍紋盤拍品來源：英國西密德蘭郡私人紳士收藏 Condition Report: restored, small chips to the rim Condition Report Disclaimer
A rare Chinese celadon 'Chrysanthemum' bowl, Qianlong seal mark and period, of conical shape on a high straight foot and everted petal rim, covered inside and out below the rim with a soft blue-green glaze, the base inscribed with a six-character Qianlong seal mark, 20cm diameterCompare with a dish of similar shape illustrated in, Treasures of the Royalty, The Official Kiln Porcelain of the Chinese Qing Dynasty, Shanghai, 2003, pp. 339Provenance: From a private collection in the West Midlands.清乾隆 "大清乾隆年制"款粉青釉菊瓣盌拍品來源：英國西密德蘭郡私人紳士收藏 Condition Report: small chips and firing blemishes to the rimone hairline crack to the rimsurface wear and scratches Condition Report Disclaimer
† Attributed to Kim Deuk-sin (金得臣, 1754-1822), Guo Ziyi's Banquet (Gwakbunyang Haengnakdo), a fine eight-panel screen, ink and colour on silk, with two seals of the artist, picture size 452cm x 130.5cmBIDDING FOR THIS LOT WILL BE BY TELEPHONE ONLY AND ONLINE BIDS WILL NOT BE ACCEPTED. IF YOU ARE INTERESTED IN THIS LOT PLEASE CONTACT DREWEATTS TO ARRANGE A TELEPHONE BID (+ 44 (0) 1635 553 553 | ytao@deweatts.com) 本件拍品仅接受电话竞价，网上竞价无效，如您有兴趣，请联系陶映雯博士（ytao@dreweatts.com） Provenance: From a private West Coast collection in the US and first purchased in Tokyo when the family ran the US occupying forces entertainment program in 1946. This eight-panel folding screen depicts a banquet honouring Guo Ziyi (697-781), a famed general of China's Tang dynasty (618-907). In addition to his individual achievements, he lived a long life until the age of 85 with a big family of eight sons and seven daughters who were all quite successful. Thus he became a paragon of Confucian loyalty and fortitude, and even deified in popular religion as a god of wealth and happiness. By the 17th century in China, Guo's reception had become a metaphor for auspicious birthday celebrations in general and was depicted in various media, e.g., blue and white porcelain, embroidery and lacquer, conveying a wish for longevity, wealth, and rank. See a set of twelve embroidered 'Celebration Scene' hanging scrolls, 17th century, at the Metropolitan Museum (accession number 2019.445.1a-I).As such, screen paintings illustrating similar themes delivered a didactic message and emphasised the Joseon admiration for and imitation of Ming imagery. Based on the Chinese prototypes, Joseon's paintings of Guo Ziyi were newly composed in the style of court painting in splendid dark colours, and were mainly produced as folding screens.Kim Deuk-sin (1754-1822) was the son of a royal court painter, Kim Eungri (金印履), and followed in his father's footsteps. He entered royal service as a member of the Dohwaseo (圖畵署), the official painters of the Joseon court. His work showed the influence of Kim Hong-do(金弘道), and excelled at landscape and genre paintings in particular. Scattered worldwide in major museums such as the Metropolitan Museum, Philadelphia Museum of Art and National Palace Museum of Korea, there are about 47 screens of the same topic remaining today but mostly painted by unknown artists. Only very few examples are signed and stamped. Compare with a similar screen depicting the banquet by Kim Deuk-sin at the National Museum of Korea (accession number Deoksu 1508). Guo is depicted in the present work at centre of the banquet in his honour, enjoying a dance performance surrounded by his large family in a palatial residence with flowering trees, cranes, deer, and birds. His sons and sons-in-law (八子七婿) standing by his sides are all dressed in official costumes, and his grandsons frolicking in front of him. Covered with auspicious clouds on top, the painting also features cranes, deer, and pine trees wishing for longevity, and peonies symbolising wealth and prosperity are in full bloom. Screens like this would have been used at celebrations and given as congratulatory gifts to distinguished individuals and royal families.김득신 곽분양행락도 8폭병풍朝鮮王朝 （傳）金得臣（1754-1822）《郭汾陽行樂圖八開屏風》設色絹本款識：兢齋，金得臣印 拍品來源：美國西海岸私人家族收藏，其於1946年於日本錄製美軍娛樂節目時購自東京 Condition Report: Overall the screen with some discoloration, fraying and losses, especially along edges and around hinged areas. Hinges partly restored but still with two broken. The back board with wear, losses, and scattered insect damage.multiple areas of silk loss to the painting commensurate with age, small areas of old patch repairs, the central scene depicting the dancer with some scattered black splashes to the lower area. One panel with two punctured areas to the back board.Please refer to detailed images for visual reference of the conditionCondition Report Disclaimer
A Chinese blue and white porcelain-mounted hardwood and bone inlaid stool, Qing dynasty, late 19th century, the top with painted porcelain dragon panel, the stool of circular shape supported on four cabriole legs, 40cm diameter x 41cm high Provenance: From a private collection in the West Midlands.清 紅木嵌青花矮几拍品來源：英國西密德蘭郡私人紳士收藏 Condition Report: old repair on top border with one Asiatic pheasants head restored other minor losses to inlay and old small repairs Condition Report Disclaimer
A Chinese porcelain ginger jar, decorated numerous figures, double ring mark to base, 6 1/2" high, and other Chinese porcelainCondition:Ginger jar has a few surface scratches but no major visible issues.The cylindrical vase has been restored and is chipped.The other similar baluster shaped vase has also been restored and is chipped.Other items are also damaged, except for the blue and white basket.
A late 19th century Chinese porcelain Famille Verte triple gourd vase, decorated with auspicious symbols, prunus flowers and floral detail, bearing Kangxi double ring mark to the underside, height 45cm.Condition Report: Light wear as expected, glaze faults to the body but good condition with no chips, cracks or restoration.
A pair of late 19th century Chinese blue and white porcelain bottle vases, decorated with lotus flowers, each bearing Kangxi double ring to the underside, height 29cm (2).Condition Report: Minor glaze chips to the rim, one example with a small slither chip to the foot rim, otherwise good condition.
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