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Click here to subscribeA Chinese blue and white export porcelain tea caddy, Qianlong period, painted with coastal landscapes, height approx 11.5cm (hairline crack to neck and lacking cover), together with an eggshell porcelain tea bowl and stand, enamelled with blue pheasants, rocks and shrubs, painted six character mark to base.
A Chinese export porcelain plate, Qianlong period, the centre painted and gilt with two deer beside a pine tree, within an underglaze blue lobed border, diameter approx 23.2cm, together with a Chinese Imari export porcelain plate, Qianlong period, painted with different shaped panels filled with flowers, fruit and landscapes, diameter approx 21.7cm.
A pair of Chinese famille jaune porcelain moon flasks, mark of Kangxi but late 19th/early 20th Century, each side painted with figures, height approx 15cm, a Chinese iron red decorated porcelain vase, 20th Century, painted with a dragon, height approx 28cm, and a collection of other Oriental porcelain and pottery.
A Chinese blue and white porcelain saucer dish, Kangxi period, painted with a design of pomegranate, Buddha`s hand citron and foliage, diameter approx 33cm (repaired rim), a Chinese blue and white vase, Kangxi period, painted with panels of flower pots (cut down, damaged and converted to a table lamp), and a collection of other Chinese porcelain, mostly 19th Century (faults).
A Chinese underglaze blue and red porcelain diminutive vase, mark of Wanli but 20th Century, the baluster body painted with dragons and vapours, six character mark to base, height approx 6.5cm, together with underglaze blue and iron red porcelain snuff bottle, painted with figures, height approx 8.3cm.
A Chinese yellow ground porcelain moonflask, mark of Qianlong but late 20th Century, the flattened circular body painted in the famille verte palette with opposing floral panels, reserved against a yellow ground filled with relief moulded and painted pink, green and blue tendrils, beneath a three tubular section neck and a pair of pink handles, pseudo iron red seal mark to base, height approx 30.5cm.
A Chinese iron red ground porcelain snuff bottle and stopper, mark of Daoguang but late 20th Century, the hexagonal barrel shaped body painted with three panels of landscapes alternating with panels of two line black text and iron red seals, within iron red and gilt borders, iron red pseudo seal mark to base, height approx 7.8cm.
A Chinese porcelain snuff bottle, mark of Qianlong but late 20th Century, the baluster body painted with a coastal landscape opposing two lines of black script and three red seal marks, within relief moulded buff biscuit borders, pseudo iron red seal mark to base, height approx 9cm, together with a Chinese reticulated porcelain snuff bottle painted with opposing coastal landscapes within gilt moulded borders, on a pierced blue glazed ground, four character mark to base, height approx 9.3cm.
An English porcelain part tea service, probably Staffordshire, circa 1790, painted in underglaze blue with Chinese pagodas and bridges below floral borders, comprising six teacups, 6.5cm high, six saucers, 13.5cm diameter, a waste bowl, 12.5cm diameter, and a cream jug, 7cm high, unmarked (some damages/restoration) (14) See Bernard Watney Collection, Part III, sold by Phillips on 1st November 2000, lot 1233 for a silver-shaped teapot of the same design.
A porcelain coffee cup, late 18th century, probably Chinese porcelain but European decorated, painted in polychrome with a scene of a cockerel, hen, other birds and flowers, the cup with a distinctive wishbone handle, unmarked, 6.5cm high Footnote: We believe this cup to be a Chinese-made, European decorated replacement for a missing or broken piece from a Meissen or similar service. The scene of a cockerel with a hen and flowers, is based on a print originally by Francis Barlow (1626 - 1704), an influential English painter, etcher and illustrator. See included image taken from The Online Tate Gallery; 'After Francis Barlow, 'Cock; Hen; Chicken; Dove', date not known, engraving and etching on paper' for a similar design and inspiration of the theme.
A Caughley coffee cup, and saucer painted in blue with the Chantilly Sprigs pattern, the cup of plain form, with circular section Chinese-style stand off handle, disguised foot rim, with associated blue line borders, cup 6.5cm high, saucer 13cm diameter, unmarked (2) Saucer bears Ex. J&S Wyatt Collection paper label. See CB&W, page 73 for a discussion of the pattern where it is noted that at this stage Caughley was copying the French underglaze blue painted patterns originally developed at Chantilly in around 1770. The design soon spread across Europe and was widely copied on both porcelain and earthenware. Caughley used it on shapes which were predominantly in a Continental style.
First Period Worcester, sparrow-beak cream jug painted with Chinese garden scenes in underglaze blue, 3.5in. - cracked and a sugar bowl painted in Imari colours, 4.75in. diameter, also to include an 18th century Chinese porcelain tea canister, famille rose enamels with gilding, 4.5in. - neck-rim restored
A Chinese blue and white porcelain teapot and cover of oval melon shaped form, the body applied with flowering shrubs and squirrels, h. 13.5 cm, together with a matching milk jug and jug, a tea bowl and a saucer, Qianlong CONDITION REPORT: Minor chips and losses, finial to teapot cover missing
A collection of decorative ceramics to include a collection of 19th Century tea wares decorated in terracotta, gilt and black (some inscribed "N166" to base), three Meissen porcelain cabinet plates decorated with the "Onion" pattern and with pierced rims, two Meissen coffee cans and saucers decorated with the "Onion" pattern, two 19th Century Newhall type tea bowls and saucers, two Chinese porcelain Imari pattern shallow bowls and a semi-china "Dresden" pattern footed bowl
A collection of decorative china wares and ceramics to include a Chinese porcelain jar and cover decorated with prunus blossom and dog of Fo finial, another smaller Chinese porcelain jar and cover decorated with dragon amongst flowers and foliage and with dog of Fo finial, an Imari pattern jar and cover, a further Chinese jar, a Pratt ware pot lid depicting dancers in a village setting with associated base, a small Royal Doulton Series ware vase, a collection of Wedgwood "Rosehip" pattern trinket wares, a Nao porcelain figure of a goose and a similar figure of a dove
A collection of Oriental ceramics to include two 19th Century Chinese porcelain Imari pattern plates, a further similar plate, a pair of hexagonal vases with pierced sides decorated in underglaze blue, a pottery vase of hexagonal rounded form decorated with green glaze, a Chinese porcelain ginger jar and cover decorated with prunus blossom, an Imari charger and a shallow porcelain dish decorated with bird amongst foliage (9)
A pair of Chinese blue and white porcelain dishes, 19th century; together with a small Chinese blue and white bowl decorated with prunus, with underglaze blue mark. One of pair with repair, prunus bowl with old stapled repair. 15.25cm and 16.25cm respectively. Provenance: the Rev. Jonathan Lees of the London Missionary Society who served in Tientsin between c. 1862 and 1900 and thereafter by descent.
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