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18th Century Chinese porcelain bowl, decorated in the Imari pallet with two reserved cartouches depicting female figures in gardens. 20cm diameter. Together with a hardwood, pierced stand of square form, with four scrolled legs.(B.P. 24% incl. VAT) CONDITION REPORT: The bowl has scuffs and wear to the interior and a noticeable firing crack to the base rim, but otherwise displays no apparent damage or restoration.
A PAIR OF CHINESE ENAMEL VASES,in blue, white and yellow, each decorated with panels depicting women in landscapes, 10.5" (27cm) high, as is; together with a smaller Canton vase, decorated all over with flowers and figures, 9" (23cm) high; a modern figure of an elderly Japanese man; another of a Chinese Immortal, each approximately 4" (10cm); and an unusual Cantonese porcelain and brass mounted oil lamp, decorated with flowers birds and insects, 8" (20cm) high. (6)
A VERY IMPORTANT CHINESE BLUE AND WHITE "KRAAK" PORCELAIN DISH, WANLI (1573-1619), the centre roundel decorated with three ducks on a river bank and two in flight amongst foliage, the border with eight alternating panels, depicting sunflowers and precious objects, 19.5 "(50cm)d. (1) Provenance: Geoffrey Walters London, stamp verso . Also Spink & Co. stamp verso.
A Chinese famille rose porcelain rouleau-shaped vase, decorated with warriors and battle scene in two panels on a powder blue ground, a band of stylish pattern around the neck, gilt floral decoration on the blue ground, 19th century, Qing period, 30cm high, a minor chip to the rim and foot, otherwise in good condition.
A pair of Eight Horses of Mu Wang bowls, marks of Jiajing, mid 17th century, of flared conical form, the eighth horse within, 17.5cm diameter (2)Provenance: Edward Newcombe, born in 1843, the son of William Lister Newcombe, General Manager of the Midland Railway Company. Edward worked for the same company as his father until his wedding in 1873. He had taken a job as a surveyor to work on the construction of railways in Japan, for the Meiji government. Three years later his contract expired and he won an appointment in the surveyor general's office in Hong Kong. The family were well off and able to afford luxuries, including Japanese and Chinese porcelain, which they brought back to the UK just a few months later.condition: hairlines to both, chips to rim and foot of one
A Blanc de Chine, whiteware tripod censer, with a frieze of archaistic characters in relief, with reticulated hardwood lid, 17cm high with lidProvenance: Edward Newcombe, born in 1843, the son of William Lister Newcombe, General Manager of the Midland Railway Company. Edward worked for the same company as his father until his wedding in 1873. He had taken a job as a surveyor to work on the construction of railways in Japan, for the Meiji government. Three years later his contract expired and he won an appointment in the surveyor general's office in Hong Kong. The family were well off and able to afford luxuries, including Japanese and Chinese porcelain, which they brought back to the UK just a few months later.condition: hairlines and crazing, repair to handle, lid broken and part missing
A pair of lime green ground bowls, Daoguang marks and probably of the period, each exterior embellished with scattered and overlapping medallions under the vivid enamel glaze, the interiors painted in underglaze blue with a "white rabbit grazing" medallion centring four flower sprays, 15cm diameter (2)Provenance: Edward Newcombe, born in 1843, the son of William Lister Newcombe, General Manager of the Midland Railway Company. Edward worked for the same company as his father until his wedding in 1873. He had taken a job as a surveyor to work on the construction of railways in Japan, for the Meiji government. Three years later his contract expired and he won an appointment in the surveyor general's office in Hong Kong. The family were well off and able to afford luxuries, including Japanese and Chinese porcelain, which they brought back to the UK just a few months later.
An 18th Century Chinese bowl, reeded form with landscape enamels to the exterior and interior, 22cm diameterProvenance: Edward Newcombe, born in 1843, the son of William Lister Newcombe, General Manager of the Midland Railway Company. Edward worked for the same company as his father until his wedding in 1873. He had taken a job as a surveyor to work on the construction of railways in Japan, for the Meiji government. Three years later his contract expired and he won an appointment in the surveyor general's office in Hong Kong. The family were well off and able to afford luxuries, including Japanese and Chinese porcelain, which they brought back to the UK just a few months later.condition: hairline to base, small chips to rim
A pair of Chinese cloisonné Ducks, white enamel on brass, modelled in sitting pose (2)Provenance: Edward Newcombe, born in 1843, the son of William Lister Newcombe, General Manager of the Midland Railway Company. Edward worked for the same company as his father until his wedding in 1873. He had taken a job as a surveyor to work on the construction of railways in Japan, for the Meiji government. Three years later his contract expired and he won an appointment in the surveyor general's office in Hong Kong. The family were well off and able to afford luxuries, including Japanese and Chinese porcelain, which they brought back to the UK just a few months later.
A pair of Dehua "Marco Polo" porcelain octagonal censers, covers and stands China, Qing dynasty, Kangxi period, 17th century . With four scroll-shaped handles, the body moulded with registers of scrolling foliage, cover and stands surmounted by upright buds. Old collection label, stating: Imperial Kang-xi 1662-1724, under the censer. For a very close example please see Christie's South Kensington, sale 5262, lot 17 and the one published in Pierson S. "Percival David Foundation of Chinese Art" 2002, p. 80.. Cm 14,50 x 12,50.
A small Chinese porcelain doucai bottle vase, decorated with repeated roundels of Shou symbols, bats and scrolling foliage, six character Yongzheng mark to underside, 16.5cm high CONDITION REPORT: Yellowed discolouration to rim of neck. The external surface with surface scratching and some staining. Some decoration appears to be a little crude. Un-glazed dirtied foot rim. No obvious cracks or restoration. SEE ADDITIONAL IMAGES FOR CLARIFICATION.
A Chinese porcelain tea kettle, decorated trees and foliage, cracked and chipped, 23 cm high Condition report Report by NGStar crack in panel opposite spout. This is visible externally and internally. This crack is also stained. Feet rough and with some losses. Spout chipped. Other production flaws. Rubbing to painted and gilt decoration. Some fading to handle and tarnishing to metal.
One box containing a selection of various items to include a brass horn, various pewter mugs, a 20th Century Chinese baluster shaped vase with blue and white decoration and four character mark to the base, mahogany nutcracker, candlesticks, a small quantity of various electro-plated wares, soda syphon, a Vienna type porcelain vase with brass base, lid and handles, etc (1)
A large 19th century Chinese porcelain bottle vase painted in underglaze blue with two main opposing panels depicting figural interior scene, and with six smaller panels of architectural landscapes and birds perched on blossoming branches, on blossoming prunus blue ground, bearing six character mark to base in Zhuanshu script, height 43cm. CONDITION REPORT: Surface dirt and minor wear, odd areas of pitting to the glaze (manufacturing imperfection), wear to the base, otherwise appears good with no further obvious faults, damage or restoration..
A pair of large 19th century Chinese porcelain Famille Rose opposing baluster vases painted in enamels with two opposing panels, one depicting three warriors with their master, the other depicting birds perched on blossoming chrysanthemum and prunus branches, within decorative borders of scrolls and auspicious objects, the panels alternating with image of phoenix amongst blossoming peonies, with similarly decorated flared necks, bearing overglaze iron red six character mark to bases, height 77cm (one af). CONDITION REPORT: Both vases with minor general surface wear and dirt, areas of losses to the thicker layers of the enamel (mainly firing imperfections such as air bubbles), rubbing to the gilding on the rim. Both with scratches to the inside of the neck. One vase has been bruised to the lower part causing a major star hairline with staining to both interior and exterior, and with major crack to the flared rim which has been crudely reglued.
A large late 19th/early 20th century Chinese porcelain Famille Rose circular charger painted in enamels with figural scene in landscape within border of four panels and four floral sprays, marked to base, diameter 46cm and a Famille Noire ginger jar and cover, height 24.5cm (2). CONDITION REPORT: Charger: Manufacturer imperfections throughout, rubbing to decoration throughout, scratches and pitting to glaze throughout, two possible areas of restoration to rim underside (equally could be manufacture) - see pictures. Jar: Crack to lid, manufacturing imperfections, scratches and pitting to glaze throughout with nibbles to foot rims.
A pair of late 19th/20th century Chinese crackle glazed porcelain baluster ginger jars and covers with character marks to bases, height 26cm and a tall baluster vase painted in underglaze blue with figural garden and a smaller example, both with four character marks to bases (4). CONDITION REPORT: Both ginger jars with extensively broken and crudely restored rims, one with further chip to rim cover, extensive further manufacturing imperfections and general wear, both vases with numerous cracks, crudely and partially restored throughout, one with further chip to rim, further general ware and manufacturing imperfections throughout.
A mixed lot of Oriental ceramics including a Japanese Meiji period Imari pattern plate with fluted body, diameter 22cm, a Kutani ware bottle vase, an early 20th century Chinese porcelain Famille Rose ginger jar (af), and a Chinese Republic style baluster vase, height 11cm, also a modern cloisonné box and a Japanese glass snuff bottle.
Six Japanese Meiji period porcelain Imari circular plates with moulded bodies, average diameter 21cm (some af), a Chinese porcelain Imari decorated example with cafe au lait rim, unmarked, also a Famille Rose circular bowl painted with figural panels and a 20th century plate, diameter 27cm (9).
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106012 item(s)/page